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Artwork, other (1259)
Ceramic (763)
Decorative object (699)
Drawing (4603)
Mixed media (514)
Painting (2472)
Print (1654)
Sculpture (401)
Textile (1394)
Work on paper (2040)
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Whitehorse Historical Society Inc.
Textile - Mat - Hardanger, not known
From the collection of Bette JonesA square mat with squared scalloped edges worked in cream and brown in hardanger work.nonehandcrafts, embroidery -
Hawthorn Historical Society
Drawing - Property Illustration, 665 Burke Road, Hawthorn East, 1995
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 665 Burke Road, Hawthorn East by Margaret Picken.659 Burke Rd, Haw E, Margaret Picken '95. Woodards - C'well.artist - margaret picken 1950- -
Wangaratta Art Gallery
Textile, Paul Yore, Map, 2012
I see my work with textiles as always a negotiation of both the poetic and the political. A medium often relegated to the realm of ‘craft’, I see working with wool as a subtly subversive methodology, and an opportunity to engage in socio-political critique. As a laborious yet cathartic craft, the delicately feminine familiarity and domestic warmth of my hand-sewn tapestries allows me to open up and question traditional notions of masculinity through the enactment of a highly personalized queer ritual. Furthermore, wool carries with it frontier pastoral associations of early colonial expansion, and it is in this context that the work Map, which is based on the ethnographic mapping of indigenous language groups, was envisioned.contemporaryWangaratta Art Gallery Collection. Work acquired as winner of 2013 Wangaratta Contemporary Textile Award. Digital reproduction courtesy of the artist, Neo Parc Melbourne and Hugo Michell Gallery Adelaide.A rectangular wool needlepoint textile work that features a multi-coloured map of Australia on a black and white checkered background. textile, wcta, wangaratta art gallery, paul yore, wool needlepoint -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 40 Outlook Drive, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Whitehorse Historical Society Inc.
Textile - Doyley
From the estate of the late Jean Ord, mother of the donor.Seven semi circle medallions crotched on to white cotton centre pieces.handcrafts, crocheting or crochet work -
Hawthorn Historical Society
Drawing - Property Illustration, 615 Burwood Road, Hawthorn, 1991
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 615 Burwood Road, Hawthorn by Margaret Picken.615 Burwood Rd, Haw, Margaret Picken '91. Woodards - C&I. artist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 12 Rowell Avenue, Camberwell, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3/26 Ferndale Road, Glen Iris, 1993
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Old Castlemaine Schoolboys Association Inc.
Work on paper, 2022 Reunion Programme
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National Vietnam Veterans Museum (NVVM)
Drawing, Laminated Sketch, Australia Remember
Black and White Leunig Sketches detailing a returned soldiers mental health issuesLeunig signaturelaminated sketch, leunig -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 8 Cradley Avenue, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 8 Cradley Avenue, Kew by Margaret Picken.8 CRADLEY AVE., KEW / MARGARET PICKEN (c) 2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 8 cradley avenue - kew (vic.) -
Ballarat Tramway Museum
Drawing - Destination Roll - miniatures, Australian Electric Traction Association (AETA), mid 1960's?
Reproduction or miniatures of tram destination rolls on heavy paper: .1 - Geelong .2 - Footscray .3 - Point Ormond .4 - Ballarat .5 - Bendigo All white on black except for Geelong. Possibly made early to mid 1960's by the AETAtram, trams, geelong, footscray, ballarat, bendigo, destination roll, point ormond -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Prime Ministers at the Ballarat Botanical Gardens, Friends of Ballarat Botanical Gardens, 2015
john garner collection, gardens, ballarat, prime ministers, brochure, 2015, ballarat botanical gardens -
Melbourne Tram Museum
Drawing, Brisbane City Council, "Brisbane City Council - Four motor tramcar General Arrangement - 504-", c1950
Dyeline print of Brisbane City Council Drawing No. 4614, titled "Brisbane City Council - Four motor tramcar General Arrangement - 504-" scale 3/4" to 1 foot, dated 17/7/1950, providing a overall vertical and floor plan of the tramcar. Marked as F2805Has drawing title and drawing number on outside when folded and numerous Preston Workshop stamps.trams, tramways, brisbane trams, drawings -
Swan Hill Regional Art Gallery
Drawing, SIBLEY, Andrew, Senator John Button, 1992
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Darebin Art Collection
Drawing - Geoff Todd, Geoff Todd, Private Bruce Steel Kingsbury, 2002
soldier -
Ararat Gallery TAMA
Textile, Frances Burke, Zen, c. 1965
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Warrnambool and District Historical Society Inc.
Mixed media - Calendar, P L Phillips & Co, 1919
Mr P L Phillips operated a general store in Liebig Street in the early part of the 20th Century. He was a highly regarded member of the community. He was community minded and promoted support for local industry, advertising his locally made or sourced products. He and his wife were involved in the Congregational church and music. He was mentioned in The Warrnambool Standard as arranging an Honour Roll for the Aboriginal soldiers who fought in WW1, with two losing their lives. The Nestle Company has been a long established business and major employer in Warrnambool (Dennington) since the early 20th century until it was purchased by Fonterra around 2000. The significance of this item lies in the connection of a large company with a strong presence in Warrnambool, and a small business combining to promote a patriotic theme which would have been very important in the days proceeding the First World War. Light white card with details enclosed within a light grey frame and text. Nestle Milk is in large text across the top, above a coloured picture depicting soldier and sailor in uniform in oval with kangaroo and emu in gold. A brown bulldog stands above in front of the Australian flag and on top of the Union Jack. Nestle product advertising is on both sides of this picture. Calendar details are at the bottom with P.L. Phillips & Co details in the centre. Metal strip along top and bottom.Cloth tag at top. Defence not Defiance at base of picture. Molly Wicking in black ink at bottom of calendar. With compliments P.L. Phillips & Co Grocers & P Liebig Street Warrnambool. Provision Merchants, Phone 237.warrnambool, p.l. phillips, grocer, provision merchant, nestle warrnambool, nestle dennington, calendar 1919 -
Federation University Art Collection
Work on paper - Artwork - watercolour, Karl H. Hofman, 'Sturt Street: The big candleabrum monuments in Ballarat' by Karl H. Hofman, 19/10/2002
Framed watercolour of a Ballarat street scene painted from Lydiard Street North looking towards Craig's Royal Hotel.karl h hofman, ballarat, craig's royal hotel, lamp, burke and wills fountain -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, The floodplain of Diamond Creek between Diamond Creek township and Eltham North
floodplain, eltham north -
Federation University Art Collection
Work on paper - Printmaking, University of Ballarat Printmaking Book, 1997
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Red hard covered book with original limited edition prints by Printmaking student at the University of Ballarat (later Federation University Australia).art, artwork, alumni, printmaking, artist's book, sean doherty, sue armstrong, emma stoneman, dianne jacono, maryanne coutts, carole wilson, anne mcalpin, janine coatsworth, helen errington, james bryant, linda woodfield, ann o'grady, michelle charman, lnda woodfield, zoe mcmahon -
Moorabbin Air Museum
Drawing (Item) - 5/8" Adaptor Inlet Hose Hydraulic Drawing No. A2754/1
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Hymettus Cottage & Garden
Work on paper, Visit of Her Majesty Queen Elizabeth the Queen Mother to the City of Ballaarat 2nd March, 1985
non-fictionqueen mother, royal visit, ballarat, 1958 -
Eltham District Historical Society Inc
Work on paper (item) - Photograph, 2 Metery Road, Eltham South
Robert and Ada Zull built an Alistair Knox designed house at 2 (lot 8) Metery Road, Eltham, a one acre property for their family of five in the mid 1960s. This series of photographs show the bush block before construction, concrete footings and base being poured and the timber frame takes shape. The house had a concrete floor. Susan Bennett, nee Zull's reminiscences are published in EDHS Newsletter, February and April 2020. ".. the block was big.. Building the house was slow going. The plans had to be discussed, then drawn up, finance found, council permits obtained and labourers engaged. "This series of photographs together with the account of personal remiscences provide a unique document of the construction of an Alistair Knox designed home. Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.zull family, eltham south, 2 metery road, alistair knox, footings, concrete, concrete mixer, frame, bush block, fj holden standard sedan -
Warrnambool and District Historical Society Inc.
Textile - Warrnambool Primary School 1743 Tie, Circa 1950’s
Warrnambool State School, No, 1743 was opened in 1876. The site in Jamieson St was easy to access from the surrounding areas of Belfast, Woodford, and Allansford roads. It was the main school in Warrnambool, before the development of Primary schools at East and West Warrnambool. A large part of Warrnambool’s children have attended this school over the 140 years it has been in existence.A common item with which a large number of Warrnambool residents would identify. Brown woven woollen tie with diagonal yellow stripes. White tag with black and red writing sewn into back seam.Tee- Dee, pure wool, school and college wear. warrnambool, warrnambool jamieson street primary school, no 1743, school tie, warrnambool primary school -
Federation University Art Collection
Work on paper - Printmaking, Various, Artists Book 1992, 1992
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Maroon hard covered artists bookEdition NO 7/28art, artwork, printmaking, christine stewart, janine fusea, anthony ross, eloise dejong, heodi mcdonald, madonna rogerson, joanne healy, zoe england, jane robbins, sue armstrong, philip honey, anita iacovella, elaine d'esterre, luisa la fornara, etching, linocut, collagraph, chine colle, kithograph, drypoint -
Mont De Lancey
Textile - Tray cloth
White cotton rectangular embroidered tray cloth. Has two blue embroidered bluebirds in floral circles. Finished with a scalloped crocheted edge in white and blue.table linen, tray cloths -
Federation University Art Collection
Work on paper - Printmaking - Linocut, Shimmen, Heather, The Ubiquitous Balance by Heather Shimmen, 2003
Heather SHIMMEN (1957- ) Born Melbourne, Victoria Heather Shimmen is a painter and printmaker who ises etching, lithographic and linocut techniques. She often uses mixed media and collage. Throughout her prints Heather Shimmen interleaves personal histories. Between 1976 and 1978 Heather Shimmen studied Fine Art Painting at RMIT in Melbourne. During that time she was taught for one year by George Baldessin This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed linocut with fabric overlayart, artwork, heather shimmen, shimmen, linocut, printmaking, edition, bird, hand, tree branch, bee, moth, princt council australia, pca, available -
Bendigo Military Museum
Work on paper - NOTEBOOK, c.1941 - 1945
Items in the collection of R C ALLARDICE No 418577 RAAF. Refer Reg No 3627.5 for his service details & collection.Small note book, no covers, metal binding at top. 25 pages with the majority written in ink, & remainder in pencil. The notes are on many facets of aircraft, procedures, signaling, submarine detection, engines, pyrotechnics, to name a few.Handwritten in ink at top of front page: SUNDERLANDtraining, raaf, world war 2 -
Ararat Gallery TAMA
Textile, Marcel Marois, Mutation - Time: Blue, Grey, White, Red, 1994-6