Stories Organisations Projects About Login

Brighton Historical Society Brighton, Victoria

Brighton Historical Society was founded in March, 1963 for the purposes of forming a historical society in the Melbourne Suburb of Brighton. Today the Society has about 200 members.

Contact Information

location
PO Box 266 Brighton Victoria 3186 (map)
phone
+61 03 9553 8650

Contact

Opening Hours

The rooms are open to visitors & researchers on Thursdays, from 12 noon to 5:00 pm

Entry Fee

Entry is free. We undertake email and written research requests for a fee of $20 per hour which includes photocopying and postage

Location

First Floor Brighton Arts and Cultural Centre (Old Brighton Town Hall) Corner Carpenter and Wilson Streets Brighton Victoria

View on Google Maps

The Society is the custodian of over 1,000 items of clothing including nightwear, bathing costumes, shoes, hats, fans, undergarments and shawls dating from the early 1800's through to the 1980's. From a Jane Austen period patterned cotton dress, through to dresses worn at the court of Queen Victoria and on the Victorian goldfields, Edwardian tea dresses, hand-beaded flapper gowns, clothes covering both wars, the fifties through to the swinging sixties and the padded 1980's shoulders.

There are no comments yet.

Leave a comment

115 items

close
Show All Items Items with Images (113) Items with Audio Items with Video Items with Documents
View As Grid List

115 items

Bag - Bag

Brighton Historical Society, Brighton

Oval shaped bag made from armadillo leather with head and feet attached. Leather straps may be a recent addition. Metal clasp. Mirror on inside of lid. Interior lined with blue silk.

Bag and coin purse

Brighton Historical Society, Brighton

Woven cane oval bag with small spherical metal feet and leather handles. Hinges open at top. Inside there is a separate small brown leather coin purse with metal clasp.

Bodice

Brighton Historical Society, Brighton

A hand sewn cream silk satin evening bodice from c.1865. This bodice features a very low, wide scooped neckline with a set in sleeve and four small pleats across the head of the shoulder. The elbow length, straight fitted sleeves are trimmed with a pleated ruffle that extends around the arm finishing at the elbow crease at the inside arm and tapering to mid forearm length at the back. The fitted bodice, lined with waxed linen, fastens down the centre front with eight covered buttons of the bodice fabric. The front two panels wrap around the sides of the bodice to meet another series of panels creating a princess line with a delineated central spine. The waist position is just below the natural waist at the sides, tapering to an elongated front covering the belly. From the sides towards the back it curves up to the natural waistline and then down again to a central point. The bodice is decorated with strips of the same fabric, which has been tucked, pleated and padded to create ruching. The ruching edge has a multi coloured thread, suggestive of rosettes, on both sides. In the front of the bodice, a strip runs down the centre front, concealing the buttonholes, and finishing at the elongated point. It then goes up the bodice over the bust line where it meets the neckline. It follows the neckline around the nape of the neck and back down the front over the bust line to the centre front. More strips run around the base of the fitted sleeve near the elbow above the ruffle. The rosette like coloured thread finishes the base of the ruffle.

Historical information

A bodice belonging to the family of George Ward Cole in the late 1800’s.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Bolero

Brighton Historical Society, Brighton

Red velvet bolero decrated with gold stitching and braid. Lined with red satin. Stand collar which fastens with two metal hooks and eyes.

Historical information

Olga's family were Greek immigrants to Australia. Olga was born in Melbourne in 1930. This bolero is part of Greek national costume from the Peloponnese. Olga wore this to the 1956 Melbourne Olympic Games to represent her Greek heritage. She remembers the stands being full of migrants wearing their traditional national costumes.

Bonnet - Mourning bonnet

Brighton Historical Society, Brighton

Navy, silk velvet, mourning bonnet with black silk train, circa 1915. The bonnet’s shape is created by a horseshoe shaped rib that sits across the crown of the head and shapes in to cover and conceal the back of the head. Across the crown, the bonnet features a navy silk velvet bow. The veil is constructed from a very fine black corded silk and hangs to approximately just below the wearer’s bottom.

Historical information

Brighton Historical Society Records indicate this bonnet was worn at the death of Isabella Black in 1912. Other records held, place Isabella Blacks death to be in 1915. This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners presumably either Mrs Cora Doris Halkyard or Mrs B Brandt donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Bonnet

Brighton Historical Society, Brighton

A hand sewn ivory cotton, embroidery anglaise child’s bonnet from the late 1800s. The bonnet fabric design combines features a combination of narrow pin tucking and embroidered flowers on a vine. The bonnet edge is finished with a double-layered delicate gathered lace ruffle around all the edges. The bonnet secures under the chin with a delicate tie made of a similar but plain fabric.

Historical information

A cotton bonnet belonging to the family of George Ward Cole’s in the late 1800’s.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Calash

Brighton Historical Society, Brighton

Black taffeta calash with ribs made of baleen.

Cape

Brighton Historical Society, Brighton

Black silk satin cape with corded design. Black fur trim on collar, centrefront openings and hem. Lined with quilted black silk. Watch pocket on left proper interior. Wool interlining.

