Hemley’s Aerated Bottles Wooden Cratestawell

Black and white photograph of large machine in box. Front and top of wooden crate removed). Inscriptions: on back 'MP 206', T & B L corners. '226/50/14', 'syruper, Cohn Bros, No. 2 case' typed on back. 'Butlers (Australia) Pty Ltd, Sydney, Allen St, Pyrmont' (oval rubber red stamp), Received 14 Sep. 1950' (rectangular rubber purple stamp), 'Royal Histo5rical Society of Victoria, Bendigo Branch' (circular rubber blue stamp).topic, objects, machine, 2000.527.01, 2000.530.01, 2000.523.01, 2000.529.01, 2000.531.01, 2000.533.01

Cohn's Wooden Crate for soft-drink bottles. Constructed from rough sawn timber. Each side consists of two horizontal boards. The name “Cohns for Quality” is stencilled in black paint on the panels. Approx. dimensions 400mm x 300mm x 300mm. The crate contains the acquisition notice dated 15/10/13. The donor is Craig Morrow, Lockwood South. Email address [email protected] Craig has purchased the former 'Wait 'til I'm ready' hotel site in Kangaroo Gully Road ( 2013 ) These bottles are not from the site. On display Bendigo Library 21.2.2019Cohnsfood technology, bottles

This box was used to transport goods on the rail that were packed by the Colombo company for Goldsworthy & Coles Co. situated in Nhill & Diapurwooden box. Unpainted wooden crate made of slats of wood nailed together with wording stenciled on 2 sides & holes in the bottom. It has no lid is an open box. Unfinished plain Packed by COLOMBO expressly for Goldsworthy Coles & Co. North Western Stores. Nhill and Diapur.goldsworthy & co., wooden crate, western stores, goods transport crate, nhill to dipaur, colombo packers

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, crates, portland harbour, cargo

It is believed this item was used by R.W. Richards when teaching.24 inch diameter searchlight mirror. A curved circular glass dish surrounded by a brass edge strip, in a wooden crate.Pat. No. 14searchlight, mirror, scientific instrument, r.w. richards, dick richards

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland authority archives

This photograph shows Gladys Marriott, aged 15, in the potato fields of her father's property in Moorabbin. Her cousin Graeme (centre) and younger brother Alfred (right) are with her. Moorabbin is a suburb in the City of Kingston that was originally established as a rural market gardening communityThe Marriott property in Moorabbin was adjacent to a secret wartime wireless receiving station established in March 1942 in Chesterville Road, Moorabbin. The station was established on requisitioned market garden properties, and soon housed WRAN (Women's Royal Australian Navy) personnel and up to 35 US Navy servicemen. The Navy personnel intercepted Japanese coded communications and then despatched these by motorbike messenger to Queens Road, St Kilda where the Directorate of Naval Communications and the code-breaking unit called FRUMEL (Fleet Radio Unit - Melbourne) were housed. The information intercepted by the wireless receiving station helped shape the Allied response to Japan's advances in the Pacific. Declassified defence records show that this unprepossessing station handled some of World War II's most sensitive secrets, however the local community were unaware of its significance. Gladys Marriott, working on her father's property, would regularly take the family's cows to graze in the fields adjoining the station with no concept of what the Navy personnel were doing. Black and white photograph of a young woman and two small boys standing around a wooden crate filled with potatoes. They each have potatoes in their hands. They are standing in a field. Handwritten in red ink: A 601 / 72% Handwritten in black ink: CHAP 6. Handwritten in black ink: GLADYS STOTT (MARIOTT) / DURING WAR YEARS / With Spybase Storymarket garden, children, farming, local production, world war ii, wireless receiving station, moorabbin

This branding Iron would have been used to brand oak barrels for shipping to Britain. Also wooden crates to ship bottled wine to Melbourne for sale.branding, iron, wine, mt ophir, mount ophir

Rex Breen is wearing a pale romper suit with a small collar, and socks and sandals. He is standing in front of a rough timber door with a bolt and padlock. A wooden crate is behind him.

