Josiah Wedgwood (1730–95), came from an established family of potters and trained with his elder brother. He was in partnership with the leading potter Thomas Whieldon from 1754 until 1759 when a new green ceramic glaze he had developed encouraged him to start a new business on his own. Relatives leased him the Ivy House in Burslem, Stoke-on-Trent, and his marriage to Sarah Wedgwood, a distant cousin with a sizeable dowry, helped him launch his new venture. After an extensive and systematic program of experiment Wedgwood in 1765 created a new variety of creamware, a fine glazed earthenware, which was the main body used for his table wares thereafter. After he supplied Queen Charlotte with a tea set for twelve the same year, she gave official permission to call it "Queen's Ware" (from 1767). This new form, perfected as white pearlware (from 1780), sold extremely well across Europe, and to America. It had the additional advantage of being relatively light, saving on transport costs and import tariffs in foreign markets. Wedgwood developed several further industrial innovations for his company, notably a way of measuring kiln temperatures accurately, and several new ceramic bodies including the "dry-body" Stoneware, "black basalt" (by 1769), cane ware, and jasperware (the 1770s), all designed to be sold unglazed, like "biscuit porcelain". In the later 19th century the company returned to being a leader in the design and technical innovation, as well as continuing to make many of the older styles. Despite increasing local competition in its export markets, the business continued to flourish in the 19th and early 20th centuries, remaining in the hands of the Wedgwood family, but after World War II it began to contract, along with the rest of the English pottery industry. After buying several other Staffordshire ceramics companies, in 1987 Wedgwood merged with Waterford Crystal to create Waterford Wedgwood plc, an Ireland-based luxury brands group. After a 2009 purchase by KPS Capital Partners, a New York-based private equity firm. Wedgwood has always been associated with fine china, porcelain, and luxury accessories, the entrepreneur Josiah Wedgwood rapidly became successful and was soon one of the largest manufacturers of Staffordshire pottery. Wedgwood is a significant pottery manufacturer as the company is especially associated with the "dry-bodied" (unglazed) stoneware Jasperware in contrasting colours, and in particular that in "Wedgwood blue" and white that has become a trademark. Teapot and lid, Wedgwood blue Jasperware with white patternImpressed name Wedgewood and date letter "S" = 1890flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, teapot, wedgewood blue, wedgewood teapot, tea pot, kitchen ware, josiah wedgwood, staffordshire potteries

Wedgwood was founded on 1 May 1759 by Josiah Wedgwood and in 1987 merged with Waterford Crystal to create Waterford Wedgwood, an Ireland-based luxury brands group. After the 2009 purchase by KPS Capital, Wedgwood became part of a group of companies known as WWRD Holdings Ltd, an acronym for "Waterford Wedgwood Royal Doulton." In 1765, Josiah Wedgwood created a new earthenware form which impressed the then British Queen consort Charlotte of Mecklenburg-Strelitz who gave permission to call it "Queen's Ware"; this new form sold extremely well across Europe. Wedgwood developed a number of further industrial innovations for his company, notably a way of measuring kiln temperatures accurately and new ware types Black Basalt and Jasper Ware. Wedgwood's most famous ware is jasperware. It was created to look like ancient cameo glass. It was inspired by the Portland Vase, a Roman vessel. Wedgwood had increasing success with hard paste porcelain which attempted to imitate the whiteness of tea-ware imported from China. High transportation costs and the demanding journey from the Far East meant that the supply of chinaware could not keep up with increasingly high demand. In 1812 Wedgwood produced their own bone china which, though not a commercial success at first eventually became an important part of an extremely profitable business. An oval white china platter with blue flowers and fruit. Back is marked WEDGWOOD CHRYSANTHEMUMOn base ; CHRYSANTHEMUM / i / W / 7 / WEDGWOOD china, pottery, crockery, england, moorabbin, bentleigh, cheltenham, kitchenware, wedgwood josiah

Three ceramic patterned decorative tiles. 1. Cream, brown and blue floral pattern. 2. Rust and green floral pattern. 3. Etruria - impressed tile with grey background and blue, green and white floral pattern.tiles, wall tiles

6th May 2009 A large earthenware figure of a spaniel made in the 19th century in Staffordshire and used as a fireside ornament. Also referred to as Staffordshire dogs. They were purchased by errant husbands to comfort irate wives.|Stoke, Burslem, Hanley, Longton and Tunstall were known as the “Five Towns” of the Staffordshire potteries. In the 19th century there were more than 1000 firms working at various times, amongst them Wedgwood, Spode and Ridgway. Largely because of Josiah Wedgwood and the canal system, and later the railways English ceramics spread far and wide. A vast export trade to the Americas and India was from the port of Liverpool. Staffordshire became the pottery supplier of the World. Most factories made figures and tea and dinner sets.|The Comforter Dogs were copied and made by more than one pottery.Staffordshire dog - no makers mark. Right foot cracked. Repair on ear. Some cracks on body.ceramics, porcelain, ornaments

Replica of Wedgewood Wesley teapots made by Sir Josiah Wedgewood 1761 at Etruna, England and presented to John Wesley. Reproduced in 1908. The original teapot is in Wesley House, London.Replica of Wedgewood Wesley teapots made by Sir Josiah Wedgewood 1761 at Etruria, England and presented to John Wesley. Reproduced in 1908. The original teapot is in Wesley House, London.White porcelain Wedgwood-Wesley teapot with blue transfers. Teapot registration number 7.1; lid registration number 7.2.'Be present at our Table Lord, Be here and everywhere ador'd, These creatures blefs & grant that we May feast in Paradice with thee'wesley, john