Supplement to the Womans Day Magazine - Anzac day Special 2000 - Titled "Enlist in the Sportsmens 1000". Stories from WW! with Pictures. 16 Page ANZAC Day Special

This original poster design was produced as entry in the First Australian Exhibition of Women's Work 1907 in Melbourne. Dorothy Leviny was studying art and design at the Bendigo School of Mines at this time, under the tutelage of Arthur T. Woodward, who was recognised as one of Australia's foremost proponents of the Arts and Crafts Movement. Reference: Castlemaine Art Gallery and Historical Society (2007): Catalogue. Portrait of an Exhibition. Centenary celebration of the first Australian exhibition of women's work 1907, p. 44.One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907.Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. Text top: 'Australian Exhibition', bottom 'of Womans' (sic) Work' and lower left corner 'Melbourne/1907/Oct, 23rd to Nov. 30.Lower right-hand of design - Dorothy Leviny's insignia: A 'B' inside a 'D' with and 'L'(bertha) dorothy leviny, first australian women's exhibition, 1907, exhibition building, carlton, australian women's work, watercolour design, poster, arts and crafts movement

In the nineteenth and twentieth centuries there were strong links between the Australian and African colonies forming the British Empire. The photograph is one of two representing scenes and people from the countries in the region of the Zambezi River: Angola, Zambia, Namibia, Botswana, Zimbabwe, and Mozambique. Sepia photograph, mounted on card, of a young African woman. Pencil on reverse: "Woman from Zambezi ***"africa - people

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced as a supplement with the English womens magazine, "Woman's Own", and contains knitting patterns for womens garments.woman's own / Knitted Fashions / A supplement presented with Woman's Ownknitting handicrafts - history, woman's own, knitting, handicrafts - history

Six New Idea Weekly magazines: 1956, 1960, 1962,1974,1978 and 1979. Featuring cookery, handcrafts, Travel, problems and Fashion. Please note page 100 of magazine dated 1/4/1978, which covers year round of family fashion. Two Woman's Day Magazines 1959, 1976New Idea, Woman's Daybooks, magazines

A large folder containing many pictures taken from a variety of sources. Sources include 'The Illustrated London News,' 'The Sun' and 'Woman's Day and Home.' 1933 - 1963.The Illustrated London News,' 'The Sun' and 'Woman's Day and Homeephemera, mementoes, history, lydia chancellor, collection, photos, pictures, ephemera, botany, plants, flowers, royal yacht britannia, history, british royal family, royalty, coronation, motor car history, automobile history, vintage cars, veteran cars, birds, art history, architecture, theatre, buildings, geography, adam lindsay gordon, australian poetry, children's games, australian art, albert namatjira, melbourne, christianity, religion, advertisements, london, tower of london, thames, river thames, brisbane, sydney, boats, ships, events, entertainment, exploration, heritage

This book was produced by the English Woman's Weekly and given away free with a copy of that magazine. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Presented / with / WOMAN'S / WEEKLY / FAMILY / KNITTING IN / THICK WOOLhandicrafts - history knitting, english woman's weekly, handicrafts - history, knitting

Vintage Australian book for the homemaker c1958. The book is published prior to granting of equal pay, affirmation of women's rights, acceptance of working mother and career woman as the norm . The book reinforces the socially accepted concept of the married homemaker and mother as perceived at the time, now the idealised concept is questioned. At the time of publication and reprints this book was envisaged to empower women. Whether' a teenager, career woman,a young married or mother' as a 'guide, philosopher, and friend' The editor Alleyne Jukes was born in Warrnambool to Charles and Mary Jukes of the Floral Farm Warrnambool. She attended Braemar Grammar School and Warrnambool High School. She lived and worked in Melbourne as a journalist and secretary living in St Kilda and Elsternwick 1949, Bentleigh 1954, Oakleigh 1963. In 1961 she gathered together a number of writers and consultants to produce Woman's World, a book designed as the woman's Bible to enable her to have access to expert advice and information about home and outside work fields.The book was hailed at the time at the time as the only work of its type produced entirely for Australian conditions and was an immediate success appealing to a wide range of readers. A similar subject book of smaller size and format has been sighted 'The People's Home Library', 1910 reprinted in 1923 by RC Barnum published by The Oceanic Publishing Company. A Library of three practical books, Medical 478 pp, Home Recipe 238 pp and Home Stock 315pp.This book is a guide for everything from how to answer a telephone correctly to sorting out marital problems. A reference guide for how to be a complete and successful young woman. Courses on Beauty, Fashion, Poise and Personality, Cooking,Every Wise Woman, Love and Marriage, The Home, The Family and Interests and Hobbies. This book has significance for Warrnambool as Alleyne Jukes was born in Warrnambool and has strong family connections to the district.A hardback reference book 'Woman's World' with a cream vinyl binding of flecked fabric outside cover and spine. Gold gilt lettering for the title and a gold gilt rose motif on the front; gold gilt lettering and publisher's name on the spine; plain back cover. The endpapers are repeated of black and white pen ink drawings showing the roles of women on varying splashes of a vairety of mono-coloured backgrounds. A general index on page 602 plus cooking index page 606 and dressmaking and sewing index page 607. The 607 pages are printed on thick, gloss white paper for 64 pages and coarser, white matt paper for the remainder. The table of contents lists a pictorial Introduction and nine chapters (courses) 'that is a 'bible' to the woman 'cares' and is vital to her as her femininity'. The editor has a heading "WOMAN" The Unacknowledged Specialist" and signed with her printed signature...Alleyne Jukes.' No dedication included although a text from Proverbs.alleyne m jukes, woman, self improvement, 'bible', warrnambool

