Stories Organisations Projects About Login

Brighton Historical Society Brighton, Victoria

Brighton Historical Society was founded in March, 1963 for the purposes of forming a historical society in the Melbourne suburb of Brighton. Today the Society has about 200 members.

Contact Information

location
PO Box 266 Brighton Victoria 3186 (map)
phone
+61 03 9553 8650

Contact

Opening Hours

The rooms are open to visitors & researchers on Thursdays, from 12 noon to 5:00 pm

Entry Fee

Entry is free. We undertake email and written research requests for a fee of $20 per hour which includes photocopying and postage

Location

First Floor Brighton Arts and Cultural Centre (Old Brighton Town Hall) Corner Carpenter and Wilson Streets Brighton Victoria

View on Google Maps

The Bayside community is fortunate to have an extensive collection of costume, representing social life and fashions in our local area from early settlement through to the modern day. Our costume collection is of State significance and is the most comprehensive collection of costume in any historical society or small museum in Victoria. 

The collection includes children’s wear, evening gowns, dresses, hats, gloves, shawls, nightgowns, underwear, menswear, fans, shoes, swimwear and handbags. 

The Brighton Historical Society will loan costume to recognised organisations that use current conservation techniques. We have previously loaned items to the Bayside Council for an exhibition at the Bayside Arts and Cultural Centre and to the National Trust for exhibitions at Rippon Lea and Como House. 

We welcome donations to our costume collection. Items are assessed and accepted on the basis of their relevance to the ongoing history of the area, their connection to Brighton or their rarity.

History
Costume has been donated since the Society began in 1963. Some was even purchased in the days when Victorian items were still to be found on sale in local op shops. The origins and size of the collection are attributable to the foresight of the founder of the BHS, Mrs Rosalind Landells OAM. 

In the early days little was known of conservation techniques but as time progressed and we became aware of the treasures held, methods were implemented by volunteers to care for the costumes in the best way possible using available funds. 

Four conservation friendly wardrobes were purchased from the Performing Arts Museum to house the collection and later a Bayside Council Grant enabled us to have six more wardrobes built. Volunteers triple washed unbleached calico in pure Lux soap flakes before sewing covers for costumes and for coat hangers. Some acid free boxes were purchased from Zetta Florence to store our most important items. 

Thanks to a 2017 Local History Grant from the Public Record Office Victoria, we have been able to further improve our collection storage and records, and share more of our fascinating costume with the public. Items are continually being added to Victorian Collections, and a community workshop is being planned.

There are no comments yet.

Leave a comment

114 items with images

close
Show All Items Items with Images (114) Items with Audio Items with Video Items with Documents
View As Grid List

114 items with images

Night gown

Brighton Historical Society, Brighton

A hand sewn ivory cotton muslin nightgown, c.1842–1850. The bodice is made of delicately embroidered muslin in a floral design. The open flat collar features a scalloped lace frill underneath. The bodice fastens with thirteen mother of pearl buttons down the centre front. After the fourth button, the remaining buttons are concealed beneath a full gathered modesty skirt, which falls from just below the bust line. The modesty panel is secured horizontally across the bodice by six mother of pearl buttons. The sleeves finish over the back and palm of the hand in two flattened peaks. The front of the gown consisting of the modesty front is full length. The modesty gown at both sides joins two panels that are an integrated part of the bodice. At the centre back there is a very full gathered panel with lace trim that falls to create a train. It is semi attached to the bodice with a top section secured with mother of pearl buttons and small ties. The purpose of this design feature is unknown.

Historical information

This nightgown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. The item appears to have been made or altered to accommodate a pregnant belly, however purpose made maternity clothing was not common at this time. Mrs Ward-Cole’s six pregnancies took place in 1843, 1844, 1845, 1847, 1849 and 1851. The style of this garment in particular the shape of the sleeves would indicate that it is most likely to have been constructed in circa 1860, so whilst it appears to be a maternity item, and historically has been referred to as thus, this purpose cannot be confirmed. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished

Tile - Ceramic tile from Norwood (house)

Brighton Historical Society, Brighton

A square Wedgwood ceramic tile which is multi-coloured. The colours are brown, green, pink and orange. The tile is embossed with vines and flowers. The centre square features the head and shoulders image of a man. Norwood, the house where the tile was used was built around 1890.

Historical information

The tile was from the Norwood, the house which stood at 100 The Esplanade,, Brighton. The house was built around 1890 and demolished in 1955. Before the house was demolished many of the items were sold by auction.

Inscriptions & Markings

On back of tile "n 118 / Josiah Wedgwood & Sons / Etruria / Patent / Impressed tile"

Dress - Wedding dress

Brighton Historical Society, Brighton

Cream silk princess line wedding dress with scalloped neck edge, ruched front bodice panel and ruched and gathered panels on skirt. Three-quarter length sleeves with slashed sleeve details. Centre back opening fastened with silk thread covered buttons.

Shoes

Brighton Historical Society, Brighton

Pair of flat black kid leather indoor shoes decorated with pale blue silk, cut-away applique and embroidery.

Historical information

Worn by Emily Smith of 'Castlefield', South Road, Brighton.

Shoes

Brighton Historical Society, Brighton

Dark brown leather shoes with Louis heel. Vamp and strap are decorated with cut metal beads. Strap secured with one boot button and button hole.

Historical information

J.T. Morris were a shoe store located at 306 Sturt Street, Ballarat

Inscriptions & Markings

Made in Austria for / J. T. MORRIS / 306 Sturt Street / BALLARAT

Cape

Brighton Historical Society, Brighton

Black silk satin cape with corded design. Black fur trim on collar, centrefront openings and hem. Lined with quilted black silk. Watch pocket on left proper interior. Wool interlining.

Dress - Wedding Dress

Brighton Historical Society, Brighton

Ice-blue satin dress cut on the bias. The front of the dress features a finely beaded centre front panel which reaches from the neckline to the hem.

Historical information

Worn by Betty Cock when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great grandmother, Emily, was married in the same church 69 years earlier. The dress featured in the Australian Women's Weekly, 16 June 1965. See photos on file. Emily's dress is also in the collection.

Inscriptions & Markings

Label, woven mauve on beige silk, centre back: Beatrice Cook

Romper suit

Brighton Historical Society, Brighton

Two piece boy's romper suit. Short-sleeved beige shirt with smocking on front is buttoned to mid-brown short pants with large mother-of-pearl buttons. Cream coloured contrast top stitching.

Dress - Afternoon dress

Brighton Historical Society, Brighton

A salmon (pale orange pink) corded silk afternoon dress with orange beaded embellishments, consisting of a bodice and skirt from c.1890. The bodice features a high standing collar with triple pleated bone silk chiffon trim along the top line, under the chin. This same chiffon is also secured in two pieces gathered and secured under the collar and and at the waist adding volume over the bust line and partially obscuring the jacket closing. The chiffon is secured at the side into the main fabric of the bodice by the beaded embellishment. The pink seed beads are sewn in lines of five beads one after the other creating a diagonal design that tapers from the shoulder to the waist. The bodice is boned around the front and back and secured down the centre font by nineteen hook and eyes and additional cotton tapes. Further beading details the bottom centre front and base line of the bodice. The shoulders have been repaired with replacement fabric to match, from our records it appears that the repair work was performed in circa 1974 but no record exists of the original shoulder design and if the repair was an exact copy of the original. The repaired shoulders feature a small frill around the shoulder yoke and top of the arm. The sleeve is fitted and three quarter finishing just below the elbow. The base of the sleeve is also trimmed with the pink bead design and bone three pleat chiffon trim. The back of the bodice features shaped panels contouring the jacket neatly in at the waist and then splitting and splaying out over the fullness of the skirt. The skirt appears to have been floor or ankle length held at the waist by a wide waistband. The skirt openings have been altered from the original currently featuring two openings secured by press studs. The skirt is gathered to the waistband at front and back creating fullness. The lower part of the skirt features the same pink bead embellishment and additional beaded flowers and diagonal point edge detail.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastorialist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Significance

This day suit was owned and worn by Clara Miller nee Bell in Melbourne in circa 1890.

Jacket - Military jacket

Brighton Historical Society, Brighton

A red and green flocked cotton Military jacket believed to be British Navy from c.1807 - 1817. The jacket features a green high stand collar secured at the throat by three brass hook and eye closures. The red jacket bodice secures down the centre front with fourteen brass buttons and finishes approximately at the navel. The bottom line sits on the waistline at the sides and back, tapering lower to the naval at the centre front. The bottom line features two substantial brass hooks one on either side of the waist to secure the jacket to the pants. The shoulder line of the jacket is a neat tight fit on the true shoulder, with a slim fitting curved sleeve with gathered fullness at the shoulder. On each shoulder is a metallic corded epaulet with North Devon XI button and second button with floral motif. At the base of the sleeve is a green cuff like detail with a curved elongated point towards the elbow. At the base of each sleeve is a further two brass regiment buttons. The cream woolen jacket lining is lightly quilted over the breast.

Historical information

A Military jacket, possibly British Navy believed to have been worn by Captain George Ward Cole. George Ward Cole joined the British Navy in 1807, serving as a midshipman stationed in the West Indies until 1810 when he transferred to the Channel Squadron. In 1814 he was promoted to lieutenant and spent a year on the North American Coast in various amphibious operations including the destruction of Washington. After further service in the West Indies he was injured by gunfire losing hearing in his left ear and retired with honorable discharge in 1817 / 18.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Dress - Child's dress

Brighton Historical Society, Brighton

White cotton cutwork child's dress, hand stitched. Back opening with drawstring neck and waist.

Dress - Fancy dress

Brighton Historical Society, Brighton

A dress consisting of bodice and skirt. The bodice is made from beige silk with sprays of red and blue flowers and originally laced down the centre front with pink ribbon. The lower part of the bodice is modelled on a late 18th century polonaise design. The bodice is boned and features waist tapes. The elbow length sleeves are finished with beige hand made Maltese lace featuring Maltese crosses. The mid calf length skirt is made from pale pink silk which has been quilted and lined to create a stiffened form. There is a piece of scrap floral fabric that is the same as the bodice fabric.

Historical information

This dress is a 'Dolly Varden' or 'shepherdess" style costume worn by Ida Burn (1890 - 1976) on a sea voyage to China accompanying her parents in 1911. The BHS has a photo of Ida wearing this dress when she was a guest at a dance for young people given by the Lord Mayor of Melbourne (possibly T.J. Davey). This party may have been held on the ship or it may have been a seperate event. This style dress was a popular choice for fancy dress in the late 1890's and early 1900's. Family information states that the silk for this dress was purchased by Ida and Marjorie's grandfather's sister (great aunt) in England in c1840. The dress was donated by Marjorie Wallace (née Burn) (1901 - 1999), Ida's sister. Marjorie did not accompany the family to China but stayed home with a Governess. Marjorie lived in Brighton between 1923 and c1950 and attended Firbank Church of england Girls grammar School. These records are from a conversation between a B.H.S representative and Marjorie Wallace in Aug 2002.

Significance

This style of costume is named after the character Dolly Varden in Charles Dickens, 'Barnaby Rudge' 1841. In c1872 Dolly Varden inspired costumes and paraphernalia were very popular craze.

Jodhpurs - Jodphurs

Brighton Historical Society, Brighton

A pair of black wool twill women's jodhpurs from late 1800’s to early 1900’s. The jodhpurs feature a flat flap-front that buttons on either hip with four buttons on either side. The cut of the leg is full tapering through shaped panels to a slim fit over the calf. At the centre front of the leg at the shin, the pant leg is laced closed and finished with brown binding. From the back, the pant hangs loose and full over the bottom, tapering to a slim fit over the calf. Note: These jodhpurs are not a matching piece of the riding habit T0002.1. However, it appears that the same person wore them at the same time, as an outfit.

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners, presumably either Mrs Cora Doris Halkyard or Mrs B Brandt, donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Dress - Evening dress

Brighton Historical Society, Brighton

A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.

Historical information

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.

Dress - Evening dress

Brighton Historical Society, Brighton

Two-piece evening dress comprising separate bodice and skirt made of gold-coloured silk damask woven with large curvilinear design in cream. Cream tulle trim around neck embellished with beads and artificial pearls. Similar trim down centre front and around lower edge of bodice. Short puffed sleeves Neckline trimed with wide gold satin riboon and bows. Bodice is boned and fastens centre back with hooks and eyes. Gored skirt pleated into waist. .1 - bodice . 2 - skirt

Inscriptions & Markings

Label, woven blue on cream, centre back bodice: George & George Ltd / Federal Emporium / Melbourne

Dress - Evening dress

Brighton Historical Society, Brighton

A hand sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1840. This dress shares a skirt with T0004.2, which dates from a different period. The bodice features a wide shallow neckline finished with a beige coloured cord in two decorative lines. The sleeve is set on the true shoulder and is a short fitted sleeve with decorative gathering and two lines of corded detail. The bodice is shaped to the body with 2 sets of six fine knife pleats diagonally positioned narrower over the waist and spreading out over the bust. These pleats are secured with six double lines of stitching. The bodice finishes high on the waistline at either side and points down to a point over the centre front. The base of the bodice is finished with a piped edge and beige decorative cording. The bodice encloses the body at the centre back where it has holes that presumably would have held lacing. The back features four diagonal knife pleats finishing at the centre back and splaying out over the shoulders. The waistline at the back features only a very gentle point.

Historical information

The donor and family of these gowns were long term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. The gowns are believed to have been brought to Australia by a half brother James Smith Adams or a younger sister Sophia, of the understood original owners of these dresses, Elizabeth Emma Adams and Cecelia Elizabeth Adams, although they travelled to Australia separately. Elizabeth Emma Adams and Cecelia Elizabeth Adams were the daughters of James Smith Adams (a Squire) and Elizabeth Emma McTaggart of Tower House, Woodchester in Gloucester. A property which Elizabeth Emma later inherited. Elizabeth Emma Adams was born on 30th June 1828 at Tower House, Woodchester, Gloucester, England and died on 1st May 1909. Elizabeth created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18, a marriage thats validity was later formally investigate and confirmed as valid but a second church wedding was also held. Thomas Charles Gardiner died in 1878. She subsequently remarried Rev. R.E. Blackwell but was widowed again by 1889. Cecelia Elizabeth Adams was born on 17th December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. James Smith Adams was christened on 25th December 1780 at Woodchester and died 19 March 1860. His wife Elizabeth Emma McTaggart was born on 21st April 1793 in Calcutta and died on 23/12/1843. Elisabeth Emma's second son, George Henry Somerset who inherited the Adams family estate dropped the i in Gardiner and added the maiden name of his grandmother. Therefore the family name has now become Gardner McTaggart. Tower House, originally a monastery was converted into a stately home after The Reformation. Sophia Adams became a nun in England in 1851 before migrating to Australia. In 1883 Sophia went to Adelaide and founded a Dominican Priory there (Believed to be St. Dominic's Priory in North Adelaide), using her inheritance to build the Priory's Chapel.

Significance

According to information originally provided by the donor, these two gowns were made for Elizabeth Emma Adams and Cecilia Elizabeth Adams, to be worn at the young Queen Victoria’s first “Drawing Room Ball” following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecelia would have been 12 years old and Elizabeth Emma would have been 10 years old. It is possible that the dress T0004.2 was worn by one of the girls to this event. The dress is of appropriate dimensions for a child of that age although it’s design is very formal and adult. However, it is unlikely that either of the girls wore dress T0004.1 due to the size and styling of the dress. It is likely that the dress belonged to one of the girls but was worn at a later date. After the death of the girls mother their Uncle James McTaggert gave the girls much of his attention and may have taken one or both of them to such an event. These Adams family entries have been updated by information provided by Dr.Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggert contacted the society after finding our entries online. Some further information is held by the society.

Dress - Wedding dress

Brighton Historical Society, Brighton

Wedding dress made from silver metallic thread crepe. Fastens down front with small self-covered buttons and loops. Long fitted sleeves fastened with10 covered buttons and loops. Full bias cut skirt with train.

Historical information

Louris Larson Disney married James Percy White at Melbourne Grammar Chapel on 17 June 1948. In later years the dress was given to an opportunity shop and purchased by Mrs Landells of the Brighton Historical Society. Also in the Society's collection is a 1950s pink straples silk chiffon dress worn by Louris. The couple lived in Brighton. Wedding photo of Louris taken at 53 South Road, Brighton is in the collection of the Brighton Historical Society.

Evening dress and bag

Brighton Historical Society, Brighton

Black silk satin sleeveless full-length evening dress. The attached bodice floats over the top of the under-dress. Asymmetrical opening on bodice which features five large flat self-covered buttons. The black suede bag has chrome fittings and buttery cream coloured satin interior.

Historical information

The dress was worn by Mrs Dot Paroissien in the 1950s. She remembers wearing it to a ball at the Royal Exhibition Buildings for Wesley College. The black suede bag was bought in London for her by her husband David. Dot wore suede shoes with a medium heel with straps across the instep and long white kid gloves. She wore a baguette chocker and drop earrings.

Inscriptions & Markings

.1 dress - Label, woven black on white acetate centre back: CROYDE / MELBOURNE .2 - bag - Label, printed, black on cream acetate, interior pocket: Susan / HANDBAGS / LONDON; Label, printed, copper on black metal, interior pocket: MADE IN ITALY / FOR SUSAN

Dress - Wedding dress

Brighton Historical Society, Brighton

Two-piece wedding dress comprising separate bodice and skirt made of figured coffee-coloured silk woven with large sprays of foliage and berries. The front of the bodice is decorated with a cream-coloured hand-made lace. The bodice is cut asymmetrically, with the front panel wrapping over to the left proper side seam. The fitted sleeves are cut with fullness in the head and narrowing at the elbow and wrist in a leg-of-mutton style. The bodice is backed with a dark brown glazed cotton and has 13 bones. The skirt is backed with a coffee-coloured cotton.

Historical information

Worn by Matilda Kinross Herd when she married George William Mitchell McDonald in Geelong in 1892.

Cloak

Brighton Historical Society, Brighton

Orange bouclé wool coat woven with velvet stripes; brown fur collar and deep hem.

Parasol

Brighton Historical Society, Brighton

Blue silk parasol with cream silk printed with floral design in beige, brown, turquoise and terracotta. Metal spokes tipped with horn coloured bakelite. Wooden handle with traces of iredescent paint. Dark brown twisted cotton cord hanging from handle.

Inscriptions & Markings

Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKE

Cushion cover - Cushion cover (fabric remnant)

Brighton Historical Society, Brighton

A piece of hand painted cream silk velvet believed to be from a cushion cover. Date unknown

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners, presumably either Mrs Cora Doris Halkyard or Mrs B Brandt, donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Sash

Brighton Historical Society, Brighton

Cream coloured Miss Young Liberal sash printed in metallic gold and with gold-coloured fringing at either end.

Historical information

Donated by Brighton resident and journalist Janifer Price.

Inscriptions & Markings

Printed, metallic gold on white acetate: Miss / YOUNG LIBERAL / 1966

Jacket - Evening jacket

Brighton Historical Society, Brighton

Evening jacket made of gold metallic fabric. Deep cross-over front with curved peplum and flared cuffs. Peplum and cuffs feature 7 rows of pale blue stiching. Lined with pale blue silk.

Dress - Visiting dress

Brighton Historical Society, Brighton

A black and yellow velvet, wool, lace and silk dress from circa 1882. The bodice features a yellow silk, black lace and black velvet collar finishing high on the neck just below the chin finished with a black lace ruffle. The collar has a flap across the front of the throat that attaches at the side with a v shaped baseline that contributes to concealing the fastenings of the bodice. The dress features a gathered central panel of black lace covered lemon silk, which falls from the neckline to the floor. At either side of this panel are matching panels of black velvet. The remainder of the dress and sleeves are made of black wool featuring a self-striped and spotted pattern. The dress fastens down the centre front with concealed black buttons hidden underneath the right velvet panel. The head of the Amadis sleeve sits on the natural shoulder line and finishes tightly at the elbow. The volume of the sleeve is created by ten pleats at the head of the shoulder, sewn to the bodice and is gathered at the elbow. The sleeve is finished with a black velvet ribbon with a bow and a black lace frill. The base of the dress is finished with a ruffle of the black dress wool. The dress features a small train. The dress is boned at the back waist and features an inset panel just below the waist of gathered fabric which forms the train.

Historical information

This gown, one of two similar items in the collection belonged to one of the Ward Cole sisters, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole, daughters of George Ward Cole.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Dress - Day dress

Brighton Historical Society, Brighton

A grey green c1878 dress comprising of matching jacket and skirt. The jacket features a standing collar that gathers to a low point at the throat. This point is concealed behind a bow with raw edges which may not be original. The centre front of the jacket has been secured with nineteen concealed metal hook and button holes. The centre front features fifteen sets of single fabric covered glass buttons secured in a diagonal pattern and appearing as double headed buttons. From the shoulder through the body the jacket is shaped with decorative panels with grey silk detail. Beside these panels shaping into the waist and under the arm are a further two pleats. On the left side waist is a small pocket with decorative flap, grey silk trim and button. The base line of the jacket features a decorative horizontal panel that wraps around the jacket. The sleeve head is small and sits on the natural shoulder line with a slim fitting, curved, full length sleeve. At the base of the sleeve, there is a decorative panel reminiscent of a formal cuff, with a decorative turn back and two buttons. Secured underneath this turn back is a bow like decoration. From the back the jacket features a V shaped decoration, an extension of the front two decorative panels. From the shoulders the jacket is shaped by four panels curving tight into the waist and flaring out again to fullness of the bustle. These seams are also finished with decorative binding.This peplum like shape features two decorative flaps and six covered buttons. The skirt is shaped to the waist with pleats and secures on the front left hand side, the original waistband and fastenings have been replaced. The skirt front features a large decorative panel of the same fabric that curves from the front at approximately shin length, upwards towards the back securing underneath the bustle decoration. A second panel, plus a pleated panel finish the hem of the skirt continuing around to the back. At the back the skirt features two deep pleats with a large decorative bow that would sit out over the bustle. The skirt is long featuring a small train at the back. The dress is lined in a brown waxed cotton.

Historical information

Our records indicate that this dress was owned by Marion Jeanne Stokes (1877 - 1936) nee Wooling from Gisborne. Marion was married to Clive Devlin.

Significance

This dress is believed to have been worn on the Bendigo goldfields in c1878. This dress may have been worn as a wedding dress.

Inscriptions & Markings

n/a

Coat - Water rat coat

Brighton Historical Society, Brighton

Three-quarter length brown fur coat made of water-rat pelts. Wide shawl collar and cuffs. Fastens centre front with two large hooks and eyes. Lined with chocolate brown silk satin.

Historical information

Belonged to Audrey Pickett (nee Heriot) who was married to Ted Pickett. Later in life, after Ted died, Audrey married Don North. The coat was exhibited in the window of F. J. Ellemor's store in the Royal Arcade.

Inscriptions & Markings

Label, woven brown on beige silk, centre back neck: created by / F. J. Ellemor / FURRIERS / MELBOURNE

Jacket

Brighton Historical Society, Brighton

Dior-inspired suit jacket. Unlined. Six cloth buttons with bound button holes. Inside hip pads.

Inscriptions & Markings

Label, woven brown on cream acetate, centre back neck: Ponce De Leon. Handwritten on label in black pen:43 LANDELS

Dress - Day dress

Brighton Historical Society, Brighton

A white, mauve, purple, red, and green paisley / floral printed cotton day dress from circa 1820. The day dress features a wide scooped neckline, with a dropped shoulder line. At the head of the sleeve is has three lines of gathering creating a narrow arm hole around the shoulder, flaring out into a leg of mutton sleeve. The sleeve finishes neatly at the wrist with a cuff that secures with two brass hook and eye closures. The dress bodice is open at the centre front and secures with six hook and eye closures to the empire line waist. Over the breast on either side of the opening are six diagonal pleats, pressed and secured facing towards the neck. This pleated detail is on a facing that extends from shoulder to shoulder and finishes with a bound edge. The remainder of the front bodice is plain and secures to the skirt at the empire waistline. The skirt pleats onto a binding, wrapping around the torso and securing to the bodice with eight hook closures. At approximately knee, height the skirt has an additional gathered flounce with the dress finishing at approximately ankle length. From the back, the bodice is plain and the skirt is gathered and sewn to the bodice at Empire line. Alterations to the garment have been made with the addition of hooks and eyes. The garment is generally in good condition although the skirt at the front shows evidence of damage and subsequent repair.

Historical information

This dress has had three owners documented by letters as it was passed between Reynolds family members as a family heirloom before being donated to the Brighton Historical Society. It was made in England circa 1820 according to one of these letters received with the dress from the donor. However, the dress style appears more indicative of the late 1820’s.

Significance

The donor of this dress donated this dress accompanied by three letters between family members as the dress was passed from generation to generation. These letters paint a picture of the significance of this dress within this family and its journey from England to Australia. In these letters there are also comments of gentle guidance as to how to dress your hair and accessorize appropriately with this dress. The letters are also held at Brighton Historical Society.

Dress

Brighton Historical Society, Brighton

White cotton high-waisted maxi dress printed with black spots and trimmed with red ric-rac. Elbow length sleeves. Fastens with centre back zip.

Historical information

Overend collection. The Overend family lived at the heritage listed 'Chevy Chase', 203 Were Street, Brighton, built in 1881.

Inscriptions & Markings

Label, printed black on white acetate, centre back: JILLIAN / OF / MELBOURNE