The windmill and water tank are located at the rear of the houseIllustration of the windmill and the water tank at the Willows sitelocal architecture

The Churchill Island collection includes objects from the late 1800s to the mid-1970s. The collection is presented in sets and series, of which this windmill represents the Amess era.This windmill may be one of the oldest working mills of its model in Gippsland and has been a permanent fixture on Churchill Island since the late 1920s.Complete water-boring windmill on metal stand, with vane at head and pumphouse at base.COMETfarm, machinery, windmill, water, pumping, comet, churchill island, amess

Painting depicting a landscape with windmill and water tank on particle board. Signed (L.r) 'William Frater' and on reverse in pencil (U.c) '1477 Frater'. william frater, painting, landscape, windmill, water tank

Black & white photo of dam and windmill at Doug Livermore's Orchard in Vermont. (see also NP500)Black & white photo of dam and windmill at Doug Livermore's Orchard in Vermont. (see also NP500)orchards, livermores orchard, dams and reservoirs

People - "Webster, J J" Buildings - Windmill Associated with - "Herald Sun, Herald Weekly Times"

Small monochrome photograph (faded) of seamen on a windmill with water tower in the background.

Buff coloured envelope (used) addressed to Messrs U. S. Constructions, Nicholson St. Footscray Vic. Picture of windmill as trademark. Sent from Old Windmill Joinery, 8-10 Whitehorse Road, Ringwood, Vic.

Hard cover book. Black Roses Author: Francis Brett Young Publisher: The Windmill Press Date: 1929 Further Information: Blue Cloth hardcover, red spine with no lettering visible and a gilt patterning to front cover. The spine has a Library label with an inscription.fictionThe story follows a painter, Paul Ritchie, who is on a Mediterranean cruise when his ship stops at Naples. This stirs memories of years earlier, when he lived there and found friendship with a fellow artist and love with their landlady. All three were struck down in a cholera epidemic, and only Ritchie survived. Without setting foot in the city, he finally banishes the ghosts that have haunted him. The setting reflects the time Young spent on Capri during the 1920s.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, black roses, francis brett young

Colour photographmontmorency, windmill, were street

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of engineers constructing a Southern Cross Windmill tower next to the water header tower in Hoi My. The ultimate aim of the construction was to have a reasonable water supply for the villagers at Hoi My.photograph, engineers, hoi my southern cross windmill, 1st australian civil affairs unit, gibbons collection catalogue, vietnam war, denis gibbons, photographer, hoi my, diggers

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of the Hoi My Southern Cross Windmill water pump and the water pressure header tower. Pipes and taps were laid from the header tank to various access points throughout the village.photograph, 1st australian civil affairs unit, hoi my southern cross windmill, gibbons collection catalogue, denis gibbons, photographer, vietnam war

Sign reads 'Floral Carpet 1/-'. Hall was built in 1867 and demolished in 1956.alfred hall, windmill, building, vehicles, public

A surviving Windmill Palm, one of seven originally depicting the Commonwealth Star around the Tower. (Contained in an album originally put together by Harry Gilham. Photos subsequently relocated to photosafe archival storage.) [2001]Colour photographkangaroo ground, war memorial tower

The Old Windmill is the artist's impression of what the first mill built in Mortlake would have looked like. He depicts a timber pyramid shaped mill with four large vanes, reportedly of canvas. In the background is a landscape view of Mount Shadwell and a number of houses in the newly established town. This first mill was erected to process locally-grown grain to supply the increased population of the Ararat goldfields with flour. A later mill was built in Mill Street Mortlake in 1856 by Thomas Bostock, constructed of bluestone and still stands today. The painting was created in 1916 by William Aris Alen a local artist, who did not have first-hand knowledge of the old Mill, but would have relied on descriptions from those living in the district who did, as well as possibly recollections of windmills in Europe and Britain. PaintingSigned on bottom right corner - W. Alen 1916. Sticker on back of the painting indicates it was framed by Southwest Imaging and Frames, likely in 2012.mill windmill mortlake bostock alen shadwell

Winner of Eltham Art Award "Tower" (1993-1994) by Barry Mills and Simon Barley Wood, polycarbonate, brass and corrugated iron 8.1 x 3.75 x 3.75 mRoll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5montmorency, art in public places, barry mills, eltham art award, simon barley, tower (1993/94), were street, windmill

A windmill may be considered one of the most iconic sights of Australian Farming life. A pump like this rest at the heart of all such windmills, turning wind energy into water for farmers both here in Australia and worldwide alike. The water windmills access is referred to as an aquifer, an underground layer of water trapped in rocks but accessible with use of water wells and windmills. Australia is home to an underground aquifer known as the Great Artesian Basin. It is the largest and deepest aquifer in the world. Stretching over 1,700,000 square kilometres, the Basin underlies nearly a quarter of the continent including most of Queensland, the south- east corner of the Northern Territory, the north-east part of South Australia and the northern part of New South Wales. The basin is 3,000 metres deep in places and is estimated to contain 64,900 cubic kilometres of groundwater. To try and give this number context, a megalitre is a million litres. The Great Artesian Basin contains 65,000 million megalitres of water. This would be enough to cover all the land on the planet in almost half a metre of water.Lift style piston pump typical of an Australian farm connected to a multi-bladed windmill. Bronze cylindrical construction coming up from removable wood base. Rotating lever is above outlet pipe which would send water to the storage tank.windmill, australian farming, great artesian basin, aquifer

Contained in Volume 2 of a set of two spiral magnetic photo albums, each containing 10 leaves, 20 pages; Vol. 1 labelled "Houses - Eltham South" and Vol. 2 labelled "Eltham Houses". Newspaper clippings advertising house/land auctionseltham, real estate advertisement, houses, benwerrin, diamond creek, eltham north, fordhams road, ian reid real estate, ivanhoe, mount pleasant road, the oaks, windmill court

(Contained in an album originally put together by Harry Gilham. Photos subsequently relocated to photosafe archival storage.) [2001]Colour photographkangaroo ground, war memorial tower

Present day 25 Nicole Cres, Diamond Creek VIC 3089 2013 SOLD $700kPRIVATE TREATY Sold byMason White McDougall Hurstbridge Listed - not sold Listed on15 Feb 2012 Listed - not sold Listed on17 Feb 2011 128days listed Listed - not sold Listed on6 Jul 2009 431days listed Listed - not sold Listed on13 May 2008 298days listed Listed - not sold Listed on26 Jan 2007 178days listedlewis tulk collection, diamond creek, house, nicole crescent, windmill house

Jocelyn Zepter-Trevor 1988 Entrant No. 69 Ref: Series 34, Item 24 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, samantha robertson, series 35, diamond creek, film - agfa xr 100 i, jocelyn zepter-trevor, scan - 35mm negative, windmill herb farm & laboratories pty ltd, windmill house

Acquired when "Classweave Industries" closed down.textile mills - staff woollen mills - history, classweave industries pty ltd federal woollen mills ltd, textile mills - staff, woollen mills - history

Believed taken by Ian McCann Stawell's first Tourism OfficerPositive Colour Slides

Believed taken by Ian McCann Stawell's first Tourism OfficerPositive Colour Slides

Two Children in trailer wear dutch costumes with a windwmill. trailer decorated with paper Tulips.concongella school parade

Postcard, WW1, B&W image of a damaged windmill at Strazeele after a German offensive. The mirror image of the windmill is reflected in the still waters of a canal. Damaged buildings on either side of windmill.postcard, postcard, strazeele, france, ww1, canal, windmill

The title refers to a phrase used in the Australian Gambling game of two-up. "Come in spinner" is the call given by the game manager when all bets have been placed and the coins are ready to be tossed.This novel, set in Sydney, Australia at the end of the second World War was an outstanding best seller in its time and was an honest portrayal of society at that time. It is regarded as one of the best Australian novels ever written.A hardback novel with a red cloth cover. The title is printed in gold at the top of the front cover. Written by Dymphna Cusack and Florence James. Published by William Heinemann Ltd. Melbourne.literature come-in-spinner cusack-dymphna james-florence sydney-1950's

p.152.fictionA fictional account of the RAF involvement in the Battle of Britain battle of britain - 1940 - fiction, world war 1939-1945 - aerial operations - fiction