Wooden gavel 15cm with thin handle . Circular engraving worn on the base.Circular engraving worn on the base.

A 30 page soft cover booklet 'Bendigo Gold: Past Present & Future' by Howard K Worner and R F Johnston. The 1977 Worner Research Lecture on 9 October 1997 at the Latrobe University, Bendigo. Part 1 History and Geology by HK Worner Part 2 Refractory Gold Ores by RF Johnston Includes sketches of reefs Published by Latrobe University, Bendigo and printed by Media Services, Latrobe UniversityH K Worner & R F Johnston

Wall calendar from 1937. Black and white photo of a flock of sheep titled ''Moving the flock''. With compliments from J. A. Worner cash butcher, 133 Sternberg Street, Bendigo. Phone 1252 - Best meat lowest prices.business, retail, worner

This tablespoon was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The shipwrecks in the area range from around the 1840s to the early 1930s, and this particular spoon dates from about 1866 to 1932. It is part of the John Chance Collection. This spoon has the embossed names of Pompton and Silver and appears to have other marks that have worn off. The Pompton brand was used on silver flatware made by Cooper Brothers & Sons. Ltd of Sheffield. In Australia the Pompton Silver cutlery was advertised for sale in Sydney in the mid-1920s. The spoon is likely to be plated silver or silver plate, which is a base metal such as nickel or nickel alloy with copper and/or zinc that has been plated or coated with a thin layer of silver. Wear on the metal will cause the base metals to appear through the silver plating. Some manufacturers gave a warranty that the cutlery was ‘white throughout’ but didn’t necessarily say it was solid silver. Cooper Brothers was established in 1866 by brothers Thomas and John William Cooper in High Street, Sheffield. They bought Don Plate Works in 1872. By 1876 they were at Bridge Street and in 1885 they purchased the works at 44 Arundel St Sheffield. In 1895 the firm became Cooper Brothers & Sons Ltd. By 1914 they had branches in London, Sydney, Melbourne and Montreal, advertising as silversmiths, silver cutlers, electroplaters, Britannia Metal smiths and cutlers, particularly spoons and forks. The firm also used the trademarks of DON SILVER, POMPTON SILVER and a logo of a Cooper (barrel maker) in different formats. Cooper Brothers & Sons had a reputation for producing good quality silver and silver plate. In 1900 they registered their Maker’s Mark of the letters ‘CB&s’ within a shield. They also used the Sheffield Assay Hallmark of a Crown. A diagram on a Copper Brothers & Sons, Don Plate Works, advertisement showed three styles of cutlery; No. 393, Old English, and Fiddle. They announced that they were the ‘sole makers of the celebrated “Don” brand of nickel silver spoons and forks’. A burglary in NSW in 1929 listed a stolen flatware set as ‘all Sheffield Silver plate and branded Pompton Silver Works A.1.’. It was ‘guaranteed to wear white throughout’ and was a ‘good, medium quality, nickel silver line’. Cooper Brothers & Sons Ltd. was acquired in 1983 by Frank Cobb & Co. Ltd. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of cutlery either as part of the ship’s flatware service or imported for use in Colonial Victoria in the 19th to early 20th century. The spoon is significant for its association with renowned makers Cooper Brothers of Sheffield, makers of silverware from the 1860s to the 1980s and exporters into the Colonies. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon; plated silver tablespoon with brown base metal. Handle is Old English design and is embossed - some marks are worn and unidentifiable. Branded Pompton Silver.Embossed within two rectangular shapes “POMPTON” and “SILVER” (other marks have worn off)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, cutlery, flatware silver, silver plate, antique flatware, old english flatware pattern, eating utensils, spoon, tablespoon, silverware, dining utensil, cooper brothers, don plate works, pompton silver, sheffield silver

This Item is part of an outfit owned, worn and donated by Annie McIntyre. Worn in 1986 it was part of a major collection designed by Vivienne Westwood. The V&A includes information about the minicrini collection that Westwood launched in Spring/Summer 1985 which "...marked what Westwood described as a "cardinal change" – a shift towards tailoring and "things that fitted" – and a more deliberate focus on reworking ideas taken from historical dress. The stand-out garment of Mini-Crini was Westwood's short, bell-shaped skirt – another cheekily sexual garment that combined the outline of a child's party frock with an abbreviated version of the Victorian crinoline."The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Navy blue woollen twin set designed by Vivienne Westwood. The twin set was worn with a wool minicrini by the same designer.A note written by Dione McIntyre accompanying the item describes its relevance and use: "Vivienne Westwood 3-piece ensemble purchased in London in the 1980s - consisting of navy 'twin set' and balloon skirt - worn with long white socks and dark flat shoes. Donated by Annie McIntyre."mcintyre collection, womens clothing, international fashion - london - 1980s, annie mcintyre, vivienne westwood, minicrini

Part of a collection of goldfield artifacts recovered from the Ovens Goldfield, including the Buckland Valley. The collection also included a large amount of Chinese pottery and artifacts also goldfields bottles, jars and mining implements. Collected by Aldo Gios late resident of Myrtleford. The Bright & District Historical Society purchased the collection of Chinese artifacts in 2010, included in the collection were other items of interest including this pipe and others similar.Relevant to the goldmining history of the areaPipe made of clay and embossed on both sides of the bowl. Damaged, attempt to reattach section of stem, a piece of the stem missing. Embossing,one side resembles a wattle branch, other side represents a harp. Lettering on both sides, worn and hard to read. There is some writing on the stem but it is worn and hard to decipher.tobacco, recreation, harp, pipe, clay, embossing, wattle, goldfields, smoking, leisure, ovens goldfield, gios

Two small iron alloy container with underneath recessed and perforated to enable matches to be struck on it. Hinged lid/cover. Worn but can see some blue colouring on one and green on the other. Inside of one container the top of a Japanese hand seal.WAX VESTA on top. Other marking worn away.

Grey jumper, which formed part of the uniform for the 1987 Melbourne College of Textiles "Sheep to Suit" team and which was worn by John Hawthorne who took part in the event.Worn by participant in the 'Sheep to suit' event. Worn by participant in the 'Sheep to suit' event.Textiles/TAFE [Japanese characters]textile production fashion shearing weaving sewing, melbourne college of textiles, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Worn by Donor in 1970sBrown Nylon Ribbed Tights as worn in the 1970scostume accessories, clothes accessories

Worn and used by Mr de Josselin.Bag worn and used by Mr de Josselin.shearing, de josselin, mr john

Paratrooper smock jacket similar to ones worn by commandos in Rip Disaster on 17 February 1960Para smock jacket as worn by commandossmock, paratroopers, commandos, uniform, rip disaster

Black track pants, which formed part of the uniform for the 1987 Melbourne College of Textiles "Sheep to Suit" team and which were worn by John Hawthorne who took part in the event.Worn by participant in the 'Sheep to suit' event.textile production fashion shearing weaving sewing, melbourne college of textiles, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

Worn in WWII as Dress Uniform on Formal Occasions.RAAF Dress Uniform worn on formal occasions by Flight Sergeant Charles Cull.

Sash was worn at all meetings except where the program made it in impractical.Recording Ray royal blue cotton sash with three white bars worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section

Sash was worn at all meetings except where the program made it in impractical.Deaconess Ray royal blue cotton sash with four white bars worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section

BHS CollectionSoftcover booklet produced for the 1997 Worner Research Lecture 9 October 1997. Cover contains black and white photograph of a poppet head, with gold coloured inserts bearing the title, authors and date. 29 pages with the contents of the lecture together with illustrations and photographs. Lecture covered the history and geology and the refractory gold ores.Published by Lat Trobe University Authors Howard K Worner and R F Johnston.bendigo, gold mining

Pair Child's 6 button black leather boots. Round worn makers mark on polished leather sole. Nailed leather heel. Decorative machine stitching and punching over toe puff. Tan leather interface on stitched eyelet holes. Inner lining white material. Inner sole white leather. Stiff supports under toe and heel leatherWorn stamped makers mark on sole. Size 1 stamped on sole instep

Wedding dress designed by Melbourne designer based on the wedding dress worn by Princess Margaret for the marriage of Miss Evelyn Hancock of Lakes Entrancewedding dress design based on dress worn by Princess Margaretclothing

Worn by Deaf Student (Marissa (De Santis) Cooper (Early 1970's)Girl Grey School Blazer Pure Wool Worn by Student in early 1970sSchool Badge embroided VSDC (Victorian School for Deaf Children) (Packet of Chips made by Arnotts, found in left pocket)vsdc school uniform, marissa de santis cooper, thins chips, 1970s

Worn by student, Mitcham Technical School.Shield shaped brown and gold trimmed enamelled badge, worn by students, Mitcham Technical School.Mitcham Technical School 'With Skill and Effort'government, state government

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes, donated by Annie McIntyre, form part of the McIntyre family collection.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"mcintyre collection, enrico coveri, international fashion - footwear - 1980s, women's shoes

Part of the uniform for the Winter Olympic Games, 2002 worn by men and women.Pair of leather gloves worn by both men and women. This'pair' is two left gloves.HESTRA HESTRA SHELL; ELK lEATHER LINING: 100% POLYESTER 8fashion, gloves, leather, costume, sport, salt lake city

Worn by Nancy Clemments Navy felt W.R.A.N. hat from H.M.A.S. Harman worn by Nancy Clemments and a photo of the Crew of H.M.A.S. HarmanH M A S Harman embroidered on band

Sash was worn at all meetings except where the program made it in impractical.MGC008.1 and MGC008.2 - Harmony Ray royal blue cotton sashes with 1cm white border and one white bar worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section

Sash was worn at all meetings except where the program made it in impractical.MGC007.1 and MGC007.2 Companion Ray royal blue cotton sashes with 1cm white border and three white bars worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section

Tie worn by Vernard G. Williams on his marriage to Dorothy Cunnington on 27/09/1958. See suit NA4152Plain grey tie worn at a Wedding with suit NA4152 and pink cummerbund NA4129'Austico'costume, male ceremonial

Worn by band member, Mitcham Technical School.Scroll shaped badge, white enamelled and gold trimmed , worn by music student of Mitcham Technical School.Mitcham Technical Schoolgovernment, state government

Worn at the wedding of Dorothy Williams in 1957Pink polyester cummerbund with 'strings' at each end for tying around the waist. Worn by bridesmaid at the wedding of Dorothy Williams.costume accessories, female

The Billy Turf series of stories is one of the few comic books originating in the UK instead of the area Belgium, The Netherlands and France.Comic Books are traditionally more popular in The Netherlands (and France and Belgium) than they are in Australia. There are in the Netherlands shops that only sell comic books. Most of these comic books originate from the area The Netherlands, Belgium and France.Soft-cover comic bookslightly worncomic book dutch uk migration