Cloak

Brighton Historical Society, Brighton

Unlined taupe silk cloak with two wide horizontal bands of black satin and lozenge-shaped black cord detailing. Black satin tie collar with black tassels at ends.

Cloak

Brighton Historical Society, Brighton

Orange bouclé wool coat woven with velvet stripes; brown fur collar and deep hem.

Cloak

Brighton Historical Society, Brighton

A cream, green, brown and red striped cotton evening cloak with a brown silk velvet collar from the 1880's. The cloak features a double tiered velvet capelet with high standing collar that meets in the centre front, fastening with three hook and eye closures and finishing just below the shoulder line. At the centre front throat is an additional piece of lined cloak fabric which may have attached across the throat, purpose unknown. The lining of the throat and collar of the capelet appears to be a replacement with a darker red silk. The original red silk lining features through out the remainder of the garment. Inside the front left breast, the lining features two pockets; inside the right breast, the lining features a single pocket. The lining also features a waist tie to secure the cloak to the body. The cloak is approximately mid calf to ankle length.

Historical information

A cloak believed to have been worn by Captain George Ward Cole.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Coat - Water rat coat

Brighton Historical Society, Brighton

Three-quarter length brown fur coat made of water-rat pelts. Wide shawl collar and cuffs. Fastens centre front with two large hooks and eyes. Lined with chocolate brown silk satin.

Historical information

Belonged to Audrey Pickett (nee Heriot) who was married to Ted Pickett. Later in life, after Ted died, Audrey married Don North. The coat was exhibited in the window of F. J. Ellemor's store in the Royal Arcade.

Inscriptions & Markings

Label, woven brown on beige silk, centre back neck: created by / F. J. Ellemor / FURRIERS / MELBOURNE

Coat

Brighton Historical Society, Brighton

Maxi coat in cream, yellow and metallic gold ogival patterned brocade. Fastens with five large metallic gold corded domed buttons. Lined with ivory silk taffeta.

Inscriptions & Markings

Label, woven black on white acetate, centre back neck: jot / TOORAK

Crinoline skirt - Crinoline

Brighton Historical Society, Brighton

A cream paper silk taffeta crinoline skirt c.1862. This skirt features a flat front across the front waistband but a gathered across the back. At the front it is floor length whilst at the back it features a small train. Presumably the skirt was concealed at the sides and back at the front features decorations that do not continue around the back. The front decoration consists of three tiers of pleated pale violet to pale pink silk ribbon with a deep drop of cream lace. The final lace tier is gracing the floor.

Historical information

This skirt belonged to Miss Margaret Morison Ward Cole and was worn for her role as bridesmaid for the marriage of Miss Barkly, daughter of Sir Henry Barkly.

Significance

George Ward Cole, father of Miss Margaret Morison Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. Sir Henry Barkly was the second Governor of Victoria.

Cushion

Brighton Historical Society, Brighton

A hand painted and hand embroidered cream silk cushion. Date and use unknown. This cushion features a delicate hand painted floral design, enhanced with highlight embroidery. It also features a silk rope binding around its edges and a cream silk bow. It appears to have enclosed something as it has a button and loop to secure it in half.

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners presumably either Mrs Cora Doris Halkyard or Mrs B Brandt donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Cushion cover - Cushion cover (fabric remnant)

Brighton Historical Society, Brighton

A piece of hand painted cream silk velvet believed to be from a cushion cover. Date unknown

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners presumably either Mrs Cora Doris Halkyard or Mrs B Brandt donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Doll - Bead doll

Brighton Historical Society, Brighton

Painted wooden bead doll of a sailor made by Olga's cousin who gave it to her in 1937. Cream coloured body and limbs and pink head. The body is made from one long oval bead and the limbs from small round beads.

Dress - Wedding dress

Brighton Historical Society, Brighton

Cream satin princess line wedding dress with dark cream lace trim. Fastens centre front with 17 satin covered buttons. Nine extant bones are placed on the interior seams and darts. Three-quarter length fitted sleeves. Bodice backed with cream cotton. The back trained panels of the skirt have been cut to extend into a pleated swathe of satin that wraps around the hips to the centre front. A square padded bustle pad is attached to the interior back of the skirt. The hem of the skirt is decorated with kilted and swathed satin and lace.

Historical information

The donor's husband's grandmother was Bertha Michaelis who lived at 'Linden', St Kilda. She married David Jacob Baruch (known as Dalbert) in Hamburg on 9 November 1881. Bertha was born in Melbourne. The couple lived in Germany. Bertha returned to Melbourne with their two children, Ernest and May, after Delbert died in 1893. May married Rabbi Jacob Danglow in 1909 and they had one son, Frank, who was the donor's husband.

Inscriptions & Markings

Label, interior waist tape, woven silk stamped in dark green: H. L. HEYNEMANN / Hannover / Seilwinderstr. 6a., Bose; In monogrammed ("HLH") circles either side: (Left) BAARZAHLUNGS SYSTEM; (Right) ERSTE PREISE. Stitched in thick cotton thread on interior waist tape: *9097

Dress - Wedding dress

Brighton Historical Society, Brighton

Four-piece wedding outfit comprising bodice, belt, skirt and separate train all made of cream figured wool. The bodice has a centre front ruched panel, stand collar and a fitted two-piece sleeve with full gathered head. It is trimmed with cream-coloured beading with pearl drops. The bodice has seven interior bones and is fastened with metal hooks and hand sewn eyelets which are concealed under the front panel. A separate pleated belt fastens centre back. Plain gored skirt with separate train that ties around the waist.

Dress - Wedding dress

Brighton Historical Society, Brighton

One piece floor length dress of (originally) lavender, watered (moiré) silk taffeta with short sleeves and train that is controlled by interior tapes to create bustle effect. The bodice fastens down the centre front to the waist where the opening below the waist is concealed by side pleats. The bodice appears to have originally featured a piece of lace at the neckline and a textile ruched belt. The dress is backed with a cream cotton.

Historical information

This dress was worn by Julia Benjamin (1850 - 1927) for her marriage to Abraham Smith (of Polish descent) at the Melbourne Hebrew Congregation in Bourke Street, Melbourne on September 5th 1868. Julia was the daughter of Joseph Benjamin and Hannah Soloman. Records suggest it may have been converted into her 'calling' gown for the three month 'bridal' period following her marriage. The gown would have been worn with accompanying accessories of a cape, gloves.

Significance

An early example of a wedding dress of the Melbourne Jewish Community.

Dress

Brighton Historical Society, Brighton

Long-sleeved ivory-coloured silk chiffon and gold metallic fabric dress decorated with silk and metallic thread emroidery and (gelatine?) beading.

Dress - Evening dress

Brighton Historical Society, Brighton

Full-length knit dress of blue, green and silver patterned lurex with Georges box and receipts. High neck with metal zip centre back. .1 - dress .2 a-b - Georges box with lid .3 a-c - envelope & 3 layby & alteration receipts stapled together & separate delivery invoice .4 - Receipt for dress alteration & delivery charge

Historical information

Belonged to a Mrs E. Hill of 6 Webb Street, Brighton. The dress is an excellent example of mid-1970s evening wear and comes with its original box and dockets.

Inscriptions & Markings

Label, woven black on white acetate, centre back: PRINTED BY HAND / Pelilla / MADE IN ITALY Label, printed black on white acetate, centre back: 65% RAYON / 35% POLYESTER / MADE IN ITALY

Dress - Evening dress

Brighton Historical Society, Brighton

Long sleeveless beaded evening dress with V front and back neckline. Black tulle base embellished with black, grey and purple beads and sequins with a design of a purple sunburst radiating from the right proper hip and mirrored on the back. Bodice sides split to waist and skirt sides split to hip.

Dress - Evening dress

Brighton Historical Society, Brighton

Full-length pink satin evening dress with beaded shoulder straps and plaited fabric trim decorating low back. Two fabric bows on front bodice and diamond-shaped centre front panel. Separate wide pink satin cumerband made of plaited fabric with bow at back. .1 - dress .2 cumberband

Dress - Child's dress

Brighton Historical Society, Brighton

White cotton cutwork child's dress, hand stitched. Back opening with drawstring neck and waist.

Dress

Brighton Historical Society, Brighton

Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.

Historical information

Worn by Councillor Di Lopez when she was Mayor of Brighton to the Mayoral Ball held at Brighton Technical School c.1976.

Significance

The dress is significant because it was worn by the Mayor, Di Lopez, to the Brighton Mayoral Ball. In wearing such a radical dress Di Lopez was making a public statement, breaking away from the tradition of wearing stuffy, formal gowns and bringing the Mayor's office into the 1970s.

Inscriptions & Markings

None

Dress - Wedding dress

Brighton Historical Society, Brighton

Beige taffeta silk dress with fine black woven stripe. Olive coloured bias satin trim and vandyked horizontal panels down front of the dress. The dress has a train.

Dress - Wedding dress

Brighton Historical Society, Brighton

Wedding dress made from silver metallic thread crepe. Fastens down front with small self-covered buttons and loops. Long fitted sleeves fastened with10 covered buttons and loops. Full bias cut skirt with train.

Historical information

Louris Larson Disney married James Percy White at Melbourne Grammar Chapel on 17 June 1948. In later years the dress was given to an opportunity shop and purchased by Mrs Landells of the Brighton Historical Society. Also in the Society's collection is a 1950s pink straples silk chiffon dress worn by Louris. The couple lived in Brighton. Wedding photo of Louris taken at 53 South Road, Brighton is in the collection of the Brighton Historical Society.

Dress - Wedding dress

Brighton Historical Society, Brighton

Wedding dress of white lace. V-neckline, long fitted sleeves and train. Large bow at back.

Historical information

Wedding dress worn by May Dunne who was married on 11 April 1942 at the Newtown Methodist Church in Aberdeen Street, Geelong. The lace was purchased with war-time coupons. The couple lived in Brighton and May was a member of the Brighton Historical Society when she donated the dress.

Dress

Brighton Historical Society, Brighton

Sheer black silk chiffon dress with black beaded front detail and pin tucked front skirt. Long pointed beaded collar. Long sleeves with nine rows of horizontal pin tucking on lower edge.

Dress

Brighton Historical Society, Brighton

Printed cotton maxi dress with long sleeves. Print of red, navy, white and green spots. Shirtmaker front which fastens with three covered buttons.

Inscriptions & Markings

Label, woven maroon on cream acetate, centre back: Imported / from Italy / BY GEORGES / OF COLLINS STREET

Dress - Wedding dress

Brighton Historical Society, Brighton

Ivory satin dress with train overlaid with machine made lace. High, gathered neckline, leg-of-mutton sleeves, In-built padded hip rolls. Front of dress is decorated with wax flowers.

Historical information

Worn by Edna Emily Seehusen when she married William Alexander McQuilten. Married September 1947 at Brighton Congregational Chruch, Black Street, Brighton.

Inscriptions & Markings

Label, woven pink on cream silk, centre back neck: A / Dorothy Draper / Original / EXCLUSIVE TO / BALL & WELCH LTD. / MELBOURNE

Dress - Wedding dress

Brighton Historical Society, Brighton

Wedding dress made from cream silk purchased in China. The bodice is made of fine silk embroidered tulle with a vest of cream silk that floats over the top. The skirt has been permanently pleated, has has floating side panels of tulle and features a large butterfly-shaped bow at the back.

Historical information

Worn by Elizabeth Goodwin of Liverpool, England, who married Horace Book at St Andrew's Church, Brighton. The fabric was purchased by her father, who was a ship's captain when he was in China. The bride had her dress made in Liverpool and made to a Butterick's pattern. Elizabeth was very active in public life and a well-known member of the Book family.

Dress

Brighton Historical Society, Brighton

Sleeveless black cotton voile dress printed with large cream and apricot coloured roses. Dropped waist; bias-cut triangular draping applied to front neck; two horizontal bands of black voile inserted into skirt.

Historical information

Worn by Dame Marie Breen DBE OBE, Federal Senator for Victoria and Brighton resident. Marie Freda Breen (nee Chamberlin) was born on 3 November 1902, died 17 June 1993. Marie became the first female senator for Victoria in 1962. In 1959 she was appointed an Officer of the British Empire for her work in the role of State President of the National Council of Women (Victoria) and in 1979 she was appointed Dame Commander of the Order of the British Empire.

Dress - Evening dress

Brighton Historical Society, Brighton

Two-piece evening dress comprising separate bodice and skirt made of gold-coloured silk damask woven with large curvilinear design in cream. Cream tulle trim around neck embellished with beads and artificial pearls. Similar trim down centre front and around lower edge of bodice. Short puffed sleeves Neckline trimed with wide gold satin riboon and bows. Bodice is boned and fastens centre back with hooks and eyes. Gored skirt pleated into waist. .1 - bodice . 2 - skirt

Inscriptions & Markings

Label, woven blue on cream, centre back bodice: George & George Ltd / Federal Emporium / Melbourne

Dress - Visiting dress

Brighton Historical Society, Brighton

A black and mint green wool velvet lace and silk dress from circa 1882. The bodice features a wired, standing collar, finishing just under the chin and open at the front of the throat. On either side at the front of the throat it features long black lace ties with black jet bead fringe. The centre front of the dress from the neckline to the base of the skirt features an insert panel of mint green corded silk. The silk is gathered and the neckline and waist and overlaid a panel of gathered lacy net. Inserted into the seam at either side of this panel at the waist are two velvet ties. The dress secures closed with eight black buttons and one hook and eye down the right side of the mint panel to mid thigh. The edges of the collar and black front panels are finished with a looped ribbon trim. The remainder of the dress is made of a black wool fabric woven a checkered pattern of larger and looser threads and smaller and tighter threads creating a seersucker like pattern. The bodice features a natural shoulder line and an Amadis sleeve of full cut gathered to the bodice at the shoulder and finishing at the elbow with a large black lace flounce. The front panels of the dress are flat and shaped neatly to the body from neck to hip line and gently out to create the Victorian silhouette. On the back of each shoulder the dress features a leaf like, small jet beaded embellishment with multiple long loops of jet beads falling down the back to the waist. Underneath this embellishment is a pleated black ribbon that runs from the shoulder to the back of the pelvis. Over the pelvis are another two jet beaded embellishments of a floral design with two tassels. The skirt is full and pleated in under this embellishment and fulls to the floor with a small train. The base of the dress is finished with a ruched band of the main dress fabric.

Historical information

This gown, one of two similar items in the collection belonged to one of the Ward Cole sisters, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole, daughters of George Ward Cole.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Dress - Evening dress

Brighton Historical Society, Brighton

Two piece ivory satin evening dress. Bodice is decorated with central panel of finely pleated chiffon and embellished with ready-made strips of beading and artificial pearls. Short puffed sleeves. Russet coloured velvet band applied to waist of bodice and finished with a metal rosette. Plain gored satin skirt with cream velvet binding around hem.

Inscriptions & Markings

Label, printed grey on cream cotton, centre back bodice waist: Bussell, Robson & Bussell / MELBOURNE.

Dress - Visiting dress

Brighton Historical Society, Brighton

A black and yellow velvet, wool, lace and silk dress from circa 1882. The bodice features a yellow silk, black lace and black velvet collar finishing high on the neck just below the chin finished with a black lace ruffle. The collar has a flap across the front of the throat that attaches at the side with a v shaped baseline that contributes to concealing the fastenings of the bodice. The dress features a gathered central panel of black lace covered lemon silk, which falls from the neckline to the floor. At either side of this panel are matching panels of black velvet. The remainder of the dress and sleeves are made of black wool featuring a self-striped and spotted pattern. The dress fastens down the centre front with concealed black buttons hidden underneath the right velvet panel. The head of the Amadis sleeve sits on the natural shoulder line and finishes tightly at the elbow. The volume of the sleeve is created by ten pleats at the head of the shoulder, sewn to the bodice and is gathered at the elbow. The sleeve is finished with a black velvet ribbon with a bow and a black lace frill. The base of the dress is finished with a ruffle of the black dress wool. The dress features a small train. The dress is boned at the back waist and features an inset panel just below the waist of gathered fabric which forms the train.

Historical information

This gown, one of two similar items in the collection belonged to one of the Ward Cole sisters, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole, daughters of George Ward Cole.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Dress - Evening dress

Brighton Historical Society, Brighton

A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.

Historical information

A dress belonging to the family of George Ward Cole’s in the late 1800’s.

Significance

George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished.

Dress

Brighton Historical Society, Brighton

White cotton high-waisted maxi dress printed with black spots and trimmed with red ric-rac. Elbow length sleeves. Fastens with centre back zip.

Historical information

Overend collection. The Overend family lived at the heritage listed 'Chevy Chase', 203 Were Street, Brighton, built in 1881.

Inscriptions & Markings

Label, printed black on white acetate, centre back: JILLIAN / OF / MELBOURNE

Dress

Brighton Historical Society, Brighton

Red, white and black cotton halter neck dress with rows of pin tucking on the bodice and applied horizontal strips of red and black cotton and black lace to the skirt.

Historical information

Purchased in Mexico by Mary Owen OAM (1921-2017) while attending the first International Women's Conference and worn to the reception. Mary Owen was a feminist and activist. A lifelong advocate for the empowerment of women, Mary made a substantial impact on the road to achieving gender equality. Mary was a founding member of EMILY’s List, the founding Coordinator of The Working Women’s Centre Melbourne (which was later absorbed into the Australian Council of Trade Unions) and a member of the Women’s Electoral Lobby for more than 40 years. She was appointed Deputy Chancellor of La Trobe University in 1989. (Information from the Victorian Women's Trust website: https://www.vwt.org.au/mary-owen-oam-memorial/)

Inscriptions & Markings

Label, woven black on white acetate, centre back: Disenado con carino por / GEORGIA CHARUHAS / HECHO / EN MEXICO Label, woven black on white acetate, centre back: Gerorgia's / BOUTIQUE LAS MARIPOSAS / Designer: / Georgia Charuhas / MERIDA YUCATAN, MEXICO

Dress - Evening dress

Brighton Historical Society, Brighton

A yellow and lime green silk and net evening dress from c.1909. The bodice is constructed of a golden silk satin with an over bodice of a very soft gold net with soft gold and lime green embroidery decorated with flower and bow motif's. The neckline is bateau like in shape with the edge following the flowers of the lace design. The bodice is sleeveless with a loose detached cap that hangs down over the top of the arm with a lace covering. The under fabric of the bodice is shaped and lightly boned but the over lace is looser, nipping in at the waist where it joins the skirt. At the back, the bodice neckline scoops lower than the front with the lace overlay creating a v shape at the centre back. The bodice is secured with hooks and eyes and waist tapes. The skirt is flat fronted and floor length consisting of the same golden yellow silk with soft gold and lime green embroidered net over skirt. The lace net over skirt features larger motifs and greater embellishment towards the bottom of the skirt. The lace over lay also has an edge that follows the design of the lace rather than a straight edge. At the back the underskirt is flat and shaped but the over skirt is lightly gathered and loose hanging. The skirt finishes in a full skirt and a rounded, small train.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastorialist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Significance

This evening dress was owned and worn by Clara Miller nee Bell in Melbourne in c.1909.

Dress

Brighton Historical Society, Brighton

Cream coloured raw silk dress. Lower part of skirt hand-embroidered with floral design. Black and white striped silk collar and placket at front opening with 17 black decorative buttons. Two rows of thick cording insetred into casings around waist area which control the gathering in the skirt.

Dress - Day dress

Brighton Historical Society, Brighton

A one piece princess line dress c1878-1882 of deep royal blue silk featuring Chinese inspired self pattern. The neckline features a standing collar and is secured through the centre front from neck to floor with self covered buttons. At the front knee the fabric has been gathered and drawn to the back into a tiered fish-tail swag and trimmed with a matching blue knotted fringe. The swagging is created by interior tapes. The dress is backed with cream cotton.

Historical information

The donation records details that this dress was worn by Georgiana Elizabeth Moore (c14 Feb 1886 - 1975) who lived in the Diamond Creek area between 1920 and 1974, possibly at 40 Cochrane Street. Georgiana is recorded as having been "tall with red hair". Since the dress is of an earlier date, It is likely that it belonged to Georgiana's mother Elizabeth Moore. BHS also holds a c1880 night dress believed to have also been worn by Georgiana's mother Elizabeth Moore, a c1910 night dress believed to have been worn by Amelia Henrietta Fraser (née Moore) whilst boarding at Merton Hall. This nightdress does also show a laundry mark of G.E. Moore and so may have been worn by both women. This BHS also holds a 1930's ruched black velvet evening cape possibly worn by Amelia Henrietta (née Moore). This collection was donated by Amelia's daughter Jeannette Fraser.

Significance

A good example of a princess line dress of this period in good condition and with provenance.

Dress - Wedding dress

Brighton Historical Society, Brighton

Two-piece wedding dress comprising separate bodice and skirt made of figured coffee-coloured silk woven with large sprays of foliage and berries. The front of the bodice is decorated with a cream-coloured hand-made lace. The bodice is cut asymmetrically, with the front panel wrapping over to the left proper side seam. The fitted sleeves are cut with fullness in the head and narrowing at the elbow and wrist in a leg-of-mutton style. The bodice is backed with a dark brown glazed cotton and has 13 bones. The skirt is backed with a coffee-coloured cotton.

Historical information

Worn by Matilda Kinross Herd when she married George William Mitchell McDonald in Geelong in 1892.

Dress - Wedding Dress

Brighton Historical Society, Brighton

Ice-blue satin dress cut on the bias. The front of the dress features a finely beaded centre front panel which reaches from the neckline to the hem.

Historical information

Worn by Betty Cock when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great grandmother, Emily, was married in the same church 69 years earlier. The dress featured in the Australian Women's Weekly, 16 June 1965. See photos on file. Emily's dress is also in the collection.

Inscriptions & Markings

Label, woven mauve on beige silk, centre back: Beatrice Cook

Dress - Day dress

Brighton Historical Society, Brighton

A hand sewn white purple, pink, green, blue and yellow floral silk chiffon dress from circa 1870. The dress consists of two pieces worn together as a dress. This dress has received a great deal of mending and alteration and so it is difficult to be sure of what constitutes its original state. The following description is of its current state. The bodice has a high neck with a simple shallow band collar, an olive braid and a press stud closure. The bodice fastens down the centre front with ten hook and eyes closures and two sets of ribbon ties . The bodice has three darts providing shaping into the waistline. The bodice finishes at the waist and gently tapers towards the front creating a v line. Down the centre front from the neck to the waist concealing the bodice opening is a pressed pleated ruffle of the dress fabric and a line of olive braid. The dress features pagoda sleeves finished at the hem with pressed pleated ruffle of the dress fabric, a line of olive braid and a silk fringe of 4 cm pale pink and white. The skirt part of the bodice section attaches to the front of the dress with two hooks and eyes on the left hand side of the waist. The fabric drops down to approximately the knees at the front, curving up and splitting on either side over the hip. The edge of this piece is also trimmed with a pressed pleated ruffle of the dress fabric and a line of olive braid. Just below the hip on either side is a large bow of pink, cream, purple and green taffeta. The bodice at the back is shaped with four panels into the waistline. Where it joins the bodice skirt the skirt is pleated creating fullness. The skirt of the dress ensemble secures at the waist on the left hand side. At the front it has two pleats (that may have been repositioned during repair), and is fully gathered at the back. At the front the dress falls to the floor whilst at the back it is longer to accommodate the bustle and possibly a small train.

Historical information

The donor and family of these gowns were long term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. The gowns are believed to have been brought to Australia by a half brother James Smith Adams or a younger sister Sophia, of the understood original owners of these dresses, Elizabeth Emma Adams and Cecelia Elizabeth Adams, although they travelled to Australia separately. Elizabeth Emma Adams and Cecelia Elizabeth Adams were the daughters of James Smith Adams (a Squire) and Elizabeth Emma McTaggart of Tower House, Woodchester in Gloucester. A property which Elizabeth Emma later inherited. Elizabeth Emma Adams was born on 30th June 1828 at Tower House, Woodchester, Gloucester, England and died on 1st May 1909. Elizabeth created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18, a marriage thats validity was later formally investigate and confirmed as valid but a second church wedding was also held. Thomas Charles Gardiner died in 1878. She subsequently remarried Rev. R.E. Blackwell but was widowed again by 1889. Cecelia Elizabeth Adams was born on 17th December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. James Smith Adams was christened on 25th December 1780 at Woodchester and died 19 March 1860. His wife Elizabeth Emma McTaggart was born on 21st April 1793 in Calcutta and died on 23/12/1843. Elisabeth Emma's second son, George Henry Somerset who inherited the Adams family estate dropped the i in Gardiner and added the maiden name of his grandmother. Therefore the family name has now become Gardner McTaggart. Tower House, originally a monastery was converted into a stately home after The Reformation. Sophia Adams became a nun in England in 1851 before migrating to Australia. In 1883 Sophia went to Adelaide and founded a Dominican Priory there (Believed to be St. Dominic's Priory in North Adelaide), using her inheritance to build the Priory's Chapel.

Significance

According to information originally provided by the donor, these two gowns were made for Elizabeth Emma Adams and Cecilia Elizabeth Adams, to be worn at the young Queen Victoria’s first “Drawing Room Ball” following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecelia would have been 12 years old and Elizabeth Emma would have been 10 years old. It is possible that the dress T0004.2 was worn by one of the girls to this event. The dress is of appropriate dimensions for a child of that age although it’s design is very formal and adult. However, it is unlikely that either of the girls wore dress T0004.1 due to the size and styling of the dress. It is likely that the dress belonged to one of the girls but was worn at a later date. After the death of the girls mother their Uncle James McTaggert gave the girls much of his attention and may have taken one or both of them to such an event. These Adams family entries have been updated by information provided by Dr.Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggert contacted the society after finding our entries online. Some further information is held by the society.

Dress - Evening dress

Brighton Historical Society, Brighton

A hand and machine sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1890. This dress shares a skirt with T0004.3, which dates from a different period. The bodice features a high scoop neckline with gathers at the base of the scoop and directly below where the bodice finishes creating fullness over the bust. The bodice front encloses the bust with a right panel over the top of a left panel and securing with two hook and eye closures over the left shoulder. The panels are secured together with 15 hook and eye closures. The sleeves are set neatly on the true shoulder and are elongated full puffs to just above the elbow. The fullness is created by nine pleats from the top of the shoulder over the back of the shoulder. At the base of the sleeve the fullness is gathered just above the elbow. At the centre back of the bodice are four inward facing pleats running from the centre neck to the waist. The bodice is secured around the waist with a tape and four hook and eye closures. The bodice is boned around the sides and back of the torso with eight bones. This bodice is finished at the waist with a pleated cummerbund of the dress fabric that is designed to appear to be a sash with two decorative bows. One front left of centre and one back right of centre. The skirt secures at the waist with an opening to the left of centre at the back. The skirt gathers tightly at the centre back with a dart on either side. The skirt has a front central panel and the skirt falls to floor length. At the back, the skirt is also floor length. The back of the skirt may have been modified at some time and may have originally finished in a train. It would be more appropriate to the period of the bodice, and the believed use of the dress with a train.

Historical information

The donor and family of these gowns were long term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. The gowns are believed to have been brought to Australia by a half brother James Smith Adams or a younger sister Sophia, of the understood original owners of these dresses, Elizabeth Emma Adams and Cecelia Elizabeth Adams, although they travelled to Australia separately. Elizabeth Emma Adams and Cecelia Elizabeth Adams were the daughters of James Smith Adams (a Squire) and Elizabeth Emma McTaggart of Tower House, Woodchester in Gloucester. A property which Elizabeth Emma later inherited. Elizabeth Emma Adams was born on 30th June 1828 at Tower House, Woodchester, Gloucester, England and died on 1st May 1909. Elizabeth created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18, a marriage thats validity was later formally investigate and confirmed as valid but a second church wedding was also held. Thomas Charles Gardiner died in 1878. She subsequently remarried Rev. R.E. Blackwell but was widowed again by 1889. Cecelia Elizabeth Adams was born on 17th December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. James Smith Adams was christened on 25th December 1780 at Woodchester and died 19 March 1860. His wife Elizabeth Emma McTaggart was born on 21st April 1793 in Calcutta and died on 23/12/1843. Elisabeth Emma's second son, George Henry Somerset who inherited the Adams family estate dropped the i in Gardiner and added the maiden name of his grandmother. Therefore the family name has now become Gardner McTaggart. Tower House, originally a monastery was converted into a stately home after The Reformation. Sophia Adams became a nun in England in 1851 before migrating to Australia. In 1883 Sophia went to Adelaide and founded a Dominican Priory there (Believed to be St. Dominic's Priory in North Adelaide), using her inheritance to build the Priory's Chapel.

Significance

According to information originally provided by the donor, these two gowns were made for Elizabeth Emma Adams and Cecilia Elizabeth Adams, to be worn at the young Queen Victoria’s first “Drawing Room Ball” following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecelia would have been 12 years old and Elizabeth Emma would have been 10 years old. It is possible that the dress T0004.2 was worn by one of the girls to this event. The dress is of appropriate dimensions for a child of that age although it’s design is very formal and adult. However, it is unlikely that either of the girls wore dress T0004.1 due to the size and styling of the dress. It is likely that the dress belonged to one of the girls but was worn at a later date. After the death of the girls mother their Uncle James McTaggert gave the girls much of his attention and may have taken one or both of them to such an event. These Adams family entries have been updated by information provided by Dr.Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggert contacted the society after finding our entries online. Some further information is held by the society.

Dress - Day dress

Brighton Historical Society, Brighton

A white, mauve, purple, red, and green paisley / floral printed cotton day dress from circa 1820. The day dress features a wide scooped neckline, with a dropped shoulder line. At the head of the sleeve is has three lines of gathering creating a narrow arm hole around the shoulder, flaring out into a leg of mutton sleeve. The sleeve finishes neatly at the wrist with a cuff that secures with two brass hook and eye closures. The dress bodice is open at the centre front and secures with six hook and eye closures to the empire line waist. Over the breast on either side of the opening are six diagonal pleats, pressed and secured facing towards the neck. This pleated detail is on a facing that extends from shoulder to shoulder and finishes with a bound edge. The remainder of the front bodice is plain and secures to the skirt at the empire waistline. The skirt pleats onto a binding, wrapping around the torso and securing to the bodice with eight hook closures. At approximately knee, height the skirt has an additional gathered flounce with the dress finishing at approximately ankle length. From the back, the bodice is plain and the skirt is gathered and sewn to the bodice at Empire line. Alterations to the garment have been made with the addition of hooks and eyes. The garment is generally in good condition although the skirt at the front shows evidence of damage and subsequent repair.

Historical information

This dress has had three owners documented by letters as it was passed between Reynolds family members as a family heirloom before being donated to the Brighton Historical Society. It was made in England circa 1820 according to one of these letters received with the dress from the donor. However, the dress style appears more indicative of the late 1820’s.

Significance

The donor of this dress donated this dress accompanied by three letters between family members as the dress was passed from generation to generation. These letters paint a picture of the significance of this dress within this family and its journey from England to Australia. In these letters there are also comments of gentle guidance as to how to dress your hair and accessorize appropriately with this dress. The letters are also held at Brighton Historical Society.

Dress - Evening dress

Brighton Historical Society, Brighton

A hand sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1840. This dress shares a skirt with T0004.2, which dates from a different period. The bodice features a wide shallow neckline finished with a beige coloured cord in two decorative lines. The sleeve is set on the true shoulder and is a short fitted sleeve with decorative gathering and two lines of corded detail. The bodice is shaped to the body with 2 sets of six fine knife pleats diagonally positioned narrower over the waist and spreading out over the bust. These pleats are secured with six double lines of stitching. The bodice finishes high on the waistline at either side and points down to a point over the centre front. The base of the bodice is finished with a piped edge and beige decorative cording. The bodice encloses the body at the centre back where it has holes that presumably would have held lacing. The back features four diagonal knife pleats finishing at the centre back and splaying out over the shoulders. The waistline at the back features only a very gentle point.

Historical information

The donor and family of these gowns were long term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. The gowns are believed to have been brought to Australia by a half brother James Smith Adams or a younger sister Sophia, of the understood original owners of these dresses, Elizabeth Emma Adams and Cecelia Elizabeth Adams, although they travelled to Australia separately. Elizabeth Emma Adams and Cecelia Elizabeth Adams were the daughters of James Smith Adams (a Squire) and Elizabeth Emma McTaggart of Tower House, Woodchester in Gloucester. A property which Elizabeth Emma later inherited. Elizabeth Emma Adams was born on 30th June 1828 at Tower House, Woodchester, Gloucester, England and died on 1st May 1909. Elizabeth created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18, a marriage thats validity was later formally investigate and confirmed as valid but a second church wedding was also held. Thomas Charles Gardiner died in 1878. She subsequently remarried Rev. R.E. Blackwell but was widowed again by 1889. Cecelia Elizabeth Adams was born on 17th December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. James Smith Adams was christened on 25th December 1780 at Woodchester and died 19 March 1860. His wife Elizabeth Emma McTaggart was born on 21st April 1793 in Calcutta and died on 23/12/1843. Elisabeth Emma's second son, George Henry Somerset who inherited the Adams family estate dropped the i in Gardiner and added the maiden name of his grandmother. Therefore the family name has now become Gardner McTaggart. Tower House, originally a monastery was converted into a stately home after The Reformation. Sophia Adams became a nun in England in 1851 before migrating to Australia. In 1883 Sophia went to Adelaide and founded a Dominican Priory there (Believed to be St. Dominic's Priory in North Adelaide), using her inheritance to build the Priory's Chapel.

Significance

According to information originally provided by the donor, these two gowns were made for Elizabeth Emma Adams and Cecilia Elizabeth Adams, to be worn at the young Queen Victoria’s first “Drawing Room Ball” following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecelia would have been 12 years old and Elizabeth Emma would have been 10 years old. It is possible that the dress T0004.2 was worn by one of the girls to this event. The dress is of appropriate dimensions for a child of that age although it’s design is very formal and adult. However, it is unlikely that either of the girls wore dress T0004.1 due to the size and styling of the dress. It is likely that the dress belonged to one of the girls but was worn at a later date. After the death of the girls mother their Uncle James McTaggert gave the girls much of his attention and may have taken one or both of them to such an event. These Adams family entries have been updated by information provided by Dr.Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggert contacted the society after finding our entries online. Some further information is held by the society.