Personal letter from Australian woman to a member of the 67th Battalion in Sept 1915. Presumably to a soldier posted overseas.Cream colour A4 lined paper with black writing and crease marks where folded and some tears.Handwritten letter to Cousin Jacko from a woman in Swan Hill.passchendaele barracks trust, letter from home, ww1, 67th battalion

Four page booklet featuring black and white graphics and text. The front cover features an image of a woman wearing a hat and gloves. [printed] Presented with / English / WOMAN’S / WEEKLY / CROCHET GLOVES / WITH FLOWER GAUNTLETSfashion, women, knitting, crochet, home life, patterns

Ceramic shard with white glazed finish and a purple pictorial design of a woman holding a basket on her head within a landscape. purple pictorial design of a woman holding a basket on her head within a landscape. pottery, ceramic, archaeology

Knitting and crochet pattern book produced by the publishers of the women's magazine "Woman's Day" in 1969. Contains patterns for mens and womens garments, and some craft items.Knitting and crochet book, 84pp. Cover is light blue and is printed with a black and white photo of a family (father, mother, son, daughter) wearing knitted jumpers with patterned lower bands. Contains knitting and crochet patterns.Front: Woman's / Day / design / '69 / Knitting and Crochet / Pattern Bookhandicrafts history, knitting crochet, woman's day, handicrafts - history, knitting, crochet

This knitting leaflet was part of the magazine "English Woman's Weekly" and contains a knitting pattern for a womans jumper.TRUE-LOVERS' KNOTS JUMPER / LONG OR SHORT SLEEVES / MEDIUM SIZE (3-ply) / Presented with / English / WOMANS' / WEEKLYhandicrafts - history knitting, english woman's weekly, handicrafts - history, knitting

The album contains postcards (photographs). The photographs (postcards) of Warrnambool and district in the 1930s/40s include views of the Botanic Gardens, the coast line, the main streets, the War Memorial and Hopkins Falls. The postcards from the 1890s include Wilmot, the Hopkins River, Hopkins Falls and Shelly Beach.The postcards in the album are in good condition and will be useful for reproduction. The 1930s/40s collection of photographs (also postcards) is a useful one also and a good example of how people preserved mementoes of their visit to a town. All the photographs are contained in other collections or albums held elsewhere in the Historical Society collection.This is a photograph album of ten pages with a buff-coloured cover of thickened card with a raised surface and an embossed image of a woman in the left corner of the front page. There are five postcards attached to the inside covers and 31 other photographs (postcards) in the slots provided. One photograph is missing from these slots. Embossed ornately decorated image of a woman on the front cover. postcards and photographs, warrnambool 1930s/1940s

In this image two woman sit in a canoe and paddle across a waterway. There are bushes and trees in the background, with a wide clearing separating the water way from the bush. Both woman wear life jackets and hats.1 black and white photograph of woman in a canoerecreation, canoeing

Doreen Falk, a volunteer guide at Vision Australia, leans down towards an elderly woman in a wheelchair, who is wearing headphones. In the background, various men stand and look to the right, most likely at an official function.1 colour photograph of woman leaning down to woman in wheelchairassociation for the blind, doreen falk

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was part of the English magazine "Woman and Home" and contains knitting patterns for mens, womens and babies clothes.Presented with WOMAN AND HOME / Easy-to-Wear KNITTING FOR ALL / In / 4-Ply / In / Double / Knittingknitting handicrafts - history, woman and home, knitting, handicrafts - history

The family history of Jane Elder compiled by Janes Great Grand-Daughter.White card cover with two B/W photos one of Emigrants on the deck of a ship. the other A wooden slab hut with a woman standing in the doorway.The Australian Story of Jane Elder Teh Woman who became Mrs. Whittlesee and lived on Wimmera Street in Stawell, Victoriastawell

This book was produced by the English Woman's Weekly and given away free with a copy of that magazine. It was owned by Billie Rech, the aunt of the donor, who was a great knitter.Presented with / English / WOMAN'S / WEEKLY / RIBBED JUMPER / WITH TWO-COLOUR YOKE / 6ozs. and 1oz. of 3-ply Fingeringhandicrafts - history knitting, english woman's weekly, handicrafts - history, knitting

A woman holding a candle holds a boy with a Santa hat on, in her lap as they watch the stage.Col. photograph of a woman holding a candle and a boy.carols by candlelight, fundraising

Weaving is a craft activity that has been a part of many day centres. In this image, a blind woman sit in front of a loom, holding the threads, her lips slightly pursed, as if in conversation. Another woman stands beside her and looks down at the work, her hand holding the weaving slightly forward as she looks at the stitches.royal victorian institute for the blind, day centres

Parenthood often means finding ways to do things you need to. A woman washes dishes in her home, whilst keeping an eye on her toddler by placing them in a backpack. The toddler looks over the woman's shoulder, as she continues her work, with 2 washed cups already sitting in the drying rack.1 black and white photograph of woman washing dishesrehabilitation, child rearing

Florence Cardell-Oliver was born at Happy Valley, and became the first woman Cabinet minister in Australia.Coloured portrait of a woman with medals of office shown below.dame florence cardell-oliver dbe

Photograph of a young, red-haired woman operating what looks to be a telephone switchboard. The woman, possibly a receptionist, and possibly vision-impaired, wears headphones with a mouth piece to allow hands-free operation of the phone. With her right hand, she operates the keyboard in front of her. In the background is a bookcase with phone books stacked upon it.1 black and white photograph of woman working in officerehabilitation, royal victorian institute for the blind

Volunteers are used in a variety of roles. Here a woman is assisted out of a car, possibly to attend a day centre program.association for the blind, volunteers

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt