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Brighton Historical Society Brighton, Victoria

Brighton Historical Society was founded in March, 1963 for the purposes of forming a historical society in the Melbourne suburb of Brighton. Today the Society has about 200 members.

Contact Information

location
PO Box 266 Brighton Victoria 3186 (map)
phone
+61 03 9553 8650

Contact

Opening Hours

The rooms are open to visitors & researchers on Thursdays, from 12 noon to 5:00 pm

Entry Fee

Entry is free. We undertake email and written research requests for a fee of $20 per hour which includes photocopying and postage

Location

First Floor Brighton Arts and Cultural Centre (Old Brighton Town Hall) Corner Carpenter and Wilson Streets Brighton Victoria

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The Bayside community is fortunate to have an extensive collection of costume, representing social life and fashions in our local area from early settlement through to the modern day. Our costume collection is of State significance and is the most comprehensive collection of costume in any historical society or small museum in Victoria. 

The collection includes children’s wear, evening gowns, dresses, hats, gloves, shawls, nightgowns, underwear, menswear, fans, shoes, swimwear and handbags. 

The Brighton Historical Society will loan costume to recognised organisations that use current conservation techniques. We have previously loaned items to the Bayside Council for an exhibition at the Bayside Arts and Cultural Centre and to the National Trust for exhibitions at Rippon Lea and Como House. 

We welcome donations to our costume collection. Items are assessed and accepted on the basis of their relevance to the ongoing history of the area, their connection to Brighton or their rarity.

History
Costume has been donated since the Society began in 1963. Some was even purchased in the days when Victorian items were still to be found on sale in local op shops. The origins and size of the collection are attributable to the foresight of the founder of the BHS, Mrs Rosalind Landells OAM. 

In the early days little was known of conservation techniques but as time progressed and we became aware of the treasures held, methods were implemented by volunteers to care for the costumes in the best way possible using available funds. 

Four conservation friendly wardrobes were purchased from the Performing Arts Museum to house the collection and later a Bayside Council Grant enabled us to have six more wardrobes built. Volunteers triple washed unbleached calico in pure Lux soap flakes before sewing covers for costumes and for coat hangers. Some acid free boxes were purchased from Zetta Florence to store our most important items. 

Thanks to a 2017 Local History Grant from the Public Record Office Victoria, we have been able to further improve our collection storage and records, and share more of our fascinating costume with the public. Items are continually being added to Victorian Collections, and a community workshop is being planned.

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116 items

Dress - Wedding dress

Key words

julia benjamin
abraham smith
wedding gown
joseph benjamin
hannah soloman
1868
melbourne hebrew congregation

One piece floor length dress of (originally) lavender, watered (moiré) silk taffeta with short sleeves and train that is controlled by interior tapes to create bustle effect. The bodice fastens down the centre front to the waist where the opening below the waist is concealed by side pleats. The bodice appears to have originally featured a piece of lace at the neckline and a textile ruched belt. The dress is backed with a cream cotton.

Historical information

This dress was worn by Julia Benjamin (1850 - 1927) for her marriage to Abraham Smith (of Polish descent) at the Melbourne Hebrew Congregation in Bourke Street, Melbourne on September 5th 1868. Julia was the daughter of Joseph Benjamin and Hannah Soloman. Records suggest it may have been converted into her 'calling' gown for the three month 'bridal' period following her marriage. The gown would have been worn with accompanying accessories of a cape, gloves.

Significance

An early example of a wedding dress of the Melbourne Jewish community.

Brighton Historical Society, Brighton

Dress

Key words

1970s fashion
maxi dress

White cotton high-waisted maxi dress printed with black spots and trimmed with red ric-rac. Elbow length sleeves. Fastens with centre back zip.

Historical information

Overend collection. The Overend family lived at the heritage listed 'Chevy Chase', 203 Were Street, Brighton, built in 1881.

Inscriptions & Markings

Label, printed black on white acetate, centre back: JILLIAN / OF / MELBOURNE

Brighton Historical Society, Brighton

Dress - Wedding Dress

Key words

betty cock
euston murray nutchey
beatrice cook

Ice-blue satin dress cut on the bias. The front of the dress features a finely beaded centre front panel which reaches from the neckline to the hem.

Historical information

Worn by Betty Cock when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great grandmother, Emily, was married in the same church 69 years earlier. The dress featured in the Australian Women's Weekly, 16 June 1965. See photos on file. Emily's dress is also in the collection.

Inscriptions & Markings

Label, woven mauve on beige silk, centre back: Beatrice Cook

Brighton Historical Society, Brighton

Bag and coin purse

Woven cane oval bag with small spherical metal feet and leather handles. Hinges open at top. Inside there is a separate small brown leather coin purse with metal clasp.

Brighton Historical Society, Brighton

Bodice

Key words

st ninians
george ward cole
bodice
late 1800s
brighton
margaret morrison ward cole

A hand sewn cream silk satin evening bodice from c.1865. This bodice features a very low, wide scooped neckline with a set in sleeve and four small pleats across the head of the shoulder. The elbow length, straight fitted sleeves are trimmed with a pleated ruffle that extends around the arm finishing at the elbow crease at the inside arm and tapering to mid forearm length at the back. The fitted bodice, lined with waxed linen, fastens down the centre front with eight covered buttons of the bodice fabric. The front two panels wrap around the sides of the bodice to meet another series of panels creating a princess line with a delineated central spine. The waist position is just below the natural waist at the sides, tapering to an elongated front covering the belly. From the sides towards the back it curves up to the natural waistline and then down again to a central point. The bodice is decorated with strips of the same fabric, which has been tucked, pleated and padded to create ruching. The ruching edge has a multi coloured thread, suggestive of rosettes, on both sides. In the front of the bodice, a strip runs down the centre front, concealing the buttonholes, and finishing at the elongated point. It then goes up the bodice over the bust line where it meets the neckline. It follows the neckline around the nape of the neck and back down the front over the bust line to the centre front. More strips run around the base of the fitted sleeve near the elbow above the ruffle. The rosette like coloured thread finishes the base of the ruffle.

Historical information

A bodice belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.

Brighton Historical Society, Brighton

Muff

Key words

st ninians
george ward cole
muff
late 1800s
brighton
margaret morrison ward cole

A hand sewn dark blue silk velvet muff from late 1800’s. This cylindrical muff features a central lightly padded area for the hands with the sides extending un-padded a further five centimeters. A six centimeter black grosgrain and satin ribbon decorates the front. Attached from the wearers right at the edge of the padded area and falling diagonally to the left edge of the padded area, where it finishes in a decorative bow.

Historical information

A hand muff belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.

Brighton Historical Society, Brighton

Garters - Wedding garters

Key words

wedding garter
cora doris wrigley
stanley halkyard
barone
seaview
brighton

A pale blue wedding garter featuring a pale pink bow and cream lace edging. Date unknown.

Historical information

This item is from the "Barone" Collection. The garters come from the wedding trosseau of Cora Doris Halkyard, nee Wrigley, who married Arthur John Stanley Halkyard in 1912. The couple lived at Barone, a stately house at 9 Moule Avenue, from around 1951 until 1970. Barone was demolished in 1986. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. Described as the last owner of Barone on donation slip. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Brighton Historical Society, Brighton

Coat - Water rat coat

Three-quarter length brown fur coat made of water-rat pelts. Wide shawl collar and cuffs. Fastens centre front with two large hooks and eyes. Lined with chocolate brown silk satin.

Historical information

Belonged to Audrey Pickett (nee Heriot) who was married to Ted Pickett. Later in life, after Ted died, Audrey married Don North. The coat was exhibited in the window of F. J. Ellemor's store in the Royal Arcade.

Inscriptions & Markings

Label, woven brown on beige silk, centre back neck: created by / F. J. Ellemor / FURRIERS / MELBOURNE

Brighton Historical Society, Brighton

Jacket

Key words

jacket
1940s fashion

Dior-inspired suit jacket. Unlined. Six cloth buttons with bound button holes. Inside hip pads.

Inscriptions & Markings

Label, woven brown on cream acetate, centre back neck: Ponce De Leon. Handwritten on label in black pen:43 LANDELS

Brighton Historical Society, Brighton

Dress

Sheer black silk chiffon dress with black beaded front detail and pin tucked front skirt. Long pointed beaded collar. Long sleeves with nine rows of horizontal pin tucking on lower edge.

Brighton Historical Society, Brighton

Hat

Key words

hat
milliner
turban
mayra rasmussen
rae rasmussen
brighton
misses mooney

Woven turquoise silk taffeta turban style ladies hat with half bow, circa 1960s. White mesh interior with teal grosgrain binding, thin black elastic band.

Historical information

This hat belonged to Mrs Mayra Rasmussen who lived at 389 St Kilda Street, Brighton. She lived there for over 50 years with her husband Rae Rasmussen, manager with the State Bank of Victoria.

Significance

The Mooney sisters, Nell and Ida, were situated beside the Regent Theatre in Collins Street, Melbourne and were well respected milliners and dressmakers. The hat's style is typical of the 1960s.

Inscriptions & Markings

Label, woven black on white: MISSES MOONEY / OF MELBOURNE

Brighton Historical Society, Brighton

Jacket - Evening jacket

Key words

1920s evening wear
jacket
art deco
metallic fabric

Evening jacket made of gold metallic fabric. Deep cross-over front with curved peplum and flared cuffs. Peplum and cuffs feature 7 rows of pale blue stiching. Lined with pale blue silk.

Brighton Historical Society, Brighton

Dress - Day dress

Key words

marion jeanne stokes
marion wooling
clive devlin

A grey green c1878 dress comprising of matching jacket and skirt. The jacket features a standing collar that gathers to a low point at the throat. This point is concealed behind a bow with raw edges which may not be original. The centre front of the jacket has been secured with nineteen concealed metal hook and button holes. The centre front features fifteen sets of single fabric covered glass buttons secured in a diagonal pattern and appearing as double headed buttons. From the shoulder through the body the jacket is shaped with decorative panels with grey silk detail. Beside these panels shaping into the waist and under the arm are a further two pleats. On the left side waist is a small pocket with decorative flap, grey silk trim and button. The base line of the jacket features a decorative horizontal panel that wraps around the jacket. The sleeve head is small and sits on the natural shoulder line with a slim fitting, curved, full length sleeve. At the base of the sleeve, there is a decorative panel reminiscent of a formal cuff, with a decorative turn back and two buttons. Secured underneath this turn back is a bow like decoration. From the back the jacket features a V shaped decoration, an extension of the front two decorative panels. From the shoulders the jacket is shaped by four panels curving tight into the waist and flaring out again to fullness of the bustle. These seams are also finished with decorative binding.This peplum like shape features two decorative flaps and six covered buttons. The skirt is shaped to the waist with pleats and secures on the front left hand side, the original waistband and fastenings have been replaced. The skirt front features a large decorative panel of the same fabric that curves from the front at approximately shin length, upwards towards the back securing underneath the bustle decoration. A second panel, plus a pleated panel finish the hem of the skirt continuing around to the back. At the back the skirt features two deep pleats with a large decorative bow that would sit out over the bustle. The skirt is long featuring a small train at the back. The dress is lined in a brown waxed cotton.

Historical information

Our records indicate that this dress was owned by Marion Jeanne Stokes (1877 - 1936) nee Wooling from Gisborne. Marion was married to Clive Devlin.

Significance

This dress is believed to have been worn on the Bendigo goldfields in c1878. This dress may have been worn as a wedding dress.

Inscriptions & Markings

n/a

Brighton Historical Society, Brighton

Cushion

Key words

"barone" 9 moule avenue brighton
cushion

A hand painted and hand embroidered cream silk cushion. Date and use unknown. This cushion features a delicate hand painted floral design, enhanced with highlight embroidery. It also features a silk rope binding around its edges and a cream silk bow. It appears to have enclosed something as it has a button and loop to secure it in half.

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners presumably either Mrs Cora Doris Halkyard or Mrs B Brandt donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Brighton Historical Society, Brighton

Evening outfit - Evening dress and bag

Key words

1940s fashion
evening dress
sequins

Black full-length crepe evening dress with bronse-coloured sequins on bodice; asymmetric neckline and draping. Matching black reticule with sequins.

Brighton Historical Society, Brighton

Dress - Afternoon dress

Key words

clara miller
mr james bell
woolbrook
septimus miller
henry 'money' miller
findon
gwendoline miller
cantala
ronald miller
circa 1890

A salmon (pale orange pink) corded silk afternoon dress with orange beaded embellishments, consisting of a bodice and skirt from c.1890. The bodice features a high standing collar with triple pleated bone silk chiffon trim along the top line, under the chin. This same chiffon is also secured in two pieces gathered and secured under the collar and and at the waist adding volume over the bust line and partially obscuring the jacket closing. The chiffon is secured at the side into the main fabric of the bodice by the beaded embellishment. The pink seed beads are sewn in lines of five beads one after the other creating a diagonal design that tapers from the shoulder to the waist. The bodice is boned around the front and back and secured down the centre font by nineteen hook and eyes and additional cotton tapes. Further beading details the bottom centre front and base line of the bodice. The shoulders have been repaired with replacement fabric to match, from our records it appears that the repair work was performed in circa 1974 but no record exists of the original shoulder design and if the repair was an exact copy of the original. The repaired shoulders feature a small frill around the shoulder yoke and top of the arm. The sleeve is fitted and three quarter finishing just below the elbow. The base of the sleeve is also trimmed with the pink bead design and bone three pleat chiffon trim. The back of the bodice features shaped panels contouring the jacket neatly in at the waist and then splitting and splaying out over the fullness of the skirt. The skirt appears to have been floor or ankle length held at the waist by a wide waistband. The skirt openings have been altered from the original currently featuring two openings secured by press studs. The skirt is gathered to the waistband at front and back creating fullness. The lower part of the skirt features the same pink bead embellishment and additional beaded flowers and diagonal point edge detail.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastorialist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Significance

This day suit was owned and worn by Clara Miller nee Bell in Melbourne in circa 1890.

Brighton Historical Society, Brighton

Gloves

Key words

clara miller nee bell
mr james bell
woolbrook
teesdale
septimus miller
henry 'money' miller
findon
gwendoline miller
cantala

A pair of very fine ivory doeskin evening gloves. The gloves feature full pique insert seams around the fingers and thumb with a slit on the inside arm from mid thumb to mid fore arm and three white shell buttons. The gloves extend high to high on the upper arms and feature a ribbon covered elastic to aid hold on the upper arm.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Significance

These gloves were owned and worn by Clara Miller nee Bell in Melbourne in circa 1900.

Inscriptions & Markings

A black ink stamp on the inside of the right glove over the wrist: 5 3/4, Made in France, Buckley and Nunn Limited, Melbourne. A black ink stamp on the inside of the left glove over the wrist: Grand Prix Exposition, 1900, Medallere D'or, Merlier, Depose (? Very faint), Made in France. A blue ink stamp on the inside of the left glove over the top side of the wrist: 797, 221'65, C51C

Brighton Historical Society, Brighton

Evening dress and bag

Key words

evening dress
croyde
melbourne fashion

Black silk satin sleeveless full-length evening dress. The attached bodice floats over the top of the under-dress. Asymmetrical opening on bodice which features five large flat self-covered buttons. The black suede bag has chrome fittings and buttery cream coloured satin interior.

Historical information

The dress was worn by Mrs Dot Paroissien in the 1950s. She remembers wearing it to a ball at the Royal Exhibition Buildings for Wesley College. The black suede bag was bought in London for her by her husband David. Dot wore suede shoes with a medium heel with straps across the instep and long white kid gloves. She wore a baguette chocker and drop earrings.

Inscriptions & Markings

.1 dress - Label, woven black on white acetate centre back: CROYDE / MELBOURNE .2 - bag - Label, printed, black on cream acetate, interior pocket: Susan / HANDBAGS / LONDON; Label, printed, copper on black metal, interior pocket: MADE IN ITALY / FOR SUSAN

Brighton Historical Society, Brighton

Bonnet - Mourning bonnet

Key words

mourning bonnet
barone
seaview
brighton
isabella black

Navy, silk velvet, mourning bonnet with black silk train, circa 1915. The bonnet’s shape is created by a horseshoe shaped rib that sits across the crown of the head and shapes in to cover and conceal the back of the head. Across the crown, the bonnet features a navy silk velvet bow. The veil is constructed from a very fine black corded silk and hangs to approximately just below the wearer’s bottom.

Historical information

Brighton Historical Society records indicate this bonnet was worn at the death of Isabella Black in 1912. Other records held place Isabella Black's death to be in 1915. This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners, presumably either Mrs Cora Doris Halkyard or Mrs B Brandt, donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Brighton Historical Society, Brighton

Dress - Evening dress

Key words

cecelia elizabeth adams
dress circa 1890
elizabeth emma adams
james smith adams
elizabeth emma mctaggert
tower house, woodchester, gloucester, england
george henry somerset
james mctaggert
st. dominic's priory, adelaide
sophia adams later mother rose columba
queen victoria's drawing room.
thomas charles gardiner
rev. r.e. blackwell

A hand and machine sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1890. This dress shares a skirt with T0004.3, which dates from a different period. The bodice features a high scoop neckline with gathers at the base of the scoop and directly below where the bodice finishes creating fullness over the bust. The bodice front encloses the bust with a right panel over the top of a left panel and securing with two hook and eye closures over the left shoulder. The panels are secured together with 15 hook and eye closures. The sleeves are set neatly on the true shoulder and are elongated full puffs to just above the elbow. The fullness is created by nine pleats from the top of the shoulder over the back of the shoulder. At the base of the sleeve the fullness is gathered just above the elbow. At the centre back of the bodice are four inward facing pleats running from the centre neck to the waist. The bodice is secured around the waist with a tape and four hook and eye closures. The bodice is boned around the sides and back of the torso with eight bones. This bodice is finished at the waist with a pleated cummerbund of the dress fabric that is designed to appear to be a sash with two decorative bows. One front left of centre and one back right of centre. The skirt secures at the waist with an opening to the left of centre at the back. The skirt gathers tightly at the centre back with a dart on either side. The skirt has a front central panel and the skirt falls to floor length. At the back, the skirt is also floor length. The back of the skirt may have been modified at some time and may have originally finished in a train. It would be more appropriate to the period of the bodice, and the believed use of the dress with a train.

Historical information

The donor and family of these gowns were long term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. The gowns are believed to have been brought to Australia by a half brother James Smith Adams or a younger sister Sophia, of the understood original owners of these dresses, Elizabeth Emma Adams and Cecelia Elizabeth Adams, although they travelled to Australia separately. Elizabeth Emma Adams and Cecelia Elizabeth Adams were the daughters of James Smith Adams (a Squire) and Elizabeth Emma McTaggart of Tower House, Woodchester in Gloucester. A property which Elizabeth Emma later inherited. Elizabeth Emma Adams was born on 30th June 1828 at Tower House, Woodchester, Gloucester, England and died on 1st May 1909. Elizabeth created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18, a marriage thats validity was later formally investigate and confirmed as valid but a second church wedding was also held. Thomas Charles Gardiner died in 1878. She subsequently remarried Rev. R.E. Blackwell but was widowed again by 1889. Cecelia Elizabeth Adams was born on 17th December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. James Smith Adams was christened on 25th December 1780 at Woodchester and died 19 March 1860. His wife Elizabeth Emma McTaggart was born on 21st April 1793 in Calcutta and died on 23/12/1843. Elisabeth Emma's second son, George Henry Somerset who inherited the Adams family estate dropped the i in Gardiner and added the maiden name of his grandmother. Therefore the family name has now become Gardner McTaggart. Tower House, originally a monastery was converted into a stately home after The Reformation. Sophia Adams became a nun in England in 1851 before migrating to Australia. In 1883 Sophia went to Adelaide and founded a Dominican Priory there (Believed to be St. Dominic's Priory in North Adelaide), using her inheritance to build the Priory's Chapel.

Significance

According to information originally provided by the donor, these two gowns were made for Elizabeth Emma Adams and Cecilia Elizabeth Adams, to be worn at the young Queen Victoria’s first “Drawing Room Ball” following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecelia would have been 12 years old and Elizabeth Emma would have been 10 years old. It is possible that the dress T0004.2 was worn by one of the girls to this event. The dress is of appropriate dimensions for a child of that age although it’s design is very formal and adult. However, it is unlikely that either of the girls wore dress T0004.1 due to the size and styling of the dress. It is likely that the dress belonged to one of the girls but was worn at a later date. After the death of the girls mother their Uncle James McTaggert gave the girls much of his attention and may have taken one or both of them to such an event. These Adams family entries have been updated by information provided by Dr.Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggert contacted the society after finding our entries online. Some further information is held by the society.

Brighton Historical Society, Brighton

Dress - Evening dress

Key words

ward cole
brighton
st ninian's
1860s
evening dress

A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.

Historical information

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.

Brighton Historical Society, Brighton

Dress

Key words

1920s dress
metallic fabric
embroidery
beading

Long-sleeved ivory-coloured silk chiffon and gold metallic fabric dress decorated with silk and metallic thread emroidery and (gelatine?) beading.

Brighton Historical Society, Brighton

Parasol

Beige silk parasol printed with bold zig-zag design in brown, orange, yellow and turquoise. Metal spokes tipped with white bakelite. Wooden handle decorated with pokerwork design painted red. Wooden ball covered in silk thread and twisted cotton cord hanging from handle.

Inscriptions & Markings

Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKE Woven label, blue on white cotton attached to spoken: Perfection

Brighton Historical Society, Brighton

Parasol

Key words

parasol
art deco
printed fabric

Blue silk parasol with cream silk printed with floral design in beige, brown, turquoise and terracotta. Metal spokes tipped with horn coloured bakelite. Wooden handle with traces of iredescent paint. Dark brown twisted cotton cord hanging from handle.

Inscriptions & Markings

Cast in metal spokes: THE ARMSTRONG REGD BRITISH MAKE

Brighton Historical Society, Brighton

Dress and shoes

Key words

1950s fashion
printed fabric
miss summer festival

Floral cotton dress with matching belt and shoes. Sleeveless polished cotton cream dress with large red, pink and brown rose print. Heavily ruched front. The skirt has an in-built crinoline structure made with thick Vielene lining and corded hoops. Separate belt with bow at centre front. Shoes made to match by 'Suzette' in their original box. .1- dress .2 - belt .3 a-b - pair of shoes .4 a-b - shoe box and lid

Historical information

The dress was made for the Miss Summer Festival competition fundraiser. The idea for the dress came from a photograph in the Womens' Weekly. A professional dressmaker cut and made the dress. It has an 18" waist.There is a black and white photocopy on file of the dress being worn at the time.

Inscriptions & Markings

Shoes - Label, printed in gold on white leather in sock: Suzette / Styled in / NEW YORK-PARIS-ST. LOUIS

Brighton Historical Society, Brighton

Parasol

Key words

parasol
melbourne cup
1940s
verona cresswell

Coral pink silk parasol with black lace overlay. A lace design is painted in black on the end of the polished wooden handle.

Historical information

The donor, Mrs Verona Cresswell, was given the parasol in 1941 by a friend, Mrs Teppa, who had purchased in many years earlier in Paris. It was part as an outfit worn to the Melbourne Cup in the 1940s.

Brighton Historical Society, Brighton

Dress - Day dress

Key words

mrs. jessie somerville singer
elizabeth martin
mr. edward singer
'somerville' 100 new street brighton

A silver and brown striped silk taffeta dress comprising separate bodice and skirt. The dress features a high round neckline fastening down the centre front with concealed hook and eye closures with ten (two missing) decorative brown silk velvet buttons. The front and back feature a briown silk velvet ribbon that forms a v shape from the shoulder to the centre front just below the bust and centre back below the shoulder blades. From the ribbon falls a brown and silver silk fringe approx seven cms deep. The bodice is shaped and boned into the waist and finishes in a deep v over the stomach. At the back the bodice is shaped to the body finishing in a smaller curved v over the small of the back. The sleeve attaches to the bodice at the true shoulder and falls in a pagoda sleeve to the mid forearm. The sleeve is also trimmed with brown silk velvet ribbon near the base of the sleeve. The full skirt is pleated at the waist, falling to the floor, longer at the back to accommodate the crinoline.

Historical information

A dress believed to have belonged to an ancestor of Mrs. Jessie Somerville Singer (nee Watson) 1849 – 1935. Given the dress dates from circa 1850 possibly someone from one generation previous possibly her mother Elizabeth Martin. Jessie Somerville Singer was the second wife of Mr. Edward Singer (1829 – 1904) of ‘Somerville’ New St. Brighton Beach. Mr Singer’s first wife Maria died in 1861 and their son William approximately 12 months later. In the 1861 census of North Bradley England, Mr. Singer was recorded as a carpenter journeyman. After this tragedy Edward, aged 30, left England to start a new life in Australia. He emigrated as an unassisted passenger on the steamship ‘Great Britain’ departing Liverpool and arriving in Melbourne in April 1863. Edward worked as a joiner and overseer for a timber merchant in Franklin Street Melbourne. In December 1869 he bought a property at 1115 Hoddle Street, East Melbourne, between Hotham and George Streets. At some stage he also acquired 1117 Hoddle Street. He also owned another property in Rushall Crescent, North Fitzroy. On July 10th 1873 Edward married Jessie Somerville Watson, the daughter of William Watson and Elizabeth Martin They lived at Hoddle street for some years, until they lived at Rushall Crescent, North Fitzroy then in the 1880’s Edward is recorded as a joiner in the then semi rural suburb of Brighton. The house ‘Somerville’ was built by the Singers in c1880 at 100 (now 78) New Street Brighton. The family moved there when Edward retired early, from North Fitzroy and lived there until 1941. ‘Somerville’ was sold, the house demolished and the land divided in the 1930’s. Edward and Jessie appear to have lived comfortably. Edward died on 30th July 1909. Jessie died on 11th November 1935. Mrs. A. Rodin Cook (donator) is the granddaughter of Walter Francis Newing was Jessie’s grandson. Walter Newing had a small printing business in Bay Street and from 1910 lived at Kinane Street. He was secretary of the Life Saving Club that stood at the end of Kinane st in the 1920’s and 30’s.

Significance

Many members of the Singer family have lived in and around Brighton for many years, with the first recorded domicile in the 1880’s.

Brighton Historical Society, Brighton

Hot pants outfit

Key words

hot pants
1970s fashion
going away outfit

Two-piece hot pants outfit made from cream synthetic 'Estacel' (Courtaulds acetate fibre) and rayon with red dots and plain red synthetic fabric. .1 - Blouse: fastens centre front with five red plastic buttons. .2 - Hot pants: fastens centre back with zip.

Historical information

Shaw family collection. This outfit was Mrs Shaw's 'Going away' outfit for her wedding in 1972.

Inscriptions & Markings

Label woven, metallic gold on white acetate, centre back blouse and shorts: ricki reed / ALL RAYON Label printed, black on beige acetate, centre back blouse and shorts: Estacel and / RAYON / COURTAULDS ACETATE FIBRE

Brighton Historical Society, Brighton

Cape

Key words

cape
1890s fashion

Black silk satin cape with corded design. Black fur trim on collar, centrefront openings and hem. Lined with quilted black silk. Watch pocket on left proper interior. Wool interlining.

Brighton Historical Society, Brighton

Coat

Key words

coat
brocade
c.1970

Maxi coat in cream, yellow and metallic gold ogival patterned brocade. Fastens with five large metallic gold corded domed buttons. Lined with ivory silk taffeta.

Inscriptions & Markings

Label, woven black on white acetate, centre back neck: jot / TOORAK

Brighton Historical Society, Brighton

Peignoir

Key words

st ninians
george ward cole
morning gown
peignoir
mid 1800’s
brighton
thomas anne ward cole
margaret morrison ward cole

A mid blue-green cotton and lace peignoir or morning gown, c.1860. The bodice starts at the neck with a clavicle height, rounded neckline with a turn down flat collar, and is finished with a cream lace frill next to the face. The sleeve starts at the natural shoulder line and its overall silhouette is reminiscent of a soft three quarter length imbecile sleeve constructed of four layers of alternating fabrics. At the shoulder, there is a blue-green flap, which crosses across the top and back of the shoulders towards the centre upper back in a v shape. Here it finishes where it meets with the gathered top of the fabric that creates the train. Underneath this shoulder flap is a gathered, long cream frill that finishes just above the elbow. Underneath this frill is the full gathered blue-green sleeve. Finally falling from this a second gathered long cream frill finishes at the three quarter arm. The bodice buttons with five metal buttons from the neckline to just above the bust. Here it meets a heavily gathered front in two pieces, which falls with fullness to the floor. This full section is secured closed at the centre front with four hooks and eyes over the bust and then continues with shell buttons through the remainder of the garment.

Historical information

This peignoir or morning gown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.

Brighton Historical Society, Brighton

Evening outfit

Key words

evening dress
feather cape
silk floral spray

Evening outfit comprising magenta feathered cape, full-length black velvet dress and a spray of silk flowers. Hem of dress lined with magenta and yellow silk. .1 - cape .2 - dress .3 - floral spray

Historical information

Bertha was born in Christchurch, New Zealand in c.1892. She lived at 42 Bay Street, Brighton and was married to Reginald Ambrose Dudfield.

Brighton Historical Society, Brighton

Pant suit

Key words

pant suit
1970s fashion
chevy chase
overend family

Pant suit comprising tunic and flared pants made from cream, yellow and gold lurex woven in a floral pattern. Tunic has a pair of non-functional pocket flaps at breast and two finctional pockets at front hip area. Tunic fastens with a centre back zip. Tunic lined with shell pink poyester satin; pants unlined.

Historical information

Overend collection. The Overend family lived at the heritage listed 'Chevy Chase', 203 Were Street, Brighton, built in 1881.

Inscriptions & Markings

Label woven white on black acetate centre back tunic: Stell-Ricks / OF MELBOURNE / SUITS TOPCOATS

Brighton Historical Society, Brighton

Cloak

Key words

1920s
cloak
cape

Orange bouclé wool coat woven with velvet stripes; brown fur collar and deep hem.

Brighton Historical Society, Brighton

Dress - Day dress

Key words

dress circa 1870
cecelia elizabeth adams
james smith adams
elizabeth emma mctaggart
towerhouse, woodchester, gloucester, england
elizabeth emma adams
george henry somerset
james mctaggert
queen victoria's drawing room.
thomas charles gardiner
rev. r.e. blackwell
sophia adams later mother rose columba
st. dominic's priory, adelaide

A hand sewn white purple, pink, green, blue and yellow floral silk chiffon dress from circa 1870. The dress consists of two pieces worn together as a dress. This dress has received a great deal of mending and alteration and so it is difficult to be sure of what constitutes its original state. The following description is of its current state. The bodice has a high neck with a simple shallow band collar, an olive braid and a press stud closure. The bodice fastens down the centre front with ten hook and eyes closures and two sets of ribbon ties . The bodice has three darts providing shaping into the waistline. The bodice finishes at the waist and gently tapers towards the front creating a v line. Down the centre front from the neck to the waist concealing the bodice opening is a pressed pleated ruffle of the dress fabric and a line of olive braid. The dress features pagoda sleeves finished at the hem with pressed pleated ruffle of the dress fabric, a line of olive braid and a silk fringe of 4 cm pale pink and white. The skirt part of the bodice section attaches to the front of the dress with two hooks and eyes on the left hand side of the waist. The fabric drops down to approximately the knees at the front, curving up and splitting on either side over the hip. The edge of this piece is also trimmed with a pressed pleated ruffle of the dress fabric and a line of olive braid. Just below the hip on either side is a large bow of pink, cream, purple and green taffeta. The bodice at the back is shaped with four panels into the waistline. Where it joins the bodice skirt the skirt is pleated creating fullness. The skirt of the dress ensemble secures at the waist on the left hand side. At the front it has two pleats (that may have been repositioned during repair), and is fully gathered at the back. At the front the dress falls to the floor whilst at the back it is longer to accommodate the bustle and possibly a small train.

Historical information

The donor and family of these gowns were long term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. The gowns are believed to have been brought to Australia by a half brother James Smith Adams or a younger sister Sophia, of the understood original owners of these dresses, Elizabeth Emma Adams and Cecelia Elizabeth Adams, although they travelled to Australia separately. Elizabeth Emma Adams and Cecelia Elizabeth Adams were the daughters of James Smith Adams (a Squire) and Elizabeth Emma McTaggart of Tower House, Woodchester in Gloucester. A property which Elizabeth Emma later inherited. Elizabeth Emma Adams was born on 30th June 1828 at Tower House, Woodchester, Gloucester, England and died on 1st May 1909. Elizabeth created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18, a marriage thats validity was later formally investigate and confirmed as valid but a second church wedding was also held. Thomas Charles Gardiner died in 1878. She subsequently remarried Rev. R.E. Blackwell but was widowed again by 1889. Cecelia Elizabeth Adams was born on 17th December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. James Smith Adams was christened on 25th December 1780 at Woodchester and died 19 March 1860. His wife Elizabeth Emma McTaggart was born on 21st April 1793 in Calcutta and died on 23/12/1843. Elisabeth Emma's second son, George Henry Somerset who inherited the Adams family estate dropped the i in Gardiner and added the maiden name of his grandmother. Therefore the family name has now become Gardner McTaggart. Tower House, originally a monastery was converted into a stately home after The Reformation. Sophia Adams became a nun in England in 1851 before migrating to Australia. In 1883 Sophia went to Adelaide and founded a Dominican Priory there (Believed to be St. Dominic's Priory in North Adelaide), using her inheritance to build the Priory's Chapel.

Significance

According to information originally provided by the donor, these two gowns were made for Elizabeth Emma Adams and Cecilia Elizabeth Adams, to be worn at the young Queen Victoria’s first “Drawing Room Ball” following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecelia would have been 12 years old and Elizabeth Emma would have been 10 years old. It is possible that the dress T0004.2 was worn by one of the girls to this event. The dress is of appropriate dimensions for a child of that age although it’s design is very formal and adult. However, it is unlikely that either of the girls wore dress T0004.1 due to the size and styling of the dress. It is likely that the dress belonged to one of the girls but was worn at a later date. After the death of the girls mother their Uncle James McTaggert gave the girls much of his attention and may have taken one or both of them to such an event. These Adams family entries have been updated by information provided by Dr.Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggert contacted the society after finding our entries online. Some further information is held by the society.

Brighton Historical Society, Brighton

Dress - Evening dress

Key words

mr james bell
woolbrook
teesdale
septimus miller
cantala
henry 'money' miller
helen miller nee henderson
gwendoline miller
ronald miller
findon
clara miller
c1909

A yellow and lime green silk and net evening dress from c.1909. The bodice is constructed of a golden silk satin with an over bodice of a very soft gold net with soft gold and lime green embroidery decorated with flower and bow motif's. The neckline is bateau like in shape with the edge following the flowers of the lace design. The bodice is sleeveless with a loose detached cap that hangs down over the top of the arm with a lace covering. The under fabric of the bodice is shaped and lightly boned but the over lace is looser, nipping in at the waist where it joins the skirt. At the back, the bodice neckline scoops lower than the front with the lace overlay creating a v shape at the centre back. The bodice is secured with hooks and eyes and waist tapes. The skirt is flat fronted and floor length consisting of the same golden yellow silk with soft gold and lime green embroidered net over skirt. The lace net over skirt features larger motifs and greater embellishment towards the bottom of the skirt. The lace over lay also has an edge that follows the design of the lace rather than a straight edge. At the back the underskirt is flat and shaped but the over skirt is lightly gathered and loose hanging. The skirt finishes in a full skirt and a rounded, small train.

Historical information

Clara Miller nee Bell (1867 - 1910) was the only daughter of Mr James Bell a local shire Councillor and prominent family of Woolbrook, Teesdale, near Geelong. Clara was also the first wife of prominent businessman, racehorse owner, racing identity and pastorialist Septimus Miller (1854 - 1925). Septimus Miller was the sixth child of seven children to Henry 'Money' Miller and Eliza Miller nee Mattinson. 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people, the family home was Findon . Clara and Septimus married in 1888, and one daughter Gwendoline (1889 - 1902) who died at a young age of Diabetes. In 1889 the family moved to their new house 'Cantala' in Dandenong Rd Caulfield. Clara died in 1910 and Septimus remarried, Helen nee Henderson, and had a son Ronald (1915 - 1990). Upon Clara's death some of her clothes and those of Gwendoline were passed to members of Clara's family.

Significance

This evening dress was owned and worn by Clara Miller nee Bell in Melbourne in c.1909.

Brighton Historical Society, Brighton

Shoes

Cream doeskin leather shoes with glass and metal bead floral decoration on vamp and decorative bow.

Inscriptions & Markings

Label stamped in gold on sock (inside lining): FROM / R. White / Melbourne

Brighton Historical Society, Brighton

Dress - Visiting dress

Key words

st ninians
george ward cole
visiting gown
brighton
miss margaret morison ward cole
miss agnes bruce ward cole
late 1800s
1880s

A black and mint green wool velvet lace and silk dress from circa 1882. The bodice features a wired, standing collar, finishing just under the chin and open at the front of the throat. On either side at the front of the throat it features long black lace ties with black jet bead fringe. The centre front of the dress from the neckline to the base of the skirt features an insert panel of mint green corded silk. The silk is gathered and the neckline and waist and overlaid a panel of gathered lacy net. Inserted into the seam at either side of this panel at the waist are two velvet ties. The dress secures closed with eight black buttons and one hook and eye down the right side of the mint panel to mid thigh. The edges of the collar and black front panels are finished with a looped ribbon trim. The remainder of the dress is made of a black wool fabric woven a checkered pattern of larger and looser threads and smaller and tighter threads creating a seersucker like pattern. The bodice features a natural shoulder line and an Amadis sleeve of full cut gathered to the bodice at the shoulder and finishing at the elbow with a large black lace flounce. The front panels of the dress are flat and shaped neatly to the body from neck to hip line and gently out to create the Victorian silhouette. On the back of each shoulder the dress features a leaf like, small jet beaded embellishment with multiple long loops of jet beads falling down the back to the waist. Underneath this embellishment is a pleated black ribbon that runs from the shoulder to the back of the pelvis. Over the pelvis are another two jet beaded embellishments of a floral design with two tassels. The skirt is full and pleated in under this embellishment and fulls to the floor with a small train. The base of the dress is finished with a ruched band of the main dress fabric.

Historical information

This gown, one of two similar items in the collection, belonged to one of the daughters of George Ward Cole, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.

Brighton Historical Society, Brighton

Dress - Fancy dress

Key words

dolly varden
ida burn
marjorie wallace
barnaby rudge
charles dickens

A dress consisting of bodice and skirt. The bodice is made from beige silk with sprays of red and blue flowers and originally laced down the centre front with pink ribbon. The lower part of the bodice is modelled on a late 18th century polonaise design. The bodice is boned and features waist tapes. The elbow length sleeves are finished with beige hand made Maltese lace featuring Maltese crosses. The mid calf length skirt is made from pale pink silk which has been quilted and lined to create a stiffened form. There is a piece of scrap floral fabric that is the same as the bodice fabric.

Historical information

This dress is a 'Dolly Varden' or 'shepherdess" style costume worn by Ida Burn (1890 - 1976) on a sea voyage to China accompanying her parents in 1911. The BHS has a photo of Ida wearing this dress when she was a guest at a dance for young people given by the Lord Mayor of Melbourne (possibly T.J. Davey). This party may have been held on the ship or it may have been a seperate event. This style dress was a popular choice for fancy dress in the late 1890's and early 1900's. Family information states that the silk for this dress was purchased by Ida and Marjorie's grandfather's sister (great aunt) in England in c1840. The dress was donated by Marjorie Wallace (née Burn) (1901 - 1999), Ida's sister. Marjorie did not accompany the family to China but stayed home with a Governess. Marjorie lived in Brighton between 1923 and c1950 and attended Firbank Church of england Girls grammar School. These records are from a conversation between a B.H.S representative and Marjorie Wallace in Aug 2002.

Significance

This style of costume is named after the character Dolly Varden in Charles Dickens, 'Barnaby Rudge' 1841. In c1872 Dolly Varden inspired costumes and paraphernalia were very popular craze.

Brighton Historical Society, Brighton

Pelerine

Key words

pelerine
brighton
cora doris halkyard
barone
seaview

Black silk satin, lace and beaded pelerine from c.1890. The pelerine features a silk high stand collar covered in black lace. It secures around the neck and down the centre front to the waist by seven hook and eye closures. A black lace frill extends down the centre front from the throat to the centre front tip of the garment. The shoulders feature a heavy, intricately beaded floral design open sleeve through which the arm would be visible. The sleeve finishes around the elbow in a point, however the beading hangs down to below the hip in a loose fringe. At the back of the garment from below the shoulder the garment shapes in to finish in a tapered v – shape over the wearers coccyx.

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners, presumably either Mrs Cora Doris Halkyard or Mrs B Brandt, donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

This item is from the estate of Mrs Cora Doris Halkyard. “Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Inscriptions & Markings

There is a hand stitched M in white thread on the inside lining of the pelerine near the neck.

Brighton Historical Society, Brighton

Dress - Wedding dress

Key words

wedding dress
1892
geelong

Two-piece wedding dress comprising separate bodice and skirt made of figured coffee-coloured silk woven with large sprays of foliage and berries. The front of the bodice is decorated with a cream-coloured hand-made lace. The bodice is cut asymmetrically, with the front panel wrapping over to the left proper side seam. The fitted sleeves are cut with fullness in the head and narrowing at the elbow and wrist in a leg-of-mutton style. The bodice is backed with a dark brown glazed cotton and has 13 bones. The skirt is backed with a coffee-coloured cotton.

Historical information

Worn by Matilda Kinross Herd when she married George William Mitchell McDonald in Geelong in 1892.

Brighton Historical Society, Brighton

Gloves

Key words

kid gloves
barone
seaview
brighton
1850s

A pair of ivory kid ladies' gloves secured at the wrist with a metal catch. Circa 1853

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners, presumably either Mrs Cora Doris Halkyard or Mrs B Brandt, donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Inscriptions & Markings

Modern inscription on the inside of the glove states “Barone”, worn at Hastings E (presumably England), 1853.

Brighton Historical Society, Brighton

Dress - Evening dress

Key words

1890s fashion
evening dress

Two piece ivory satin evening dress. Bodice is decorated with central panel of finely pleated chiffon and embellished with ready-made strips of beading and artificial pearls. Short puffed sleeves. Russet coloured velvet band applied to waist of bodice and finished with a metal rosette. Plain gored satin skirt with cream velvet binding around hem.

Inscriptions & Markings

Label, printed grey on cream cotton, centre back bodice waist: Bussell, Robson & Bussell / MELBOURNE.

Brighton Historical Society, Brighton

Dress - Child's dress

Key words

children's clothing
embroidery
cutwork
19th century

White cotton cutwork child's dress, hand stitched. Back opening with drawstring neck and waist.

Brighton Historical Society, Brighton

Dress

Key words

1970s fashion
georges

Printed cotton maxi dress with long sleeves. Print of red, navy, white and green spots. Shirtmaker front which fastens with three covered buttons.

Inscriptions & Markings

Label, woven maroon on cream acetate, centre back: Imported / from Italy / BY GEORGES / OF COLLINS STREET

Brighton Historical Society, Brighton

no image

Vest

Key words

vest
hand-knit
fairisle

Fairisle patterned hand-knitted vest in beige, brown, yellow, green and red.

Historical information

Knitted by the donor's great grandmother, Elsie Hone. Knitted using bicycle spokes as knitting needles. Elsie Hone (nee Stone) was born in 1890 and died in 1987. She had six children and she apparently knitted this vest for her second son (fifth child), Albert George Hone (b.1914) for his 18th birthday. Albert and his wife Grace had four daughters between 1942 and 1951. The donor's mother, Ina Harriet Nilsson, was born in 1925 (fourth daughter, sixth child of Elsie) and as she had a son, the donor's uncle George (Albert?) passed it on to her. Both the donor's elder brothers wore and out-grew the vest and eventually it was passed on to the donor, Ray Nilsson. The vest was worn for many years while the donor worked at VACC Insurance Co Ltd in St Kilda Road, Melbourne and in the North Sydney, Canberra and Dandenong offices and it was a talking point as he recalled the story. (Information provided by the donor)

Brighton Historical Society, Brighton

Cushion cover - Cushion cover (fabric remnant)

Key words

barone
seaview
brighton
cushion

A piece of hand painted cream silk velvet believed to be from a cushion cover. Date unknown

Historical information

This item is from the "Barone" Collection. “Barone” was a stately Brighton home demolished in 1986. One of the former owners, presumably either Mrs Cora Doris Halkyard or Mrs B Brandt, donated the various goods in the “Barone” collection. Owners of “Barone” Circa 1840’s. Certainly built prior to 1859 – owners unknown. 1859 – 1872 Edward Elgin Browne (first Melboune tea merchant) 1872 – 1874 Ralph Gore Brien (Occupier 1873 The Reverand Henry G. Brien) 1874 – 1879 Edward (or Edmund) Johnson (possibly a retired military man.) 1880 – 1885 Archibald Black, formerly an Army captain from Scotland. 1886 – 1915 Isabella M. Black widow of above. 1916 – 1951 Amy Elsie (nee Black) Chalk 1951 – 1970 Cora Doris Halkyard, niece of the above and grand-daughter of Archibald and Isabella Black. 1970 – 1986 Mrs B Brandt – unconfirmed.

Significance

“Barone” (previously “Seaview”) was one of Brighton’s finest colonial homes. It’s neighbors included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.

Brighton Historical Society, Brighton

Dress - Day dress

Key words

reverend john hamilton mclachlan
st cuthberts presbyterian church brighton
elizabeth mclachlan
elizabeth mclachlan, reverend john hamilton mclachlan, st cuthberts presbyterian church brighton,
amherst cemetery

This c1849 silk blue grey window pane check dress features a high round neck and pleats on either shoulder extending over the natural shoulder line. The dress shows evidence of nine ornamental buttons down the centre front with only four blue silk buttons currently still attached. The dress fastens with thirteen concealed hook and eye closures to the waist. The Pagoda sleeves inset into the bodice in a small high armhole flaring out and finishing just below the elbow. A pale blue silk ribbon with a diagonal drawn stitch design decorates the front of the sleeve in a simple geometric design. The Pagoda sleeve is lined in a matching pale blue silk. The full skirt is pleated into the waistband and finishes just above the floor at the front. At the back the bodice features a squared off design to the princess panels shaping the dress into the body. The skirt is heavily pleated at the centre back into the waistline and finishes slightly longer at the back than the front. The skirt features two very small pockets on either side of the dress, just inside the hips.

Historical information

This dress was made for and belonged to Mrs. Elizabeth McLachlan (nee Duncan), wife of Reverend John Hamilton McLachlan.

Significance

Reverend John Hamilton McLachlan was a Minister of St Cuthberts Presbyterian Church Brighton Elizabeth and John were married at the Free Church of Ayr at Lindsaystonn, Parish of Kirkmickach, Ayrshire, Scotland on 15th October 1849. At this time his occupation was listed as Minister of Presbyterian Church and hers as Governess. They left Australia on the 1st of November 1849 and arrived in Australia 6 months later. Apparently John's hair had turned snow white during the journey due to his seasickness! John McLachlan was born in 1813 at Mayball, Scotland and Elizabeth Duncan was born in 1820. The McLachlan's first went to Geelong upon their arrival in 1850, then to the Western District, Brighton then Talbot - at the height of the gold mining era. The McLachlan's had seven children: John Campbell Duncan McLachlan, Geelong, October 1850 Mary McLachlan, Geelong, November 1851 Agnes McLachlan, Hopkins River near Wickliff, May 1853 Elizabeth and Walter (twins) McLachlan, June 1854 Elizabeth McLachlan, Hesham, June 1855 Margaret McLachlan, Brighton 1857 Elizabeth McLachlan (mother) died in 1904, Mr. McLachlan died approximately five years later and they are both buried in Amherst Cemetery.

Brighton Historical Society, Brighton

Dress - Wedding dress

Cream crepe wedding dress with short sleeves and dropped waist. Sweetheart neckline, bodice and sleeves decorated with floral design in bugle beads. Fastens with metal zip in left side seam.

Historical information

Worn by three brides in 1941, 1944 and c.1950. The dress was made for Eva Elizabeth (Bid) Harvey for her marriage to Morris Langlo West on 2 October 1941 at St James Catholic Church, North Road, Gardenvale. They had two children, Julian 1942-2005 and Sr. Elizabeth West born 1942. Bid was born in 1906 to Michael and Kitty Harvey. They lived at 51 Cole Street, Elwood. The bridesmaid was Bid's niece Jocelyn Hickey. The dress was also worn by Jocelyne Dorothy Taylor when she married John Carlisle (Carl) Harvey (Bid's brother) at James Catholic Church, Gardenvale on 30 June 1944. Jocelyne's bridesmaid was Jocelyn Hickey and the best man was Basil Robinson. The reception was held at 'Birdswood', Birdswood Avenue, Brighton. Jocelyne was born in Rangoon, Burma in 1921 and was the eldest daughter of Stanley and Dorothy Taylor. Carl was the only son of Michael and Kitty Harvey. Jocelyne and Carl lived at 15 Harwood Street, Elwood and later at 54 North Road, Brighton. They had five children, Michael, David, Jennifer, Robert and Eric.The third bride to wear the dress was Jocelyn Mary Hickey who was bridesmaid to Bid and Jocelyne. Jocelyn Hickey was born in 1929 to Daniel and Doreen Hickey (Bid's sister and Jocelyne's siter in law). Jocelyn married Gerard Leslie O'Donnell at St James Catholic Church, Gardenvale. The bride's attendants were Adita Smith, Maureen Bow and Jacqueline Connell. The groom's attendants were Jack Fallon and Con O'Donnell.The reception was held at 51 Cole Street, Elwood. Jocelyn and Gerard had three daughters, Maree, Carlene and Janine. They lived in Bunyip, Victoria. (Information provided by the donor). Photocopies of photographs of the three brides are on file at the Brighton Historical Society.

Brighton Historical Society, Brighton

Romper suit

Two piece boy's romper suit. Short-sleeved beige shirt with smocking on front is buttoned to mid-brown short pants with large mother-of-pearl buttons. Cream coloured contrast top stitching.

Brighton Historical Society, Brighton