Showing 18 items matching "weaving textile art"
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National Wool MuseumBook, Sonya's Mob: the life and times of a Polish-Australian family
... Weaving Textile Art...Inludes information about her husband, Wlodek Zakrzewski who made and repaired spinning wheels. Weaving Textile Art Spinning Spinning wheels Carrington wheel Carrington-Zakrzewska Mrs Sonya Zakrzewski Mr Wlodzimierz Weaving Textile Art To the National Wool Museum / with our best wishes / Lois Carrington / George Carrington Sonya's Mob: the life and times of a Polish-Australian family Book ..."Sonya's Mob: the life and times of a Polish-Australian family" - Lois and George Carrington, Canberra, 1996 (self published). Includes a seperately printed index and location guide to Sonya Carrington's khilims. Biography of Sonya Carrington-Zakrzewska, artist and weaver. Inludes information about her husband, Wlodek Zakrzewski who made and repaired spinning wheels.To the National Wool Museum / with our best wishes / Lois Carrington / George Carringtonweaving textile art, spinning, spinning wheels, carrington wheel, carrington-zakrzewska, mrs sonya zakrzewski, mr wlodzimierz, weaving, textile art -
National Wool MuseumWall Hanging, The Honourable Walrus, MP
... weaving textile art...Sonya was married to George Wlodek Zakrzewski weaving textile art spinning - hand spinning wheels carrington-zakrzewska mrs sonya carrington mrs lois carrington mr george weaving textile art Large rectangular weaving depicting alice in wonderland characters. ...Made by Sonya Carrington in 1986-88. The weaving depicts characters from Alice in Wonderland. Sonya was married to George Wlodek ZakrzewskiLarge rectangular weaving depicting alice in wonderland characters. Woven on a loom, made of silk, linen and wool. Is attached to a wooden rod. Hanging is entitled The Honorable Walrusweaving textile art, spinning - hand, spinning wheels, carrington-zakrzewska, mrs sonya carrington, mrs lois carrington, mr george, weaving, textile art -
National Wool MuseumTextile Handcraft, The Afternoon Tea Party: Celebration Cake
... The covering of the cake was woven by Anneli Rickards, the plate woven by Jean Inglis, Mary Donnan and Val Ingeme made and assembled the floral trimmings Agricultural shows Handicrafts Textile Art Knitting Weaving Geelong Handweavers and Spinners Guild Inc. ...The Geelong Handweavers and Spinners Guild Inc. entered "The Afternoon Tea Party", designed by Val Ingeme, into the "Five Articles" Section of the Melbourne Sheep and Woolcraft Show c.1992. To qualify, the entry needed to form a group and be able to demonstrate a number of wool crafts in at least five different items. The covering of the cake was woven by Anneli Rickards, the plate woven by Jean Inglis, Mary Donnan and Val Ingeme made and assembled the floral trimmingsagricultural shows handicrafts textile art knitting weaving, geelong handweavers and spinners guild inc., spinning - hand, felting, weaving, ingeme, mrs val inglis, jean - geelong handweavers and spinners guild inc. rickards, anneli - geelong handweavers and spinners guild inc. donnan, mary - geelong handweavers and spinners guild inc., melbourne, victoria, agricultural shows, handicrafts, textile art, knitting -
Federation University Art CollectionTextile - Artwork, Millicent Reed, 'Wednesday at 10' by Millicent Reed, 2011-2012
... art from the beginning of recorded time. Similarly, the sameness and difference of time itself has become the focus of all her work. (https://americantapestryalliance.org/exhibitions/tex_ata/down-south-tapestry-in-australia/down-south-exhibitors-biographies/, accesed 03 April 2020) weaving seasons tapestry ballarat weather millicent reed Woven tapestry in eight panels, each with seven images in each panel measured 212.0 x 57.5 cm. 