Showing 105 items matching "women artists in australia"
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Warrnambool and District Historical Society Inc.Book, Melbourne University Press, Picturesque Pursuits, 2005
... women artists in australia... This is a book written by Caroline Jordan about colonial women artists in Australia. It gives information on women artists whose achievements have been discounted in the past because they were labelled ‘amateurs’. ...This is a book written by Caroline Jordan about colonial women artists in Australia. It gives information on women artists whose achievements have been discounted in the past because they were labelled ‘amateurs’. ...This book gives information on Australian colonial woman artists.This is a hard cover book of 224 pages. It contains sections on Acknowledgements, Prologue, five chapters, Epilogue, Abbreviations, Notes, Bibliography, Sources of Illustrations and Index. The cover is cream-coloured with gold lettering and the dust cover has a grey background with a colour image of an artist’s work on the front cover and a colour image of a woman on the back cover. The book has many black and white and colour illustrations. non-fictionThis book gives information on Australian colonial woman artists.women artists in australia, caroline jordan -
Mission to Seafarers VictoriaPhotograph, circa 1935
... Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist...Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist ...In 1935, the CB Pedersen arrived on the 13th of April after 198 days at sea. The ship left on the 18th June (date written on the photograph) after two months in Melbourne. Captain Dalhstrom had been its skipper for 13 years. In the Sydney Morning Herald, Tuesday 27 April 1937, page 12: "The C. B. Pedersen was built in 1891. It has visited Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist Violet Teague was one of the passengers. She painted during the voyage and exhibited her work in 1938. Built in 1891 the C.B Pedersen, a four-masted steel barque (2142 tons) was used as a training Barque. The ship foundered in April 1937, the crew was saved.The C.B. Pedersen was one of the last windjammers sailing in the 1930s with the Herzogin Cecilie and the Grace Harwar. Black and white photographLower right corner front in black ink: H. Dahlström / June 13th 1935 / On board the CBP / in Hobson's Bayc.b. pedersen, captain hjalmar dahlström, violet teague, windjammer, sweden -
Mission to Seafarers VictoriaPhotograph, Peckham Photographic Studios, Geo Beachcroft, Capt Dahlström and 2nd mate of the C.B. Pedersen, c. 1935
... Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist...Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist ...In the Sydney Morning Herald, Tuesday 27 April 1937, page 12: "The C. B. Pedersen was built in 1891. It has visited Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist Violet Teague was one of the passengers. She painted during the voyage and exhibited her work in 1938. Built in 1891 the C.B Pedersen, a four-masted steel barque (2142 tons) was used as a training Barque. The ship foundered in April 1937, the crew was saved. Several photographs of the C.B. Pedersen taken by the same studio are held at the State Library of Victoria.see links aboveBlack and white photograph depicting two sailors in attire on the deck of a ship.verso in Black ink; Photographic studio stampcrew, c.b pedersen, captain hjalmar dahlström, violet teague, windjammer -
Mission to Seafarers VictoriaBook, Australian Scholarly Publishing, Lights Everlasting: Australia’s commemorative stained glass from the Boer War to Vietnam, 2023
... Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women ...Almost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.255 pages with colour and black and white illustrations; notes, bibliography, index.non-fictionAlmost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.australian history, ww1, ww2, boer war, vietnam war, stained glass windows, bronwyn hughes -
Greensborough Historical SocietyArticle - Newspaper Clipping, Leader Community News, Granddaughter of acclaimed Eltham painter Walter Withers wants more recognition for women artists, 2017
... Newspaper clipping about recognition for women artists by Walter Withers' granddaughter Mary Owen; An article on Walter Withers downloaded from Wikipedia; the Australian Dictionary of Biography entry for Walter Withers; and the entry on Walter Withers from the Artist's Footsteps website....Newspaper clipping about recognition for women artists by Walter Withers' granddaughter Mary Owen; An article on Walter Withers downloaded from Wikipedia; the Australian Dictionary of Biography entry for Walter Withers; and the entry on Walter Withers from the Artist's Footsteps website. australian artists walter withers mary owen 8 page Article with text and black and white and coloured images, also information from Wikipedia and Australian Dictionary of Biography Granddaughter of acclaimed Eltham painter Walter Withers wants more recognition for women artists Article Newspaper Clipping Leader Community News Megan Bailey ...Newspaper clipping about recognition for women artists by Walter Withers' granddaughter Mary Owen; An article on Walter Withers downloaded from Wikipedia; the Australian Dictionary of Biography entry for Walter Withers; and the entry on Walter Withers from the Artist's Footsteps website.8 page Article with text and black and white and coloured images, also information from Wikipedia and Australian Dictionary of Biographyaustralian artists, walter withers, mary owen -
Federation University Historical CollectionBook, Julie McLaren et al, Becoming Modern: Australian Women Artists 1920-1950, 2019
... Women artists Alice watson nornie gude maude glover fleay herbert h. smith Ballarat Gallery Art School Blue and pink soft covered book of 176 pages Becoming Modern: Australian Women Artists 1920-1950 Book Australia Victoria Ballarat Julie McLaren Louise Tegart Art Gallery of Ballarat ...Blue and pink soft covered book of 176 pagesnon-fictionwomen artists, alice watson, nornie gude, maude glover fleay, herbert h. smith, ballarat gallery art school -
Federation University Historical CollectionArticle - Article - Women, Ballarat Technical Art School: Women of Note; Nornie Gude, Artist, (1915 - 2002)
... Her work is represented in collections at the National Gallery of Victoria, Parliament House, and the Art Gallery of Western Australia, as well as regional collections in Ballarat, Geelong, Castlemaine Art Museum, and Bendigo. nornie gude ballarat technical art school 1931-1936 women of note artist macrobertson scholarship 100 pound per year national gallery school 1936-1939 sidney nolan charles bush first woman national gallery students travelling scholarship parliament house regional collections ballarat geelong castlemaine bendigo national gallery victoria eleanor constance gude Portrait of Nornie Gude while a student at the Ballarat Technical Art School Ballarat Technical Art School: Women of Note; Nornie Gude, Artist, (1915 - 2002) Article Article - Women ...Eleanor Constance (Nornie) Gude was born in 1915 in Ballarat, Victoria to Stella Rehfisch and Walter Gude, musician and violin teacher, and conductor of the St Patrick's Cathedral orchestra and choir in Ballarat. Her parents met when Stella was 27 and the 42-year old Walter was teaching her the violin. Nornie and her sister Gilda were both raised in Ballarat before moving to Melbourne on the eve of World War II. She was accepted into the Ballarat Technical Art School at 15 because of her advanced skill in painting, and trained there from 1931-1936. She won the esteemed MacRobertson Scholarship in art worth £100 a year. She later went on to the National Gallery School from 1936-1939, studying with Sidney Nolan and Charles Bush, and became the first woman to win the National Gallery Students Travelling Scholarship. Gude won many awards for her painting both while at school and throughout her career. Her work is represented in collections at the National Gallery of Victoria, Parliament House, and the Art Gallery of Western Australia, as well as regional collections in Ballarat, Geelong, Castlemaine Art Museum, and Bendigo.Portrait of Nornie Gude while a student at the Ballarat Technical Art Schoolnornie gude, ballarat technical art school, 1931-1936, women of note, artist, macrobertson scholarship, 100 pound per year, national gallery school, 1936-1939, sidney nolan, charles bush, first woman national gallery students travelling scholarship, parliament house, regional collections, ballarat, geelong, castlemaine, bendigo, national gallery victoria, eleanor constance gude -
Federation University Historical CollectionArticle - Article - Women, Ballarat School of Mines: Women of Note; Edna May Grigg, Art Teacher, 1931-1946
... Australia. She studied under Hans Heysen and became a successful painter. She won the Melrose Prize - portrait in oils - that hangs in the Adelaide Art Gallery. The Melrose Prize for portraiture was instituted in 1921. Edna came to Ballarat and was employed as an Art Teacher at SMB from 1931 to 1946. women of note teacher ballarat school of mines smb campus edna may grigg artist painter hans heysen melrose prize for portraiture adelaide art gallery 1931-1946 Ballarat School of Mines: Women of Note; Edna May Grigg, Art Teacher, 1931-1946. ...Edna May Grigg studied Art in South Australia. She studied under Hans Heysen and became a successful painter. She won the Melrose Prize - portrait in oils - that hangs in the Adelaide Art Gallery. The Melrose Prize for portraiture was instituted in 1921. Edna came to Ballarat and was employed as an Art Teacher at SMB from 1931 to 1946. women of note, teacher, ballarat school of mines, smb campus, edna may grigg, artist, painter, hans heysen, melrose prize for portraiture, adelaide art gallery, 1931-1946 -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 44, June 1990 to September 1990
