Showing 69 items
matching wedding gowns
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Kew Historical Society Inc
Photograph, Wedding of Laurie Dean, 1934, 1934
... . The crushed velvet, wedding gown that she wears in the photo is also...Crushed velvet wedding gown worn by Laurie Dean, nee... laurie dean wedding photographs Crushed velvet wedding gown worn ...Photograph of a bride and two bridesmaids. The bride is Laurie Dean who was married in Mildura in August 1934. The crushed velvet, wedding gown that she wears in the photo is also part of the collection.Crushed velvet wedding gown worn by Laurie Dean, nee Jenkins at her wedding in Mildura, August 1934. Donate day her daughter Mary Deane.laurie dean, wedding photographs -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, wedding gown 1937, 1937
... Clothing, wedding gown 1937...This wedding gown was worn by Dorothy Forbes, nee Hunter...A princess line, dark cream satin wedding gown with a cowl... This wedding gown was worn by Dorothy Forbes, nee Hunter, for her ...This wedding gown was worn by Dorothy Forbes, nee Hunter, for her marriage to Mr David Norman Hunter on May 29th 1937. The dress was simply made, using many yards (metres) of satin material, with numerous hand-turned rouleau loops around the train. Mrs Forbes' mother made the dress and her daughter Mrs D Booth kindly donated it to Box Cottage Museum. A princess line or A-line describes a woman's fitted dress or other garment cut in long panels without a horizontal join or separation at the waist. Instead of relying on darts to shape the garment, its fit is achieved with long seams and shaped pattern pieces.. The Princess line was a staple of dress design and construction throughout the 20th century. In 1951 the couturier Christian Dior presented a princess-line based fashion collection. A princess line, dark cream satin wedding gown with a cowl neckline, long sleeves with cuffs and a long train. clothing, brighton, moorabbin, dressmaking, market gardeners, early settlers, dairy farmers, craftwork, princess line dress, satin, christian dior fashion, dress patterns, forbes dorothy -
Stawell Historical Society Inc
Photograph, Annie Elizabeth Bone Wedding Photo
... Photo of Annie Elizabeth Bone dressed in her wedding gown... Elizabeth Bone dressed in her wedding gown Annie Elizabeth Bone ...Wedding Photo of Annie Elizabeth Bone who married Ernest Brighton Phillips on 16.7.1902Photo of Annie Elizabeth Bone dressed in her wedding gownstawell portrait -
Nhill & District Historical Society Inc.
Clothing - 1902 Wedding Dress of Alice May Bell
... Wedding Gowns..., Victoria. Weddings Wedding Gowns dresses Vintage - Dresses Alice ...This dress was worn by Alice Bell on the day of her marriage to Henry Whisson in 1902 at Kaniva, Victoria.Wedding Dress of Alice May Bellweddings, wedding gowns, dresses, vintage - dresses, alice bell, henry whisson, kaniva - weddings -
Myrtleford and District Historical Society
Wedding Gown
... Wedding Gown...Wedding Gown...Hand-made cream patterned wedding gown, circa1878, long... the gown is now housed. Wedding Gown Cundy Wood Hand-made cream ...This gown was worn by Ellen Harvey Cundy (1857--1939) on her marriage to Thomas Davenport Wood on January 23, 1878. It was the first marriage at St. Paul's Church of England, Clyde Street, Myrtleford. The gown was made by the bride's mother, Marrianne CundyThis is the first bridal gown to grace the former timber church building. Both the Cundy and Wood families were prominent locally, having settled at Waterloo/Barwidgee Creek/Myrtleford area in the 1860s. Marianne Cundy was a teacher at Myrtleford State School 955 from 1870-76, where the gown is now housed.Hand-made cream patterned wedding gown, circa1878, long-sleeved and complete with bustle.wedding gown, cundy, wood, -
Whitehorse Historical Society Inc.
Article, Walking Down the Aisle, 2003
... A display of wedding gowns and presentation of 18th... Church Anglican Church Mitcham A display of wedding gowns ...A display of wedding gowns.A display of wedding gowns and presentation of 18th and 19th century gowns and accessories by Ann Dixon.A display of wedding gowns.whitehorse historical society inc., simmenauer, peter, dixon, ann, gardiner, barbara, wedding dresses, christ church anglican church, mitcham -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress
... 1886 Wedding Gown with short waisted jacket, buttoned down.... costume female female ceremonial 1886 Wedding Gown with short ...Wedding dress worn by Marian Hinde in 1886.1886 Wedding Gown with short waisted jacket, buttoned down front. Full pleated skirt with over hip yoke and bustled (beige). Lace at neck and at cuff edge. Worn by Marian Hinde in 1886. See framed photo NA750 of Marian in the wedding gown.costume, female, female ceremonial -
Nhill & District Historical Society Inc.
