The entire wall is not a mosaic; the upper frieze and the lower border are painted with low-relief outlines in the wall’s render. Only the middle panel is tiled because mosaics are expensive undertakings, in materials and time.
A single artist cannot complete a large mosaic without assistants; in creating the mural Mirka Mora was assisted by Nicola McGann, who now works at a Victorian company, Tactile Mosaics, and Brandon Scott McFadden, who currently lectures at Box Hill Institute.
A particularly observant commuter, perhaps while waiting for someone outside the toilets, might, on glancing high up on the wall inside the main gates, observe a sculpture. However, they wouldn’t be able to tell from sight that the plumbing pipes, the scaffolding poles and connectors are all carved from wood because it is tromp l’oeil and intended to fool the eye.
“Trades” (1984) by a little-known artist, Barry Mills, is a construction of carved wooden scaffolding, plumbing, supports, bricks and bus cables. It is a fun take on building materials and construction, every piece cleverly carved entirely from wood.