Showing 5193 items matching art
Artwork, other (1252) Ceramic (762) Decorative object (667) Drawing (4564) Mixed media (490) Painting (2391) Print (1646) Sculpture (397) Textile (1239) Work on paper (2040)-
Glenelg Shire Council Cultural Collection
Painting, A.S. Murray, Scene on the River Glenelg, c. 1894
Art Collection Previously located in History HouseThe painting depicts a large body of water surrounded by hills. The body of water extends from the front right corner through to the centre of the work. Predominately depicted in shades of brown, the body of water has a white centre with three birds (swans) sitting on the surface. In the foreground to the left of the water is a riverbank with a large brown tree. The background consists of a large blue/grey hillside and brown cloudless sky. The work has a gilded ornate frame with a gold mount and exposed canvas.Front: A.S. Murray Back: W.HAMER, 189 Sturt Street, Ballarat, VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADErevier glenelg, swans -
Ringwood RSL Sub-Branch
Work on paper, newspaper articles
printed newspaper articles about Ringwood -
Swan Hill Regional Art Gallery
Painting, MAKIN, Jeffrey, Near Parachilna, 1985
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Ringwood RSL Sub-Branch
Work on paper - Vietnam letters
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8th/13th Victorian Mounted Rifles Regimental Collection
Painting - Oil painting, Capt Albert C Borella VC MM MID, 1960 circa
Lieutenant Albert Borella, 26th Battalion AIF, was awarded the Victoria Cross for his actions at Villers Bretonneux, France, in March 1918.Possibly the only self portrait of an Australian VC winner.Framed self portrait of Captain Albert C Borella VC MM MID in World War One (1914-1918) uniform with 'Sam Browne' belt and medals. Stained wooden frame has been covered with a protective clear acrylic sheet.Engraved plaque on lower face of frame "Capt Albert C Borella VC MM MID presented to 8/13 VMR by Mrs E Borella"borella, victoria cross, self-portrait -
Horsham Regional Art Gallery
Painting, Julia RITSON, Untitled 9810, 1998
Gift of the Department of Infrastructure, 2002diptych, oil on canvas -
Bass Coast Shire Council - Art Collection
Work on paper - Two Houses in the Hills, Les Young
Australia - 1997WatercolourSigned -
Gippsland Art Gallery
Work on Paper, Struss, Elsie, Untitled, Undated
Donated from the estate of Wemyss Struss, 2016Marker on papergippsland, artwork, permanent collection -
Old Colonists' Association of Ballarat Inc.
Work on paper, Francois Cogne, Chamber of Commerce 1859, 1859
Francois Cogne was born in 1829 in Paris. He worked in Australia between 1856 and 1864. He died in 1884.Framed lithograph of Chamber of Commerce ub Ballarat.francois cogne, chamber of commerce 1859 -
Swan Hill Regional Art Gallery
Painting, STYNES, David, Market place, Assen, 1966
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Friends of Ballarat Botanical Gardens History Group
Work on paper - Carolus Clusius, 16th century scientific horticulturist, Wikipedia, 22/06/2009
Clusius's early work relates to some of the plants in the Ballarat Botanical Gardens today, for example, tulips. Carolus Clusius was a pioneering botanist and one of the most influential 16th century scientific horticulturists.2 pages with a photograph labelled Charles de l'Ecluse on the left of p.1 and a drawing of a Nymphaea on the lefthand side of the page. p.2 has a list of the works of Charles de l'Ecluse, bottom half of the page. Nonedoctor john garner, john garner, ballarat botanical gardens, friends of ballarat botanical gardens, 16th century, carolus clusius, charles de lecluse, l'escluse, pioneering botanist, scientific hoticulturist, tulips, alpine plants, genus clusia, european flora, john garner collection, gardens, ballarat -
Hymettus Cottage & Garden
Work on paper - music card, The Boys of the Dardenelles
The music for popular First World War composition "The Boys of the Dardenelles" by Marsh Little and arranged by J.Devlin Deane 1915 and copyrighted Sydney 1915. These cards attach to the lyre holder on the cornet for use in a marching band. This copy belonging to Michael Taffe of Ballarat and used during WWI & WWII.This is the first piece of specifically Australian patriotic music generated as a result of the disastrous campaign at Anzac. Produced in 1915 it was used in this instance by Ballarat Bands within a year of Anzac..Small music card for cornet.taffe, ballarat, cornet, music card, dardenelles, deane, wwi, wwii. first world war., brass band -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Floating Rock - Mitchell River, 1978
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Pastel on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Foenander, Avril, Street Scene, c.1976
Purchased, 1976Oil on boardgippsland, artwork, permanent collection -
RMIT Design Archives
Painting, Illustration of a Woman in Traditional Dress from Patzcuaro, Michoacán, Mexico, c.1953
Gouache on paper illustration of a woman from Pátzcuaro region, Michoacán, Mexico, by Mexican fashion illustrator Alfredo González Bouret (1926-2018). Likely created in 1953, prior to being exhibited in Mexico and Paris in 1954. From the Patzcuaro region of Michoacán state, Mexico, this woman wears a wide-brimmed 'sombrero' on top of her 'rebozo' - a long rectangular shawl made of wool or cotton with an intricate hand-knotted pattern, popular throughout Mexico. Her hair is held away from her face, likely in long plaits down her back in the traditional style of the region. Her ears and neck are decorated with long earrings and strings of beads, while her plain white blouse is tucked in to a bright red 'refajo' skirt, gathered at the waist by a textile belt with geometric designs. In her hands she holds long-stemmed lilies. While resembling other illustrations of fashion from the Patzcuaro region, this costume stands out for the bright colour of the skirt, and the lack of embroidered decoration on the blouse. Rebecca Lloyd, 2019.Mounted painting of a woman in traditional regional dress from the Patzcuaro region of Michoacán, Mexico. Gouache on paper, c.1953.Signed in green paint, bottom right, 'AG Bouret'.mexico, 1953, fashion design, painting, illustration, mexican, fashion illustration, dress -
Phillip Island Conservation Society Inc.