... The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 26 June 1990 to 8 September 1990. teaching positions advertised pre-employment courses courses available enrolment for smb courses new enterprise incentive scheme safety seminar at smb rethink attitudes to women dr jocelynne scuff minister for education joan kirner centre for science mathematics and technology opening off-campus course for adults memories of early days jeffrey wilkinson-sculptor ans ceramics artist restoration of stawell banner val d'angri new smb patron morgan john saturday magazine early films of ballarat film left to smb by keith rash racv encouragement award craig hancock tony silvey tony taranto investment in excellence program apprentices graduate in special ceremony martin foster bricklayer farewell to ted quennell paymaster james glisson boilermaker apprentice proposed cuts to tafe funding smb leases brewery site koorie welfare worker judy cue training scheme bears first fruit glenn virgo apprentice paddock to plate course for women karyn gervasoni and diane addy secretaries' award max palmer business studies smb private secretaries association dorothy clemence computer to improve language skills kevin howell smb engineering drawing test fine art display belinda dalziel peter muir fitter and turner apprentice Book with yellow cover, front, spiral bound. ...Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 26 June 1990 to 8 September 1990.Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, enrolment for smb courses, new enterprise incentive scheme, safety seminar at smb, rethink attitudes to women, dr jocelynne scuff, minister for education joan kirner, centre for science mathematics and technology opening, off-campus course for adults, memories of early days, jeffrey wilkinson-sculptor ans ceramics artist, restoration of stawell banner, val d'angri, new smb patron morgan john, saturday magazine, early films of ballarat, film left to smb by keith rash, racv encouragement award, craig hancock, tony silvey, tony taranto, investment in excellence program, apprentices graduate in special ceremony, martin foster bricklayer, farewell to ted quennell paymaster, james glisson boilermaker apprentice, proposed cuts to tafe funding, smb leases brewery site, koorie welfare worker judy cue, training scheme bears first fruit, glenn virgo apprentice, paddock to plate course for women, karyn gervasoni and diane addy secretaries' award, max palmer business studies smb, private secretaries association dorothy clemence, computer to improve language skills, kevin howell smb engineering drawing test, fine art display, belinda dalziel, peter muir fitter and turner apprentice -
Glenelg Shire Council Cultural CollectionArtwork, other, BRIGIT THOMAS, Lady Nelson, c. 2015
... :ady Nelson Femal Artists Female Artist Women Front: 'Lady Nelson A/P BT' - hand written, pencil in between etching and mount Back: Artist's business card glued to back of etching, lower left hand corner Image of a tall ship in sail. The ship is flying both the Aboriginal flag and the Australian ...From - theladynelson.org.au T The original Lady Nelson was built at Deptford, in England, in 1799, for service to the Transport Office on the River Thames. She was designed with sliding keels (centre boards), a device invented by Captain John Schank of the Royal Navy to allow surveying in rivers and shallow water ways. On completion she was selected for exploration services in the Colony of New South Wales and sailed for Port Jackson on 18 March 1800 under the command of Lieutenant James Grant. A brig of 60 tons, she carried a crew comprising the commander, two mates and twelve seaman. As she left the River Thames sailors on nearby ships ridiculed her because of her size and shape, calling her, as she sailed past, 'His Majesty's Tinderbox'. At Portsmouth on the 9th February 1800 she was fitted with four brass carriage guns, three to four pounders, in addition to the two guns already on board. Because of the heavy load she was carrying she was very low in the water, having only two feet nine inches freeboard amidships. The ship finally left Portsmouth on 17th March 1800 as part of an East Indian Convoy. From 1800 to 1825 the Lady Nelson operated around the Australian Coast and fulfilled a variety of roles including exploration, surveying, forming settlements, shifting goods and people around the colonies and capturing pirates. She played pivotal roles in the European settlement of Hobart, Northern Tasmania, Melbourne, Newcastle, Port Macquarie and Northern Territory. Those onboard charted much of Bass Strait, Port Philip, Newcastle, Port Macquarie and (with the Investigator) the coasts of northern New South Wales and southern Queensland. She also has links to other locations around the East Coast such as Trial Bay in NSW and the Mt Gambier area of SA. After 25 years of service while trading on the island of Baba the Lady Nelson was overrun by the islanders, the crew was killed and the ship stripped and later burnt and sunk. A replica of the Lady Nelson was built in the 1980s.Image of a tall ship in sail. The ship is flying both the Aboriginal flag and the Australian Flag. It sails on a calm sea. There are figures on the deck - four in total. The image is mounted on cream board and framed in dark timber. Etching, hand coloured,.Front: 'Lady Nelson A/P BT' - hand written, pencil in between etching and mount Back: Artist's business card glued to back of etching, lower left hand corner:ady nelson, femal artists, female artist, women -
Glenelg Shire Council Cultural CollectionPainting, Ludmilla Meilerts, Still Life, 1970
... Artists Society (VAS) and The Melbourne Society Of Woman Painters And Sculptors. Major prizes include The Dunlop Prize in 1952, Gosford Art prize 1971, Camberwell 1973, VAS Purstitz Gold Medal 1982. She is represented in The State Galleries of Victoria, NSW, Tasmania and Western Australia as well as several regional Galleries. Still Life Female Artists Women ...Ludmilla Meilerts, Oil On Board, Botanical Gardens, Circa 1970 Ludmilla Meilerts (1908 - 1997), Botanical Gardens, Melbourne, an impressive work painted with bold brushstrokes and a vivid colourful palette which typifies the artists work. Born in Riga,Latvia in 1908 - After displaying an early talent for art she studied at The Latvian Academy Of Fine Arts graduating in 1940. Later that year she married Otto Meilerts, an Economist, and they moved to Stuttgart, Germany to avoid living under Soviet occupation and then emigrated to Australia in 1948 settling in Melbourne. She worked as a nurse's aid and in a clothing factory to fund the further development of her artistic career achieving considerable early success with her colourful work encompassing portraiture, florals and city and landscapes. She particularly like painting dockland scenes. She was a member of The Victorian Artists Society (VAS) and The Melbourne Society Of Woman Painters And Sculptors. Major prizes include The Dunlop Prize in 1952, Gosford Art prize 1971, Camberwell 1973, VAS Purstitz Gold Medal 1982. She is represented in The State Galleries of Victoria, NSW, Tasmania and Western Australia as well as several regional Galleries. Still life of fruit and a jog. Painted in thick impasto paint, creating a very textured surface. Fruit is depicted in green, brown, apricot, pink and red. Background is abstract. Upper left background is brown, upper centre and right background is in shades of grey, blue and green, with some white. Brown wooden frame.Front: L Meilerts 70 (lower right, black paint)still life, female artists, women, women artists -
Mission to Seafarers VictoriaPhotograph - Photograph, Black and white, Peckham Photographic Studios, Geo Beachcroft, Hanging on up aloft [the] C.B. Pedersen, c. 1935
... Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist...Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist ...Snapshot in time of tall ship and the relaxed clambering about the rigging by sailors. The C.B. Pedersen is also referred to as a Training Ship for Swedish seamen and cadets. A reference in Annual reports and in Jottings from our log notes that classes in Swedish amongst other languages were offered by the LHLG to members and some of the earliest photographs note Swedish sailors relaxing. The first officer and captain of the C.B. Pedersen are depicted in photograph (0706) on permanent display. In the Sydney Morning Herald, Tuesday 27 April 1937, page 12: "The C. B. Pedersen was built in 1891. It has visited Australia several times, the most recent occasion having been in 1935, when It was anchored in Port Phillip Bay, Victoria, for several weeks, awaiting a suitable cargo. At length the master, (Captain Hjalmar Dahlström) announced that, as no cargo could be obtained he would be prepared to carry passengers in a voyage to Gothenburg, via Torres Strait. Eight persons, including three women and a small boy were accepted as passengers, and signed on as members of the crew at salaries of 1/ a month". Artist Violet Teague was one of the passengers. She painted during the voyage and exhibited her work in 1938. Built in 1891 the C.B Pedersen, a four-masted steel barque (2142 tons) was used as a training Barque. The ship foundered in April 1937, the crew was saved. Several other photographs of the C.B. Pedersen taken by the same studio are held at the State Library of Victoria.Training of seamen has always been of of keen interest to the Mission to Seamen and many cadets have been welcomed over the 20th Century when widespread training was undertaken by a number of seafaring nations. Black and white photograph of 9 men hanging from ropes in the rigging. One man is upside down, another is holding his hat out. The mast is off to the right-hand side of the photograph and there are several ropes and chains.On the back of the photograph in the top left-hand corner is an ink stamp with the text "Peckham Photographic Studios/Geo Beachcroft/Propr./21 Charlotte St./Richmond/Victoria, Australia". In black pen is the text "Hanging on up aloft/C.B.Pedersen".richmond, chains, rope, seafarers, rigging, peckham photographic studios, geo beachcroft propr, cb pedersen, tall ships, captain hjalmar dahlström, windjammer -
Eltham District Historical Society IncJournal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 2, No. 5, Oct-Nov 1997, 1997
... Vol. 2, No. 5, Oct-Nov 1997 CONTENTS ART BRIDGES GAP IN WAR-TORN NATION Painter Piers Batman captures life in Eritrea 3 TENACITY OF THE HUMAN SPIRIT A teacher's road back from road trauma 7 EXHIBITIONS 10 POETRY Ray Liversidge 11 STUDIO WALKABOUT Artists open studios for Eltham Festival 12 ART FROM THE HEART Interview with Herman Pekel 14 ERITREAN JOURNEY Bill Moseley's camera in Eritrea 16 ART AND THE INTERNET Two Kangaroo Ground women bring art to a wider audience 18 HOUSE AND GARDEN IN SUBURBIA Exhibition of sculpture at Austin and Repatriation Medical Centre 20 THEATRE New Playbox - powerful advocate of Australian theatre 21 SHORT STORY Goodbye Dave, by Sherry Clarke 22 BOOK REVIEW 27 POETRY READING 28 BOOK REVIEW 29 EXPATRIATES COME HOME Former Nillumbik artists exhibit works 30 ...Vol. 2, No. 5, Oct-Nov 1997 CONTENTS ART BRIDGES GAP IN WAR-TORN NATION Painter Piers Batman captures life in Eritrea 3 TENACITY OF THE HUMAN SPIRIT A teacher's road back from road trauma 7 EXHIBITIONS 10 POETRY Ray Liversidge 11 STUDIO WALKABOUT Artists open studios for Eltham Festival 12 ART FROM THE HEART Interview with Herman Pekel 14 ERITREAN JOURNEY Bill Moseley's camera in Eritrea 16 ART AND THE INTERNET Two Kangaroo Ground women bring art to a wider audience 18 HOUSE AND GARDEN IN SUBURBIA Exhibition of sculpture at Austin and Repatriation Medical Centre 20 THEATRE New Playbox - powerful advocate of Australian theatre 21 SHORT STORY Goodbye Dave, by Sherry Clarke 22 BOOK REVIEW 27 POETRY READING 28 BOOK REVIEW 29 EXPATRIATES COME HOME Former Nillumbik artists exhibit works 30 "Peter Dougherty has been involved in the local art scene for many years. ...Vol. 2, No. 5, Oct-Nov 1997 CONTENTS ART BRIDGES GAP IN WAR-TORN NATION Painter Piers Batman captures life in Eritrea 3 TENACITY OF THE HUMAN SPIRIT A teacher's road back from road trauma 7 EXHIBITIONS 10 POETRY Ray Liversidge 11 STUDIO WALKABOUT Artists open studios for Eltham Festival 12 ART FROM THE HEART Interview with Herman Pekel 14 ERITREAN JOURNEY Bill Moseley's camera in Eritrea 16 ART AND THE INTERNET Two Kangaroo Ground women bring art to a wider audience 18 HOUSE AND GARDEN IN SUBURBIA Exhibition of sculpture at Austin and Repatriation Medical Centre 20 THEATRE New Playbox - powerful advocate of Australian theatre 21 SHORT STORY Goodbye Dave, by Sherry Clarke 22 BOOK REVIEW 27 POETRY READING 28 BOOK REVIEW 29 EXPATRIATES COME HOME Former Nillumbik artists exhibit works 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, thornton mccamish, bill moseley, eritrea, darebin festival, christine durham, michele lonsdale, ray liversidge, ona henderson, syd tunn, eltham festival, artists open studios program, nillumbik artists' open studios, david armfield, janet boddy, jules christian burns, wendy donald, jill forest, annie keil-taggart, ming bellamy mackay, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, maureen runge, herman pekel, austin and repatriation medical centre, carolyn pickett, sherry clarke, manningham artspace, alan marshall short story award, eltham arts council inc., eltham library community gallery, harriot dance, chapman & bailey artists' stretchers and furniture, eltham high school -
Eltham District Historical Society IncDocument - Folder, Mackenzie, Andrew
... Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. Newspaper article: "McCubbin talk of immense interest", The Courier Ballarat, 9 January 1992, report of lecture at Ballarat Fine Art Gallery by Andrew Mackenzie on Frederick McCubbin. Magazine article: "Art on show", The Australian Women's...Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. Newspaper article: "McCubbin talk of immense interest", The Courier Ballarat, 9 January 1992, report of lecture at Ballarat Fine Art Gallery by Andrew Mackenzie on Frederick McCubbin. Magazine article: "Art on show", The Australian Women's ...Andrew Mackenzie OAM (1952-), librarian, expert on the life and paintings of Walter Withers and Frederick McCubbin; compiler of "The Etchings, Lecture Notes and Writings of Victor Cobb" and "Walter Withers: The Forgotten Manuscripts", author (for the Famous Australian Art Series) of "Hans Heysen", "Albert Namatjira" and "Walter Withers"; author of "Holesch 1910-1983: Horse Paintings" and of "Frederick McCubbin 1855-1917:"The Proff' and his art"; curator of exhibition "A Tribute to Victor Cobb" and exhibition of artworks of City of Box Hill; co-curator of exhibition "Snugglepot and Cuddlepie and other Fairy Folk of the Australian Bush"; member of the Victorian Artists' Society, Old Water Colour Society's Club and Pastel Society of Victoria. Contents Letter from Andrew Mackenzie to Russell Yeoman, 19 December 1987, regarding planned exhibition of Walter Withers material and lecture to Eltham Historical Society. Nomination from Sue Law, President Eltham Historical Society, 23 January 1990, for Andrew Mackenzie to receive an Australian Heritage Award. Newspaper article: "Eltham honors artist", Diamond Valley News, 16 October 1990, re unveiling of commemorative plaque to Walter Withers in Eltham, designed by John Ebell. CV for Andrew Mackenzie undated but post 1990. Newspaper article: "Artist's mystery pioneer revealed", The Australian, 6 July 1991, Andrew Mackenzie identified the bushman, wife and child in the second panel of Frederick McCubbin's triptych "On the Wallaby Track"; the bushman model was James Edward; McCubbin's daughter Kathleen Mangan said her mother Annie McCubbin was the woman in the second panel; the baby was Jimmy Watson, nephew of Patrick Watson. Newspaper article: "McCubbin talk of immense interest", The Courier Ballarat, 9 January 1992, report of lecture at Ballarat Fine Art Gallery by Andrew Mackenzie on Frederick McCubbin. Magazine article: "Art on show", The Australian Women's Weekly, January 1993, photographs of people attending exhibition of works of Frederick McCubbin, Queensland Art Gallery, including Andrew Mackenzie author of a new limited edition book on McCubbin. Newspaper article: "Meet Andrew Mackenzie", The Heidelberger 23 February 1994, his background and interests, his next project to research Hayward Veal. Letter from John Withers to Sue Law (Eltham Historical Society), 4 August 1994, notifying that he had nominated Andrew Mackenzie for a future Australia Day Award (attaching his documentation). Newspaper article: "Artist's portrait of tragic child is a special find", no publication details, details of forthcoming Sotheby sale which included Frederick McCubbin's portrait of daughter Mary who died in 1894 following an accident, with comment by Andrew Mackenzie. Notice of General Meeting of Eltham District Historical Society, 10 September 2014, speaker Andrew Mackenzie on Walter Withers. Newspaper clippings, A4 photocopies, etcwalter withers, frederick mccubbin, annie mccubbin, mary mccubbin, john withers, john ebell, kathleen mangan, james edward, on the wallaby track, fontainbleau eltham, william mcgregor of mount macedon, patrick watson, ballarat fine art gallery, margaret rich, sotheby's, justin miller, russell drysdale's "the outrider", hugh ramsay's "portrait of a young girl", benjamin duterrau's "portrait of matilda stanfield", eugene von guerard's western district landscape, jimmy watson, queensland art gallery, shirley florence, bettina macaulay, graham drummong, valerie drummond, susan anderson, jane henderson, maria poulos, hayward veal, andrew mackenzie -
Eltham District Historical Society IncPhotograph, Painting of Alan Marshall by Ian Hassall, 1988
... Australian Women's Weekly, (29 April 1970), months before his death in October 1970, Ian Hassall discusses his life with author Maureen Bang. "Ian Hassall can look back on his life with few regrets. He believes like his friend author Alan Marshall, that when you're old you should be able to "look back on life as a book with lots of pictures". Artist...Australian Women's Weekly, (29 April 1970), months before his death in October 1970, Ian Hassall discusses his life with author Maureen Bang. "Ian Hassall can look back on his life with few regrets. He believes like his friend author Alan Marshall, that when you're old you should be able to "look back on life as a book with lots of pictures". Artist ...Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988. In an interview in the Australian Women's Weekly, (29 April 1970), months before his death in October 1970, Ian Hassall discusses his life with author Maureen Bang. "Ian Hassall can look back on his life with few regrets. He believes like his friend author Alan Marshall, that when you're old you should be able to "look back on life as a book with lots of pictures". Artist Ian Hassall has a lifetime of pictures". Colour photographactivities, alan marshall, eltham shire office, heritage display, heritage week, ian hassall -
Warrnambool and District Historical Society Inc.Document - Sheet Music, Weekly Times Newspaper, The Warrnambool Waltz Song, 1932
... Australia, Back to Warrnambool, The drover, Bendigo for the weekly Times, Mildura and Home to Ballaraat.He also penned music under the name Alberto Algrati which were his middle names. A piece of music written specifically for Warrnambool by a popular artist of the time. warrnambool reginald stoneham alberto algrati back to warrnambool Waltz of warrnambool Song composed by Reginald Stoneham. The Weekly Times June 25 1932 Taken from the Weekly Times: Words and music to the Waltz of Warrnambool printed on one side and Our women’s ...Reginald Stoneham was born in 1879 and died March 1942. He was a popular accompanist and recording artist in the early part of the 20th century. Among his works were All for Australia, Back to Warrnambool, The drover, Bendigo for the weekly Times, Mildura and Home to Ballaraat.He also penned music under the name Alberto Algrati which were his middle names.A piece of music written specifically for Warrnambool by a popular artist of the time.Taken from the Weekly Times: Words and music to the Waltz of Warrnambool printed on one side and Our women’s Section printed on the reverse.Song composed by Reginald Stoneham. The Weekly Times June 25 1932warrnambool, reginald stoneham, alberto algrati, back to warrnambool, waltz of warrnambool -
Women's Art RegisterEducation kit - Slides, Women's Art Register, Nonagon Slide Kit: 9 Contemporary Australian Women Artists, 1991
... Produced by the VCE Consultative Committee: Women's Art Register in 1991 at a time when art courses in secondary schools had little material to use in relation to Australian women artists. ...Produced by the VCE Consultative Committee: Women's Art Register in 1991 at a time when art courses in secondary schools had little material to use in relation to Australian women artists. ...Produced by the VCE Consultative Committee: Women's Art Register in 1991 at a time when art courses in secondary schools had little material to use in relation to Australian women artists. An invaluable resource for secondary school teachers to broaden the scope of student knowledge about women artist's and thereby offer alternative role models for art students. This slide kit and booklet is a comprehensive, practical resource which provides a rare snapshot of women's art practices in the early 1990s. It is an excellent resource for research and teaching purposesKit containing 74 page booklet and 36 slides, activities, artist's comments and other source materials. Published in 1991 by the Women's Art Register. Artists include Elizabeth Gower, Sally Smart, Wendy Stavrianos, Pam Hallandal, tori de Mestre, Lyn Moore, Deborah Halpern, Tracey Moffat & Jill Orr. Cover image by Jill Orr, 'Walking on Planet Earth'elizabeth gower, sally smart, wendy stavrianos, pam hallandal, tori de mestre, lyn moore, deborah halpern, tracey moffat & jill orr. -
Women's Art RegisterJournal, Women's Art Forum Annual 1978, 27th February 1979
... This journal is the first issue of the Women's Art Forum, a women artists' collective established in 1978 (Melbourne, Australia), in connection with the Women's Art Register.... drawings, stories, histories of women artists, and reports, advocating and representing Australian women artists....The Women's Art Register is an Australian collection of national significance, documenting the work of Australian women artists from the 19th, 20th and 21st centuries. ...This journal is the first issue of the Women's Art Forum, a women artists' collective established in 1978 (Melbourne, Australia), in connection with the Women's Art Register.The Women's Art Register is an Australian collection of national significance, documenting the work of Australian women artists from the 19th, 20th and 21st centuries.First issue of the Women's Art Forum, reporting on the state of feminist art in Australia in 1978. 100 pages. B/W text and illustrations. Articles include artist drawings, stories, histories of women artists, and reports, advocating and representing Australian women artists.Published by the Women's Art Forum of Victoria. Printed by Sybylla Co-operative Press Ltd. -
Women's Art RegisterWomen's Art Register Bulletin, The Bulletin, 1999
... 28 page A4 booklet with articles on Australian women artists. Black and white....Edited by Lyn Pool and Kerri Hall ewa narkewicz, guerilla girls, lyn pool, kerri hall, merren ricketson, pat hillcoat, janice florence, judy horacek, brigid cole-adams, carol bryan, meg beckett, luciana perin, maryanne coutts 28 page A4 booklet with articles on Australian women artists. Black and white. The Bulletin Women's Art Register Bulletin ...Edited by Lyn Pool and Kerri Hall28 page A4 booklet with articles on Australian women artists. Black and white.ewa narkewicz, guerilla girls, lyn pool, kerri hall, merren ricketson, pat hillcoat, janice florence, judy horacek, brigid cole-adams, carol bryan, meg beckett, luciana perin, maryanne coutts -
Women's Art RegisterBooks, Re-Register: Australian Women Sculptors From The Women’s Art Register
... The exhibition catalogue for the inaugural artist in residence program at the Women’s Art Register, featuring work by artist-in-residence Julia Boros, essays, images and archival material. art women artists sculpture contemporary art exhibition women’s art register textiles julia boros katve-kaisa kontturi anna sandy bonita ely richmond australian artists A5 Booklet 12 pages stapled in centre, full colour, with image of textile work on cover Re-Register: Australian Women Sculptors From The Women’s Art Register Books ...art, women artists, sculpture, contemporary art, exhibition, women’s art register, textiles, julia boros, katve-kaisa kontturi, anna sandy, bonita ely, richmond, australian artistsart, women artists, sculpture, contemporary art, exhibition, women’s art register, textiles, julia boros, katve-kaisa kontturi, anna sandy, bonita ely, richmond, australian artists -
Women's Art RegisterBook - Anthology, Jenny Barber, Women's Movement South Australia, N/A
... Ranges from The Christian Women's Temperance Union established in the 1886 to The Working Women's Centre in 1979 Documentation, history and source material. suffrage voting rights violence communism activism pascifism Overview of funded and non-funded organisations focused on women's rights, and the diversity of the South Australian Women's Liberation Movement through interviews and social history. Essays written by artists ...Overview of funded and non-funded organisations focused on women's rights, and the diversity of the South Australian Women's Liberation Movement through interviews and social history. Essays written by artists, writers and women working in women's services.Black and white text on cover and throughout non-fictionOverview of funded and non-funded organisations focused on women's rights, and the diversity of the South Australian Women's Liberation Movement through interviews and social history. Essays written by artists, writers and women working in women's services.suffrage, voting rights, violence, communism, activism, pascifism -
Women's Art RegisterBook - Monograph, Wakefield Press, Annette Bezor. A Passionate Gaze, 2000
... Complements holdings on contemporary South Australian artists in the Women's Art Register collection. gender oil painting essay sexuality identity digital art portraiture laser prints Monograph on contemporary South Australian artist Annette Bezor. ...Monograph on contemporary South Australian artist Annette Bezor.Booknon-fictionMonograph on contemporary South Australian artist Annette Bezor.gender, oil painting, essay, sexuality, identity, digital art, portraiture, laser prints -
Women's Art RegisterBook - Catalogue, National Gallery of Australia, Joy Hester and Friends, 2001
... Complements material held on this Australian artist in the Women's Art Register collection. ...Catalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.Booknon-fictionCatalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.contemporary art society, angry penguins, painting, watercolour, gouache -
Women's Art RegisterBook, Wakefield Press, Dear Marilyn, 2003
... Women's Art Register collection. South Australian bushfires art school drawing family An illustrated autobiography of South Australian artist Barbara Leslie born 1940. ...An illustrated autobiography of South Australian artist Barbara Leslie born 1940. Painter and illustrator Leslie charts her life through three sections. Book 1: letters to her best friend Marilyn; Book 2: written to her inner child; Book 3: a diary format after Merilyn's death.non-fictionAn illustrated autobiography of South Australian artist Barbara Leslie born 1940. Painter and illustrator Leslie charts her life through three sections. Book 1: letters to her best friend Marilyn; Book 2: written to her inner child; Book 3: a diary format after Merilyn's death.south australian bushfires, art school, drawing, family -
Women's Art RegisterBook, Janine Burke, Australian Women Artists 1840 - 1940, 17/04/22
... This scholarly, well-researched book developed from the catalogue prepared for the exhibition 'Australian Women Artists One Hundred Years: 1840-1940" which opened in at the Ewing and George Paton Gallery University of Melbourne in 1975, International Women's Year. ...This scholarly, well-researched book developed from the catalogue prepared for the exhibition 'Australian Women Artists One Hundred Years: 1840-1940" which opened in at the Ewing and George Paton Gallery University of Melbourne in 1975, International Women's Year. ...A history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records.non-fictionA history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records. painting, water colour, portraiture, print making -
Women's Art RegisterBook, Lucy R. Lippard, From the Centre. Feminist essays on women's art, 1976
... women's art and feminist art practices. This collection brings together articles, monographs, interviews and reviews, predominantly published in American art magazines in the early 1970s. Lippard's visit to Australia in 1975 instigated the start of the Women's Art Forum and the Women's Art Register. Complements books held in the Women's Art Register on feminist art criticism, women's art practice and individual artists ...Following an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance -
Women's Art RegisterBook, Catriona Moore, Dissonance. Feminism and the Arts 1970-90, 1994
... Complements other books in the Women's Art Register Includes articles covering artists, exhibitions and projects important in the development of the Australian women's art movement feminism feminist arts practice Australian artists community arts The Women's Art Register An anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. ...An anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.Booknon-fictionAn anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.feminism, feminist arts practice, australian artists, community arts, the women's art register -
Women's Art RegisterBook, Eva Cockcroft, John Weber, James Cockcroft, Towards a People's Art. The Contemporary Mural Movement, 1977
... At this time similar projects were evolving in Australia and the book highlights how large scale artworks changed the view about artists and their works and artists' place in society. Complements material held in the Women's ...Written by two muralists and a sociologists the book documents the community based mural movement in the late 60s and early 70s in Canada and the USA.Booknon-fictionWritten by two muralists and a sociologists the book documents the community based mural movement in the late 60s and early 70s in Canada and the USA.political art, revolutionary art, community arts, large scale works -
Women's Art RegisterBook, Vivienne Binns, Community and the Arts. History. Theory. Practice.Australian Perspectives, 1991
... Women artists and artsworkers were over represented in community arts. This book complements material held in the Women's Art Register. community arts collaborative practice art history political art Community Arts Network Aboriginal Land Rights Anthology of articles on the history and theory of community arts in Australia written by artists and artsworkers involved. ...Anthology of articles on the history and theory of community arts in Australia written by artists and artsworkers involved.Booknon-fictionAnthology of articles on the history and theory of community arts in Australia written by artists and artsworkers involved. community arts, collaborative practice, art history, political art, community arts network, aboriginal land rights -
Women's Art RegisterBook, Joan Kerr, Heritage. The National Women's Art Book, 1995
... Complements and expands similar material held in The Womens Art Register. colonial art craft competitions portraiture furniture sculpture indigenous art museology 500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. ...500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.Booknon-fiction500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.colonial art, craft, competitions, portraiture, furniture, sculpture, indigenous art, museology