Clothing - 1938 Wedding dress of Clara Maud Field, 24 August 1938
... 1938 cream wedding gown, long sleeves, small train... thomas magrath 1938 marriage nhill 1938 cream wedding gown, long ...Clare Maud Field married George Thomas Magrath, 24th August 19381938 cream wedding gown, long sleeves, small train, roulette trim on peter pan collarwedding dress, clare maud field, george thomas magrath, 1938, marriage, nhill -
Brighton Historical Society
Dress, Wedding dress, 1966
... White French wool lace wedding gown with low neckline... lace wedding gown with low neckline and high empire waist ...This dress was worn by Brighton model Coral Triplett when she married John Knowles at St John's Church, Toorak, on 18 June 1966. Made from beaded wool lace, it was commissioned by the Australian Wool Board for the Gown of the Year competition and made by Jinoel, a high-end Melbourne fashion house run by husband and wife team Jill and Noel Kemmelfield.White French wool lace wedding gown with low neckline and high empire waist. Bodice embroidered with beads.wedding dress, 1960s, coral triplett, coral knowles, john knowles, jinoel, australian wool board, gown of the year, wool lace -
Uniting Church Archives - Synod of Victoria
Photograph, 1872
... of Mary Forrest Davies (nee Gardner) in her wedding gown, 6th... Forrest Davies (nee Gardner) in her wedding gown, 6th February ...Mary Forrest Gardner was born on 26th April 1845 and married Joseph Bartlett Davies on 6th February 1872 at St. Andrew's Presbyterian Church Launceston, Tasmania. She was the sister-in-law of Sir Matthew Davies, Governor of Victoria. Her father was the Rev. John Gardner. She died on 28th October 1887 and was buried at the Boroondara Cemetery. The Mentone Presbyterian Church was built as a memorial to her. The foundation stone of the church was laid by J. Bartlett Davies on 17th August 1889.Sepia toned carte de visite, full-length studio portrait of Mary Forrest Davies (nee Gardner) in her wedding gown, 6th February 1872.mary forrest gardner, joseph bartlett davies, sir matthew davies, rev. john gardner, mentone presbyterian church -
Whitehorse Historical Society Inc.
Wedding Dress, 1978
... Wedding gown worn by Dianne Warren for her wedding in 1978... Mitcham melbourne Wedding gown worn by Dianne Warren for her ...Wedding gown worn by Dianne Warren for her wedding in 1978, daughter of Frances Warren1978 White wedding dress in a fibre material with all over pattern embossed full length with train, long sleeves coming to a point, 5 buttons and loops fastening. Curved shape neckline, high waist, curved at front, seams over bust, five panel skirt. 34 covered buttons and loops down back.costume, female ceremonial -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1930c
... headdress and a wedding gown with handkerchief hemline, with her... headdress and a wedding gown with handkerchief hemline, with her ...Also another photo taken laterBlack and white photograph taken on the wedding day of Phyllis Beyer to Wallace Munro showing the bride in close fitting headdress and a wedding gown with handkerchief hemline, with her father Thomas Beyer fisherman Lakes Entrance Victoriagenealogy, sports -
Whitehorse Historical Society Inc.
Clothing - wedding gown
... wedding gown... Church, Horsham 14/08/1954. wedding gown and accessories were... James at Christ Church, Horsham 14/08/1954. wedding gown ...George Harold Merrett married Dorothy Lorna James at Christ Church, Horsham 14/08/1954. wedding gown and accessories were donated by family members. Photo of wedding couple.Cream lace dress and train overlaying pink satin with attached cream taffeta half slip trimmed with 4 cm cream lace inserted with blue ribbon. Design is scalloped sweetheart neck, dropped waist line and 34 pink satin covered buttons down centre back of the bodice. Sleeves are crossover cap sleeves and 180 cm train from centre back waist line. Pair of elbow length cream kid gloves, three pearl buttons at wrist and cream net horseshoe with apple blossom and pink rayon horse shoe. Full length cream veil attached to pearl and blossom headdress. See also NA4231 Mauve Bridesmaid's dress, NA4138 Mauve hat for bridesmaid's dress and NA3949 Mauve fingerless gloves for bridesmaid's dress.costume, female ceremonial -
Whitehorse Historical Society Inc.
Clothing - Gown Bridesmaid
... Church Horsham 14/08/1954. Wedding Gown & all accessories were... James at Christ Church Horsham 14/08/1954. Wedding Gown & all ...George Harold Merrett married Dorothy Lorna James at Christ Church Horsham 14/08/1954. Wedding Gown & all accessories were donated by family, plus wedding photo.Mauve Damask satin full length gown. Shaped bodice with pin tuck detail over bust line, pin tuck shawl collar across back. Zip closing down back, full flared skirt. Bodice lined with rayon.|Refer to 3985.1-5, 3949.1-2, 4138, 3999.1-2, 4000.1-2costume, female ceremonial -
Kew Historical Society Inc
Clothing - Grey silk wedding dress, 1842
... This wedding gown was worn by Mary Ann Lawrence at 8.00am...Mary Ann Lawrence's grey silk wedding gown has a v-line... This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January ...This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing -
Whitehorse Historical Society Inc.
Wedding Gown, 1871
... Wedding Gown...The wedding gown was worn by Lucy Kneeshaw Prout for her...One piece old gold Paper Taffeta wedding gown, stand up... Mitcham melbourne The wedding gown was worn by Lucy Kneeshaw Prout ...The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial -
Nhill & District Historical Society Inc.
Clothing - 1956 wedding dress of Lila Elizabeth Thompson, 17 November 1956
... 1956 Wedding gown of white figured nylon organza over satin... Lloyd Henseleit 1956 Wedding gown of white figured nylon organza ...Lila Elizabeth Thompson & Lloyd Frederick Henseleit were married at Church of Christ, Kaniva on Saturday, November 17th 1956The Thompson and the Henseleit families are from the district.1956 Wedding gown of white figured nylon organza over satin featuring a V shaped neckline front and back. The skirt was styled in a bouffant H-line with a satin band tying in a big bow at the back and falling into two satin panels each side of the train.wedding dress, lila thompson, church of christ, kaniva, november 17 1956, vintage - dresses, textiles - bridal - fashion, lloyd henseleit -
Bendigo Historical Society Inc.
Photograph - WEDDING PHOTO
... in short wedding gown of 1920's and one female attendant with hat.... Wedding Photo. Bride in short wedding gown of 1920's and one ...Sepia Photograph on fawn board. Wedding Photo. Bride in short wedding gown of 1920's and one female attendant with hat large trailing bouquet, men in 3 piece suits with buttonholes and gloves. Inscription: Printed B.R. of board 'CROXTON/STUDIO','631 HIGH ST/Northcote'person, group, wedding, see 815 -
Greensborough Historical Society
Photograph - Digital Image, Ivy (Clayton) and Frank O'Neill, 1930s
... . She made my Mum's wedding gown, also mine. Beautiful work... dress. She was a designer. She made my Mum's wedding gown, also ..."Ivy (Clayton) and husband Frank O'Neill. My aunt (Daisy) Amy's daughter would have made Ivy's dress. She was a designer. She made my Mum's wedding gown, also mine. Beautiful work." - Vicki Wilson. Ivy May Clayton (1894-1946) married Henry Francis O'Neill (1896-1966) in 1917.Digital copy of black and white photographclayton family, ivy may clayton, oneill family, henry francis oneill -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: FABRIC FROM WEDDING DRESS TRAIN, 05-06-1960
... train on the wedding dress was a feature of the wedding gown... on the wedding dress was a feature of the wedding gown, falling in tiers ...Sheer embroidered nylon. Silk thread embroidery in a floral pattern. Scalloped edge finishes the lace panel. The original train on the wedding dress was a feature of the wedding gown, falling in tiers as a "waterfall" effect. One tier was later used by Merle to make a christening dress for her first child, Bronwyn. Evidence is still visible of the gathering thread at the top of this panel.costume accessories, female, wedding dress train fabric -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WEDDING VEIL, 1949
... the top, and seems to be a similar length as the wedding gown... length as the wedding gown train. (This veil ...Clothing. Tulle veil, with a scalloped edge, outlined with chain stitch silk embroidery. The four corners have elaborate silk, chain-stitch embroidery in a floral design. Petals of two large flowers in each corner are appliquéd silk, also outlined with the chain-stitch embroidery. From a photo supplied by the donor, it would appear that this veil was worn around the shoulders, and extending to the hipline. A very long veil was then worn over the top, and seems to be a similar length as the wedding gown train. (This veil is not in the donation to BHS).costume, female ceremonial, wedding veil -
Brighton Historical Society
Dress, Wedding dress, 1964
... , which specialised in wedding gowns (she believes it was above... by Deon's of Melbourne, which specialised in wedding gowns (she ...This wedding dress belonged to Rayleen Haig OAM, nee Janetzki, who married Donald Haig in Geelong on 15 August 1964. The dress was designed for Rayleen and made by Deon's of Melbourne, which specialised in wedding gowns (she believes it was above Sportsgirl in Collins Street). It cost about one hundred pounds. The reception was held in the Carlton Hotel, Geelong. A longtime local resident, Rayleen was a Brighton councillor (1983-92) and mayor (1989-90). She was awarded the OAM in 2007 for "service to local government and to the community through health, historical and aged care organisations, particularly within the City of Bayside, and to the National Council of Women of Australia".Cream silk dress with boat neck, short sleeves and back zip. Guipure lace flowers on sleeves and skirt.wedding dress, rayleen haig, rayleen janetzki, donald haig, deon's of melbourne, brighton council, mayor -
Nhill & District Historical Society Inc.
Clothing - 1949 Wedding dress handmade and worn by Marjorie Schneider, 2 March 1949
... had adorned her mother's wedding gown. The full skirt... wedding gown. The full skirt was draped softly from the waist ...This wedding dress was made & worn by Marjorie Gertrude Schneider, elder daughter of Mr & Mrs A. A. Schneider, of Lorquon, married Harold Francis Rohde, youngest son of Mr & Mrs J. B. Rohde, of Gerang, at St. Paul's Lutheran Church, Woorak, March 2nd, 1949.The dress was handmade by the bride, Marjorie Schneider.A charming frock of ivory cloque, inset with a yoke of beige lace with scalloped edges, cut on very flattering lines. The bodice, fitting perfectly to the waist and the back having a row of buttons, was ornamented as the shoulder with a diamante clip which had adorned her mother's wedding gown. The full skirt was draped softly from the waist, & extended into a long train at the back. The halo of orange blossom, which held the veil in place, set off to perfection the exquisite bride. She carried a shower bouquet of creamy white tiger lilies, gardenias, dahlias, gladioli and rose buds, & added to this was several horseshoes given by friends.schneider, rohde, woorak, st paul's lutheran church, gerang, lorquon, wedding -
Flagstaff Hill Maritime Museum and Village
Wedding Dress, c. 1860
... wedding gown...Wedding dress or Bridal Gown c. 1860, comprising wedding... clothing wedding gown wedding dress silk bridal veil 19th century ...Wedding dress or Bridal Gown c. 1860, comprising wedding dress and veil. Gown of very fine cotton has long sleeves, high neck and waist. Lace insert in neckline and in body of dress, decorative panel in front, train at back. Hooke and eye closure. Veil is silk.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bridal clothing, wedding gown, wedding dress, silk bridal veil, 19th century wedding dress -
Flagstaff Hill Maritime Museum and Village
Textile - Bedspread, patchwork, 1976
... , wedding gowns, and school uniforms. The maker would use... clothes, wedding gowns, and school uniforms. The maker would use ...This patchwork bedspread or quilt is a modern creation along the lines of the traditional 1800s handmade patchwork quilting craft. It is made from reproduction fabric and quilt designs and represents the bed linen typical of a late 19th-century bedroom. Years ago, patchwork was a form of recycling, where leftover or previously used pieces of fabric were used to create other useful item such as quilts, rugs, cushion covers and jackets. Special projects were sometimes made with fabrics representing special memories, such as pieces from baby clothes, wedding gowns, and school uniforms. The maker would use a cardboard template shaped like a hexagon, place it onto the fabric and trace around it. Often the cardboard was cut from a box such as a cereal box. Women would gather to work on their patchwork while enjoying their social time together. As in the case of this quilt, members of the Embroiderers Guild in Warrnambool worked on the project, designing and quilting as a group to achieve their aim, of presenting the quilt to the recently opened Flagstaff Hill Maritime Museum. The quilt was perfectly suited to dress the bed in the Lighthouse Keeper's Cottage. Provision was made for the quilt to be hung for display, with the addition of loops along one edge.This carefully created and designed, recently made patchwork bedspread typifies bedding and handcraft of the late 19th century. The bedspread was the first community project of the South Western Branch of the Embroiderers' Guild of Victoria, and presented as an addition to the Lighthouse Keeper's Cottage tat Flagstaff Hill. Patchwork bedspread or quilt, double bed size, made from hundreds of hexagonal-shaped fabric of various colours and patterns, carefully stitched onto a white background. One edge of the quilt has loops dispersed at regular intervals. This would allow the quit to be used as a wall hanging. It was handmade by the South Western Branch of The Embroiders Guild, Victoria, and presented to Flagstaff Hill Maritime Museum and Village in 1976. An inscription is embroidered in blue on a patch of the quilt. "Made and Presented by The Embroiderers Guild, Victoria (S.W. Branch) 1976"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bedspread, patchwork quilt, quilt, embroiderers guild, bedding, bed linen, 1800's handcraft, quilting, south west branch, warrnambool embroiders guild, recycled fabric, 19th century, household textiles -
Orbost & District Historical Society
petticoat, 1930's-1940's
... for some evening, prom, and wedding gowns. World War II, with its... for some evening, prom, and wedding gowns. World War II, with its ...This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of ahome-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie -
Orbost & District Historical Society
petticoat, 1930's - 1940's
... for some evening, prom, and wedding gowns. World War II, with its... for some evening, prom, and wedding gowns. World War II, with its ...This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of a home-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: CHRISTENING DRESS AND PETTICOAT, 1960's
... of the train of Merle's own wedding gown.Merle Houlden made this gown... wedding gown.Merle Houlden made this gown for her first child ...White embroidered nylon. Tiny yoke topped with a Peter Pan collar, edged with gathered fine lace. Puff sleeves - pleated at shoulder, and gathered into a 1.75cm band, edged with fine, gathered lace. Gathered lace and two white ribbon( .5cm wide) bows define the yoke.Skirt 40 cm long, edged with embroidery and scalloped hemline. Two pearl buttons fasten the back of the yoke. Dress has been made to take advantage of the embroidered fabric of the train of Merle's own wedding gown.Merle Houlden made this gown for her first child, Bronwyn, using fabric from the lower tier of the train of her own wedding gown. Bri-nylon sleeveless, and embroidered nylon skirt, edged with fine lace (on the frill of the skirt). Skirt has an 8 cm frill, attached with an embroidered band of ribbon insertion. The ribbon insert is finished with two small .5cm ribbon bows. Both dress and petticoat have been made to take advantage of the embroidered fabric of Merle's own wedding dress train.costume, children's, christening dress -
Bendigo Historical Society Inc.
Clothing - ROYAL BLUE SILK DRESS, 1850's
... with ''Wedding Gown Circa 1850's".... with blue ribbed cotton ribbon. Card inside box with ''Wedding Gown ...BHS CollectionFull length royal blue silk embroidered fabric dress with bodice and long sleeves, fully lined with ivory cotton fabric. Hand made. Front of bodice has round neck and dips to a deep V at waistline. Twelve decorative fabric covered buttons from neckline to lower V that taper to stitched down pleats at waistline. Fabric bow at centre front of neckline lined with blue satin. Long sleeves have short capped layer over a flared layer underneath. Top section edged with one row of royal blue cotton fringeing. Lower flared section edged with two rows of royal blue cotton fringeing. Large royal blue fabric bow attached at each elbow. Back of bodice made of six panels to waistline. Centre panel on each side is edged with cotton fringeing. Centre back opening to waist with nineteen hooks and eyes, only one eye remaining. Piping around waistline. Full skirt knife pleats at front below waist. Hemline edged with blue ribbed cotton ribbon. Card inside box with ''Wedding Gown Circa 1850's".costume, female, royal blue silk dress -
Flagstaff Hill Maritime Museum and Village
Clothing - Evening Outfit, before April 1874
... . The bride wore a pale blue silk wedding gown which was made... blue silk wedding gown which was made by herself. Bella ...This amber satin evening outfit was worn by Mrs. Isabella Mitchell (nee Russell, 1840 – 1929) at the wedding of her brother Alexander (c.1846–1938) and Eliza (nee Moore c.1854–1939). The jacket and skirt attach to each other at the waist by joining the metal rings that are around the base of the jacket and to the metal hooks that are on the waistband of the skirt. The outfit was donated with its own mannequin and fits it perfectly. In the colonial days, outer clothing was rarely, if ever, washed, due to the expense of fabrics and difficulty in careful laundering. Clever methods were employed to reduce the occurrence of soiling. The mannequin included with the donation would also help keep the outfit in good shape as well as being used for ensuring a flattering fit. FAMILIES’ HISTORY The families connected with this wedding for which this outfit was worn are from Warrnambool’s colonial days. Isabella and Alexander’s parents, Robert Russell and Elizabeth (nee Mitchell) were both born in 1808 and married about 1830. They were from farming families in Northern Ireland where they raised their seven children there before migrating to Australia in the early colonial days, around 1857. Their graves are in the Tower Hill cemetery. Alexander’s wife Eliza (nee Moore, born in 1854) was also from Northern Ireland and migrated to Australia in 1858 with her parents, Thomas and Nancy Moore, in the last voyage of the sailing ship “Chance”. Isabella (Bella) talked with her grand-daughter Ruby Akers about her memories of Alexander and Eliza’s wedding and other events in her life. Ruby recorded these memories in a letter. She says “They were married in the Warrnambool Congregational Church by a pioneer minister, the Reverend Uriah Coombs. The bride wore a pale blue silk wedding gown which was made by herself. Bella was Matron of Honora and Ian McCasker was best man. In those days the transport to the church was usually a carriage – similar to a cab – and a pair of white ponies. They would have the reception at home and then go for a drive afterwards and at night there would be a dance. They did all the catering themselves … Eliza carried on farming in the Dennington, Yarpturk and Purnim districts until they moved to Camperdown around 1905…” Ruby’s letter later mentions “[Isabella] could recall seeing a blackfellows’ corroboree being performed near where the Dennington Bridge now stands. It was rather a terrifying experience, they seemed in a warlike mood and one never knew what they would do next. One lubra came running to granny crying, Hide me, bad man kill me. She was bleeding from a wound in the head. Probably the result of a blow from a waddy. My mother [Margaret Jane McLaughlan nee Mitchell], coming home from school, often met blackfellows walking ahead with spears and boomerang, the two lubras – he usually had two – following in the rear, carrying the children or any burdens they had.“ Margaret would probably have been in primary school in the 1800s when she saw these things. Alexander and Eliza had ten children. One of their daughters, Margaret Jane, was born in Warrnambool in 1879. She married William McCullagh and they had eleven children. Margaret made headlines in the Warrnambool newspapers for celebrating her 100th birthday. She had lived in the district for 60 years before moving to Melbourne. Alexander passed away at the age of 92, and Eliza passed away six months later aged 85. Their graves are in the Colac cemetery. Isabella married Ralph Mitchell and their daughter Margaret Jane married John McLauchlan in 1891. Margaret and John’s daughter, Ruby Elizabeth, Jane married Fredrick Akers in 1938. Fredrick was born in England and was a Boer War veteran and served in the British Army. He migrated to Queensland, Australia, in 1913 and he joined the Australian Army to fight in World War I. In 1935 he moved to Warrnambool where he served in the Volunteer Defence Corps 1938-1945. Both Ruby and Fredrick are buried in the Tower Hill Cemetery.Together, the evening outfit and the mannequin are examples of female fashion of the mid to late 1900s. They are also significant for their association with the colonial pioneer families of Australia, Victoria and Warrnambool. The outfit and mannequin are significant for their connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The evening outfit and its mannequin are significant for its connection with colonial families and their contact with the indigenous culture of the district and the contact between the native and European people. This ladies’ evening outfit is made from amber coloured satin fabric. It comprises a short-waisted, long-sleeved jacket and long skirt and it has its own neck-to-floor wooden mannequin on a pedestal. The outfit was worn by Mrs. Isabella Mitchell (nee Russell) as the Matron of Honour at the wedding of her brother Alexander Russell and his fiancé Eliza Moore in Warrnambool, 29th April 1874. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, evening outfit, wedding outfit, bridesmaid’ outfit, matron of honour outfit, clothing female, clothing late 19th century, clothing wedding late 19th century, clothing bridesmaid late 19th century, clothing antique, clothing ladies, women’s clothing, women’s fashion, alexander russell, eliza russell, eliza moore, isabella mitchell, bella mitchell, bella russell, isabella russell, ralph russell, ian mccusker, ruby akers, fredrick william akers, ruby mclauchlan, margaret jane mclaughlan nee mitchell, margaret jane mclaughlan centenarian, william mclaughlan, robert russell, elizabeth russell nee mitchell, irish immigrants, warrnambool volunteer defence corps 1938-1945, antique satin outfit, warrnambool wedding 1874, congregational church warrnambool, reverend uriah coombs, dennington farmer, yarpturk farmer, purnim district farmer, camperdown resident 1905, dennington bridge, indigenous corroboree in dennington, corroboree in warrnambool, 1880s corroboree in warrnambool, lubra and baby, indigenous corroboree in warrnambool