Work on paper - Photocopy of newspaper cutting, Wonthaggi Sentinel, or South Gippsland Sentinel Times, "PENGUINS/AT CAPE"
Cr J Gall was a councilor on the Borough of Wonthaggi Council. The Borough included Cape Paterson, where Cr Gall saw 5 little penguins on the beach. He described them as looking for somewhere to nest – that is, to dig burrows in the coast adjoining the Cape Paterson sandy beach. At that stage, the Wonthaggi state coal mine had been closed for 4 years and Wonthaggi had more emphasis on attracting different industries. There was little interest in flora and fauna of the area at that stage. Cr Gall’s unusual sighting of the Little Penguins possibly nesting at Cape Paterson attracted derision from the other councillors, and also a sarcastic Editor's Note from the newspaper's editor - none of which was not surprising for that era. The Borough of Wonthaggi was later amalgamated with the shires of Phillip Island and Bass, plus other areas of a couple of others local shires in 1994 to form Bass Coast Shire Council, which quickly moved to a heavy emphasis on flora, fauna and the tourism industry related to the environment generally.The article clearly demonstrates the disinterested if not dismissive attitude of the Borough of Wonthaggi councillors and the local newspaper editor at the time towards observations of flora and fauna. However, the article is also an interesting record of 5 Little Penguins being sighted at a beach where they were not known to have previously been seen.Photocopy of Single column newspaper article, black print on white paper. Article has curved line border design on top, sides. Cut off in copy at bottom edge. Five paragraphs in main article, and 1 paragraph at bottom marked: Editor's noteSEN 13 - 7 - 72 (South Gippsland Sentinel Times newspaper, 13th July, 1972)little penguins, fairy penguins, eudyptula minor, penguin behaviour, borough of wonthaggi, cr j gall -
Gippsland Art Gallery
Ceramic, Dwyer, Denis, Bowl, c.1966
Donated by the artist, 1966gippsland, artwork, permanent collection -
Flagstaff Hill Maritime Museum and Village
Ceramic - Teapot, First half of the 20th century
Lusterware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. The technique on pottery was first developed in Mesopotamia (modern Iraq) in the early 9th century. It is produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", or a reduction kiln, excluding oxygen. The Lusterware effect is a final coating applied over the ceramic glaze, and fixed by a light second firing, applying small amounts of metallic compounds (generally of silver or copper) mixed with something to make it paintable (clay or ochre). This is then fired in a reducing atmosphere at a temperature high enough to "soften" the glaze from the first firing, and break down the metallic compounds, leaving a very thin ("perhaps 10 or 20 atoms thick") layer that is fused with the main glaze, but is mainly metal. Lusterware normally only uses one colour per piece, and the range is limited a "gold" derived from silver compounds was historically the most common. The process has always been expensive and rather unpredictable, always requiring two firings, and often the use of expensive materials such as silver and platinum. The very thin layer of luster is often delicate, and many types of Lusterware are easily damaged by scratching removing the metallic layer, or by contact with acids. Lusterware has therefore always been for display and occasional use, although by the 19th century it could be relatively cheap. Many pieces show the luster effect only working correctly on parts of the surface, or not at all. An item probably made in Staffordshire UK where this type of pottery was popular in the late 19th century by unknown pottery as the subject item has no marks. The teapot at this time cannot be associated with a historical event, person, or place, provenance regards manufacture is unknown, item assessed as a collection asset given it was produced before 1950.Teapot ceramic ornate copper lusterware abstract floral design handle has a protruding sculptured bird for thumb grip. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, tea set, kitchen ware, ceramic, lusterware, pottery, staffordshire uk, pottery finishes -
Horsham Regional Art Gallery
Painting, Justin O'BRIEN, The Deposition, c.1961
Gift of Mack Jost, 1992 -
Federation University Art Collection
Work on paper - Artwork - Printmaking, John Brack, 'Nude 3' (Also known as Nude in a Chair) by John Brack, 1982
John Brack (1920-1999) Born AustraliaFramed, limited edition lithograph. Originally produced to be bound in a book by private press publisher Tate Adams. The suite of lithographs for the book was started by John Brack in September 1981 and finished and published in December 1982. The book was launched with a series of original conte drawings, from which the lithographs were based, in Realities Galleries, Melbourne. As such a high cost of production was involved in the binding of the book, only fifteen copies were originally bound for exhibition and sale at the show. Subsequent to this approximately another thirty copies were bound, making a total finished edition of fewer than fifty copies, far less than the anticipated 200. A number of the 50 hors commerce editions have been sold as individual plates through auctions and galleries. A number of sheets were recently discovered through the estate of Brack’s art dealer Rudy Komon, from which this book has been bound. This work is from Rudy Koman's estate.john brack, nude, life drawing, available, chair -
Flagstaff Hill Maritime Museum and Village
Ceramic - Saucer, 1920s
This saucer is part of a four-piece place setting, comprising a teacup, saucer and plates, from a tea set. The tea set was given by Eva Carmichael, one of only two survivors of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, the young woman who supported Eva during her recovery from the ordeal. Ms Shields was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. n 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This blue ceramic tea set, comprising a teacup, saucer and two plates, is of high significance as it is closely connected to the wreck of the Loch Ard, and one of only two survivors, Eva Carmichael. Memorabilia connected to Eva Carmichael are precious and rare. The Loch Ard shipwreck is significant for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Saucer; this saucer is part of a ceramic tea set place setting, comprising a cup, saucer and two plates of slightly different sizes. The saucer is royal blue with a gold rim.warrnambool, maritime-museum, flagstaff-hill-maritime-village, loch ard, shipwreck, tea set, ceramic, flagstaff hill, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, royal blue china, eva carmichael, jane shields, glenample, place setting, saucer, ceramic tea set -
Gippsland Art Gallery
Work on Paper, Lincoln, Kevin, Mitchell River, Gippsland, Victoria, 2003
Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection -
Kew Historical Society Inc
Work on paper, Joy Stewart, Merritt House, Trinity Grammar School, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Prelimiinary sketch of 'Merritt House, Trinity Grammar School' by the artist Joy Stewart.Inscription: "Merritt House, Trinity Grammar School". c.1978.joy stewart, merritt house, trinity grammar school -
Federation University Art Collection
Painting, Richard Lowe, Peppers I, 1977
Moonyean McNEILAGE (1935- ) Born Melbourne A watercolour painter, printmaker (lithographer) and freelance book illustrator who worked with ArthurBoyd at Murumbeena between 1955 and 1958.Framed painting of capsicums.LL Peppers Dr I LR Moonyean McNeilage 77peppers, capsicum, vegetables, moonyean mcneilage -
Federation University Art Collection
Painting - Oil on paper, [Landscape] by Jeff Woodger, 2006
Jeff WOODGER Born Bendigo, Victoria Jeff studied art at La Trobe University in 1986, and a Graduate Diploma in teaching in 1989. He worked as a teacher from 1990 to 1998. In 1994 Jeff was awarded a Master of Arts from La Trobe University. He then studied at the prestigious Slade School, London and the National Gallery of Art in Washington D.C. Jeff Woodger completed a Doctor of Philosophy (Fine Art) at University of Ballarat (now Federation University) in 2006. This work was part of the exhibition assessment for this study. Jeff Woodger has lived and worked in Japan regularly since 1994. His passion is to paint post romantic landscapes in the classical style which are deeply inspired by many of the seventeenth century greats such as Claude Lorraine and Salvator Rosa. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil on paper landscape with river in the foreground.art, artwork, jeff woodger, alumni, landscape, available -
Gippsland Art Gallery
Painting, Leslie, John, Sale Scene, c.1960s
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
Greensborough Historical Society
Work on paper - Folder of Documents, Ian Bryant, War Memorial Park Greensborough, 2011_
Folder of documents about War Memorial Park Greensborough including aerial photographs and title documents (collected by Ian Bryant) and other information on War Memorial Park bordered by McDowell Street, Ester Street, Henry Street and Vermont Parade Greensborough.Folder of documents - 2 ring binder and A4 printed pages in plastic pockets.greensborough war memorial park, public space, war memorials, ian bryant, parks banyule -
Gippsland Art Gallery
Painting, Majzner, Victor, The Great Shuffle, 1972
Donated by Georges Australia Ltd, from the Georges Art Prize, 1973Acrylic, Canvasgippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - City Father, George SMITH died 1896, Ballarat Star, 1st August 1896, page 4, 1 August, 1896
George Smith was a noted nurseryman and seedsman who founded the Royal Exotic Nurseries at Lake Wendouree. He gave technical advice in the laying out of the Ballarat Botanical Gardens, the planting of street trees and in advancing numerous municipal works around Ballarat.George Smith advanced the interests of Ballarat and its inhabitants in numerous ways, especially in agriculture and horticulture. He was also instrumental in making Ballarat famous in the other Colonies as well as overseas. Three pages of photocopied newsprint in heavy black print. National Library of Australia reference number at the bottom of each pagejohn garner collection, garner, dr, smith, ballarat star, newspaper, 1896, ballarat botanical gardens, ballarat, gardens, george smith j.p., city father, baron von mueller, kew gardens, goldfields, city councillor, magistrate -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology