A lightweight and portable music stand, possibly homemade to suit this purpose. The supports would prevent sheet music and music books from falling through the outside legs.This music stand is an example of the equipment used for entertainment in the 19th and early 2pth century, and would still be suitable for today. There is no information available at this time that can be used for provenance.Stand wooden for sheet music with hinged supporting arm and chainNonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, portable music stand, folding music stand, music stand, wooden music stand, music, entertainment

This music stand belonged to Eva Veronica Gaspar. Miss Gaspar (1913 -1978) was one of Warrnambool's most notable musicians and photographers. She gave free music lessons to Warrnambool and district children, organised choral festivals and ran a printing business. She was a life member of the Warrnambool Music Society and organized the Mozart Music Festival for many years. She was a Warrnambool Citizen of the Year 1956 and was awarded a British Empire Medal in 1972 for her services to music. She also conducted the Warrnambool Civic Orchestra, St. Joseph's church choir, junior choirs and recorder groups. In 1977 she held an exhibition at the Warrnambool Art Gallery of her photographs, drawings and monochromes. This music stand was used by Eva Gaspar mainly in Mozart Hall in Gilles Street. This stand is of interest as a memento of the work of Eva Gaspar an important musician in Warrnambool in the twentieth century.This is a wooden music stand with a circular base on four feet. The base has an outer ridge with a shallow indent and a domed top into which the pedestal is attached. The pedestal has decorative features . The ledge at the top is rectangular shaped with a projecting curved edge at the base. The top has a compartment for holding music and/or notes. The pedestal is attached to the top tray with a circular brace and metal screws. The whole item has been varnished but is stained and rubbed. Underneath the tray are stencilled letters in white paint.C. W. M.S.eva gaspar, music stand

The cabinet appears to be homemade and purposely built for the storage of a collection of vinyl records. The records are stored vertically in a 'holder' with a rectangular wooden base with soft covered wire strips well spaced and each extended to fit up to 50 records. See KVHS 18 . The stands then fit into the cabinet with the base of the holder resting on wooden ledges glued on each side allowing the records to fit in all directions. There are two levels - one on the bottom and one halfway up. Holding approximately 100 records altogether. The cabinet's door is opened with a silver push button latch. Many men made their own furniture as they had the equipment and experience to do so. During the 1950s vinyl records were played to entertain families and to educate children in the areas of music and dance. Mt Beauty didn't have TV until much later than the cities and furniture wasn't always available at the local shops.Wooden cabinet with 4 legs and a door with a silver push button latch. Inside are small ledges on each side at the bottom and halfway up.vinyl records, music, wooden cabinet

Trophy awarded to the most improved woodwind student in memory of former student Sonya Batstra who passed away in 2001. Sonya attended the school 1981-1986.Light coloured wooden trophy on dark wood square block standInscribed on stand in relief lettering: Sonya Batstra (1986) memorial prize for / 'Most improved woodwind student' Inscribed on gold coloured plaque on trophy: Names of winners 2001 - sonya-lousie-batstra, woodwind, music, ballarat-clarendon-college, bethany-taylor, daniela-hicks, matthew-day, caitlin-bruty, jess-cassells, charlotte-olsen, ellen-leishman, zachary-stute, caleb-newell, ashton-wood, timothy-snibson

Joy MacDuff was a greatly loved teacher at the Junior School where she worked from 1973-1987. She resigned to return to live in Scotland. This prize was established in 1990 in her honour, and awarded to the music student demonstrating enthusiasm, endeavour and enjoyment. The prize was awarded until 2010. Heavy wooden stand with gold plates to front and back; thick glass top with school crest, bars of music and decorative elements etched on front; Front plate: The Joy Macduff Encouragement Award / for Enthusiasm Endeavour & Enjoyment in Music Studies verso plate: 2002 KATHRYN DAY / 2003 KATHRYN DAY / 2004 CATHERINE CLARKE / 2005 CATHY JAMES / 2006 TOM PETTIT / 2007 FINIAN KELLY BRYAN COLLING / 2008 BRYAN COLLING / 2009 FRANCES JACKSON / 2010 MACEO WOODjoy macduff, music, trophy

Mason + Hamlin was based in Boston, USA and founded in1854. It made pump organs in the 19th Century and later made pianos.Small, portable pump wooden organ with handles on both sides.Fretwork music stand, small fretwork for display. Two small medallions on left and right under music stand. Left is Kaiser of Austria. Vienna 1873. Right is Napoleon111. Paris 1867.Mason + Hamlin Organ Company. Style 103 No. 93860 organ, musical instruments, presbyterian church, cowes

A Gramophone / Phonogram is a device for the mechanical recording and reproduction of sound. The phonograph was invented in 1877 by Thomas Edison. in USA and Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s and introduced the graphophone, This Edison was donated to CMHs by the family of John Box 1841-1913This gramophone belonged to John Box 1841-1913 an early settler in the area of Henry Dendy's Special Survey Brighton 1841A wooden cabinet with a lift up lid enclosing a turntable , record , trumpet and handle . This cabinet stands on another storage cabinet with shelf and doorEDISONmanufactured objects, music, musical records, long playing records, gramophone, phonogram, wireless, edison thomas, edison pty ltd, electric lights;

This piano was made by Aucher Freres of Paris, said to be famous for its pianos in the mid-late 1800s. Aucher Freres (Aucher Brothers) produced a model of piano that was built specifically for use on sailing vessels, the upright yacht-style piano. Pianos were amongst the domestic goods brought to Australia by many colonial immigrants. They were also imported by Australian distributors by the shipload and sought after by settlers. A piano was often found in a Missions to Seamen club room, where visiting seafarers would entertain or be entertained by music and song as part of their relaxation in port. A sarcastically written news article of January 2nd 1869 reported that the Secretary of the Loyal Liberals of Ballarat, Mr Henry Bell, was presented both with a “illuminated address” and a piano. The piano was made by Aucher Freres of Paris and was purchased for sixty guineas (which converts to around $7,500 Au in 2019). The gift was criticised for encouraging foreign industry rather than native Australian products, thus going against what the Loyal Liberals own protectionist policy. The writer goes on to state that several pianos made in the Colony compared very favourably at the International Exhibition with those manufactured by the English or French. He then says that “… the secretary … might learn a lesson from his piano ... the name Aucher Freres, Paris emblazoned on its front should be … a perpetual reminder of the hollowness of that protectionist imposture …” [Refer to Intercolonial News, Victoria, originally published in The Argus, was repeated in the Wallaroo Times and Mining Journal of South Australia 2-1-1869.] Aucher Freres pianos were still around in 1930. A second-hand model was advertised for sale as a good practice piano. The advertisement was placed by the Mount Gambier, SA, agents for Saver’s Pianos Ltd of Adelaide. The piano was described as “a sound little instrument of good tone and appearance”. The asking price in November 1930 was 32 pounds and ten shillings (which converts to about $2,500 Au in 2019). [Refer to Savery’s advertisement, Mt Gambier Border Watch 11-11-1930]This piano is significant for its connection with the time period of chapel and club room at Flagstaff Hill's St Nicholas Seamen's Church. It represents the form of entertainment enjoyed by seafarer's world wide, which is appropriate for a maritime village. The maker of the piano is famous for its quality pianos of the 19th and early 20th century.Piano, upright, polished wood. The wooden hinged keyboard cover lifts up to allow access to the keyboard. The piano also has two brass candlesticks. The top of the piano is hinged and lifts up to allow access to the piano mechanic's inside for tuning and maintenance. The inside flap has a music stand incorporated into it. It also has the usual two hard-soft pedals at the base. There are two brass decorated hooks at each end to allow for ease of movement when the position of the piano is changed. Maker's name inscribed inside keyboard lid in gold lettering. Made in Paris by Aucher Freres (Aucher Brothers)."AUCHER FRERES / Paris" (NOTE: the "C" is sometimes mistaken for a "G")flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, piano, music, upright piano, paris, france, aucher freres

The Missal lectern was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria, and was donated by Mrs R J Eward for use in the religious services there. The church was operated by the Williamstown Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity in Great Britain that has served the world's seafarers since 1856. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This Missal lectern is historically significant for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for seafarers' physical, social, and spiritual needs. It originated in Bristol, England, when a Seamen's Mission was formed in 1837. It is also an example of a community-supported local charity organisation.Solid wooden Missal Lectern on two supporting legs. The top section has an angled back and a small shelf at the front, designed to support a bible. The two legs, with decorative feet, are supported by the decorative wooden bar. There appears to be a rectangular label in the centre front of the small shelf. This lectern is part of the St. Nicholas Seamen's Church Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, church furniture, religious furniture, lectern, preaching equipment, missal lectern, bible support, music stand

Thomas Sheraton (1751-1806) appears to have been the first to record the written term “Canterbury” music or magazine stand. In his Cabinet Dictionary of 1803 he refers to “a small music stand” with divisions for holding loose sheet or bound volumes of music. The music stand designed to hold sheet music came into fashion in the late 18th Century in England and was often crafted from mahogany, rosewood or walnut. They were seen as status symbols since music was practiced exclusively by the upper classes of society. In a period when printed music was more widely available and disseminated due to more affordable printing techniques, modern sheet music was very popular and therefore storage for such favoured tunes became a luxury and an opportunity for innovative design by cabinet makers. The Classical period of music, from about 1750 to 1820 and the Romantic Period from around 1815-1910 was the golden age of classical music. And it was at this time that The Canterbury often accompanied the piano in the parlour with styles ranging from Georgian simplicity to Victorian exuberance. Social activities of colonial Victoria would have included evening gatherings of family and friends around the piano to enjoy performances or sing along together with from old and up-to-date music sheets. The Canterbury would also be an elegant and practical place to also store newspapers, magazines, posters and drawings from overseas. The news from ‘home’ would be enjoyed by all. THE INSCRIPTION “Jack Morse” Morse. In 2010 Mr Jack Morse was recognised as one of the “people who have contributed to the long term development of Flagstaff Hill Maritime Village”. He was a member of the Flagstaff hill Planning board and a Current Life Member and had been awarded a Certificate of Service and the provision of an Annual Family Membership for life by Flagstaff Hill. The Morse’s family business, Morse’s Engineering, closed in 2010. It was considered “One of Warrnambool’s longest operating businesses with roots dating to 1883 with the design and manufacture of coaches and buggies, progressing to automotive repairs and later specialising in under-vehicle work” The Canterbury appears to have been handmade prior to 1860 as the dovetails are handmade and there are no saw marks on the drawer sides or back as well the sides. Also the back has small nicks indicating a hand plane or drawer knife was used rather than a saw blade to size the material. Additional indications are that the spindles are slightly different in size meaning they were handmade individually not mass produced. From these indicators the writer believes that the item was made before 1860 as machinery was only used after this date to produce furniture. As yet no individual maker can be attributed to this item, however it is a significant piece historically and is quite valuable if a known maker can be associated with the Canterbury. The item highlights a time in our social history when music played an everyday part in people’s lives as the only entertainment families could enjoy together in their own homes. A Canterbury music stand, having three compartments consisting of twenty turned spindles supporting the slat dividers. A drawer, with two turned wooden handles, is fitted below. The music stand has turnip style turned feet. The drawer front and carcass of the stand are veneered rosewood over a mahogany carcass. The underlined words "Jack Morse" are handwritten underneath the drawer bottom.Hand written inscription on underneath the drawer bottom "Jack Morse".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, canterbury, music rack, magazine rack, music stand, magazine stand, 19th century furniture, occasional furniture, frederick cornwallis, jack morse, morse’s undercar, music, thomas sheraton, regency furniture, music canterbury

This artwork was created by French artist Edmé Jean Pigal (1798-1872) as part of a series entitled 'Album comique de pathologie pittoresque'.A framed print depicting a scene from a music room. On the left, a man is waving a violin and bow sitting in front of a music stand. On the right, another man has his hand on his chest and is coughing. A piano, string instruments and sheet music are visible in in the background, and a cello is depicted in the foreground. Text printed above image reads 'ALBUM COMIQUE'. Text printed below artwork reads 'Ambroise Tardieu Editeur & du Battain, No 12/ / Lith. de Langlume & de l'Abbaye No. 4. Larger text printed at the bottom of the artwork gives the title of the artwork: 'L'Asthme'. The print is mounted on card and framed in a gold painted wooden frame. There are two small stickers from Gibson's Auctioneers attached to the rear of the artwork. Two D-ring fittings and a wire are attached to the back of the frame for hanging.

Four octave portable wood and metal reed organ. The natural keys are wooden with white covers and the accidental keys are black wood. The case contains bellows, reeds and keyboard. The top of the case is made of two hinged sections. The rear section is secured and the front section opens to reveal the keyboard and a music stand. The organ has one wooden knee control attached to the front of the case and two carrying handles on each end of the case. The bottom of the bellows are visible at the bottom of the case attached to the pedals by vertical metal rods. The front and back of the case is decorated with stenciled gold painted design of stylised floral and geometric shapes.musical instruments, reed organs, portable organs

Donated by Mrs. Murphy, Jessie Street, Nunawading for opening of Museum.Reed organ - dark wood, fancy ends, wooden handles on side, wood carved music stand, four knobs either side, 10 stops, black and white keyboard, wooden knee pedals, foot pedals, carpet covered.Awards - London 1885, Sweden 1878, Phila 1878, Milan 1881, Vienna 1873, Paris, 1867, Suttons Pty. Ltd.musical instruments, keyboard

Bluthner piano dated 1889 (patent no. 32310). PWD engraved imprint to wood. "The Bluthner grand piano came second-hand to the Chalet in 1920 when it was obtained by lessee, Hilda Samsing. This high quality German piano, which stands out as an item of individual significance, is now one of the oldest furnishings in the Chalet. When it was acquired in 1920, the Chalet already had a Beale brand upright piano which had been at the Chalet from the earliest days." (Pg. 77 Historica. 2011) 'A photograph taken of the Music Room (also known as the Drawing Room) between 1920 and 1924, when Hilda Samsing was lessee is one of the earliest known photographs of the Chalet's lounge areas. Published in the undated promotional booklet, Victoria's Wonderland Mount Buffalo, it shows 'A corner of the music room'... On the right, is the Chalet's second piano, which was purchased second-hand in 1920 from Gardner & Lang in Swanston Street, Melbourne. This impressive grand piano of walnut wood still stands in the Chalets Music Room. It was made in the world-famous factory of Julius Bluthner, in Leipzig, Germany, which has made Bluthner pianos since 1853 for numerous royals, composers, conductors, artists, authors and performers including Brahms, Mahler, Bartok, Debussy, Wagner, Strauss, Tchaikovsky and Rachmaninoff. The present stool is not part of the ensemble." ( Pg. 42. Historica )Listed in Draft Inventory of Significant Collection Items. Appendix A.1. Furnishings, Lounges and Hallways (Pg 163. Historica"Bluthner" grand piano made from walnut wood with accomanying wooden stool.(not matching). Piano features three large turned and carved legs on brass castors. Pedals on piano are solid brass, surrounded by carved and turned wooden pedal stand. Stool seat slants towards piano and two plain stretchers support four curved legs. Has 'PWD' stamped on it. PWD engraved imprint to wood.

Photographer notations on slide: Footscray State School Boys Band 1933 B5 Published: JUNIOR BAND CHAMPIONS--BEFORE THE HOLIDAYS--BELGIAN CARNIVAL--A ROYAL YACHTSMAN. (1933, September 1). The Age (Melbourne, Vic. : 1854 - 1954), p. 3. Published caption: “Proud Champions.- The drum-major of the band of the Hyde-street State School, Footscray, leads his players in a march past for visitors during Music Week. Under Mr. Frank Johnston’s conductorship this band has held the championship for two years.” Trove article identifier: http://nla.gov.au/nla.news-article205116143 Scope and Content: Footscray’s Hyde Street State School Band, led by their drum major, prepare to march past a group of mothers while playing their instruments. The band held the record for winning the most Victorian State Schools Association Championships between 1931 and 1966. Research by project volunteer, Fiona Collyer: Description: A large group of boys, most of whom are dressed in long trousers and peaked band hats, led by their drum major, prepare to march past a group of women dressed in overcoats and hats and an infant in a pram. In the background is a school shelter shed, a railway line, houses and a netball ring on a wooden stand. The Hyde Street State School Band was formed in 1928 as the school band for Hyde Street State School No. 1912 at 10 Hyde Street Footscray (now Footscray City Primary School). Their bandmaster, Francis Charles Johnston,(1880-1953) nicknamed “Massa” as a boy for his love and admiration of southern American jazz music, also conducted the Victorian Police Band, Collingwood Citizens Band, and the Melbourne Metropolitan Fire Brigade Band, amongst others, leading to scores of wins in brass band competitions. Even into his sixties, “Massa” ran three laps around the South Melbourne Oval every morning in order to maintain fitness for his busy conducting schedule. He was a cornetist and horn player, and performed in and lead brass bands for more than fifty years including bands that farewelled Australian troops from the Boer War to the Second World War. The Argus 13 December 1947, described “Massa” - “Bandsmen say he is a genius in brass band music, and the best conductor in the Southern Hemisphere. He still retains the romance and Bohemianism of the old German bandsmen he played with in the streets of Melbourne 50 years ago.” In 1925, a bequest of £10,000 from the estate of the late writer, William Gillies was made to the Education Department of Victoria. It was devoted to three purposes - “1) The encouragement of instrumental music (school bands or orchestras) in the State schools of Victoria, leading, it is hoped, to an increase in the number of village bands and orchestras, and, most important of all, family orchestras; (2) The encouragement of the art of reading aloud, leading, it is hoped, to an increase of the admirable pastime of reading aloud in the family circle; and (3) The encouragement of any branch of nature study, the aim of all three being to make home life, especially in the country, more attractive.” The Director of Education, Mr. M.P. Hansen wrote in his book “Thoughts That Breathe” published in 1932, that, as a result of the Gillies Bequest- “£3,030 has already been made available for the purchase of band instruments, and thanks largely to the encouragement given by this fine bequest, there are now in State schools in Victoria, each under expert tuition, 31 brass bands, 9 orchestras, 13 fife bands and 23 violin classes. That the effect of such work has a significant bearing on the right use of leisure, is undeniable.” By 1937, at least 50 State school bands had been set up in Victoria and the Victorian State Schools Association Championships were hotly contested. Frank quickly and skilfully brought the inexperienced boys of the Hyde Street Brass Band to A grade level, winning their first Victorian State Schools Association Championships in 1931. The band went on to win multiple times, holding the record for winning the most Victorian State Schools Association Championships between 1931 and 1966. The band soon became an integral part of community events. Whenever the Footscray Football Team played a home game at the perpetually blustery Western Oval, (Whitten Oval since 1995) the band performed at half time, marching around the boundary line, belting out the Footscray Football Team theme song- “Sons of the ’Scray” played to the tune of “Sons of the Sea” by British music hall songwriter Felix McGlennon. Volunteers walked behind the band carrying a large tarpaulin to catch the shower of coins thrown by fans from both teams, which helped pay for new instruments, repairs and uniforms. The old footy joke goes- Q. Who played on the wing at the Western Oval for 20 years, but never kicked a goal? A. The Hyde Street Band. Now called the Hyde Street Youth Band Inc, it is a not-for-profit organisation, supported by the City of Maribyrnong. Their aim is to make brass music accessible to young people aged from 5-25 years, by supplying the instruments and lessons for a modest annual membership fee. The traditional British brass band comprises of three musical ensembles according to ability. The Hyde Street Youth Band Inc. play at community events including the AFL Grand Final Parade, ANZAC Day March at the Shrine of Remembrance, Moomba Parade and Yarraville Carols by Candlelight. Their repertoire includes classical, marches, hymns, contemporary music and movie themes. https://bandblastsfromthepast.blog/2018/04/08/victorian-state-school-brass-bands-their-legacy-lives-on/ Massa" and His Musical Firemen (1947, December 13). The Argus (Melbourne, Vic. : 1848 - 1957), p. 2 (The Argus Week-end Magazine). Retrieved May 5, 2025, from http://nla.gov.au/nla.news-article22532344 http://www.hydestreethistory.8m.net/photo2.html MUSIC AND MUSICIANS (1932, March 9). The Mercury (Hobart, Tas. : 1860 - 1954), p. 2. Retrieved May 8, 2025, from http://nla.gov.au/nla.news-article29946674 https://hsyb.org.au/about/history-2/ https://hsyb.org.au/about/ MUSIC AND READING ALOUD. (1925, June 1). The Argus (Melbourne, Vic. : 1848 - 1957), p. 10. Retrieved May 5, 2025, from http://nla.gov.au/nla.news-article2122525 Shake! Narrow Escape From Shark The Birdcage Walk Champion Schoolboy's Band (1931, December 24). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 14-15. Retrieved April 8, 2025, from http://nla.gov.au/nla.news-article276259073 AROUND THE SCHOOLS: THE ARGUS JUNIOR (1947, September 23). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6 (The Argus Super Comic). Retrieved April 20, 2025, from http://nla.gov.au/nla.news-article22509356 https://bandblastsfromthepast.blog/tag/hyde-street-youth-band/ THE GILLIES BEQUEST (1933, September 2). The Argus (Melbourne, Vic. : 1848 - 1957), p. 22. Retrieved May 5, 2025, from http://nla.gov.au/nla.news-article11688410 https://adb.anu.edu.au/biography/johnston-francis-charles-massa-13009 Hyde Street, Footscray, State School Children (1930, March 8). Weekly Times (Melbourne, Vic. : 1869 - 1954), p. 40. Retrieved May 8, 2025, from http://nla.gov.au/nla.news-article223899955Photographer notations on slide: Footscray State School Boys Band 1933 B5bands, 1930-1939, musical instruments, schools, state schools, uniforms, footscray