Murray Comrie Collection. This photograph is a reasonable copy created from an older original. Some areas faded. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph depicting a group of men wearing work attire, some seated, some standing, with a tall white building in background. In foreground are (left) firewood and (right) a wooden crate. Same as image THA-2019.0053Handwritten on reverse: 'Orig from J A Renshaw... One shift at Yorkshire Mine Tarnagulla, Renshaw far left back'.tarnagulla, mining, industry, yorkshire mine

Crates of punnets produced by Berry Baskets in Richmond in the 1940's, 1950's and 1960's.Wooden berry crate with 5 trays and raspberry punnets. Crate has metal stays and a hinged lid with metal hinges.Raspberry punnets stencilled:- 'E. Johnston'crates

Black and White photograph shows a group of seven senior scouts unloading wooden crates of fresh produce from the flat bed of a truck. Another truck is parked behind also stacked with crates. On the door is written 'W. F. Montague/ Narre Warren Nth/ 251 on the lower frame of the photo is 'Beaver Photographic'.

Tea was one of the first goods to be packaged in metal containers. Early import/export companies shipped it in metal-lined wooden crates. Pewter (widely used in England) was used one of the earliest metals used to fashion oriental style tea containers. Tin plated iron was made into tea canisters as early as 1790, often hand painted with places of the tea's origin. This tin has been adapted for use as a money box.In the mid-nineteenth century custom branded tins developed as a tasteful form of advertising. They were often cheap and decorative and found their way into households as gifts, often being kept as ornaments and storage boxes.They have survived well in many homes. A cylindrical metal Lipton's tin. The lid has a slot cut into it. The front panel has "LIPTON'S" above a red drawing of a tea factory and plantation with" TEA" below it. The print is white. There are panels framed in bamboo around the tin."Lipton tea, coffee and cocoa planter: Tea merchant by special appointment to his majesty King George V"tea-caddy lipton's container

Black and white photo shows three trucks laden with wooden crates, driving down a dirt track with small trees behind and cut branches in the foreground. A man wearing a t-shirt and gingham shorts is guiding the trucks. Another man stands further back along the track. A fourth vehicle is in the distance. The first truck appears to be the same as in 027/283. On the lower frame of the photo is printed Beaver photographic

4 x wooden berry packing crates. 3 x large and 1 x small.1 large:- 'Peaches Grown & Packed by D.C. & G.A. Morrison, Doncastser' 1 large:- 'H. Sebire & Sons, Wandin, Vic' 1 large:- 'Gaudion' 1 small:- 'H. Sebire & Sons, Wandin, Vic'

Pre egg cartons.Home-made with reused 'crate' wooden panels. Higginson and Hollond families - farmers in the Kiewa Valley. Bogong was a property owned by Kiewa Valley farmers. Dave Gibson worked with the SEC in the early days and married Lois Hollond (Robert and Reg's sister). Lois lives in WodongaOld brown wooden handmade box with two panels joined together on each face (sides, bottom, top). The lid fits inside at the top and has 3 smaller panels nailed on, 2 of which have leather straps nailed on one side of the box and fastened (nailed) to 1 side as a hinge. Inside: the box has 2 wooden vertical panels dividing the box into 3 sectionsTop of the lid in yellow paint "Mr D. Gibson/Bogong" on 1 wooden panel and "Eggs with Care" on smaller panel between the side panelseggs, farming. chooks, kiewa valley, higginson family, hollond family

Black and white photograph. Machinery in box in factory. Partially unpacked machinery in wooden crate (top and front removed). Inscriptions: 'MP 207', 'B 226, 50, 4' on back. 'Cohn Bros No. 1, 24 head filler' typed on back. 'Received 14 Sep. 1950' (rectangular rubber purple stamp), 'Butlers (Australia) Pty Ltd, 18-24 Allen Street, Pyrmont, Sydney' (oval rubber red stamp). 'MP 207', T&B L corners.topic, objects, machine, 2000.525.01, 2000.524.01, 2000.532.01. 2000., 526.01, 2000.530.01, 2000.533.01, 2000.527.01, 2000.531.01

Black and white photograph. Machine in crate (two sides and top of wooden crate removed). Inscriptions: on back 'Cohn Bros No. 3, single head crowner. 'Received 14 Sept. 1950'(rectangular rubber purple stamp. 'Royal Historical Society of Victoria, Bendigo Branch' (circular rubber blue stamp). 'Butlers (Australia) Pty Ltd, Sydney, Allen St, Pyrmont', (oval rubber red stamp), 'MP 210', T & B L corners at back. 'B 226,50,1' on back.topic, objects, machine, 2000.525.01, 2000.526.01, 2000.529.01, 2000.530.01, 2000.531.01, 2000.532.01, 2000.533.01

