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St Paul's Cathedral
Refusing to set foot in the colony, the eminent Gothic Revivalist architect William Butterfield resorted to sending extremely detailed architectural drawings and plans of St Paul's Cathedral to Australia.
He even produced life-size drawings of columns, window tracery and other features, to ensure the antipodeans could get nothing wrong.
In the end however, he was defeated by distance, and St Paul's was completed by the Australian firm Reed, Henderson and Smart, and later, in the 1930s, the towers he designed (but were not built at the time) were shafted for a new design by Australian architect John Barr.
Film - Sophie Boord, 'St Paul's Cathedral: the drawings of William Butterfield with Mary Lewis', State Library Victoria
Courtesy of State Library Victoria and Sophie Boord
Film - Sophie Boord, 'St Paul's Cathedral: the drawings of William Butterfield with Mary Lewis', State Library Victoria
My name’s Mary Lewis. I spend most of my time cataloguing architectural drawings.
This is a wonderful drawing by William Butterfield of St Paul’s Cathedral. All the drawings for St Paul’s Cathedral had to be sent out from England because Butterfield never visited. He was appointed architect for St Paul’s Cathedral because he was the leading Gothic Revival architect.
But the major problem was that he wasn’t on site and he couldn’t speak to the stonemason site people and so he had to put these very, very detailed instructions all the way along.
“The exact length of the various slate shafts is to be sent to Mr Butterfield as soon as the caps are fixed, in order that the shafts may be ordered and sent out”.
So all sorts of instructions which might have been given verbally, day to day, had to be written down.
Another drawing, which relates to this particular one, which is in very poor condition you can see how thin the paper is. It’s the shafts or the timbers for the roof of the north transept and once again he’s got lots of instructions here, explaining how there are numbers on each piece of timber and that’s going to help the people putting them together…another drawing with a lot of instructions down the middle and references to other drawings.
This is one of the larger drawings by William Butterfield. There are four sheets of paper which have been mounted together to form one whole. Ahm…it’s the east elevation towards Flinders Lane of towers and transepts, but he also did a reduced version. Perhaps it was easier to carry about and use on site but there’s a lot of detail, a lot of trouble has been taken with the drafting of that…and then once again down the centre are many instructions and this time referring to full sized details…full size details of cornice…full size of the mouldings of the arches…full size of different aspects of the building and that brings us to a very interesting feature of the collection, in that we have many full sized drawings of window tracery…for the piers…for different parts of the building.
They’ve been used by the workmen on site and they’ve had rather a hard life. It’s very difficult to unfold them without damaging them so we’re going to send them to our conservation department to unfold them and assess how best to store them.
Butterfield’s relationship with the Melbourne authorities deteriorated and he felt that his instructions and his general intentions were not being carried out to the extent that he finally resigned. The work on the Cathedral was taken over by the firm Reid, Henderson and Smart, Joseph Reid’s firm, and you can see the initials down here R.H. & S. and this is a set of drawings that they did when they’d taken over.
This is a block plan which shows the outline of the building, the Cathedral, on the site…Flinders Street, Swanston Street, Little Flinders Street, now we know it as Flinders Lane. This is a very interesting drawing, one of the set by Reid, Henderson & Smart, because it shows the Butterfield’s original design for the spire and two towers, not three spires, but one spire and two towers. Unfortunately, this was not carried out. We also see that there is a little flap that’s been put on here to show an alternative, a little pencil sketch showing an alternative design. And these are more of Reid, Henderson & Smarts set of drawings.
This drawing is stamped Central Board of Health and is dated 1888 and it’s a section through the central part of the building and once again you can see the detail and the specific saddleback towers which were never built. This is a very beautiful rendering of the design for the organ which was sent out from the firm Lyon, Wills and Cottier from London…and this is a very beautifully drafted drawing with lots of interesting detail for decoration of the organ. And another drawing signed Reid, Henderson & Smart, 1885…Rose Window in the South Transept.
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Courtesy of State Library Victoria and Sophie Boord
The original Architect of St Paul's Cathedral was English gothic revivalist William Butterfield.
Butterfield would not travel to the colony however, and so his drawings, some of them life-size, contain extremely detailed instructions, for fear that the antipodeans might get something wrong.
Postcard - Valentine & Sons Publishing Co., 'St. Paul's Cathedral, Melbourne', c. 1909, State Library Victoria
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Coloured postcard featuring St Paul's Cathedral, a popular postcard image, created in the early Twentieth Century.
Drawing - William Butterfield, 'St Paul's Cathedral Melbourne North Transept No 1 Drawing. Elevation of the top of the stairwell turret and gable of the North Transept facing Swanston Street', c. 1882, State Library Victoria
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"…the exact length of the various slate shafts is to be sent to Mr Butterfield as soon as the caps are fixed…"
North Transept No. 1 Drawing. Elevation of the top of the stairwell turret and gable.
This drawing shows the extensive and detailed notes and instructions that were dispatched from England with the drawings.
Drawing - Joseph Reed, 'St Paul's Cathedral Elevation to Flinders Street No.13', 1888, State Library Victoria
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This drawing was done after Butterfield had resigned and Joseph Reed of the firm Reed Henderson Smart had taken over the project.
The spire illustrated in the drawing was not built.
Drawing - William Butterfield, 'St Paul's Cathedral Melbourne: Detail of Aisle on North Side of The Choir Drawing No. 1', c. 1882, State Library Victoria
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Drawing No. 1 shows detail of the aisle on the north side of the choir.
These hand coloured and drawn plans were sent out from England to guide every stage of the construction of the Cathedral.
Photograph - John William Lindt, 'Joseph M. Reed', c. 1885, State Library Victoria
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This is a photograph of the architect who took over supervision of the construction of the Cathedral after William Butterfield’s resignation in 1884.
Painting - Ludwig Becker, 'Old Prince’s Bridge & St. Paul’s by moonlight', 1857, State Library Victoria
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The first St Paul's Church was painted by Ludwig Becker who later died on the Burke and Wills expedition of 1860-1861.
This St Paul's Church occupies the site of today's St Paul's Cathedral. This painting is on display in the Cowen Gallery at the State Library of Victoria.
painting : oil on canvas
Print - Edmund Thomas and James Buckingham Philp, 'Princes Bridge (from South Side of Yarra)', 1853, State Library Victoria
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In this lithograph the old, original St Paul's church can be seen next to the second Princes Bridge, built across the Yarra in 1850 and replaced with the current bridge in 1888.
print : lithograph with hand colouring
Print - Henry Burn, 'Melbourne, 1862, looking north from Princes Bridge', 1862, State Library Victoria
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The small square building in front of the original St Paul's church is the city's first morgue and Births, Deaths and Marriage Registration Office, roughly where Federation Square now stands.
print : colour lithograph
Newspaper - F. A. Sleap and George Rossi Ashton, 'The Last of St Paul's', 7 November 1885, State Library Victoria
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This engraving from the Australian Illustrated News (7th November 1885) shows The old St Paul's church during demolition. Wood engraving by F. A. Sleap after a drawing by George Rossi Ashton
The article discusses the history of the old church, that was being demolished as part of the preparations for the construction of the new cathedral.
TRANSCRIPT
"With the removal of the St. Paul's Church Swanston Street, disappears one of the old landmarks of Melbourne. For nearly a quarter of a century it served all the purposes of its founders, but with the march of improvement, the expansion of the population... it has had to give way for a more spacious and imposing structure the new Protestant Cathedral..."
print : wood engraving and article
Print - 'St Paul's Cathedral, Melbourne, Vic.', 1 April 1896, State Library Victoria
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The opening of the Cathedral in 1896 was a big event in Melbourne’s social calendar.
This print accompanied an article - published in the Illustrated Australian News April 1, 1896 - which described the building at its opening. The images in the print are listed as follows: The Bishop’s throne -- Memorial sedilia to Bishop Perry --Saint Paul’s Cathedral -- The Chapter and clerical staff -- The choir -- Ernest Wood -- Bishop Goe -- The pulpit -- Interior of St Paul’s -- Lectern -- The Reredos.
Photomechanical prints
Newspaper - The Australasian Sketcher, 'The Bells of St Paul's', 26 December 1889, State Library Victoria
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St Paul's 12 bell peal is one of only two outside of England. This article from The Australasian Sketcher December 26 1889 describes the ceremonies at their installation.
Drawing - The Australasian Sketcher, 'The Bells of St Paul's', 26 December 1889, State Library Victoria
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This illustration from The Australasian Sketcher December 26 1889 showcases the inner workings of the bells.
Postcard - 'Swanston Street, Melbourne', State Library Victoria
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A postcard featuring St Paul's Cathedral with a tram travelling south down Swanston Street.
Photograph - 'Flinders Street looking east from Swanston Street', c. 1913-1914, State Library Victoria
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Looking along Flinders Street from Swanston Street with St Paul's Cathedral on the left and Princes Bridge Station on the right.
Postcard - 'St. Paul's Cathedral, Swanston Street, Melbourne', c. 1907, State Library Victoria
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The new cathedral, completed in 1891, was a popular subject for postcards.
Photograph - 'A traffic scene in Swanston St [Melbourne, Vic.]', c. 1925-1935, State Library Victoria
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This view from Flinders Street Station shows the cathedral spires still under construction. Trams have run past the cathedral along busy Swanston Street since 1888.
Painting - Dora Wilson, 'Swanston Street', c. 1931, National Gallery of Victoria
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St Paul's Cathedral, designed by the eminent English Gothic Revival architect, William Butterfield, in 1878, took many years to complete. The spires, designed by the Sydney architect James Barr, were not added until around 1930.
oil on canvas on (cardboard) (38.0 x 45.8 cm) Felton Bequest, 1931 4531-3
Postcard - 'St Paul's Cathedral', c. 1935, State Library Victoria
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The spires, designed by Sydney architect John Barr, were added in 1933.
Photograph - Charles Weetman, 'Melbourne in the late 1930s - Looking up Swanston Street from St. Paul’s corner', c. 1936-1939, State Library Victoria
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The statue in the centre is of the explorer and navigator Matthew Flinders, installed in Swanston Street in 1923.
Photograph published in Walkabout Magazine, from the Charles Weetman Collection.
photograph : gelatin silver
Photograph - The Argus, 'Church service on V-E day at St. Paul's Cathedral, Melbourne, Vic.', 1945, State Library Victoria (Argus Newspaper Collection)
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V-E (Victory In Europe) Day, was the day World War II in Europe ended with the surrender of Germany.
Photograph - Charles Weetman, 'Melbourne in the late 1930s, St. Paul's Cathedral', c. 1936-1939, State Library Victoria
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A romantic view of St. Paul’s through the mist, with trees in the foreground.
This photograph was published in Walkabout Magazine December 1, 1939. It is identified and titled in ink by Charles Weetman on the back, with the photographer’s number inscribed in pencil as 3656.
Photograph - 'Her Majesty being farwelled by His Grace the Archbishop at St. Paul's Cathedral', 1954, State Library Victoria
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The Cathedral has been the site of many important civic and religious ceremonies.
Here crowds gather across Flinders Street in front of Princes Bridge Station, to catch a glimpse of Her Majesty, Queen Elizabeth II.
photograph : gelatin silver
Photograph - Wolfgang Sievers, 'Gas & Fuel Corporation building, seen from above Young & Jackson's Hotel, Flinders Street, Melbourne', 1967, State Library Victoria
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The Gas and Fuel buildings, completed in 1967, were widely criticised for overshadowing St Paul’s Cathedral. They were demolished in 1997.
Photograph - John T. Collins, 'Melbourne, St. Paul's Cathedral', 10 January 1965, State Library Victoria
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In 1964 Princes Bridge Station was demolished and incorporated into the Gas and Fuel or Princes Gate Towers complex.
The old Princes Bridge Station was originally separate from Flinders Street station and was the terminus for Hurstbridge and Epping Lines. This photograph was taken before the construction of the Princes Gate Towers in 1969.
Photograph - John T. Collins, 'St. Paul's Cathedral, Melbourne', 27 September 1969, State Library Victoria
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In 1964 Princes Bridge Station was demolished and incorporated into the Gas and Fuel or Princes Gate Towers complex.
The old Princes Bridge Station was originally separate from Flinders Street station and was the terminus for Hurstbridge and Epping Lines. This photograph was taken after the construction of the Princes Gate Towers in 1969.