Samuel John CRUMP John Crump obtained a Diploma in Art (Pottery) in 1968 at the Ballarat Technical Art School. He lectured in ceramics at Ballarat Teachers' College (1972-1976) and State College Victoria Ballarat (1976 and 1991), as well as making functional stoneware, decorative and architectural forms and ceramic panels. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown pot with burnished Black Hill ochre slip over a local stoneware body. The pot was woodfired to 1300 degrees celcius in a Hoffman kiln. Gift of John Crump in memory of Barbara Crump, Head of the School of Education Teaching Resource Centre.Incised on base 'Crump'art, artwork, john crump, ceramics, wood fired, black hill, local clay

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel and hand built bottle form. Wood fired with Shino and natural ash glaze. art, artwork, richard evans, ceramics

Robert BARRON (1957- ) Born in Harpenden, England. Robert Barron first worked full-time with clay in 1976, the family pottery at Croydon, Victoria. In 1979, he left Australia on a five-year journey to New Zealand, North America, England, Europe, and South Korea to work with skilled potters in woodfiring. During this time, he visited Michael Cardew at Wenford Bridge Pottery, Cornwall, UK., and was engaged as an apprentice at Cornwall Bridge Pottery, Connecticut, USA. Returning to Australia in 1984, he established Gooseneck Pottery at Kardella, Victoria. With the assistance of a Crafts Board grant Robert Barron built a 1000 cubic ft five-chambered Nabori-Gama style woodfired kiln. This kiln one of the largest wood-fired kilns in Australia. Robert Barron is influenced by the philosophies of Bernard Leach and Michael Cardew.artwork, artist, ceramic, gippsland campus, robert barron

Les CLOUGH Les Clough was a Diploma Student at the Gippsland Institute of Advanced Education from 1979 to 1982. This work is part of the Jan Feder Memorial Ceramics Collection. It was presented to the collection by Les Clough. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.les clough, ceramics, artwork, artist, jan feder memorial ceramics collection, alumni, seaweed

Kim Batty was a Diploma Student at the Gippsland Centre for Art and DesignFluted glazed vessel with Natural Flyash Glazingkim batty, jan feder memorial ceramics collection, alumni

Les CLOUGH Les Clough was a Diploma Student at the Gippsland Institute of Advanced Education from 1979 to 1982. This work is part of the Jan Feder Memorial Ceramics Collection. It was presented to the collection by Les Clough. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.les clough, ceramics, artwork, artist, jan feder memorial ceramics collection, alumni

Russell THORPE Russell Thorpe was a Diploma of Visual Art student at the Gippsland Centre for Art and Design (GCAD) from 1977 to 1979.Ana-gama fired stoneware with seaweed markings.jan feder memorial ceramics collection, russell thorpe, australian studio pottery, alumni

Les CLOUGH Les Clough was a Diploma Student at the Gippsland Institute of Advanced Education from 1979 to 1982. This work is part of the Jan Feder Memorial Ceramics Collection. It was presented to the collection by Les Clough. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.les clough, ceramics, artwork, artist, jan feder memorial ceramics collection, alumni

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two wheel thrown cylindrical vases, wood fired. art, artwork, ceramics, ceramic, wheelthrown, wood fired, cylindrical forms

The Mont Eltham Pot Belly Stove History The Mont Eltham Pot Belly Stoves were first manufactured in the 1960s at the Burrowes family business The Lyn Iron Foundry in Coburg Victoria by Barry and his father Charles Thomas Burrowes. The manufacture of The Mont Eltham Pot Belly continued in Victoria as The Mont Eltham Stove Co. by Barry and Glenda Burrowes in Montmorency and later in Thomastown. The castings were produced by leading Melbourne foundries, Cox & Rosetti , and Anderson & Ritchie. They were also made in Ballarat by The Harding Bros Foundry, and in Shepparton by The Furphy Foundry. The Mount Eltham pot belly stoves were manufactured until the late 1980s. Stove; cast iron pot belly stove. Very large cylinder shape with square base, grate shelf around centre, on 4 legs. Inscription on door. "Swagman" model. Made by Mont Eltham Stoves, Victoria. "Mont Eltham Stoves Vic Swagman Aust"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, domestic heating, domestic heating, stove, pot belly stove, wood fired stove, old world stove, the mont eltham stove co., the lyn iron foundry, barry and glenda burrowes

In the industrialized world, as stoves replaced open fires and braziers as a source of more efficient and reliable heating, models were developed that could also be used for cooking, and these came to be known as kitchen stoves.  The first manufactured cast-iron stove was produced at Lynn, Mass., in 1642. This stove had no grates and was little more than a cast-iron box. About 1740 Benjamin Franklin invented the “Pennsylvania fireplace,” which incorporated the basic principles of the heating stove. The Franklin stove burned wood on a grate and had sliding doors that could be used to control the draft (flow of air) through it. Because the stove was relatively small, it could be installed in a large fireplace or used free-standing in the middle of a room by connecting it to a flue. The Franklin stove warmed farmhouses, city dwellings, and frontier cabins throughout North America. Its design influenced the development of the pot-bellied stove, which was a familiar feature in some homes well into the 20th century. The first round cast-iron stoves with grates for cooking food on them were manufactured by Isaac Orr at Philadelphia, Pa., in 1800. The base-burning stove for burning anthracite coal was invented in 1833 by Jordan A. Mott. The subject item is a mid to late 19th century settlers stove probably of Canadian manufacture imported into Australia around this time. The stove gives us a social snapshot into what life must have been like for our early colonialists using this device for heating and cooking in their meagre homes. Cast iron stove with four-legs, 2 plates on top and a hinged front door. The door has been cast with a maple leaf design and the sides have a pattern cast into them.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, stove, domestic heating, domestic cooking, heater, cooking unit, pot belly stove, wood fired stove, wood stove

This stove brush is shaped to fit into grooves and crevices on a cast iron stove range and fenders. A brush like this would be used in the 19th and early 290th centuries to apply a blackening agent to the metal to clean and preserve it would be polished to make it look more attractive.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Stove brush, wooden with wooden raised handle and black bristles. The bristles at the ends of the brush are longer than in the centre, and flare outwards. The brush' is rounded at one end and pointed at the other.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cast iron stove, oven range, stove brush, blackening brush, cooking, kitchen equipment, wood fired stove

Stoves of this design are used for heating domestic places and were available in many designs and shapes. They commonly used wood as fuel. They were used for both heating and cooking. This stove was part of the original furnishings of the 1922 vessel 'Reginald M', a South Australian coastal trader. The two-masted coastal ketch was built from material and fittings obtained from salvage yards by Mr Jack (John) Murch of Birkenhead, Port of Adelaide, South Australia. Its construction took approximately six months. It was launched at Largs Bay in 1922. ‘REGINALD M’ 1922 to 1975- The vessel “Reginald M” was a two-masted coastal ketch, owned and built by Mr. Jack (John) Murch of Birkenhead, Port of Adelaide, South Australia. Its construction took approximately 6 months, and it launched at Largs Bay in 1922. The Reginald M’s purpose was to serve the coastal trade of South Australia, to carry cargo cheaply and efficiently. Some have said that the keel was in fact hewn from two telegraph poles! Its builder frequented all the salvage yards for materials and fittings. Reginald M had a very shallow draft and a flat bottom that enabled it to come close to shore and to sit high and dry at low tide or to be beached on sand. The flat bottom was also to make the ship able to skim over reefs. Wagons could load and unload direct from its side. Her cargo included Guano, Barley, Wool, Horses, Cattle, Timber, Explosives, Potatoes, Shell Gritt and Gypsum. On April 9th 1931Reginald M weathered a large storm in St Vincent Gulf, SA. The vessel suffered great damage; mast snapped and the crew laboured for four hours to free it by chopping off the past and rigging. The crew patched iit up and slowly returned to Port Adelaide with only a portion of the insured cargo being damaged. Her crew members at the time were owner Mr John H Murch of Wells Street Largs Bay, Skipper Mr R Murch – John’s brother, Murray – son of Captain Murch and Seaman John Smith. Reg Webb purchased Carribie Station, at Marion in the Warooka District, south of Adelaide, in 1921. He cleared the land and farmed sheep and grain. In 1923 he shipped his own wool and grain from Marion Bay, having first carted 300 bags of the barley grain, 12 bags at a time, along the unmade track to the jetty. A photograph donated to Flagstaff Hill, dating about 1929 - 1942, shows two men on the Reginald M, holding between them their fishing catch of a large hammer shark. The photograph is stamped “GRENFELL STUDIO PORT LINCOLN PRINT” and titled “hammer shark caught on Reginald Emm”. The donor’s family lived on the Your Peninsular and despatched their grain from a chute at Gleeson’s Landing to the awaiting transport vessel. Reg knew the Murch Brothers from Port Adelaide. The brothers had been using their ketch Reginald M to ship Guano from the Islands, led by Captain Richard Murch. Reg approached them in 1934 about shipping grain from Marion Bay. The brothers visited the bay and thought it was an ideal place. They showed Reg where to stack his grain, and they measured up the cliffs. When Reg was ready, they brought down and installed a ninety-foot wooden chute. The bags of grain individually pushed down the chute, landing in a waiting small boat then rowed to Reginald M, 14 bags at a time. After 10 hours Reginald M would have a load of 1300 bags of grain to ship to waiting ports. At one time a wild storm destroyed the chute, so they built a stronger replacement chute. Reginald M engaged in the shipping of grain from there until 1938. In 1940 Able Seaman Allan H Lucas served on Reginald M between September and December, being engaged and discharged from Port of Adelaide. The ship’s Master, W S Murch, signed his Certificate of Discharge. It seems that at the Reginald M was used at one time as a Customs vessel, as one photograph in Flagstaff Hill’s collection shows “H.M.C. No. 3, Pt Adelaide” on the bow. In 1969 the last freight left Marion Bay on the ketch Reginald M carrying grain, wool, and explosives. In late 1970 the Mt. Lyell Mining and Railway Company bought the vessel to use as a barge to carry explosives. In 1972 the Navy League of Strahan, Tasmania, purchased it for use by the Strahan Sea Cadet Unit to use at Macquarie Harbour and renamed iit T.S. Macquarie. However, this plan for use of Reginald M did not happen. In 1974 Mr. Andrew Rennie, of East Brighton, Melbourne, bought it for a similar purpose, paying $5,000 and donating a ‘Cadet of the Year” trophy to the Sea Cadets. He sailed it from Strahan to Melbourne, planning to use it for pleasure sailing. Also, in 1975 Reginald M was bought by the Melbourne Ferry Company auction. Later in 1975 Flagstaff Hill Maritime Museum bought the Reginald M for $20,000. It became a popular exhibit in the Village’s lake. In 2006, using funds from a $4,000 government grant, restoration continued the vessel. Flagstaff Hill Maritime Village’s Collection holds other artefacts associated with Reginald M. They include - Photographs of the Reginald M, including one photograph of iit in Outer Harbour, S.A. dated 1947, with Skipper- R.F. Dale and Owner- John Murch. Another shows it docked at Port Adelaide, with the lettering H.M.C. No. 3 Pt ADEL (standing for His/Her Majesty’s Customs). There is a black and white photo of it at a wharf and another showing a person on board. - a lifebuoy, made of cork, with the inscription of “Pt Adelaide” on it. - Helm section, removed and replaced during restoration. - a bullet found in pieces of timber when Reginald M was restored in 1979 Reginald M was a much-loved exhibit at the Maritime Village, where many visitors enjoyed boarding and exploring a real ship with a long history. Sadly, in late 2016, the Reginald M was decommissioned due to the continuing prohibitive cost of maintenance and the risk to public safety. Components from the Reginald M are preserved as part of Flagstaff Hill's collection. The stove is significant as it represents the heating and cooking appliances used in the late 19th and early 20th centuries, both on board vessels as well as for domestic purposes. The stove has additional significance for its association with the vessel "Reginald M", a coastal trading ketch from South Australia built in 1922 at Largs Bay. It is one of the very few sailing coastal trading vessels built in Australia, with its flat bottom, single chine shape designed for navigating shallow water. Stove: a cast-iron, rectangular, four-legged stove with a hinged front door. This stove was part of the original furnishings of the vessel 'Reginald M', built in Adelaide in 1922. Inscription on the side. Image of a log cabin with an illegible inscription below it.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, coastal trader, trading vessel, vessel reginald m, ketch, john murch ship builder, reg webb, carribie station, mt lyell copper company, queenstown navy league, andrew rennie, melbourne ferry company, r.f. dale, port adelaide vessel reginald m, macquarie training vessel, grenfell studio port lincoln, stove, domestic heating, domestic cooking, heater, cooking unit, wood fired stove, wood stove, wood-burning stove

Janet MANSFIELD (1934-2013 ) Born Sydney, New South Wales Janet Mansfield studied Ceramics at the National School of Art, East Sydney Technical College in 1964 to 1965. She received a Crafts Board Grants in 1974 to study in the United States of America; to research salt glaze technique in 1975; to exhibit in Japan in 1985; to travel to Hungary fir a symposium, and an Australia-Japan Foundation Grant in 1977 to study in Japan. She was a visiting lecturer to the Gippsland Centre for Art and Design in 1980 and a Spotkanie guest in 1984. Her work was fired to wood kilns and taken to stoneware temperatures. She used salt for shorter firings, or in the anagama kiln depended on the ash and flame for glaze effects. Janet Mansfield has been editor of 'Pottery in Australia' and 'Ceramics: Art and Perception'. In 1987 she was awarded an Order Of Australia Medal for services to art and ceramics. In 1980 Janet Mansfield was a visiting lecturer at the Gippsland Institute of Advanced Education. She was a guest at Spotkanie in 1984.Wheel thrown wood fired and salt-glazed stoneware.jan feder memorial ceramics collection, ceramics, janet mansfield, gippsland campus, visiting lecturer, spotkanie

Two wood fired ceramic 'egg' sculptures.

Stephen CUTHILL Stephen Cuthill was a diploma graduate from the Gippsland Centre of Art and Design (GCAD), and was later a tutor.Wood fired port with seaweed and flyash glazejan feder memorial ceramics collection, stephen cuthill, alumni, woodfired

used at fire basecampsWood fire "copper" to heat water at basecampsforests commission victoria (fcv), bushfire, camping equipment

Peter CORSER Peter Corser was a Diploma Student at Gippsland Campus.Stoneware bottles, wood fired with glaze from burning plyash.ceramics, gippsland campus, peter corser, jan feder memorial ceramics collection, alumni, woodfire

Used at fire basecampsWood fire used at basecamps Metal plates fold flat for transportforests commission victoria (fcv), bushfire, camping equipment

Tall cylindrical wood fired form. If you are able to assist with information of this artist or artwork please use the email link below right. jan feder memorial ceramics collection, ceramics, woodfire, australian studio pottery, tony nankervis

Used in the Orbost district prior to electicity being connected. Was heated on the top of a wood-fired stove. This is an example of a common domestic appliance used before electricity was widely connected to households.A small triangular shaped cast iron clothes iron on a metal stand. The stand has small legs and holes in its base. The iron has a Salter brand.A symbol on the top of the iron in the shape of a bow.iron clothes-iron household-item

The fire screen was gifted to Mr J J Watson at his retirement in 1952. The assembly hall at the Mair Street property was named in his honour. Mr J J watson was a member of the school council from its inception in 1919 when he was elected as a representative of Scots' Church. He succeeded Rev J T Riddle as secretary to council in 1920. In 1954 the assembly hall at the Mair Street property was officially named Watson Hall in his honour. In 1957 the constitution of the Council was amended to enable Mr Watson to be elected its first life member. The fire screen was returned to the school by the family after his death. In a tribute in 1952 at the time of Mr watson's retirement from secretarial position on council, Principal Kerr said, 'Mr watson's family was friendly with the Kennedy(founder) family in Ireland, so that his interest in Clarendon was almost hereditary. His breadth of vision, generosity, devotion to the advancement of the school in every way, and meticulous care of the property and ikts interests, have given him a unique place in the hostory of the school. Wood fire screen with school crest at top of front. Carved details at top corners and base of front feature scottish thistle and leaves. Solid wood frame and stand; veneer insert. Small bronze plaque fixed to top of back. Plaque: Presented to / Mr J J WATSON / in appreciation of his devoted service / as secretary of the council of / CLARENDON PRESBYTERIAN LADIES / COLLEGE / FROM 1920 - 1952.j-j-watson, clarendon-presbyterian-ladies-college, mair-street-campus, school-council, watson-hall, life-member, fire-screen, furniture,

The bread tin or cake would have been an everyday kitchen item, used in conjunction with a wood fired oven. The ring is used to easily pull the tin out of an oven.The bread tin is an example of baking tins used in the 19th century, or earlier, for household cooking. It is a forerunner of today's lightweight tins, non-stick pans and silicone baking moulds.Bread tin; a metal rectangular cake or bread mould, painted black, with a metal ring at one end, pitted and rustedflagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, breat tin, cake tin, loaf tin, cooking, baking, kitchenalia, 19th century, bread making

This set of pots represents the type of pot or saucepan used on an open range wood fired stove. The pots are heavy and thick, and have a solid lid suitable for slow cooking.This pot set is currently not associated with a historical event, person or place at this time and is being used to augment Flagstaff's village display.Pots; two cast iron pots with lids. Wooden handles on pots have ring on end for hanging. Pots have inscriptions. The large post has the capacity of 3 quart (3 quarts or 2.84 litres) and the small pot holds a capacity of 2qt (2 quart or 1.89 litres). Stamped on large pot "Made in Taiwan" "3qt" Stamped on small pot "Taiwan" and "Sauce Pan 2qt"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, pot, saucepan, sauce pan, cooking pots, cook ware, food, slow cooking

A fender is part of the hardware used in open fireplaces to prevent the fire from spilling out of the fireplace. Wood fires were the main source of domestic heating in the 19th century.This fender is significant for its association with domestic heating in the 19th and early 20th century.Fire fender, cast iron, painted black, sides bolted onto front as is base plateflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, fire fender, fire guard, domestic heating, fender

Used at Camp 13, Italian compound, Murchison. Recovered from there in 1989. Iron would have been heated before use on a wood fired stove top/hot plateBlack flat iron with shaped handleiron, camp 13, murchison, tatura, domestic, items, irons

Greg CROWE (1953- ) Born England, arrived Australia 1963 Greg Crowe's intial training was in architecture. In 1980 Greg Crowe established the Hovea Pottery in the hills east of Perth and am constantly firing up new work there 30 years on.In 2008 Greg Crowe undertook a McKnight Residency for Ceramic Artists at the Northern Clay Center, Minnesota, U.S.A., and has demonstrated and exhibited elsewhere in the U.S.A. and Canada, Japan, France, Denmark, Ireland and Singapore. In 1985 he built a wood-fired salt kiln at Hovea with Fergus Stewart, and has specialised in wood-firing and salt-glazing since then, In 1992 he worked with wood firer Sven Bayer in Devon, UK. In 1996-1998 he built an anagama kiln in the south-west of Western Australia. y Texture and the unique, plastic responsive nature of claygre to stretching has been of great interest to Greg Crowe. Greg Crow signs his work with an impressed 'GC'. Thrown bulbous woodfired pot.greg crowe, ceramics, gippsland campus, jan feder memorial ceramics collection, hovea pottery, woodfire 86