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Artwork, other (1263)
Ceramic (764)
Decorative object (713)
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Mixed media (516)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2045)
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Hawthorn Historical Society
Drawing - Property Illustration, 18 Broomfield Road, Hawthorn East, 1992
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 18 Broomfield Road, Hawthorn East by Margaret Picken.18 Broomfield Rd, E. Haw, Margaret Picken '92. Woodards - Hawthorn.artist - margaret picken 1950- -
Latrobe Regional Gallery
Work on paper, SHIMMEN, Heather b. 1957, The ubiquitous balance, 2000
Linocut print with fabric overlaySigned and dated lower right corner under printed image "Shimmen 2000" Edition 29/40, lower left corner under printed image Titled "the ubiquitous balance" centred under printed image -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Book, Above All Courage
First hand accounts from the Falklands frontline.Dark blue, light blue cover. Red and black writingAbove All Courage5/6 rvr, officer's mess, sergeant's mess -
Australian Lace Guild - Victorian Branch
Textile - Machine Blonde lace, 1800-1900
Use: Domestic. FashionMachine lace bonnet veil -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 178 Highfield Road, Camberwell, 1994
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: UTILITY BAG, 1900 -1950
Textiles. Calico flour bag. Blue printed frame with following wording. "Contents 5lbs nett. Made in Bendigo. Quality and Value "Golden North Self Raising Flour. Made under the most Hygienic Conditions by the Golden North Manufacturing Co. Guaranteed to contain full strength Cream of Tartar The Flour that gives 100% Cookery Success" Boltons Print Bendigo. Three bags a. Good condition.Several small stains b. Faded with knots inneach corner c. Faded. Several small stainstextiles, domestic, utility bag -
Kilmore Historical Society
Textile - Feather fan, c1900
Carried by Elsie Monk ( b.1886), daughter of Stephen Turner, sister of Mary Monica Fleck Turner (Smith) when presented at Court (Buckingham Palace), unknown date thought to be early 1900s.Item used by member/s of early Kilmore family.Tortoise shell frame with feathers forming a ladies fan. In good condition. Feathers tending to shed.fan, monk, turner collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Horse Chestnuts, Notes by Sandy DeGroot, 2011. No references given
Information about the many Horse Chestnut trees to be found in Ballarat.These notes provide additional information about the Horse Chestnut and a little of the history of these trees.One page with typing (?) just over half a page.Printed in black biro, "Sandy De Groot 2011horse chestnuts, avenue of horse chestnuts, aesculus hippocastanum, john garner, doctor, john garner collection, friends of ballarat botanical gardens, sandy de groot, ballarat botanical gardens, gregory street, conkers, gardens, ballarat -
University of Melbourne, Burnley Campus Archives
Work on paper - Student Work, The Production of Cultivated Plants, 2002
assignment, cornus, jill kellow -
Gippsland Art Gallery
Print, Unknown Artist, A Trip Through Gipps Land Lakes, c.1880
Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - National Trust of Australia (Vic), Register of Significant Trees. Ballarat Botanical Gardens. c1983, Unknown
This National Trust Register of Significant Trees in the Ballarat Botanical Gardens is an important part of Ballarat's history. Unfortunately, since 1983, some of the trees listed have died or been removed.The Ballarat Botanical Gardens has a unique collection of trees which testify to the knowledge and enthusiasm of the Curators, City fathers and Gardeners in their development of the Gardens in earlier years, especially in the nineteenth century.1 sheet of paper with three lists of the trees and the number of them in the Gardens. (1 copy)Draft printed in red under main heading. In black biro, written on the first entry, "no on map". 10th entry (Sierra Redwood) number scribbled over and "outside gate" written. 14th entry (Horizontal Elm) "3 on list, 1dead". 15th entry (Horizontal Elm) "W of 17". ballarat botanical gardens, national trust of australia (vic), register of significant trees, trees, john garner collection, gardens, ballarat -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 5 Peppin Street, Camberwell, 1991
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
National Wool Museum
Textile - Blanket, Challenge Woollen Mills, Clan Murray series of Challenge, c1950s
Collector says - "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display." " For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Checked blanket, pink, blue and lavenderClan Murray series of Challenge/Lambswool 'Perma-nap' blankets/All pure wool/Super Grade blanket, blanket fever, wool, challenge woollen mills -
Flagstaff Hill Maritime Museum and Village
Print - Lithograph Picture, Madagascar Indiaman, Unknown
Madagascar was a large British merchant ship built for the trade to India and China in 1837 that disappeared on a voyage from Melbourne to London in 1853. The disappearance of Madagascar was one of the great maritime mysteries of the 19th century and has probably been the subject of more speculation than any other 19th-century maritime puzzle, except for the Mary Celeste. Madagascar, the second Blackwall Frigate, was built for George and Henry Green at the Blackwall Yard, London, a shipyard that they co-owned with the Wigram family. A one-eighth share in the vessel was held throughout her 16-year career by her first master Captain William Harrison Walker Walker. Madagascar carried freight, passengers, and troops between England and India until the end of 1852. In addition to her normal crew, she also carried many boys being trained as officers for the merchant marine. Known as midshipmen from naval practice, their parents or guardians paid for their training, and they only received a nominal wage of usually a shilling a month. Due to the Victorian Gold Rush, Madagascar, under the command of Captain Fortescue William Harris, was sent to Melbourne with emigrants. She left Plymouth on 11 March 1853 and, after an uneventful passage of 87 days, reached Melbourne on 10 June. Fourteen of her 60 crew jumped ship for the diggings, and it is believed only about three replacements were signed on. She then loaded a cargo that included wool, rice, and about two tonnes of gold valued at £240,000, and took on board about 110 passengers for London. On Wednesday 10 August, just as she was preparing to sail, police went on board and arrested a bushranger John Francis, who was later found to have been one of those responsible for robbing on 20th July the Melbourne Private Escort between the McIvor goldfield at Heathcote, Victoria and Kyneton. On the following day, the police arrested two others, one on board the ship and the other as he was preparing to board. As a result of these arrests, Madagascar did not leave Melbourne until Friday 12 August 1853. After she left Port Phillip Heads Madagascar was never seen again. When the ship became overdue many theories were floated, including spontaneous combustion of the wool cargo, hitting an iceberg and, most controversially, being seized by criminal elements of the passengers and/or crew and scuttled, with the gold being stolen and the remaining passengers and crew murdered. There have been many rumors as to what happened to Madagascar over the years but what really happened is still a mystery. The lithograph was made around 1950 from an original painting of Madagascar a Vessel with a notorious past and is interesting and a significant item for the ships part in early Victorian history. The picture is it’s self not valuable or can be associated with a significant person in history. The interest lies in the events that are linked to the ship in the mid 19th century.Lithograph of the ship Madagascar, in a wooden frameThe Madagascar East Indiaman 1000 tonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithograph, the madagascar, east indiaman -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 25 Maitland Avenue, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 25 Maitland Avenue, Kew by Margaret Picken.25 MAITLAND AVE., KEW E. / MARGARET PICKEN ~98 / WOODARDS ~ artist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 25 maitland avenue - kew (vic) -
Hymettus Cottage & Garden
Ceramic - Plate, Begonia Festival Souvenir Plate, 1994
These plates were produced by Ballarat potter John Gilbert at his Old Ballarat pottery in Mt Clear in 1994. Gilbert established two potteries in Ballarat , the Edinburgh Pottery at Sovereign Hill Historical village and the Old Ballarat Pottery. Gilbert studied art at the School of Mines Ballarat, now Federation University and went on to lecture there. Notable for his studio pottery these plates were more a commercial production and were among the later products from the Old Ballarat Pottery before it closed in 1994.Small stoneware plate transfer printed with "Ballarat Begonia Fesival 40th Anniversary around rim and colour print of Begonias in centre.label to the underside with printed with Old Ballarat Pottery around poppet head logo and a second triangular Made in Australia sticker. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Mixed Media - Compact Disc, Family Tree Magazine, Family Tree Magazine Various Discs, 2011c
Free Disc from Family treee magazine includes census Yorkshire, Londongenealogy -
National Wool Museum
Textile - Blanket, Kelsall and Kemp, 1950s
Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 34A Fitzwilliam Street, Kew, 1989
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 34A Fitzwilliam Street, Kew by Margaret Picken.34A FITZWILLIAM ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ C'WELL / BACKartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 34a fitzwilliam street - kew (vic). -
Darebin Art Collection
Drawing - Helen Semmler, Helen Semmler, Book Illustration for Ghost Ride by Rosemary Hayes; Page 10, 2010
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Federation University Art Collection
Drawing - Artwork, Nadine Sherer, 'Sarah's Curve' by Nadine Sherer, 08/1998
Nadine SHERER (1979- ) In 2004 Nadine Sherer completed a Bachelor of Fine Arts (Honours) at the University of Ballarat (now Federation University) This work is an abstract landscape named after a colleague. A collograph is a print plate made from a low relief collage of strawboard, shellac and marble dust. It is printed using a similar method to the process of intaglio. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed collograph. Edition 1/2art, artwork, nadine sherer, landscape, printmaking, human movement collection, available -
Moorabbin Air Museum
Drawing - LMS 8755 - Oil Tank Breather Extension WRE Temporary Trials Installation, Weapons Research Establishment
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Gippsland Art Gallery
Print, Partos, Paul, Untitled, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Roulette on copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Study of Woman, c.1929-33
Donated from the estate of the artist, 1987Marker on papergippsland, artwork, permanent collection -
Moorabbin Air Museum
Drawing (Item) - Side Plate Cylinder Clamp Oxygen Recharging Trolley W11141/15 RAAF
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Friends of Ballarat Botanical Gardens History Group
Work on paper - Tilly Thompson nee Matilda Louise Clennell 1871-1959, A Short Biography, 26/2/2008
Tilly Thompson played a notable role in the Ballarat firm of E. Lucas and Co. The Tilly Thomson Garden is to be found in the Ballarat Botanical Gardens.Tilly Thompson was a pioneer who was awarded an MBE in 1941 and who contributed in many areas of Ballarat Life.2 pages, 1 and 1/4 of print with short paragraphs. The last line on p.2 is in Italics.None.john garner, doctor john garner, ballarat botanic gardens, guiding friends of the ballarat botanical gardens, tilly thomson, matilda louise clennell, e.lucas&co., tilly thomson garden, australia's first female commercial traveller, arch of victory, jubilee methodist church, tom toop curator, bill greville., john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Glowing Reference, John LINGHAM, letter from Council, City of Ballaarat, 1909, 5th March 1909
John Lingham was employed by the City of Ballaarat Council, in the Botanical Gardens, for over 30 years.John Lingham was a Curator of the Ballarat Botanic Gardens who worked with Guilfoyle and was a highly regarded consultant about other public gardens in Victoria. City of Ballarat logo, typed in the form of reference, signed by the Mayor and City Clerk with some dark shading left hand side.City of Ballarat seal in lower left hand corner.john garner collection, garner, dr, lingham, 1909, city of ballaarat, ballarat botanical gardens, ballarat, gardens, john lingham, floral and landscape gardening -
Hawthorn Historical Society
Drawing - Property Illustration, 14 Grandview Grove, Hawthorn East, 2003
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 14 Grandview Grove, Hawthorn East by Margaret Picken.14 Grandview Gve, Haw, Picken c2003. Realtor. artist - margaret picken 1950- -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Mixed media - Oral History, Bendigo Nurses, 1950s to 2014
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.CD entitled "A Cure for All Ills: Medicine in Bendigo 7 Feb - 10th August 2014". The CD contains eleven recordings of nurses who trained in Bendigo relating their experiences. The Sound Tracks are: 8495.75a Diane 8495.75b Craig DeLacy 8495.75c Joan O'Shea 8495.75d Gladys Thompson 8495.75e Jenny Clutterbuck 8495.75f Liz 8495.75g Lysle Lindria 8495.75h Mavis 8495.75i Nancy Shaw 8495.75j Norma Holmberg Nursing in Elmore 8495.75k Peter Rosewallndsn, nursing, lister house -
National Vietnam Veterans Museum (NVVM)
Print, Bunker Assault - 9RAR South Vietnam 1969
Three part coloured print of 9RAR soldiers in action in jungle warfare(printed) Artist: Harold Lane 1987bunker assault, 9 rar