'Wednesday at 10' by Millicent Reed Textile ...Artist's Statement: "Every Wednesday at 10 o'clock in the morning, from the beginning of Winter, 2011 to the end of Autumn, 2012, I photographed the same scene in my Ballarat garden. While the main subject is the weather of the moment, it includes a walnut tree killed in the recent drought, and a deciduous ornamental plum. There are 52 Wednesdays recorded in the tapestry; and 4 frames showing the seasonal changes in the plum tree. The colours bordering each panel are those of deciduous leaves on trees in my garden that week. It is said we only know eternity in the pulse of the moment; and permanence in the cycle of the seasons."Millicent REED Initally training in tapestry from Sara Lindsay at an ATW community class Millicent Reed received a Diploma of Art (Tapestry) from South West TAFE in 2009. Her strength and direction comes from being part of the unbroken continuum of tapestry art from the beginning of recorded time. Similarly, the sameness and difference of time itself has become the focus of all her work. (https://americantapestryalliance.org/exhibitions/tex_ata/down-south-tapestry-in-australia/down-south-exhibitors-biographies/, accesed 03 April 2020)Woven tapestry in eight panels, each with seven images in each panel measured 212.0 x 57.5 cm. weaving, seasons, tapestry, ballarat, weather, millicent reed -
Federation University Art CollectionTextile - Artwork, 'Weaving'
... The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. art artwork Asian school woven weaving textiles Framed woven artwork. ...This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed woven artwork.art, artwork, asian school, woven, weaving, textiles -
Federation University Art CollectionTextile - Tapestry, 'Diggers' by David Larwill and woven by the Victorian Tapestry Workshop, 2004, 2004
... The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. art artwork david larwill victorian tapestry workshop weaving textiles A large tapestry woven from the artwork 'Diggers' by David Larwill. ...This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A large tapestry woven from the artwork 'Diggers' by David Larwill. art, artwork, david larwill, victorian tapestry workshop, weaving, textiles -
National Wool MuseumBook, Modern Developments in the Australian Wool Industry
... Weaving Textile Industry - history Textile Production Machine Knitting Textile Mills Yarra Falls Spinning Co. Pty Ltd Australian Knitting Mills Limited Yarn - woollen Cloth - worsted Yarn - worsted Wool Tops Yarn - cashmere Logo Merino: sheep in Australian art and design - Exhibition (29/07/2000 - 04/02/2001) Weaving Textile Industry - history Textile Production Machine Knitting Textile Mills Book, front cover: "Modern Developments in the Australia Woollen Industry" c.1923; Yarra Falls Spinning Co. ..."Modern Developments in the Australian Wool Industry", c.1923. Examines the operations of the Yarra Falls Spinning Co. Pty Ltd and the Australian Knitting Mills Limited (makers of Golden Fleece and Kookaburra knitted underwear). Includes photos of processes and of the buildings.Book, front cover: "Modern Developments in the Australia Woollen Industry" c.1923; Yarra Falls Spinning Co. Pty Ltd and Australian Knitting Mills Limited.weaving textile industry - history textile production machine knitting textile mills, yarra falls spinning co. pty ltd australian knitting mills limited, yarn - woollen, cloth - worsted, yarn - worsted, wool tops, yarn - cashmere, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), weaving, textile industry - history, textile production, machine knitting, textile mills -
National Wool MuseumClothing - Tabard, Jun Tomita, 1970s
... textile centre of Japan. The technique he uses kasuri (the Japanese term for ikat) is selectively pre-dying yarns before weaving to create pattern. The other decorative features of this garment are based on Japanese family crest designs (kamon). The pointed shoulders of this garment are reminiscent of the stiffened shoulders of kataginu, the upper part of the kamishimo ensemble that was formal wear for samurai men. Tomita was at the Jam factory from 1976-78 and he has works in numerous public collections, including: - Stanthorpe Art...Louis Art Museum, Long House Foundation - Cooper-Hewitt Museum of Art/USA - Victoria and Albert Museum, UK - Toyama Prefectural Museum of Art, Japan The donor purchased this tabard from an exhibition held at Wool House in Parkville Victoria, which was sponsored by the Australian Wool Board to promote the use of Australian Wool in textiles and fashion at that time, around April/May in 1977. At that time (1976-1977) the donor owned and run a retail/display shop for craft products such as ceramics, artworks and jewellery. The donor subsequently retained this in storage with some other items since the business closed. Textile Tabard Japan Art Clothing Weaving ...This tabard is one of a small number that were produced/woven by Japanese master weaver Jun Tomita during the period that he was resident artisan at the Jam Factory in Adelaide. The tabard incorporates Ikat/Kasuri woven central panels. Tomita was born in 1951 in Toyama prefecture, and is based in Kyoto, the textile centre of Japan. The technique he uses kasuri (the Japanese term for ikat) is selectively pre-dying yarns before weaving to create pattern. The other decorative features of this garment are based on Japanese family crest designs (kamon). The pointed shoulders of this garment are reminiscent of the stiffened shoulders of kataginu, the upper part of the kamishimo ensemble that was formal wear for samurai men. Tomita was at the Jam factory from 1976-78 and he has works in numerous public collections, including: - Stanthorpe Art Museum, Art Gallery of South Australia / Australia - Oslo National Gallery / Norway - National Museum of Israel / Israel - Stedelik Museum, Museum of Rotterdam / The Netherlands - Denver Art Museum, St. Louis Art Museum, Long House Foundation - Cooper-Hewitt Museum of Art/USA - Victoria and Albert Museum, UK - Toyama Prefectural Museum of Art, Japan The donor purchased this tabard from an exhibition held at Wool House in Parkville Victoria, which was sponsored by the Australian Wool Board to promote the use of Australian Wool in textiles and fashion at that time, around April/May in 1977. At that time (1976-1977) the donor owned and run a retail/display shop for craft products such as ceramics, artworks and jewellery. The donor subsequently retained this in storage with some other items since the business closed.Double sided reversible tabard featuring woven centrals panels. One side is navy blue with white and blue detail panels, one side is grey with green, brown and cream central panel detail.textile, tabard, japan, art, clothing, weaving, fashion, design, ikat, kasuri -
Wangaratta Art GallerySculpture, Tulla Carson, Gathering - How to Walk in Two Worlds, 2017
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country sculpture textile tulla carson A contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with raw cotton fibre mounted upon a limestone base. ...Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery Collection. Purchased with funds from the Friends of Wangaratta Art Gallery.A contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with raw cotton fibre mounted upon a limestone base.sculpture, textile, tulla carson -
Wangaratta Art GalleryTextile, Esmae Emerson, Autumn Fire, 2010
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country Esmae emerson weaving textile A small weaving with a colour palette of black, reds and oranges. ...Wangaratta Art Gallery CollectionA small weaving with a colour palette of black, reds and oranges.esmae emerson, weaving, textile -
Wangaratta Art GalleryTextile, Esmae Emerson, Spring Growth, 2010
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country Esmae emerson weaving textile A small weaving with a colour palette of black, green, yellow and white. ...Wangaratta Art Gallery CollectionA small weaving with a colour palette of black, green, yellow and white.esmae emerson, weaving, textile -
Wangaratta Art GalleryTextile, Tim Gresham, Resonance in Ochre, 2012
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country tim gresham tapestry weaving A small hand-woven tapestry featuring a jagged line pattern in shades of blue on a ochre coloured background. Resonance in Ochre Textile ...Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small hand-woven tapestry featuring a jagged line pattern in shades of blue on a ochre coloured background.tim gresham, tapestry, weaving -
Wangaratta Art GalleryTextile, Tim Gresham, Ripple in Aqua, 2012
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country tim gresham tapestry weaving textile A small tapestry featuring dark blue and white rippling lines on a light blue and aqua background. ...Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small tapestry featuring dark blue and white rippling lines on a light blue and aqua background.tim gresham, tapestry, weaving, textile -
Wangaratta Art GalleryTextile, Tim Gresham, Maquette VI, 2008
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country tim gresham weaving tapestry textile A small maquette tapestry featuring a scalloped design in a colour palette of white, olive, and grey. ...Wangaratta Art Gallery CollectionA small maquette tapestry featuring a scalloped design in a colour palette of white, olive, and grey.tim gresham, weaving, tapestry, textile -
Wangaratta Art GalleryTextile, Treahna Hamm, Cormorant, 2011
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country Cormorant treahna hamm Yorta Yorta people traditional weaving weaving A textile sculpture of a cormorant woven from natural and man made fibres. ...The cormorant weaving was depicted through the traditional weaving method of the blanket stitch of the Yorta Yorta people. As birds are very significant and important in Aboriginal culture, the cormorant was created to represent the meaning of Wangaratta for the local people and wider community. The weaving is an extension of my series of works which represent wildlife along the waterways, particularly in the North East of Victoria and within my tribal homelands. In 2001 I was taught to weave at a weaving workshop held at Gas Works in Port Melbourne by old aunties from Victoria and South Australia which included Yvonne Koolmatrie. A body of my weaving works, which include turtles and spirits, is held at the National Gallery of Victoria. Other collections which hold my fibre weavings are the National Museum of Australia, Albury Museum and Wagga Wagga MuseumWangaratta Art Gallery CollectionA textile sculpture of a cormorant woven from natural and man made fibres.cormorant, treahna hamm, yorta yorta people, traditional weaving, weaving -
Wangaratta Art GalleryTextile, Rodney Love, Six Degrees - Work 1, 2004-2007
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country rodney love human hair textile weaving A small weaving made from cotton and human hair mounted on a board marked with the names of the people who donated their hair to be woven. ...The Six Degrees works are hand-spun human hair yarn woven on a 4-shaft table loom with a cotton warp. The names of the people who have donated the hair are written above the weavings. They were traced with graphite carbon paper directly on to mount board. Six Degrees is about the connections between individuals and the groups they are part of, emphasised by the names of the donors of the hair being included above the weavings. Wangaratta Art Gallery Collection. Donated by the Artist.A small weaving made from cotton and human hair mounted on a board marked with the names of the people who donated their hair to be woven.rodney love, human hair, textile, weaving -
Wangaratta Art GalleryTextile, Rodney Love, Si Degrees - Work 2, 2004-2007
... Wangaratta Art Gallery 56 Ovens Street Wangaratta high-country rodney love human hair textile weaving A small weaving made from cotton and human hair mounted on a board marked with the names of the people who donated their hair to be woven. ...The Six Degrees works are hand-spun human hair yarn woven on a 4-shaft table loom with a cotton warp. The names of the people who have donated the hair are written above the weavings. They were traced with graphite carbon paper directly on to mount board. Six Degrees is about the connections between individuals and the groups they are part of, emphasised by the names of the donors of the hair being included above the weavings. Wangaratta Art Gallery Collection. Donated by the artist.A small weaving made from cotton and human hair mounted on a board marked with the names of the people who donated their hair to be woven.rodney love, human hair, textile, weaving -
Embroiderers Guild, VictoriaTextile - Hannah Kefford Angell Sampler 1843, Hannah Kefford Angell, 1843
... Art Mistress P.L.C. 1970. See attached letter. Embroidery Samplers Mid 19th Century Cross stitch "Tis religion that can give sweetest pleasures while we live tis religion must supply solid comfort when we die" Hannah Kefford Angell Aged 8 years 1843 Cream even weave linen with cross stitched religious text, house, and ships, flowers and animals. Border of flowers. Pale wooden frame. Textile ...Gifted by P.L.C. School Craft Dept. Melbourne by courtesy of Miss Lexie Luly, Art Mistress P.L.C. 1970. See attached letter.Cream even weave linen with cross stitched religious text, house, and ships, flowers and animals. Border of flowers. Pale wooden frame. "Tis religion that can give sweetest pleasures while we live tis religion must supply solid comfort when we die" Hannah Kefford Angell Aged 8 years 1843embroidery, samplers, mid 19th century, cross stitch
