Showing 2 items
matching ships, themes: 'creative life'
Diverse state (19)
Aboriginal culture (2)
Built environment (8)
Creative life (2)
Family histories (3)
Gold rush (2)
Immigrants and emigrants (6)
Kelly country (1)
Land and ecology (4)
Local stories (7)
Service and sacrifice (1)
Sporting life (2)
-
Open House Melbourne
Modern Melbourne
... "A thing like TarraWarra, is like a ship at sea. It turns in the wind and the sun is coming from the north, and it turns, and so you get a whole different understanding of the universe, of where you are. And I designed it so that one end ...Modern Melbourne is a series of filmed interviews and rich archival material that documents the extraordinary lives and careers of some of our most important architects and designers including Peter McIntyre, Mary Featherston, Daryl Jackson, Graeme Gunn, Phyllis Murphy, Allan Powell and Peter Elliott.
Melbourne’s modernist architects and designers are moving into the later stages of their careers. Their influence on the city is strong and the public appreciation of their early work is growing – they have made an indelible mark on Melbourne. Much of their mid-century modernist work and latter projects are now represented on the Victorian Heritage Register.
Many of the Modern Melbourne subjects enjoyed a working relationship and a friendship with Robin Boyd, the influential architect who championed the international modernist movement in Melbourne.
-
The Fashion Detective
... for the Australasian colonies, after being made aware that the name and brand of his house were being fraudulently used. These elegant shoes were one of a number of pairs shipped to Melbourne and exhibited by Tallerman in order to promote awareness of the superiority ...The NGV’s fashion archive contains countless works about which we know little.
We don’t know who made them, who wore them, when or why, or indeed, what happened in them! For the curator, such works are endlessly intriguing; a form of ‘material evidence’ to examine and explicate.
In 2014, the NGV’s Fashion Detective exhibition took a selection of unattributed nineteenth century garments and accessories from the Australian fashion and textiles collection as the starting point for a series of investigations. Using forensics and fiction as alternate interpretative methods, the exhibition considered the detective work that curators and conservators do and where this can lead, as well as the role of storytelling in making visible the social life of clothes.
From fakes and forgeries to poisonous dyes, concealed clues and mysterious marks to missing persons, Fashion Detective was a series of ‘cases’ that each followed a different path of analysis.
Some relied on empirical study and science to reach conclusions, others were purposefully speculative - the inspired hypothesis of leading crime writers Garry Disher, Kerry Greenwood, Sulari Gentill and Lili Wilkinson.
A playful exhibition about modes of enquiry, Fashion Detective considered the different ways in which we can decode objects in order to reveal what is normally concealed, and challenged the visitor to reappraise what they see and what they know.