The pins in this collection vary in the timber used and the design. They were found in a warehouse beside Crown Casino in Melbourne, located along the Yarra River, close to the sailing ship "Polly Woodside" and not far from the docks of Port Melbourne. Some of the pins have the mark of a 'Broad Arrow' with 'D ↑ D, which signifies that they were the property of the Australian Government's Department of Defence. Belaying pins are essential equipment on a traditional sailing ship of the 19th and early 20th centuries. They are usually made of wood but some are metal. A belaying pin is used to secure the running ropes of the rigging to the ship's rails using holes drilled onto the rails for that purpose. The belaying pins are inserted into holes in the ship’s rail, drilled for that purpose. When the sail has been raised, the ropes are wrapped around the upper and lower sections of the pins in a figure-eight pattern. The shapes of these belaying pins taper from the rounded end of the handle inwards towards the bottom, which allows them to have a firm fit into the holes in the rails. The rigging rope is wound around the pins in such a way that a tug on the pin's handle pulls it out of the hole and quickly frees the rope and the sail.These belaying pins are significant for their association with sailing vessels, particularly vessels of the late 19th and early 20th centuries. They are also significant for their association with the Port of Melbourne where sailing ships docked to and from the Port of Melbourne. Some of the pins have additional significance for being connected with the Australian Government's Department of Defence.Belaying pin, wooden, simple design, wooden shaft with a wider rounded end on top third, tapering to the centre third, which is wider than a lower third. The bottom has a blunt base. Some of the pins have the three sections divided by a line around their circumferences. This collection of fifty-seven pins of varying shapes, colours and timber. Some of the pins are stained with colour, and some have been left natural Stored in a wooden crate. Some have inscriptions.Marks: (Government Defence Department Broad Arrow) "D ↑ D"sailiing equipment, nautical equipment, rigging, yards, flagstaff hill, maritime museum, maritime village, belaying pin, broad arrow, australian government, australian department of defence, sailing ship, sail

Colour photo showing two children (or possibly more) playing in an open-sided shed. A girl about 6 years old stands looking at the camera, her hands clasped above her head. She is wearing a light blue patterned sleeveless dress. Behind her, a younger boy is climbing up a wooden frame. He is wearing dark trousers, a reddish jacket and a pale check shirt. There are wooden crates stacked to one side. An adult may be standing on the left.

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Black and white photograph. Tray truck with wooden crates on top. Smaller crate on ground in foreground. 'Barretts' in TLH corner on building. Inscriptions: On back - '208', 'B226,50,12', 'Cohn Bros, Nos. 1 & 3'. 'Royal Historical Society of Victoria, Bendigo Branch' (circular rubber blue stamp), 'Received 14 Sep.1950' (rectangular rubber purple stamp), 'Butlers (Australia) Pty Ltd, 18-24 Allen Street, Pyrmont, Sydney' (oval rubber red stamp), ''MP 208', T R&L corners. Number plate on truck 'GND 399' (possibly CND 399), various markings on crates 'BLL, 1431, Melbourne' and weights and sizestopic, objects, machine, 2000.525.01, 2000.526.01, 2000.527.01, 2000.529.01, 2000.530-., 01, 2000.531.01

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles is at each short end of the crate, fixed with strong metal bolts. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood, but no active infestation. The patterns were made and used at Briggs Brass Foundry in Melbourne.Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

Around 1886 there were exhibitions held to encourage young people to compete in 'works of industry and usefulness', to impress the dignity and honour of labour , to nurture those in the trades, to show handiwork, to share ideas and to develop the idea of 'useful employment' in leisure hours and to create a 'taste for the fine arts and ornamental works, so as to make the home attractive. (Official Record, Australian Juvenile Industrial Exhibition, Ballarat, 1890). Information gathered from Museums Victoria Collections.A large wooden lid from a crate with a paper slip attached in the middle. The paper slip reads ' RETURNED EXHIBITS from the Juvenile and Industrial Exhibition'. The rest of the writing is illegible. bendigo juvenile & industrial exhibition, trading

The wooden pattern is part of a set that is stored in a strong wooden crate and may be part of another similar pattern. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; unpainted, square wooden block with a semi-circle of dowel added to the centre of the side with rounded corners. Three short dowel pegs are inserted on one flat side; one below the semi-circle and one near the lower corners in an overall triangle configuration. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern