The Strategy Against Right-Wing Attacks (S.A.R.A) kit was produced by wimmin from around Australia following the 1980 National Wimmin's Conference, Darwin, NT. It includes a fantastic set of papers from a forum on the state of feminism in Australia discussing right-wing attacks on women's organisations, and highlights success stories for attacking back. The kit was meant to be added to through a national network of SARA contacts in each state.women's liberation movement, lesbian feminism, darwin

The use of the colours purple, green and white reference the colours used during the first wave feminist movement initially in the UK by the Women’s Social and Political Union (WSPU), and subsequently emblematic of the Australian women’s movement.Graphic illustration of a naked female seated figure in purple, white and red, against a background with 'rays' of purple, green and white. Main text in red, with additional text at base in purple.Additional text: "A woman's place is… …in the struggle : 24th consecutive rally and march : 6:30pm steps of Parliament House : Dance afterwards 8:30pm Brunswick Town Hall (cnr. Sydney Rd. + Dawson St.)."women's liberation

Poster features a purple and white photograph of a group of women marching at a rally, against a white background, with a purple line border, and text in purple at the base.Additional text: "Meet: March 8th at Assembly Hall, 156 Collins Street, 7.30pm. Meet: March 10th: City Square, 10am. Women of the world unite!"women's liberation

The Eastern Family Violence Service, EDVOS, has announced three pet friendly crisis accommodation properties for women and children located in the east.The Eastern Family Violence Service, EDVOS, has announced three pet friendly crisis accommodation properties for women and children located in the east.women, eastern family violence service, women's liberation halfway house

Gwyneth "Gwen" Goedecke CollectionWomen in Politics/History/Unions|Women in Sport and Recreation|Refugee/immigrant/internationall women|Women's Health|Womens Liberation/ Femnism|Women in Employment/ Equal Opportunity|Women's Occupational Health and Safety / Maternity Leave Working Women's Charter 1977 Publications are listed in each folderwomen

This historical family photograph spans three generations of the Cooper Family, a pioneer family, still residing in the Kiewa Valley. The large axe held by Pat was a handy tool for pioneer families to chop down trees for land clearing, building sheds and fences, outhouses and fire wood. This photograph was taken during a time where both male and females did some heavy lifting and processing. The rural sector at this point in time was physically a hard location for both sexes. The segregation of the sexes into specific job categories was some times non existent although household "chores" was in the main a woman's domain. The rural sector was in this point of time one which women were highly respected and the unwritten law of providing "assistance" and "reverence" by men in such actions as, socially opening doors, tipping the cap, offering a sturdy arm for support and refraining from doing or saying anything "uncouth" in a woman's presence. It was in a time when women's liberation was just starting to grow strength. Rural areas, on the hole, took longer to interfuse "city" hatched norms of behaviour. This photograph of a pioneer family still residing in the Kiewa Valley demonstrates not only the close protective environment that the valley has on all its inhabitants but also the close bonding that neighbors have towards each other. The term "God's gifted country" fits warmly with all the settlements in the valley. The relatively isolated (physically, visually and communications wise) has since post World War II been whittled away by faster and vastly improved communications with "the outside" world. The strength of commitment to the rural life can be seen in the faces of the family members in this photograph. The proud heritage is displayed without any external pressure. This large black and white family photograph is a reproduction on Fujicolor Crystal Archive Paper manufactured by Fujifilm. It is 200gsm matt finished paper with no borders. On the reverse side, written in pencil "Ted Cooper sitting aged 24-25, Pat Amery (Ted's youngest sister) holding Ted's eldest son Doug and Ted's father John Franklin Cooper(22-8-1892)"john cooper, ted cooper, pat amery, doug cooper, pioneer family kiewa valley

23 pages including information on inside covers. Text with black and white illustrations and photographs and map. Contents: Crossing Place Need for a school Residence for the teacher Closure A View of Lower Plenty 1918 Moving day at the Village The Golf Club Depression 1931 Vandals Electricity Grass Fires Cows at School Mothers' Club Women's liberation 1950's Lower Plenty after 1945 Swimming Pool - drowned dreams Long Grass - snakes - meadow hay - Fire Brigade The Royal Visit 1954 School Band Community Centre Our School Hall Trees and Gardens The Library Education 1874-1974 A Teacher's View The Second generation - children of ex-pupils (photo with names) The Third generation - Grandchildren of ex-pupils (photo with names) Head Teachers (list with dates) The Staff 1974 (photo with names) The sketch on the cover shows the Lower Plenty Bridge, toll house and the Plenty Bridge hotel, both no longer there. The bridge is listed in the Banyule Heritage Study and has recently been restored by Banyule Council as a pedestrian bridge - NL 137 March 2001 Paperback; [24] p. : ill. ; 25 cm.lower plenty, state school no. 1295, lower plenty primary school

This product was introduced in an era where the "silky smooth" look was in vogue. From the 1920s on, American and British film stars set the tone of how clean cut (hero type) masculine look attracts the opposite sex faster and in greater quantities than the "unkempt" or natural maintained look. This look was bold and "polished" and had the intended projection that the hair matched the character of "I look after myself and have a high opinion of physical appearances". As fashion goes this slick and well maintained look has circled many times, in and out of history and in Australia in the 1950s this was a prime example. The liberation of the stereo type of both sexes occurred in the 1960s when the freedom loving "hippie culture" had a marked affect upon the city inhabitants but not so strong among rural males. Sexism was still rife in that time frame.This jar of Brylcreem was a part of the (masculine) rural scene for a longer period than that found in the larger towns and cities. The long held "men are men" and "women are women" distinction between the sexes lingered on more in rural areas because of the perceived physical differences, mainly "strength" and perceived tasks such as "men only" activities (heavy farm/mining/construction). The jar of Brylcreem maintained the respectable male look for those special occasions when males "dressed" up and looked clean physically and well behaved (to show respect to the women folk)This glass jar with a glued on,red background, label detailing the product Brylcreem (a men's) hairdressing ointment is empty of its original product. It has been contoured on each side to allow for a man's fingers to comfortably and firmly grip the jar. This form would allow even "greased up" hands to maintain control. The glass thickness is far greater than needed and also added the extra stability to the standing jar. The shape of the jar is a latent attempt to emulate the physique of a fit young man (small waist, expanded and muscled mid rift and large shoulders). The jar does not distract from viewing its contents (clear glass). It has a black gloss screw (on/off) lid made from mild grade steel. The jar holds approximately 200 grams of a thick molasses textured product. On the front red Label; in large white letters "BRYLCREEM" underneath this is in smaller silver print "THE PERFECT HAIRDRESSING" underneath this is a banner type motif with a crown at the top and a black letter "B"in the centre. Below this and in much smaller print are printed in black script "BEECHAM (AUSTRALIA) PTY. LTD. MELBOURNE VICTORIA M A Imen's deportment, toiletries, men's hair styles, physical appearances

Radio 6NR was Western Australia's first community broadcaster, beginning broadcasting on 16 October 1976. Not long after the Gays Broadcasting Collective (GBC), formed by Perth Gay Liberation, began producing Gays Weekly on the station from c.1978. The shows format saw its weekly programs focus on: 1. news and general matters; 2. coming out; 3. wimmin's program; and 4. lambda documentaries, about community organisations and individuals. This format wasn't to last, with the GBC breaking along gender lines at the end of 1979. The Gays Weekly program was renamed Rated Gay in March 1980, and the Wimmins Collective established a program called Amazon Access within the Wimmin's Broadcasting Cooperative on the station, which was later renamed Wimmin's Link.Posterradio, women, lesbian

Index, ill, p.191.non-fictionIn You’ll Be Sorry! Ann Howard honours grandmothers and mothers in a superb account of women’s participation in the Services during World War II, and their ensuing battle for equal opportunity that set the foundation for the Women’s Liberation Movement of the 70s.You’ll Be Sorry! is an absorbing account of the experiences of women serving in the Australian Women’s Army Service, and other Services.Ann Howard captures the resistance and prejudice 66,000 women experienced as they left home to join the Services in WWll.women - australia - social conditions, australian womens army service

Black and white text on cover and throughout non-fictionOverview of funded and non-funded organisations focused on women's rights, and the diversity of the South Australian Women's Liberation Movement through interviews and social history. Essays written by artists, writers and women working in women's services.suffrage, voting rights, violence, communism, activism, pascifism

Booknon-fictionExplores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.painting, drawing, collage, photography, surrealism

Hardcover book with a dustjacket firmly attached. There is a black panel across the top with the title in yellow print and another thinner black panel across the bottom with the author's name in cream coloured print. The front cover shows an illustration of a Japanese soldier in the foreground and behind him are eight women working in a field, they are being watched by an armed soldier stationed at a lookout on a wall behind them. The image is in black, green and yellow.non-fictionSister Jessie Elizabeth Simons tells the story of the sixty-five members of the Australian Army Nursing Service who were evacuated from Singapore just before the arrival of the Japanese, their ship was bombed and sunk and they were captured by the Japanese soldiers and held in prison camps until the day of liberation.women prisoners, prisoners of war, australian nurses, world war 2, world war ii, wwii, ww2, japanese, vyner brooke, sister jessie elizabeth simons

Faded red hard covered, cloth-bound book with gold title on the spine and a white sticker at the bottom of the spine with B38 in red texta.non-fictionSister Jessie Elizabeth Simons tells the story of the sixty-five members of the Australian Army Nursing Service who were evacuated from Singapore just before the arrival of the Japanese, their ship was bombed and sunk and they were captured by the Japanese soldiers and held in prison camps until the day of liberation.women prisoners, prisoners of war, australian nurses, world war 2, world war ii, wwii, ww2, japanese, vyner brooke, sister jessie elizabeth simons

On Armistice Day, 11 November 1934, an estimated third of Melbourne’s population, assembled for the Dedication Ceremony of the Shrine of Remembrance by Prince Henry, Duke of Gloucester. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023 Photographer notations on slide: "Shrine and multitude afield B62" Description: “Shrine and multitude afield” On Armistice Day, 11 November 1934, an estimated third of Melbourne’s population, assembled for the Dedication Ceremony of the Shrine of Remembrance by Prince Henry, Duke of Gloucester. The Argus reported the following day: “10,000 Pigeons Released. With whirring wings, 10,000 pigeons rose above the Shrine like a huge puff of smoke when they were released from the second balcony at 11.43am, after the ceremony of dedication. The pigeons had come from all parts of the metropolitan area and from places as far away as Shepparton, Broadford, and Trentham. They hovered above the Shrine for a moment or two, taking their bearings, and then flew away toward their homes. A boy at Burnley reported later that one of his pigeons had returned and entered its box two minutes after the liberation. The pigeons were assembled in metropolitan clubrooms of the Victorian Homing Pigeon Association on Saturday night, and transported in 75 panniers to the Shrine, carried up stairways, and placed in readiness on the balcony. A man remained in charge of them all night. In the early hours of the morning he had a busy time covering the panniers with a tarpaulin to protect the birds from the rain.” In the foreground can be seen three women standing with their backs to the Shrine, looking upwards. In the same coverage, The Argus noted: “Women, unconscious probably of the fact that they were resorting to the principle of the periscope of the days of the war which had brought this vast assemblage together, turned their backs upon the scene the better to view it by looking into mirrors held high in one hand.” FRC Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. References: President Roosevelt's Tribute (1934, November 13). The Advertiser (Adelaide, SA : 1931 - 1954), p. 16. Retrieved November 8, 2024, from http://nla.gov.au/nla.news-article35018382 Here, There and Everywhere (1934, November 12). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 7. Retrieved June 19, 2024, from http://nla.gov.au/nla.news-article277075769 DAY OF SOLEMNITY (1934, November 12). The Argus (Melbourne, Vic. : 1848 - 1957), p. 9. Retrieved November 8, 2024, from http://nla.gov.au/nla.news-article10992864Photographer notations on slide: "Shrine and multitude afield B62".shrine of remembrance, 1930-1939, ceremonies, world war 1, pigeons

The bottom half of the cover and the spine are black with the title printed in silver. The top half is a sepia photograph of two smiling prisoners of war, the bottom of the image is overlaid with black barbed wire.non-fictionStories from the Australians at War Film Archive that follows the stories of the POWs from capture to eventual liberation. The book ranges across all the wars, from the men and women trapped under the ruthless Japanese regime, to the forgotten POWs of the Germans and the Italians, captured in Crete or Greece, or anywhere in occupied Europe. [Trove]prisoners of war, wwii, ww2, world war 1939-1945, second world war, australian prisoners of war