Photograph of William Armour and his wife Maria Ransom Armour with their children Mary Adelaide and Helen Marion Standing Daisy and Robert on their fathers knee and Ruby later Rhoner on her mothers knee William Armour was born in Kilmarnoch Scotland in 1854 He was schoolteacher and tailor His wife Maria was a tailoress Their tailors shop was near the Advcate office Their son Robert ran a mechanics business where the motor mower shop is still to be seenwilliam armour

A compilation of the WW1 service records of 20 local men who enlisted for WW1. Collected by Julie Jones, Heritage Officer, Whitehorse City Council in 2015 for a display of Art Space, Box Hill Town Hall to commemorate 100 years of the ANZAC spirit including card files of the City of Whitehorse used by the consulting historians of 'Way Back When' in collaboration with the local Australia Calls working party to chronicle the experience of our local community.A compilation of the WW1 service records of 20 local men who enlisted for WW1. world war 1914-1918, phillips annette, hore pamela, clifton david, winn patricia, moulden neville, gilbert rod, anderson philip, reen jennie, sayle adrian, flanagan joanne, cox george, whitehead paul, fisher bruce, balderson loris grace, mcgrath stephen, bryant doreen

Vol. 2, No. 4, Aug-Sep 1997 CONTENTS A PAINTER'S PROGRESS ARRESTED William Dobell's battle for artistic survival 3 WALK WITH THE HEIDELBERG SCHOOL A chance to revisit the sites of Australia's best-loved paintings 4 A DREAM REVISITED Once more Eltham has a real bookshop 8 THE ART OF RECYCLING Painter Baz Blakeney creates his own materials from the scrap heap 10 POETRY Sandy Jeffs 12 MOTHER AND CHILD The concept of arts therapy 13 IMAGES OF THE '50s A Czech migrant's view of Melbourne 16 SHORT STORY Helen Lucas 18 BOOK REVIEWS The life of Clem and Nine Christensen 21 Music theatre of Melbourne 23 THE CHINA QUESTION Exhibition of modern Chinese art 24 THEATRE REVIEWS 26 Music 27 CD REVIEW 28 SHORT STORY 29 EXHIBITIONS 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, heidelberg artists' trail, heidelberg school artists' trail, 1950s, william dobell, eltham bookshop, meera govil, baz blakeney, junk art, found objects, sandy jeffs, art therapy, michelle lonsdale, eltham community health centre, kath armour, raddie sindelka, helen lucas, sandon mcleod, clem christesen, nina christesen, judith armstrong, llobex picture framing, john jenkins, rainer linz, harriet dance, chinese art, bulleen art & garden centre, studio framing eltham, eltham little theartre, great darebin music expo, judy jacques, lucinda mcknight, les kossatz, barry dickens, diamond valley singers, eltham community orchestras, helen o'grady children's drama academy, alan marshall short story award

Index, ill, p.224.non-fictionThe emergence of the Soviet Union as a military power and the weapons developed and employed. soviet union - armed forces, soviet union - military power

This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, discoloured to green and red-brown in places. Fiddle design. Bowl has indents and holes. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. The surface has encrustations. Bowl has nicks, indents and holes. Stem is very bent at the shoulder. Discoloured to green and red-brown in places. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon

This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. Bowl has a cut in the side, and is nicked and dented. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon

Adamson, Dr. John Ahmadzai, Jalal Allen, George Anderson, Fred Andrewartha, Arlene Archabuz, Janina Argyle, Beth Armour Nee Ramson, Maria Elizabeth Atkinson, Harry Bajada, Melchior Bajada, Melchiorre "Mel" Baker, Ian Baker, Kevin Balacchino, Rebecca Barnett, William Corbey Basten, Al. Bayliss, Myrtle Beachley Nee Anderson, Valerie "Val" Elaine Beanland, Charles Howard Benjamin, Colin Bewsher, William "Bill" Bowery, Leigh Cameron, David Ross Campbell, Donald "Don" Murdoch Carlton, Norman "Norm" Harrison Carr, Cissie Carr, Phillip Carter, Francis "George" Chapman, Pamela Joy Chisholm, Caroline Choi, Dr. Windsor Cockerell, Mr. R. Comensoli, Leslie John Connie, Sister Connor, Thomas Coulson, Ted Coxhill, Stanley "Stan" Victor Cripps Nee Wilkins, Joyce "Joy" Beaudette Dang, Thuy Dawes, Ernest Deeble, Don Deveson, Donald Frederick Diele, Tom Doak, Avis Dobson Nee Gibon, Janet Lilian Drayton, Harold Dunkette, Shaikha (Life in Bahrain) Eland, Judy Ellingsen Nee Lowe, Elsie May Ellis, Lester family, Newman Family, Rimmer Fogarty, Bill Ford, Frank Ford, Olwen Gary, Don Gaylor, James "Jim" William Ginifer, Jack Godfrey, Allan Goedecke, Gwenyth Hampton, Ania Hayden, Frank Hollingsworth, Edna Hollingsworth, Herbie Hollingwood Nee Fowler, Mary & Prince Phillip Hope, Patrick Horton, Mabel Huynh, Alyssa Hyett, William Inkster Nee Wardle, Adella Katherine Ivory Nee Pengelly, Amelia Frances Ivory, Joseph "Joe" Sydney Jackson, Ina Jackson, John "Jack" Henry Horace John, Charles "Chas" Johnson, Desmond "Des" Johnston, Alexander Robert Kenneth, Albert King, Ernest Webster "Web" Krix, Johann "John" Adam Languiller, Telma Lassila, Lydia Ierodiaconou Lawrence, Brian Liersch, Audrey Maloney, Samuel Gifford Marion, Colleen Mason, Aunty Jean McGoldrick, Prue McIntyre, Tom McLauchlan, Peter McNeill, Dorothy Meale, David Michael, Andrew (Andy's Servo) Miles, Albert John "Jack" Mill, Cr. Ian Miller, Keith Mott, Melbourne Leander Mottin, Laurence "Laurie" Mousley, Gwendoline 'gwen" Mullenger, Miss S. Myers, Mace Naismith, Neil Neyland, Grace Nguyen, Mayor James Noble, John Noble, Leslie “Les” William Noonan, Graham Miles O'Brien, Peggy O'Brien, Walter "Wally" James O'Connor, Frank Pardy, John Parry, Craig Parsons Nee Gahon, Alice Saide Parsons, Robert "Bob" Eric Pengelly Nee Goodman, Irene Keziah "Elizabeth" Pengelly, John "Johnnie" Pengelly, Lawrene "Keith" Pentreath, Mervyn Pentreath, Mervyn Podczyk, Richard Porter, Kenneth "Ken" Power, David Power, Peter Raleigh Nee Thorpe, Priscilla Raleigh, Joseph Rasic, Ranka Rewell, Ivy Roach, William A. Robinson, Donald "Don" George James Rockett, James Rohner Nee King, Mavis Elaine Rohner, Beryl Rohner, William “Bill” John Roxon, Nicola Sheridan, Jack Shilson, Winfred Shimmin Nee Langden, Florence Rita Shorten, Eileen Shorten, Jack Singleton Nee Thorpe, Laura Elizabeth Spargo, Ann Spargo, Peter Tachos, Virginia Taylor, Headlie Shipard Thomas, Doris Thomas, Herbert Arthur "Bon" Thurling, Doreen Twentyman, Leslie "Les" Tyler, Richard Uhi, Alan Ure, David "Dave" Vccellin, Dominic Wallace, Shirley Weaver, Vic Wegener, Eric Wendt, Sylvie Whiting, Else Whiting, Richard "Dick" William, Sir William Williams, Allan "Titch" Williams, Isabella Williams, Kevin Winifred, Adelaide Wlodarcyzk, Joseph Zbigniew Yannacaros, Arthur

Common seal of the Loyal Orange Lodge in Buninyong, an early Protestant groupCommon Seal used by an early Protestant Group in BuninyongCommon seal of the Buninyong Loyal Orange Lodge No. 14. Wording around outer edge of seal and depiction of William IIII wearing elaborate clothing, crown, cloak and armour and mounted on charger in the centre.LOYAL ORANGE LODGE BUNINYONG No. 14 WILLIAM IIIIbuninyong, seal, loyal orange lodge