discussing climate changeConversation on climate change naomi klein, climate change, wheelers centre, athenaeum theatre

.1 - Book - 20 pages + light grey cover, issued by the British Engineering Standards Association, British Standard Specification for "Cast Steel Wheel Centres for Electric Tramcars". Dated April 1922. Has standard Number 150-1922. Provides materials specification, testing and an index. .2 - Book - 16 pages + light grey cover, issued by the British Engineering Standards Association, British Standard Specification for "Wrought Iron Wheel Centres for Electric Tramcars". Dated April 1922. Has standard Number 149-1922. Provides materials specification, testing and an index. Both copies has the stamp of the "Tait Book Co. 90 William St. Melbourne" on the lower edge and in the top right corner, the ESCo Ballarat company stamp and the date "14 September 1923". trams, tramways, tramways, electrical equipment, wheels

Typed report on the possibility of converting solid steel wheels to wheel centres after they were worn out and then placing a tire or tyre onto them. Looks at the costs, and mileages. Understood this was not proceeded with. Report dated 24/7/1964.Yields information about the examination of costs and methods of recycling solid wheels as wheel centres.Document or report 1 foolscap sheet - carbon copytramways, technical information, preston workshops, costs, wheels, tyres

This is the program from the 10th Emerging Writers' Festival. The EWF is an independent arts organisation based in the Wheeler Centre, Melbourne. The catalogue provides information about the events and programs involved in the festival, the first EWF programmed by Artistic Director Sam Twyford-Moore.More information about the 2013 Emerging Writers' Festival can be found online at: https://web.archive.org/web/20130510133639/http://www.emergingwritersfestival.org.au/events/A green, white, brown and orange booklet which contains information about the program for the 2013 Emerging Writers' Festival. The booklet has 44 pages and the cover has two parts - with the illustration on cover a separate but larger page than the green text. Written on front of catalogue is "10th Emerging Writers' Festival / 23rd May-2nd June / 2013".10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival

These WW1 binoculars were made in France. The Jockey Club is a famous gentlemen’s Club still in existence in Paris. These binoculars are believed to have been commandeered by the German army. These binoculars are believed to have possibly been taken from either a German POW or deceased soldier, and brought back to Australia at the end of WW1 as a war-souvenir.Small binoculars silver rim around eye pieces and larger end of lenses.There is a brown leather hand grip on the body of the lenses. Adjustable focus wheel in centre.Le Jockey Club Paris on rim of both eye pieces.binoculars, ww1 souvenir

Brass Motto Badge. Royal Regiment of Artillery Wheeled Cannon in centre with Crown on top.(triangular shaped.UBIQUE Above cannon QUO FAS ET GLORIA DUCUNT Under cannon.

Document titled "Tramway Maintenance Minutes of Conference - April 26 and 27 1951", attended by SEC Head Office Officers, representatives from Bendigo and Geelong. Opening note on page 2 - that the discussions should be based on the SEC operating the tramways indefinitely. Topics covered - tyres and wheel centres, truck maintenance, suspension bearings, bearing metal (white metal), motor armatures, carbon brushes, air receivers, overhead equipment, tracks, car renovation - painting, gold lining, roof, floor treatment and covering, trolley wheels, purchase requisitions, spare parts, supplies, brake shoes, timber, castings, tramway drawings, patterns and a summary of action. Has a list of attendees.Yields information and demonstrates SEC Meeting minutes about discussions between the three Provincial operators about tramcars and operations.Minutes - 26 duplicated foolscap sheets pinned (was stapled poorly) in the left hand corner.trams, tramways, minutes, sec, geelong, ballarat, bendigo, tramcar equipment, maintenance, trackwork, overhead, painting, trolley wheels, brakes, motors

Provides a detailed listing of Melbourne's tram in 1965 and details of their numbers, No in service, type, capacity - seated and crush load, trucks, wheel and truck centres, tare weight, controllers, compressors and length over bumpers.Yields information about the Melbourne tram fleet in 1965.Drawing or document - A4 sheet, photocopied from a Foolscap sheet, titled "Rolling Stock Data Tramcars" dated 11/5/1965tramways, tramcars, mmtb, melbourne, data sheet, w class

Black and white photograph of the South Deborah mine located in Abel Street Bendigo. Note the wooden structure of the Poppet head, surrounding infrastructure and smoke emanating from the chimney. Four wheel cart near the entrance ramp, and further in the background a small two wheeled cart. Centre right is a picket fence of a house, with corner of verandah and post support showing.mining, surface equipment, south deborah mine

Set of 6 technical data sheets, published by the British Standards Institution in 1959 / 1960 providing information about the standards for various railway products in a summary sheet form. Each sheet has been folded into 8 with the title and other sheets on the outside when folded. .1 - Sheet 3A - Flat Bottom Railway Rails, fishplates and Steel sleepers - PD 3876 - August 1960. .2 - Sheet 3B - Axles, Tyres, Solid Rolled Steel Wheels and disc wheel centres - PD3277 - December 1959 .3 - Sheet 3C - Steel billets, blooms, bars and forgings for railway rolling stock - PD 3361 - April 1959 .4 - Sheet 3D - Steel slabs, plates, sections, bars and rivets for loco boilers, locomotives, carriages and wagons - PD 3387, May 1959. .5 - Sheet 3E - Laminated springs and spring steels - PD 3365 April 1959 .6 - Sheet 3F - Helical and Volute Springs and Spring Steelstrams, tramways, steel, wheels, springs, specification, materials

"R10-495 - Rolling Stock Data" dated 11/5/1965 details the tram fleet of the MMTB at the time - listing class, Tramcar numbers, No. in Service, type, capacity seated and crush loading, trucks, wheel and truck centres, motors, Tare Tons, Controllers, Compressors, and length over bumpers. No heritage trams at the time included. The drawing number determined from the MMTB drawing Registers. Signed by F Kirby.Yields information about the MMTB tram fleet in 1965.Photocopy of drawing "R10-495 - Rolling Stock Data" sheetmmtb, tramcars, tramways, data sheet, rolling stock

Drawing - two A2 sheets, "Tramcar Data", listing all vehicles in use c1984, including A and B class data. Though not numbered similar to drawing X1537 held in the Mechanical drawings. Lists class, numbers, total in service, type, capacity (seated and crushed), Trucks, wheel and truck centres, motors, tare weight, controller, compressor and length over bumpers.trams, tramways, drawings, tramcars, class

Typed two page list - one foolscap and one quarto sheet, titled "Rolling stock data of cars operated by the Melbourne and Metropolitan Tramways Board", listing each class, car numbers, No. in Service, type, seat (Crush), trucks, wheel Truck centres, motors HP, Tare Tons, Controllers, Compressors and Length over bumpers. Carbon copy on plain paper. Extends to SW6 981, includes PCC 980. On the bottom of the quarto sheet has dated 20/12/48, revised 16/9/1950. Similar style to 5671, typed by Keith Kings, possibly from a MMTB data sheet.mmtb, tramcars, melbourne, lists

Image shows Hargreaves Mall with Thomas Jewellers building on LH side of photo. Four Wheel drive vehicle in centre of image, construction work evident in centre of Mall. On back of photo: Hargreaves Mall 11 a.m. 21/2/82 from Mitchell St. Cr. ( south )place, bendigo, hargreaves mall, bendigo, hargreaves mall, 1982

Dyeline print of Drawing R9706 version G - titled "Rolling stock data Tramcars" listing tramcars including VR tramcars. Updated to 16-11-1962, lists only X2 676, notes all other X's withdrawn 11-3-1962. Superseded drawing R6660. Lists class, tramcar numbers, type, number in service, capacity - seats and crush loading, trucks, wheel and truck centres, motors HP, Tare tons, controllers, compressors, length over bumpers.trams, tramways, tramcars, mmtb, lists

black and white photo mounted on same size board. Group of 30 men and boys outside double storey building with verandah with iron lace. At left man mounted on horse. At rigfht, horse and 4 wheeled vehicle. At centre 2 men, 1 each side of box with '1311' 4 pieces of smooth material piled on box ( smelted gold ? ) At far left, 2 girls, 1 bending down. On left hand window of building 'old' On RH window ' …. Mercial bank'? Above doorway at far left ' private entrance'organization, business, oriental bank, eaglehawk

This ship's wheel was hand made from wood and metal using a recycled cart wheel. It originally belonged to the "Reginald M", a 2 masted, flat bottomed, coastal trading ketch with single chine. The REGINALD M The vessel “Reginald M” was a two-masted coastal ketch, owned and built by Mr. Jack (John) Murch of Birkenhead, Port of Adelaide, South Australia. Its construction took approximately 6 months and it was launched at Largs Bay in 1922. The Reginald M’s purpose was to serve the coastal trade of South Australia, to carry cargo cheaply and efficiently. It is believed that the keel was in fact hewn from two telegraph poles! Its builder frequented all the salvage yards for materials and fittings. Reginald M had a very shallow draft and a flat bottom that enabled it to come close to shore and to sit high and dry at low tide or to be beached on sand. The flat bottom was also to make the ship able to skim over reefs. Wagons could load and unload direct from her side. Her cargo included Guano, Barley, Wool, Horses, Cattle, Timber, Explosives, Potatoes, Shell Grit and Gypsum. On April 9th 1931Reginald M weathered a large storm in St Vincent Gulf, SA. The vessel suffered much damage; mast snapped and the crew laboured for four hours to free her by chopping off the past and rigging. The crew patched her up and slowly returned to Port Adelaide with only a portion of the insured cargo being damaged. Her crew members at the time were owner Mr John H Murch of Wells Street Largs Bay, Skipper Mr R Murch – John’s brother, Murray – son of Captain Murch and Seaman John Smith. Reg Webb purchased Carribie Station, at Marion in the Warooka District, south of Adelaide, in 1921. He cleared the land and farmed sheep and grain. In 1923 he shipped his own wool and grain from Marion Bay, having first carted 300 bags of the barley grain, 12 bags at a time, along the unmade track to the jetty. A photograph donated to Flagstaff Hill, dating about 1929 - 1942, shows two men on the Reginald M, holding between them their fishing catch of a large hammer shark. The photograph is stamped “GRENFELL STUDIO PORT LINCOLN PRINT” and titled “hammer shark caught on Reginald Emm”. The donor’s family lived on the Your Peninsular and despatched their grain from a chute at Gleeson’s Landing to the awaiting transport vessel. Reg knew the Murch Brothers from Port Adelaide. The brothers had been using their ketch REGINALD M to ship Guano from the Islands, led by Captain Richard Murch. Reg approached them in 1934 about shipping grain from Marion Bay. The brothers visited the bay and thought it was an ideal place. They showed Reg where to stack his grain and they measured up the cliffs. When Reg was ready, they brought down and installed a ninety foot wooden chute. The bags of grain were then individually sent down the chute, landing in a waiting small boat then rowed to REGINALD M, 14 bags at a time. After 10 hours REGINALD M would be fully loaded with 1300 bags of grain and shipped to waiting ports. At one time a wild storm destroyed the chute but it was rebuilt and strengthened. REGINALD M was involved in shipping the grain from there until 1938. In 1940 Able Seaman Allan H Lucas served on Reginald M between September and December, being engaged and discharged from Port of Adelaide. His Certificate of Discharge was signed by ship’s Master W S Murch. It seems that at some stage Reginald M was used as a Customs vessel, as one photograph in Flagstaff Hill’s collection shows “H.M.C. No. 3, Pt Adelaide” on the bow. In 1969 the last freight left Marion Bay on the ketch REGINALD M carrying grain, wool and explosives. In late 1970 she was sold to the Mt. Lyell Mining and Railway Company and was used by them as a barge to carry explosives. In 1972 the Navy League of Strahan, Tasmania, purchased her for use by the Strahan Sea Cadet Unit to use at Macquarie Harbour and renamed her T.S. Macquarie. However this plan for use of Reginald M did not come to pass. In 1974 Mr. Andrew Rennie, of East Brighton, Melbourne, bought her for a similar purpose. , paying $5,000 and donating a ‘Cadet of the Year” trophy to the Sea Cadets. He sailed her from Strahan to Melbourne, planning to use her for pleasure sailing. Also in 1975 Reginald M was sold to Melbourne Ferry Company at auction. Later in 1975 the Reginald M was bought by Flagstaff Maritime Museum for $20,000 . She has been restored and is now one of the exhibits in the Village lagoon or lake. It was restored in 2006 using funds from a $4,000 government grant. This ship's wheel is significant because of its association with the REGINALD M. REGNIALD M was a coastal trading ketch from South Australia built in 1922. It is one of very few sailing coastal trading vessels still extant, and its flat bottom, single chine shape illustrates a very simple but robust method of construction, compared to other round bilged examples of trading vessels. She is now listed on the Australian Register of Historic Vessels (ARHV Number: HV000562.)Ship’s wheel, also called a Helm, eight spoke design. Centre of wheel is handmade of wood and has iron rings around each side. The spokes are fitted into this wooden hub. The outer wheel has an iron ring on one side and sections of a wooden ring on the other. There are both original and modern bolt and screw fastenings. The wheel has remnants of black paint. This ship’s wheel was originally fitted to the ketch REGINALD M and removed during its restoration. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship's wheel, hand made ship's wheel, coastal trader, reginald m, ketch, john murch, ch murch, reg webb, carribie station, mt lyell copper company, queenstown navy league, andrew rennie, melbourne ferry company, r.f. dale

Equal wheel bogie vehicle, drop centre tramcar, 2 passenger saloons- cross bench with central aisle - as for drop centre. 2 internal sliding doors, 6 passenger doors, 4 drivers external access doors, 2 internal, 2 trolley poles, air braked. Tram 671 12/95 completed repaint to City of Ballarat colour scheme. Photo by Austin Brehaut. See Destination City, Fares Please April 1976, December 1995, March 1996.trams, tram 671

Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatergoers.Not very significant as not associated with a historic event or person and made during the first half of the 20th Century and many are still available and easily sourced.Vintage Pair of Opera Glasses, with cow bone barrels and eyepieces, both barrel pieces have split in them, both metal end barrels each have a minor dent, optics are pretty clear no mould although have very minor dust spots inside, they look like they were gilded at some point but most of this has rubbed off glasses have a black leather case with blue lining. No markings whatsoever anywhereflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, binoculars, opera glasses, theatre glasses, optical instrument, cow bone

Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatregoers. A vintage pair of 1920s opera glasses probably made in France by an unknown maker the item is significant due to it's provenance that can be traced and it's completeness as a useful social item and fashion accessory used by theatergoers from the mid 19th century and well into the 20th century. Some people still use modern variants of theater glasses today to improve their enjoyment of the theater.Both glasses and case are covered with black and white snake skin. Case lined with purple velvet, and has brass closure clip.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, opera glasses, serpentine opera glasses, binoculars, accessories, optical instrument, scientific instrument, theater glasses, french opera glasses, hans lipperhey

This book/magazine was produced by students at Orbost Secondary College.This publication is a useful research tool for the history of Orbost. Two copies of an orange covered stapled book with 48 pp, titled The Curlip No. 1. On the front cover is a black stylised sketch of a paddle wheel. Text is black. - Contents The Diary of an ANZAC by Jackie Herbert Farming in the Jarrahmond Area by Kim Stirzaker Orbost blacksmiths by Craig Terrell.curlip-orbost-secondary-college history-orbost jarrahmond orbost-blacksmiths

This book was produced by students of Orbost Secondary College.This publication is a useful reference tool for the history of Orbost.A spiral bound book with 30 pp titled The Curlip Issue No. 2. It has a yellow cover with a black stylised drawing of a paddle wheel behind the P.S. Curlip. Text is black - Issue No. 2 The Curlip Contains stories on Orbost Butter and Produce Co. Transport2188.2 - SLAB HUT COPY in red ink on front cover.orbost-history orbost-butter-factory orbost-transport

This book was researched and produced by Orbost Secondary College 9/10 Women in History Class. It is a collection of biographies of loacl Orbost women. The book was edited and collated by Heather Macalister. Students were tasked with gathering information and interviewing local Orbost women.This is a locally written history book which is a useful reference tool for researching the history of Orbost women.A 37 pp stapled book with a pale mauve cover titled The Curlip Issue No:3. Text is black : DATE ; JUNE 1996 CONTENTS; SPECIAL EDITION OF BIOGRAPHIES OF LOCAL ORBOST WOMEN. in the centre of the front cover in black is a sketch of a large paddle wheel with the P.S. Curlip in front. The book contains biographies and b/w photographs.On cover of 2189.2 : SLAB HUT COPY in red inkorbost-history-women biographies orbost-secondary-college

A cast iron wheel. The rim is ridged with fine teeth. In the centre is a fixed axle - bent and snapped off. It has six circular holes.wheel cast-iron machinery