This brooch was typical of those produced at the beginning of the 20th century. It belonged to a member of the family of Mrs Jean Raper who donated a collection of assorted jewellery to the Wodonga & District Historical Society Collection.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A round silver brooch with natural coloured mother of pearl centre. The surrounding silver edging of 0.4 width is in a leaf design. The mother of pearl centre is 3 centimetres in diameter.fashion accessory, women's jewellery, vintage fashion jewellery

This brooch was typical of those produced at the beginning of the 20th century. It belonged to Mrs Alice Flora May Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A large oval brooch featuring a central image of a Grecian woman. This centrepiece is surrounded by a design of flowers and swirls with a silver edge. The brooch has a gold look metal bar across the back.fashion accessory, vintage fashion jewellery, women's jewellery

This brooch was typical of those produced at the beginning of the 20th century. It belonged to Mrs Alice Flora May Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A small gold butterfly brooch. The brooch includes the body of the butterfly with lines marking different segment and the 4 wings which have a hatched line pattern. The wings also featured a glitter decoration, although most of it has worn off over time. The metal pin at the back is also missing.fashion accessory, women's jewellery

This unusual jewellery set belonged to the family of Mrs. Jean Raper of Wodonga. It is part of an extensive collection of jewellery items which belonged to her mother and grandmother.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long strand of black beads with embedded opal chips of varied sizes. The front central bead is teardrop shaped and surrounded by 4 large round beads. Beads are strung on a strong dark thread with a plastic screw clasp. The set includes a matching brooch consisting of 3 medium sized and 4 smaller beads attached to a faun gold bar.fashion accessory, women's jewellery

This unusual jewellery set belonged to the family of Mrs. Jean Raper of Wodonga. It is part of an extensive collection of jewellery items which belonged primarily to her mother and grandmother.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A set of 40 closed loops forming a chain and featuring a locket like pendant. This item is made from a light material similar to tortoise shell. The central pendant has been carved with a cross and a criss-cross pattern as well as initials and a date. It is held together with a metal pin which is probably not part of the original piece.On central pendant front: "AMM" on reverse side: "14 Jan 1883"fashion accessory, women's jewellery

This hair accessory is part of collection donated by Mrs. Jean Raper. It belonged to her great grandmother Mrs. Eliza Reardon. It was used to keep a bun or other hairstyle in place.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A hair pin/comb or decoration used to secure a woman's hair bun in place. hair decorations, fashion accessory, women's jewellery

This brooch was typical of those produced at the beginning of the 20th century. They often featured miniature plants and animals. This insignia may have also been used to signify Scottish ancestry.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A small metal brooch or insignia in the shape of a scotch thistle. It is based on gold coloured metal but features green leaves and a magenta flower. The veins on the leaves are gold. fashion accessory, women's jewellery, insignia

This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of black jet beads of even size stung on dark coloured twine.fashion accessory, women's jewellery, decorative items

Strings of beads were a common fashion accessory for women in the early to mid 20th century. They were usually made from glass beads but other natural item such as seeds or shells were also popular.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short necklace of 60 uniform sized beads or possibly shrub seeds. They are strung on thick twine with a metal catch. The catch has worn over time.decorative items, fashion accessory, women's jewellery

This kind of beads was commonly worn by women in the early to mid 20th century. This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of mauve faceted beads. Faceted beads have many flattened edges done in such a way as to make them look like a cut gemstone.decorative items, women's jewellery, fashion accessory

This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short string of black beads of varied sizes. The beads are joined by metal hooks and has a hooked clasp.fashion accessory, decorative items, women's jewellery

This kind of beads was commonly worn by women in the early to mid 20th century. These strings of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.2 strings of glass beads. Both necklaces have a metal clasp and are strung on a cord of thick cotton.decorative items, women's jewellery, fashion accessory

This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of yellow glass beads of graduated sizes strung on thick cotton thread.decorative items, women's jewellery

This is a typical jewellery case used by early settler women to store and protect their rings, necklaces, earrings , hat pins etcThis jewellery case gives an insight into the daily life of early settler women in Moorabbin Shire This lady's jewellery box is covered in beige velvet and lined with beige silk The lid has a covered hinge and it has a silver slide catch.nilearly settlers, moorabbin, cheltenham, bentleigh

A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The hatpin was invented to hold veils in place, and was handmade. Birmingham, England was the centre of production when demand eventually outgrew the number that could be supplied by hand-making and they also began to be imported from France. In 1832, an American machine was invented to manufacture the pins, and they became much more affordable. During the 1880s, bonnets gave way to hats, some of which were very large and the popularity of hatpins soared. In the Victorian era, when appearance was everything, it just wouldn't do for a fashionable lady's hat to blow off in the wind. They remained a standard women's' accessory through the 1910s and were produced in a vast range of materials and types. Hat pin holder boxes were also produced. One of the most well-known makers of hatpins is silversmith Charles Horner, of Halifax, whose turn of the century jewellery company became a leader in the market by creating a series of mass-produced pins that were still of exceptional quality. As a result, thousands of Horner's pins are still on the market and on display in museums worldwide. Women of the 1920’s used hat pins as decoration on their Cloche hats that fitted snugly to their heads. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.2 lady's long steel hat pins with sequents in a flower design on mauve material bonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires. 1 long, lady's, steel, hat pin , padded and covered in black linen decorated with spherical shaped black sequins bonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

See 00630 A A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires. A short, lady's steel hat pin, padded and covered in red and gold felt in a spiral patternbonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

See 00630 A A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.A short steel lady's hat pin with a gold coloured metal ball at top with filigree decorationbonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

During the reign of Queen Victoria, whose long and conspicuous grief over the death of her husband, Prince Albert, appropriate dress for men and women for the period of mourning was strictly prescribed and rigidly adhered to. Widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death, although a widow could choose to wear such attire for the rest of her life. To change the costume earlier was considered disrespectful to the deceased and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific time periods; such stages were known by such terms as "full mourning", "half mourning", and similar descriptions. For half mourning, muted colours such as lilac, grey and lavender could be introduced.. Special caps and bonnets, usually in black or other dark colours, went with these ensembles. There was special mourning jewellery, often made of jet. By the late 20th century, this no longer applied, and black had been widely adopted by women in cities as a fashionable colour. A lady's full length black fine wool dress with pleated bodice and skirt. A beaded detachable collar sits over the dress forming a V shape back and front and is attached by hooks and eyes on right shoulder . Centre front from neck to point is a row of small black circular sequins. clothing, dressmaking, craftwork, cheltenham, market gardeners, pioneers, early settlers, moorabbin, bentleigh

Those identified in this photograph are: Grace Cameron - back row second right and Effie Wait on the left. (Smooker? Firth?)This photograph is a pictorial record of typical women's fashion in the mid 20th century when women's dresses were were modest, revealing very little skin, compared to today’s fashion. Squared shoulders, narrow hips, and skirts that ended just below the knee were the height of fashion. Tailored suits were also quite popular. Generally older women wore hats, gloves and jewellery. The women in the photograph are associated with Orbost.A black / white photograph of a group of women most wearing hats and jewelry. on back- "left Effie Wait Grace Cameron back second row right"cameron-grace wait-effie orbost-social-gathering -mid 20th

These items are from the Temple estate. George Temple (1832-1916) started Temple's store opposite Orbost Post Office. Packed stores to Bendoc area gold fields, also had a store in Cann River. This item is an example of a popular piece of jewelry worn by women in the early 20th century. These brooches were sold in a local store and could have been purchased for a local funeral.Black, bakelite brooch - three small sections form centre of brooch, one is a hexagonal cone-shape with hexagonal dome attached by link to smaller circular polygon attached by link to a smaller flat pentagon. Black mesh in the shape of wings form the backing featuring eight bakelite stars of varying sizes (two smaller stars missing from the assembly). A metal pin is attached to the rear in the form of a clasp.1900s jewellery, bakelite, mourning brooch, george temple, orbost store

These are from the Temple estate.. George Temple(1832-1918) started Temple's Store opposite the Post Office and packed stores to Bendoc. Donor was grand-daughter of Dr Kerr, first doctor in Orbost.These items are examples of common jewellery items worn by by women in the early 20th century.Assorted bead chokers and cuffs. Four cuffs and four chokers.jewelry beading costume-accessories temple-family

A small presentation box for Potter & Moore Old English Spice soap, that was probably given as a gift to a resident of City of Moorabbin c1950 . Women often kept these boxes, after the soap had been used, for storing small jewellery and trinkets. Throughout the 20thC Potter & Moore cosmetics were popular with the families in the City of Moorabbin. An empty cardboard box with lift off lid and decorated with 18thCentury figures that held 'Potter & Moore' Soap c1950On lid ; Old English / Spice / 2 figures / POTTER & MOORE / OF LONDONcosmetics, personal effects, potter & moore pty ltd london, early settlers, market gardeners, post world war 2 estates, moorabbin, bentleigh, cheltenham, clothing, perfumes,

Jet became popular in the Victorian era for mourning jewellery, which became fashionable after the death of Queen Victoria's husband Prince Albert in 1861. Jet is a dense black fossilized wood, almost like coal, and very light in weight. It is easy to cut, so carved well. It became popular in the Victorian era for mourning jewellery, which became fashionable.This jet necklace is typical of the mourning jewellery worn by early settler women in Moorabbin Shire c1900A continuous circular, long, black necklace with small jet beads.Nonejewellery, mourning wear, jet stone, queen victoria fashion, early settlers, pioneers, black clothing, moorabbin mirror, bader fran, rietman august, rennick stefanie, resin jewellery,

Women wear rings to denote their marital status or as a fashion statement. They may be small or large, valuable or costume, or part of the overall accessories to accompany their outfit. Some stones have significance or may have sentimental attraction.A small gold ring that is typical of the jewellery worn by early settler women in Moorabbin Shire c1900A small gold ring with a blue stone in an original paper mache box c1900jewellery, costume jewellery, early settlers, moorabbin shire, bentleigh, mckinnon, ormond, cheltenham,

This is a photo of items made out of Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a display of wooden items standing on a white dip[lay stand. Dried flowers and grasses can be seen in the background, as well as a sketch on the wall to the right.events, wildflower show

The wooden items are made from Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows stuffed animals displayed on a sawn branch and leafed twigs. Items made from wood and Banksia cones can be seen in the top, left hand corner, and other small items can be seen hanging on a branch on the right.events, wildflower show

The wooden items are made from Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a collection of wooden items displayed on a white stand. There is a brown cloth draped amongst the display.events, wildflower show

Wooden items are made from Banksia baueri. Local women made wooden items and jewellery of pressed flowers for sale (1960-1990s).Photo shows wooden items on a round display stand with a fringe tacked to bottom tier . Arranged flower vases cn be seen in background. events, wildflower show

It is unknown how this specific item made its way into the Warrnambool Museum. However, many South African artefacts came to the museum through men who served in the army during the Boer Wars of 1880-81 and 1899-1902.A beaded rope necklace. The rope is made from cloth and plant fibre with glass beads. It has a brass fastening. There are five colours: white, green, black and red with a pink band at the top. In the Zulu culture beads and jewellery were used as a means of communication. Generally they were used to convey messages about whether someone was married, engaged or single. The colours had different meanings but when placed next to white, the meaning would always be positive. white: purity and love black: marriage and rebirth red: also love green: contentment pink: denoted high status Beadwork was almost solely the work of women but men would also wear the jewellery.zulu, south africa, jewellery, beads, kwa zulu natal, africa, boer war, warrnambool