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Brighton Historical Society Brighton, Victoria

Brighton Historical Society was founded in March, 1963 for the purposes of forming a historical society in the Melbourne Suburb of Brighton. Today the Society has about 200 members.

Contact Information

location
PO Box 266 Brighton Victoria 3186 (map)
phone
+61 03 9553 8650

Contact

Opening Hours

The rooms are open to visitors & researchers on Thursdays, from 12 noon to 5:00 pm

Entry Fee

Entry is free. We undertake email and written research requests for a fee of $20 per hour which includes photocopying and postage

Location

First Floor Brighton Arts and Cultural Centre (Old Brighton Town Hall) Corner Carpenter and Wilson Streets Brighton Victoria

View on Google Maps

The Society is the custodian of over 1,000 items of clothing including nightwear, bathing costumes, shoes, hats, fans, undergarments and shawls dating from the early 1800's through to the 1980's. From a Jane Austen period patterned cotton dress, through to dresses worn at the court of Queen Victoria and on the Victorian goldfields, Edwardian tea dresses, hand-beaded flapper gowns, clothes covering both wars, the fifties through to the swinging sixties and the padded 1980's shoulders.

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115 items

Vest

Brighton Historical Society, Brighton

Fairisle patterned hand-knitted vest in beige, brown, yellow, green and red.

Historical information

Knitted by the donor's great grandmother, Elsie Hone. Knitted using bicycle spokes as knitting needles. Elsie Hone (nee Stone) was born in 1890 and died in 1987. She had six children and she apparently knitted this vest for her second son (fifth child), Albert George Hone (b.1914) for his 18th birthday. Albert and his wife Grace had four daughters between 1942 and 1951. The donor's mother, Ina Harriet Nilsson, was born in 1925 (fourth daughter, sixth child of Elsie) and as she had a son, the donor's uncle George (Albert?) passed it on to her. Both the donor's elder brothers wore and out-grew the vest and eventually it was passed on to the donor, Ray Nilsson. The vest was worn for many years while the donor worked at VACC Insurance Co Ltd in St Kilda Road, Melbourne and in the North Sydney, Canberra and Dandenong offices and it was a talking point as he recalled the story. (Information provided by the donor)

Sash

Brighton Historical Society, Brighton

Cream coloured Miss Young Liberal sash printed in metallic gold and with gold-coloured fringing at either end.

Historical information

Donated by Brighton resident and journalist Janifer Price.

Inscriptions & Markings

Printed, metallic gold on white acetate: Miss / YOUNG LIBERAL / 1966

Garters - Wedding garters

Brighton Historical Society, Brighton

A pale blue wedding garter featuring a pale pink bow and cream lace edging. Date unknown.

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners presumably either Mrs Cora Doris Halkyard or Mrs B Brandt donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. Described as the last owner of Barone on donation slip. 1970 – 1986 Mrs B Brandt – Donor - unconfirmed owner.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Dress - Evening dress

Brighton Historical Society, Brighton

Two piece ivory satin evening dress. Bodice is decorated with central panel of finely pleated chiffon and embellished with ready-made strips of beading and artificial pearls. Short puffed sleeves. Russet coloured velvet band applied to waist of bodice and finished with a metal rosette. Plain gored satin skirt with cream velvet binding around hem.

Inscriptions & Markings

Label, printed grey on cream cotton, centre back bodice waist: Bussell, Robson & Bussell / MELBOURNE.

Dress - Wedding dress

Brighton Historical Society, Brighton

Beige taffeta silk dress with fine black woven stripe. Olive coloured bias satin trim and vandyked horizontal panels down front of the dress. The dress has a train.

Dress - Evening dress

Brighton Historical Society, Brighton

Long sleeveless beaded evening dress with V front and back neckline. Black tulle base embellished with black, grey and purple beads and sequins with a design of a purple sunburst radiating from the right proper hip and mirrored on the back. Bodice sides split to waist and skirt sides split to hip.

Coat

Brighton Historical Society, Brighton

Maxi coat in cream, yellow and metallic gold ogival patterned brocade. Fastens with five large metallic gold corded domed buttons. Lined with ivory silk taffeta.

Inscriptions & Markings

Label, woven black on white acetate, centre back neck: jot / TOORAK

Bodice

Brighton Historical Society, Brighton

A hand sewn cream silk satin evening bodice from c.1865. This bodice features a very low, wide scooped neckline with a set in sleeve and four small pleats across the head of the shoulder. The elbow length, straight fitted sleeves are trimmed with a pleated ruffle that extends around the arm finishing at the elbow crease at the inside arm and tapering to mid forearm length at the back. The fitted bodice, lined with waxed linen, fastens down the centre front with eight covered buttons of the bodice fabric. The front two panels wrap around the sides of the bodice to meet another series of panels creating a princess line with a delineated central spine. The waist position is just below the natural waist at the sides, tapering to an elongated front covering the belly. From the sides towards the back it curves up to the natural waistline and then down again to a central point. The bodice is decorated with strips of the same fabric, which has been tucked, pleated and padded to create ruching. The ruching edge has a multi coloured thread, suggestive of rosettes, on both sides. In the front of the bodice, a strip runs down the centre front, concealing the buttonholes, and finishing at the elongated point. It then goes up the bodice over the bust line where it meets the neckline. It follows the neckline around the nape of the neck and back down the front over the bust line to the centre front. More strips run around the base of the fitted sleeve near the elbow above the ruffle. The rosette like coloured thread finishes the base of the ruffle.

Historical information

A bodice belonging to the family of George Ward Cole in the late 1800’s.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Bolero

Brighton Historical Society, Brighton

Red velvet bolero decrated with gold stitching and braid. Lined with red satin. Stand collar which fastens with two metal hooks and eyes.

Historical information

Olga's family were Greek immigrants to Australia. Olga was born in Melbourne in 1930. This bolero is part of Greek national costume from the Peloponnese. Olga wore this to the 1956 Melbourne Olympic Games to represent her Greek heritage. She remembers the stands being full of migrants wearing their traditional national costumes.

Dress - Evening dress

Brighton Historical Society, Brighton

A hand sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1840. This dress shares a skirt with T0004.2, which dates from a different period. The bodice features a wide shallow neckline finished with a beige coloured cord in two decorative lines. The sleeve is set on the true shoulder and is a short fitted sleeve with decorative gathering and two lines of corded detail. The bodice is shaped to the body with 2 sets of six fine knife pleats diagonally positioned narrower over the waist and spreading out over the bust. These pleats are secured with six double lines of stitching. The bodice finishes high on the waistline at either side and points down to a point over the centre front. The base of the bodice is finished with a piped edge and beige decorative cording. The bodice encloses the body at the centre back where it has holes that presumably would have held lacing. The back features four diagonal knife pleats finishing at the centre back and splaying out over the shoulders. The waistline at the back features only a very gentle point.

Historical information

The donor and family of these gowns were long term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. The gowns are believed to have been brought to Australia by a half brother James Smith Adams or a younger sister Sophia, of the understood original owners of these dresses, Elizabeth Emma Adams and Cecelia Elizabeth Adams, although they travelled to Australia separately. Elizabeth Emma Adams and Cecelia Elizabeth Adams were the daughters of James Smith Adams (a Squire) and Elizabeth Emma McTaggart of Tower House, Woodchester in Gloucester. A property which Elizabeth Emma later inherited. Elizabeth Emma Adams was born on 30th June 1828 at Tower House, Woodchester, Gloucester, England and died on 1st May 1909. Elizabeth created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18, a marriage thats validity was later formally investigate and confirmed as valid but a second church wedding was also held. Thomas Charles Gardiner died in 1878. She subsequently remarried Rev. R.E. Blackwell but was widowed again by 1889. Cecelia Elizabeth Adams was born on 17th December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. James Smith Adams was christened on 25th December 1780 at Woodchester and died 19 March 1860. His wife Elizabeth Emma McTaggart was born on 21st April 1793 in Calcutta and died on 23/12/1843. Elisabeth Emma's second son, George Henry Somerset who inherited the Adams family estate dropped the i in Gardiner and added the maiden name of his grandmother. Therefore the family name has now become Gardner McTaggart. Tower House, originally a monastery was converted into a stately home after The Reformation. Sophia Adams became a nun in England in 1851 before migrating to Australia. In 1883 Sophia went to Adelaide and founded a Dominican Priory there (Believed to be St. Dominic's Priory in North Adelaide), using her inheritance to build the Priory's Chapel.

Significance

According to information originally provided by the donor, these two gowns were made for Elizabeth Emma Adams and Cecilia Elizabeth Adams, to be worn at the young Queen Victoria’s first “Drawing Room Ball” following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecelia would have been 12 years old and Elizabeth Emma would have been 10 years old. It is possible that the dress T0004.2 was worn by one of the girls to this event. The dress is of appropriate dimensions for a child of that age although it’s design is very formal and adult. However, it is unlikely that either of the girls wore dress T0004.1 due to the size and styling of the dress. It is likely that the dress belonged to one of the girls but was worn at a later date. After the death of the girls mother their Uncle James McTaggert gave the girls much of his attention and may have taken one or both of them to such an event. These Adams family entries have been updated by information provided by Dr.Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggert contacted the society after finding our entries online. Some further information is held by the society.

Dress - Wedding dress

Brighton Historical Society, Brighton

Four-piece wedding outfit comprising bodice, belt, skirt and separate train all made of cream figured wool. The bodice has a centre front ruched panel, stand collar and a fitted two-piece sleeve with full gathered head. It is trimmed with cream-coloured beading with pearl drops. The bodice has seven interior bones and is fastened with metal hooks and hand sewn eyelets which are concealed under the front panel. A separate pleated belt fastens centre back. Plain gored skirt with separate train that ties around the waist.

Hat

Brighton Historical Society, Brighton

Woven turquoise silk taffeta turban style ladies hat with half bow, circa 1960s. White mesh interior with teal grosgrain binding, thin black elastic band.

Historical information

This hat belonged to Mrs Mayra Rasmussen who lived at 389 St Kilda Street, Brighton. She lived there for over 50 years with her husband Rae Rasmussen, manager with the State Bank of Victoria.

Significance

The Mooney sisters, Nell and Ida, were situated beside the Regent Theatre in Collins Street, Melbourne and were well respected milliners and dressmakers. The hat's style is typical of the 1960s.

Inscriptions & Markings

Label, woven black on white: MISSES MOONEY / OF MELBOURNE

Hat - Top hat

Brighton Historical Society, Brighton

Black plush silk top hat with cream silk lining and leather and padded cloth interior bands. Black wool band.

Historical information

Established in 1773, Christys' still manufactures men's hats.

Inscriptions & Markings

Label, printed in blue on crown silk lining: ENGLISH MANUFACTURE / CHRISTYS' LONDON'

Dress - Wedding dress

Brighton Historical Society, Brighton

Wedding dress of white lace. V-neckline, long fitted sleeves and train. Large bow at back.

Historical information

Wedding dress worn by May Dunne who was married on 11 April 1942 at the Newtown Methodist Church in Aberdeen Street, Geelong. The lace was purchased with war-time coupons. The couple lived in Brighton and May was a member of the Brighton Historical Society when she donated the dress.

Scarf - Victory scarf

Brighton Historical Society, Brighton

Victory scarf with the flags of France, the United Kingdom, USA and the USSR. 'Victory' printed in yellow in the centre surrounded by names of countries and regions.

Historical information

The scarf belonged to Olga Black who was born in Melbourne in 1930.

Dress - Afternoon dress

Brighton Historical Society, Brighton

A c1878 two piece dress consisting of bodice and skirt. The eau de nil (green) corded silk dress features a high round neckline that secures with hook and eye fastenings and decorative buttons through the length of the princess line bodice to the band around the hem. A watch pocket sits just below the waistline on the left hip. The three-quarter sleeves are narrow with kilted pleat trim on the lower edge and decorative buttons. At the back of the dress is asymmetric in its cut. The dress splits along the right hand side and finishes shorter with pleating and has a decorative pocket. A bow sits at the top of the split. The underskirt fastens on the left hip and features kilted pleats along the base of the skirt and train. The train features additional fullness created by a section of gathering in the centre.

Historical information

This dress is believed to have been worn on the Goldfields of Victoria. The discovery of gold in Victoria ranged between 1851-1879.

Significance

This dress is believed to have been worn on the Goldfields of Victoria. The discovery of gold in Victoria ranged between 1851-1879. There are few remaining examples of clothing worn on the Victorian goldfields.

Gloves

Brighton Historical Society, Brighton

A pair of ivory kid ladies' gloves secured at the wrist with a metal catch. Circa 1853

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners presumably either Mrs Cora Doris Halkyard or Mrs B Brandt donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Inscriptions & Markings

Modern inscription on the inside of the glove states “Barone”, worn at Hastings E (presumably England), 1853.

Dress - Afternoon dress

Brighton Historical Society, Brighton

A salmon (pale orange pink) corded silk afternoon dress with orange beaded embellishments, consisting of a bodice and skirt from c.1890. The bodice features a high standing collar with triple pleated bone silk chiffon trim along the top line, under the chin. This same chiffon is also secured in two pieces gathered and secured under the collar and and at the waist adding volume over the bust line and partially obscuring the jacket closing. The chiffon is secured at the side into the main fabric of the bodice by the beaded embellishment. The pink seed beads are sewn in lines of five beads one after the other creating a diagonal design that tapers from the shoulder to the waist. The bodice is boned around the front and back and secured down the centre font by nineteen hook and eyes and additional cotton tapes. Further beading details the bottom centre front and base line of the bodice. The shoulders have been repaired with replacement fabric to match, from our records it appears that the repair work was performed in circa 1974 but no record exists of the original shoulder design and if the repair was an exact copy of the original. The repaired shoulders feature a small frill around the shoulder yoke and top of the arm. The sleeve is fitted and three quarter finishing just below the elbow. The base of the sleeve is also trimmed with the pink bead design and bone three pleat chiffon trim. The back of the bodice features shaped panels contouring the jacket neatly in at the waist and then splitting and splaying out over the fullness of the skirt. The skirt appears to have been floor or ankle length held at the waist by a wide waistband. The skirt openings have been altered from the original currently featuring two openings secured by press studs. The skirt is gathered to the waistband at front and back creating fullness. The lower part of the skirt features the same pink bead embellishment and additional beaded flowers and diagonal point edge detail.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastorialist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Significance

This day suit was owned and worn by Clara Miller nee Bell in Melbourne in circa 1890.

Muff

Brighton Historical Society, Brighton

A hand sewn dark blue silk velvet muff from late 1800’s. This cylindrical muff features a central lightly padded area for the hands with the sides extending un-padded a further five centimeters. A six centimeter black grosgrain and satin ribbon decorates the front. Attached from the wearers right at the edge of the padded area and falling diagonally to the left edge of the padded area, where it finishes in a decorative bow.

Historical information

A hand muff belonging to the family of George Ward Cole in the late 1800’s

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians, was subsequently sub divided and later demolished.

Coat - Water rat coat

Brighton Historical Society, Brighton

Three-quarter length brown fur coat made of water-rat pelts. Wide shawl collar and cuffs. Fastens centre front with two large hooks and eyes. Lined with chocolate brown silk satin.

Historical information

Belonged to Audrey Pickett (nee Heriot) who was married to Ted Pickett. Later in life, after Ted died, Audrey married Don North. The coat was exhibited in the window of F. J. Ellemor's store in the Royal Arcade.

Inscriptions & Markings

Label, woven brown on beige silk, centre back neck: created by / F. J. Ellemor / FURRIERS / MELBOURNE

Dressing gown

Brighton Historical Society, Brighton

A hand stitched purple pink silk quilted dressing gown with pale pink embroidery from circa 1894. The dressing gown is embroidered from the collar and shoulders though the centre front body to just above the hemline, on the cuffs and remaining pocket in a pale pink Perle thread embroidery featuring leaves and flowers. The entire gown is hand quilted with vertical parallel lines. The gown neckline features a flat collar and the sleeve head fits on the neat shoulder line. The sleeve head is gathered and full tapering to a loose flat cuff at the wrist. The front of the garment is currently secured by fourteen decorative frogs of two different styles, none of which appear to be original. There is also evidence of a fifteenth toggle that has been removed from the base. The gown's original left hand pocket has been removed and attached to an area around the right breast presumably to patch a hole or obscure some damage. It is unknown when these modifications have been made. The back of the gown features a gathered pink and black concertina pleated silk insert panel from the neck through to the base of the garment. The garment is lined with a very fine pale pink silk over the woolen batting.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Significance

This dressing gown is believed to have been worn by Clara Miller in circa 1894

Sash

Brighton Historical Society, Brighton

Woven dark red sash with tassel.

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners presumably either Mrs Cora Doris Halkyard or Mrs B Brandt donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Inscriptions & Markings

"Barone" a modern inscription, appears to be in ball point pen.

Parasol

Brighton Historical Society, Brighton

Blue silk parasol with cream silk printed with floral design in beige, brown, turquoise and terracotta. Metal spokes tipped with horn coloured bakelite. Wooden handle with traces of iredescent paint. Dark brown twisted cotton cord hanging from handle.

Inscriptions & Markings

Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKE

Parasol

Brighton Historical Society, Brighton

A black silk, wood and ivory handled parasol from circa 1900. The black silk of the parasol body has been treated with a decorative hemstitch towards the lower edge. The handle and frame are made of wood, metal and either ivory or an early plastic designed to mimic ivory. The ivory section is carved with a design reminiscent of a palm tree trunk and finished with a ball. The handle also features a leather looped strap that the hand would pass through to aid holding the parasol.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Inscriptions & Markings

The handle bears an engraved inscription that appears to be VML in a highly florid script. The frame bears the name 'Hartnells'.

Dress

Brighton Historical Society, Brighton

Sheer black silk chiffon dress with black beaded front detail and pin tucked front skirt. Long pointed beaded collar. Long sleeves with nine rows of horizontal pin tucking on lower edge.

Tile - Ceramic tile from Norwood (house)

Brighton Historical Society, Brighton

A square Wedgwood ceramic tile which is multi-coloured. The colours are brown, green, pink and orange. The tile is embossed with vines and flowers. The centre square features the head and shoulders image of a man. Norwood, the house where the tile was used was built around 1890.

Historical information

The tile was from the Norwood, the house which stood at 100 The Esplanade,, Brighton. The house was built around 1890 and demolished in 1955. Before the house was demolished many of the items were sold by auction.

Inscriptions & Markings

On back of tile "n 118 / Josiah Wedgwood & Sons / Etruria / Patent / Impressed tile"

Shawl

Brighton Historical Society, Brighton

Cream-coloured cotton bobbinet ground, hand-embroidered with flattened metal strips.

Historical information

Often referred to as Assiut shawls, where they were made.

Dress - Fancy dress

Brighton Historical Society, Brighton

A dress consisting of bodice and skirt. The bodice is made from beige silk with sprays of red and blue flowers and originally laced down the centre front with pink ribbon. The lower part of the bodice is modelled on a late 18th century polonaise design. The bodice is boned and features waist tapes. The elbow length sleeves are finished with beige hand made Maltese lace featuring Maltese crosses. The mid calf length skirt is made from pale pink silk which has been quilted and lined to create a stiffened form. There is a piece of scrap floral fabric that is the same as the bodice fabric.

Historical information

This dress is a 'Dolly Varden' or 'shepherdess" style costume worn by Ida Burn (1890 - 1976) on a sea voyage to China accompanying her parents in 1911. The BHS has a photo of Ida wearing this dress when she was a guest at a dance for young people given by the Lord Mayor of Melbourne (possibly T.J. Davey). This party may have been held on the ship or it may have been a seperate event. This style dress was a popular choice for fancy dress in the late 1890's and early 1900's. Family information states that the silk for this dress was purchased by Ida and Marjorie's grandfather's sister (great aunt) in England in c1840. The dress was donated by Marjorie Wallace (née Burn) (1901 - 1999), Ida's sister. Marjorie did not accompany the family to China but stayed home with a Governess. Marjorie lived in Brighton between 1923 and c1950 and attended Firbank Church of england Girls grammar School. These records are from a conversation between a B.H.S representative and Marjorie Wallace in Aug 2002.

Significance

This style of costume is named after the character Dolly Varden in Charles Dickens, 'Barnaby Rudge' 1841. In c1872 Dolly Varden inspired costumes and paraphernalia were very popular craze.

Doll - Bead doll

Brighton Historical Society, Brighton

Painted wooden bead doll of a sailor made by Olga's cousin who gave it to her in 1937. Cream coloured body and limbs and pink head. The body is made from one long oval bead and the limbs from small round beads.

Dress - Day dress

Brighton Historical Society, Brighton

A white, mauve, purple, red, and green paisley / floral printed cotton day dress from circa 1820. The day dress features a wide scooped neckline, with a dropped shoulder line. At the head of the sleeve is has three lines of gathering creating a narrow arm hole around the shoulder, flaring out into a leg of mutton sleeve. The sleeve finishes neatly at the wrist with a cuff that secures with two brass hook and eye closures. The dress bodice is open at the centre front and secures with six hook and eye closures to the empire line waist. Over the breast on either side of the opening are six diagonal pleats, pressed and secured facing towards the neck. This pleated detail is on a facing that extends from shoulder to shoulder and finishes with a bound edge. The remainder of the front bodice is plain and secures to the skirt at the empire waistline. The skirt pleats onto a binding, wrapping around the torso and securing to the bodice with eight hook closures. At approximately knee, height the skirt has an additional gathered flounce with the dress finishing at approximately ankle length. From the back, the bodice is plain and the skirt is gathered and sewn to the bodice at Empire line. Alterations to the garment have been made with the addition of hooks and eyes. The garment is generally in good condition although the skirt at the front shows evidence of damage and subsequent repair.

Historical information

This dress has had three owners documented by letters as it was passed between Reynolds family members as a family heirloom before being donated to the Brighton Historical Society. It was made in England circa 1820 according to one of these letters received with the dress from the donor. However, the dress style appears more indicative of the late 1820’s.

Significance

The donor of this dress donated this dress accompanied by three letters between family members as the dress was passed from generation to generation. These letters paint a picture of the significance of this dress within this family and its journey from England to Australia. In these letters there are also comments of gentle guidance as to how to dress your hair and accessorize appropriately with this dress. The letters are also held at Brighton Historical Society.

Dress

Brighton Historical Society, Brighton

White cotton high-waisted maxi dress printed with black spots and trimmed with red ric-rac. Elbow length sleeves. Fastens with centre back zip.

Historical information

Overend collection. The Overend family lived at the heritage listed 'Chevy Chase', 203 Were Street, Brighton, built in 1881.

Inscriptions & Markings

Label, printed black on white acetate, centre back: JILLIAN / OF / MELBOURNE

Dress - Day dress

Brighton Historical Society, Brighton

A silver and brown striped silk taffeta dress comprising separate bodice and skirt. The dress features a high round neckline fastening down the centre front with concealed hook and eye closures with ten (two missing) decorative brown silk velvet buttons. The front and back feature a briown silk velvet ribbon that forms a v shape from the shoulder to the centre front just below the bust and centre back below the shoulder blades. From the ribbon falls a brown and silver silk fringe approx seven cms deep. The bodice is shaped and boned into the waist and finishes in a deep v over the stomach. At the back the bodice is shaped to the body finishing in a smaller curved v over the small of the back. The sleeve attaches to the bodice at the true shoulder and falls in a pagoda sleeve to the mid forearm. The sleeve is also trimmed with brown silk velvet ribbon near the base of the sleeve. The full skirt is pleated at the waist, falling to the floor, longer at the back to accommodate the crinoline.

Historical information

A dress believed to have belonged to an ancestor of Mrs. Jessie Somerville Singer (nee Watson) 1849 – 1935. Given the dress dates from circa 1850 possibly someone from one generation previous possibly her mother Elizabeth Martin. Jessie Somerville Singer was the second wife of Mr. Edward Singer (1829 – 1904) of ‘Somerville’ New St. Brighton Beach. Mr Singer’s first wife Maria died in 1861 and their son William approximately 12 months later. In the 1861 census of North Bradley England, Mr. Singer was recorded as a carpenter journeyman. After this tragedy Edward, aged 30, left England to start a new life in Australia. He emigrated as an unassisted passenger on the steamship ‘Great Britain’ departing Liverpool and arriving in Melbourne in April 1863. Edward worked as a joiner and overseer for a timber merchant in Franklin Street Melbourne. In December 1869 he bought a property at 1115 Hoddle Street, East Melbourne, between Hotham and George Streets. At some stage he also acquired 1117 Hoddle Street. He also owned another property in Rushall Crescent, North Fitzroy. On July 10th 1873 Edward married Jessie Somerville Watson, the daughter of William Watson and Elizabeth Martin They lived at Hoddle street for some years, until they lived at Rushall Crescent, North Fitzroy then in the 1880’s Edward is recorded as a joiner in the then semi rural suburb of Brighton. The house ‘Somerville’ was built by the Singers in c1880 at 100 (now 78) New Street Brighton. The family moved there when Edward retired early, from North Fitzroy and lived there until 1941. ‘Somerville’ was sold, the house demolished and the land divided in the 1930’s. Edward and Jessie appear to have lived comfortably. Edward died on 30th July 1909. Jessie died on 11th November 1935. Mrs. A. Rodin Cook (donator) is the granddaughter of Walter Francis Newing was Jessie’s grandson. Walter Newing had a small printing business in Bay Street and from 1910 lived at Kinane Street. He was secretary of the Life Saving Club that stood at the end of Kinane st in the 1920’s and 30’s.

Significance

Many members of the Singer family have lived in and around Brighton for many years, with the first recorded domicile in the 1880’s.

Parasol

Brighton Historical Society, Brighton

Beige silk parasol printed with bold zig-zag design in brown, orange, yellow and turquoise. Metal spokes tipped with white bakelite. Wooden handle decorated with pokerwork design painted red. Wooden ball covered in silk thread and twisted cotton cord hanging from handle.

Inscriptions & Markings

Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKE Woven label, blue on white cotton attached to spoken: Perfection

Evening outfit - Evening dress and bag

Brighton Historical Society, Brighton

Black full-length crepe evening dress with bronse-coloured sequins on bodice; asymmetric neckline and draping. Matching black reticule with sequins.

Pant suit

Brighton Historical Society, Brighton

Pant suit comprising tunic and flared pants made from cream, yellow and gold lurex woven in a floral pattern. Tunic has a pair of non-functional pocket flaps at breast and two finctional pockets at front hip area. Tunic fastens with a centre back zip. Tunic lined with shell pink poyester satin; pants unlined.

Historical information

Overend collection. The Overend family lived at the heritage listed 'Chevy Chase', 203 Were Street, Brighton, built in 1881.

Inscriptions & Markings

Label woven white on black acetate centre back tunic: Stell-Ricks / OF MELBOURNE / SUITS TOPCOATS

Shoes

Brighton Historical Society, Brighton

Cream doeskin leather shoes with glass and metal bead floral decoration on vamp and decorative bow.

Inscriptions & Markings

Label stamped in gold on sock (inside lining): FROM / R. White / Melbourne

Calash

Brighton Historical Society, Brighton

Black taffeta calash with ribs made of baleen.

Dress - Wedding dress

Brighton Historical Society, Brighton

Ivory satin dress with train overlaid with machine made lace. High, gathered neckline, leg-of-mutton sleeves, In-built padded hip rolls. Front of dress is decorated with wax flowers.

Historical information

Worn by Edna Emily Seehusen when she married William Alexander McQuilten. Married September 1947 at Brighton Congregational Chruch, Black Street, Brighton.

Inscriptions & Markings

Label, woven pink on cream silk, centre back neck: A / Dorothy Draper / Original / EXCLUSIVE TO / BALL & WELCH LTD. / MELBOURNE

Parasol

Brighton Historical Society, Brighton

Coral pink silk parasol with black lace overlay. A lace design is painted in black on the end of the polished wooden handle.

Historical information

The donor, Mrs Verona Cresswell, was given the parasol in 1941 by a friend, Mrs Teppa, who had purchased in many years earlier in Paris. It was part as an outfit worn to the Melbourne Cup in the 1940s.

Parasol

Brighton Historical Society, Brighton

A grey silk parasol with mauve stripe decoration, wooden handle and brass fittings from the late 19th century. The handle appears to be missing a decorative finish from the end.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastorialist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Significance

This parasol was owned and used by Clara Miller in Melbourne in the late 19th century.

Inscriptions & Markings

Mrs. S. Miller, Cantala, Caulfield.

Jacket - Bridge jacket

Brighton Historical Society, Brighton

Cream silk jacket block-printed with Art Deco style pattern in red, blue, black and mustard colours. Lined with soft apricot-coloured satin. Wide stand collar. Front fastens low on hip with four silk covered buttons.

Historical information

Bought in England for Mrs Law by her husband James Lindsay Gordon Law in 1930. Used as a bridge jacket. See ADB entry for James. His wife was Elsie Russell (married 12 Jan 1915, St Mary's Catholic Cathedral, Sydney) and they lived most of their life in Brighton. He was a shirt manufacturer - company became Pelaco.

Inscriptions & Markings

Label, woven brown on cream silk, centre back: Eileen / Mulholland / Ltd. / 43, Wigmore St., / LONDON. W1.

Dress - Evening dress

Brighton Historical Society, Brighton

A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.

Historical information

A dress belonging to the family of George Ward Cole’s in the late 1800’s.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Pelerine

Brighton Historical Society, Brighton

Black silk satin, lace and beaded pelerine from c.1890. The pelerine features a silk high stand collar covered in black lace. It secures around the neck and down the centre front to the waist by seven hook and eye closures. A black lace frill extends down the centre front from the throat to the centre front tip of the garment. The shoulders feature a heavy, intricately beaded floral design open sleeve through which the arm would be visible. The sleeve finishes around the elbow in a point, however the beading hangs down to below the hip in a loose fringe. At the back of the garment from below the shoulder the garment shapes in to finish in a tapered v – shape over the wearers coccyx.

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners presumably either Mrs Cora Doris Halkyard or Mrs B Brandt donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

This item is from the estate of Mrs Cora Doris Halkyard. “Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Inscriptions & Markings

There is a hand stitched M in white thread on the inside lining of the pelerine near the neck.

Dress - Evening dress

Brighton Historical Society, Brighton

A hand and machine sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1890. This dress shares a skirt with T0004.3, which dates from a different period. The bodice features a high scoop neckline with gathers at the base of the scoop and directly below where the bodice finishes creating fullness over the bust. The bodice front encloses the bust with a right panel over the top of a left panel and securing with two hook and eye closures over the left shoulder. The panels are secured together with 15 hook and eye closures. The sleeves are set neatly on the true shoulder and are elongated full puffs to just above the elbow. The fullness is created by nine pleats from the top of the shoulder over the back of the shoulder. At the base of the sleeve the fullness is gathered just above the elbow. At the centre back of the bodice are four inward facing pleats running from the centre neck to the waist. The bodice is secured around the waist with a tape and four hook and eye closures. The bodice is boned around the sides and back of the torso with eight bones. This bodice is finished at the waist with a pleated cummerbund of the dress fabric that is designed to appear to be a sash with two decorative bows. One front left of centre and one back right of centre. The skirt secures at the waist with an opening to the left of centre at the back. The skirt gathers tightly at the centre back with a dart on either side. The skirt has a front central panel and the skirt falls to floor length. At the back, the skirt is also floor length. The back of the skirt may have been modified at some time and may have originally finished in a train. It would be more appropriate to the period of the bodice, and the believed use of the dress with a train.

Historical information

The donor and family of these gowns were long term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. The gowns are believed to have been brought to Australia by a half brother James Smith Adams or a younger sister Sophia, of the understood original owners of these dresses, Elizabeth Emma Adams and Cecelia Elizabeth Adams, although they travelled to Australia separately. Elizabeth Emma Adams and Cecelia Elizabeth Adams were the daughters of James Smith Adams (a Squire) and Elizabeth Emma McTaggart of Tower House, Woodchester in Gloucester. A property which Elizabeth Emma later inherited. Elizabeth Emma Adams was born on 30th June 1828 at Tower House, Woodchester, Gloucester, England and died on 1st May 1909. Elizabeth created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18, a marriage thats validity was later formally investigate and confirmed as valid but a second church wedding was also held. Thomas Charles Gardiner died in 1878. She subsequently remarried Rev. R.E. Blackwell but was widowed again by 1889. Cecelia Elizabeth Adams was born on 17th December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. James Smith Adams was christened on 25th December 1780 at Woodchester and died 19 March 1860. His wife Elizabeth Emma McTaggart was born on 21st April 1793 in Calcutta and died on 23/12/1843. Elisabeth Emma's second son, George Henry Somerset who inherited the Adams family estate dropped the i in Gardiner and added the maiden name of his grandmother. Therefore the family name has now become Gardner McTaggart. Tower House, originally a monastery was converted into a stately home after The Reformation. Sophia Adams became a nun in England in 1851 before migrating to Australia. In 1883 Sophia went to Adelaide and founded a Dominican Priory there (Believed to be St. Dominic's Priory in North Adelaide), using her inheritance to build the Priory's Chapel.

Significance

According to information originally provided by the donor, these two gowns were made for Elizabeth Emma Adams and Cecilia Elizabeth Adams, to be worn at the young Queen Victoria’s first “Drawing Room Ball” following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecelia would have been 12 years old and Elizabeth Emma would have been 10 years old. It is possible that the dress T0004.2 was worn by one of the girls to this event. The dress is of appropriate dimensions for a child of that age although it’s design is very formal and adult. However, it is unlikely that either of the girls wore dress T0004.1 due to the size and styling of the dress. It is likely that the dress belonged to one of the girls but was worn at a later date. After the death of the girls mother their Uncle James McTaggert gave the girls much of his attention and may have taken one or both of them to such an event. These Adams family entries have been updated by information provided by Dr.Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggert contacted the society after finding our entries online. Some further information is held by the society.

Dress - Wedding dress

Brighton Historical Society, Brighton

Two-piece wedding dress comprising separate bodice and skirt made of figured coffee-coloured silk woven with large sprays of foliage and berries. The front of the bodice is decorated with a cream-coloured hand-made lace. The bodice is cut asymmetrically, with the front panel wrapping over to the left proper side seam. The fitted sleeves are cut with fullness in the head and narrowing at the elbow and wrist in a leg-of-mutton style. The bodice is backed with a dark brown glazed cotton and has 13 bones. The skirt is backed with a coffee-coloured cotton.

Historical information

Worn by Matilda Kinross Herd when she married George William Mitchell McDonald in Geelong in 1892.

Dress - Evening dress

Brighton Historical Society, Brighton

Strapless pink organza cocktail-length dress. Finely pleated bodice and skirt laid on to a heavy vilene. Decorated around the waist with pink organza flowers and two bands of pink satin, one around the bodice and the other around the lower part of the skirt.

Historical information

Belonged to Louris White whose wedding dress from 1948 is also in the collection. Louris and her husband lived in Brighton.

Inscriptions & Markings

Label: printed black on cream acetate side front bodice: Original / Margeaux / REGD. / of Melbourne / IMPORTED FABRIC

Hat

Brighton Historical Society, Brighton

Pink floral dome-shaped hat made up of silk and velvet pink hydrangea petals and mauve silk stems attached to a stiffened net base.

Inscriptions & Markings

Label, printed black on white acetate, centre back: THOMAS HARRISON

Evening outfit

Brighton Historical Society, Brighton

Evening outfit comprising magenta feathered cape, full-length black velvet dress and a spray of silk flowers. Hem of dress lined with magenta and yellow silk. .1 - cape .2 - dress .3 - floral spray

Historical information

Bertha was born in Christchurch, New Zealand in c.1892. She lived at 42 Bay Street, Brighton and was married to Reginald Ambrose Dudfield.

Dress

Brighton Historical Society, Brighton

Cream coloured raw silk dress. Lower part of skirt hand-embroidered with floral design. Black and white striped silk collar and placket at front opening with 17 black decorative buttons. Two rows of thick cording insetred into casings around waist area which control the gathering in the skirt.

Jacket - Military jacket

Brighton Historical Society, Brighton

A red and green flocked cotton Military jacket believed to be British Navy from c.1807 - 1817. The jacket features a green high stand collar secured at the throat by three brass hook and eye closures. The red jacket bodice secures down the centre front with fourteen brass buttons and finishes approximately at the navel. The bottom line sits on the waistline at the sides and back, tapering lower to the naval at the centre front. The bottom line features two substantial brass hooks one on either side of the waist to secure the jacket to the pants. The shoulder line of the jacket is a neat tight fit on the true shoulder, with a slim fitting curved sleeve with gathered fullness at the shoulder. On each shoulder is a metallic corded epaulet with North Devon XI button and second button with floral motif. At the base of the sleeve is a green cuff like detail with a curved elongated point towards the elbow. At the base of each sleeve is a further two brass regiment buttons. The cream woolen jacket lining is lightly quilted over the breast.

Historical information

A Military jacket, possibly British Navy believed to have been worn by Captain George Ward Cole. George Ward Cole joined the British Navy in 1807, serving as a midshipman stationed in the West Indies until 1810 when he transferred to the Channel Squadron. In 1814 he was promoted to lieutenant and spent a year on the North American Coast in various amphibious operations including the destruction of Washington. After further service in the West Indies he was injured by gunfire losing hearing in his left ear and retired with honorable discharge in 1817 / 18.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.