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Federation University Art Collection
Painting - Oil on board, Neville Bunning, [Musical Interlude] by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of a woman playing a clarinet.art, artwork, available, neville bunning, music, portrait -
Churchill Island Heritage Farm
Textile - Lace Piece x 2
These pieces replicate bobbin lace as can be seen by the fine knots in the diamond shaped net ground and the gimp or outline has been given the appearance of being tamboured in a fine chain stitch. These cotton lace pieces have been cut from a larger piece which by shape and size appear to have been intended for a collar. They are machine made and very likely were woven on a Leavers machine with the chain stitch outline being added by a Bonnaz/Cornely machine. The Leavers machine, once coupled with the French Jacquard machine in the late 1830s, made excellent copies of any handmade lace which could be reproduced much more cheaply and much faster than the time consuming handmade laces. The Jacquard machine was invented by Joseph Marie Jacquard and was first demonstrated in 1801. It worked by threading a series of interlaced punched cards through the machine with each row of holes in the cards corresponding to a row in a textile design. The Jacquard loom influenced the future development of computer technology and its attachment to the Leavers net making machine opened the ability to recreate countless varieties of formerly handmade lace.The Amess family owned Churchill Island from 1872 to 1929Two triangles of lace cut from a larger piece, machine made, floral and leaf decorationchurchill island, lace, janet amess lace collection, amess -
National Wool Museum
Print, Flora, a Spanish Sheep at Buckingham Palace,1849
Reproduction print of "Flora, a Spanish Sheep at Buckingham Palace,1849 ", a watercolour by Frederick Keyl (1823-1871), presented to the National Wool Museum by HRH Queen Elizabeth 11, April 28th, 1988.Red leather folder, presented by HRH Elizabeth II on her visit to the National Wool Centre in 1988. Red leather folder, presented by HRH Elizabeth II on her visit to the National Wool Centre in 1988. "Flora, a Spanish Sheep at Buckingham Palace,1849 ", print inside presentation folder from HRH Elzabeth II.ER/PRESENTED/ TO THE/ NATIONAL WOOL CENTRE/ GEELONG/ BY/ HER MAGESTY THE QUEEN/ 28TH APRIL 1988 "ER" -
Federation University Art Collection
Sculpture - Artwork - sculpture, 'Figure 3' by Sophie Nowicka, 1995
Sophie Nowicka was a visiting artist to the Gippsland Campus in 1995.Sculpture artwork, artist, sculpture, sophie nowicka, gippsland campus -
Benalla Art Gallery
Painting, E. Phillips FOX, Evening (Charterisville hillside, Ivanhoe), c. 1894
Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismGift of Dr Robert W. Henderson 2004Rural night landscape with road, buildings and moon. Gold painted wooden frame.Recto: Signed "E Phillips Fox" in brown paint l.l.c of composition; Not dated; Not titledlandscape, evening, moon rising, rural, road, australian art -
Ararat Gallery TAMA
Textile, Silke Raetze, Forgot To Be Pretty, 2008
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Gippsland Art Gallery
Sculpture, Forster, Hendrik, Sterling Silver Square Box with Banksia Insert, 1982
Purchased with the assistance of the Crafts Board of the Australia Council, 1982Sterling silver and banksiagippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Phil Harris, Phil Harris, Ideas Man, 2015
painting -
Glenelg Shire Council Cultural Collection
Painting, Sunset, Blairs Creek 1893, 1893
Roundel painting in circular frame. Scene depicts a lagoon edged with grass and low bushes in foreground and trees in background. Two black swans swim in foreground and a boat with a mast and rigging is anchored near land and a tree at centre right of image. Top half of painting is a sunset with clouds in pink, red, white, yellow, indigo, russet. These colours are generally reflected in foreground water. Framed in round wooden frame.Front: (no inscriptions) Back: "Sunset" Blair's Creek, Portland. Jan. 7th 1893 (centre) (black ink). 90 (ink on varnish) (centre left). 1996 (pencil) (upper left). -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Jeremy Kibel, Point, 2000
Jeremy Kibel, Point 2000, oil on board, 40 x 50 cm. Bayside City Council Art and Heritage Collection. Donated through the Australian Government’s Cultural Gifts Program by Lion Capital Pty Ltd, 2013oil on boardpainting, abstract, point, jeremy kibel -
National Wool Museum
Textile - Blanket, 1950s
Collector says: "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket in apple, pink and lemonIn emblem: V/Viscount/Super Quality All Wool/Made in Australiawool, blanket, blanket fever, viscount -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Carved wooden figurine of an obstetrician, Germany, Jaschke Pretzl, c. 1950s
This is a German made figurine, attributed to Jaschke Pretzl. Loosely translated, the label text on the figurine says 'Obstetrician', that the birth was happy, and that the father and child are well. Stamp printed on underside of base says that this is a hand-carved figure.Carved wooden figurine. Depicts a man in a white coat and glasses, with a receding hairline, holding a baby. He is holding the baby's legs in his left hand, and supporting the baby's back and neck with his right hand. The figure is atop a small wooden plinth, one side of which carries handwriting that reads 'Geburtshelfer/Geburt glucklich verlan fen,/Vater und Kind wohlanf!' The underside of the plinth is printed with a stamp that reads 'Handgeschnitzte/ Figur'. There is a third word at the centre of the stamp on the underside of the figurine, but it has faded and is illegible. 'Geburtshelfer/Geburt glucklich verlan fen,/Vater und Kind wohlanf!'/'Handgeschnitzte/ Figur'obstetrics -
Glenelg Shire Council Cultural Collection
Sculpture - Model Ship, Frances Henty, n.d
The Frances Henty was a clipper ship named after Thomas Henty's wife, Frances. She carried passengers, wool and gold in between London, England and Victoria, Australia until 1869Model of 573 ton Clipper Frances Henty in glass fronted and ends, timber case. Presented as a diarama.Back: Frances Henty Homeward Bound (back)maritime, shipping, hentys -
Whitehorse Historical Society Inc.
Textile - Handkerchief, 1945 approx
White silk handkerchief with newspaper headlines and stories related to the surrender of Japan on 2 September 1945.World War 2White silk handkerchief with screen prints in green of newspaper articles of surrender by Japanese 2 September 1945.as abovemilitary history, army, costume accessories, male -
Gippsland Art Gallery
Painting, Romeyn, Annika, Luminous Earth, 2013
Purchased, 2014Watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Sinclair, Andrea, Bonfire at Yarragon South, 2017
Purchased, 2018Oil on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Simpson, William (after), Fortress of Yenikale Looking Towards the Sea of Azoff, 1855
Donated by Charles Nodrum, 2018Lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Rose, David, Perforated Game, 1970
Donated from the estate of Patricia Marie White, 2013Screenprint on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print, Portland is for Everyone, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of three Aboriginal women in foreground with red text "PORTLAND IS FOR EVERYONE" at the top. The Aboriginal women are portrayed with blue skin and orange, yellow and pink clothing. The background is a mix of yellow and pink lines, over which black leafless trees are printed. At the bottom of the work is purple text which reads "Thanks to the Aboriginal Cultural Centre, Heywood and the Portland Historical Society".Front: 47/60 Angela Gee '83 Back: 10 -
Horsham Regional Art Gallery
Painting, Elioth GRUNER, The mountains
Gift of Mack Jost, 1983oil on board -
Mont De Lancey
Textile - Table runner
A long white lace embroidered patterned cotton table runner for use on a table or sideboard. It has scalloped edging.table runners, table linen, table accessories, tableware, household textiles -
Whitehorse Historical Society Inc.
Textile - Doyley
White round doyley made in netted lacehandcrafts, lacemaking, manchester, table linen -
National Wool Museum
Textile - Red Cross Quilt, 1930-1949
This quilt was purchased from an op shop in Clifton Hill, Vic. by Lois Densham, a quilter and former member of the Running Stitch group who has an interest in historic Australian quilts. The quilt has been displayed in NSW, where it was part of an exhibition of Historic Australian Quilts curated by Annette Gero and held at Old Government House, Paramatta between 5 June and 22 August 2000. Initially purchased in Clifton Hill, it originally came from a source in Highton, Geelong. It is a double bed sized quilt in the classic 'crazy' style with extensive use of herringbone and feather stitching.The pieced style of the quilt, made from squares of patchwork is similar to the style of quilts made by members of the Country Women's Association (CWA). The women sometimes made a quilt as a group activity and Lois suggested that the quilt may have been made by this group.Quilt, rectangular. Made with crazy patchwork in twelve large blocks. The blocks at each corner are fairly regular, whereas the others are full of random pieces. The patches are oversewn with hand embroidered feather stitch in different colours. In the centre there is a block with a maroon cross. Many of the pieces have central 'sprigs' of green embroidery in bullion stitch. The quilt is backed with a blue and green striped fabric.quilting patchwork, running stitch group national trust of australia (nsw), running stitch collection, densham, ms lois, geelong, quilting, patchwork, cwa -
Horsham Regional Art Gallery
Painting, Robert DICKERSON, Girl reading, n.d
Mack Jost Bequest, 2001 -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - oil, Family Barracks at Camp 3
Vagarini was an Italian painter at Camp 3 Tatura. He was arrested in Palestine and sent to Australia on the Queen Elizabeth.ModernistFour rows of huts. Flower gardens are planted at the front of the first hut. Rows of red dirt in the foreground. Bright blue sky and a large tree growing at the back of the first hut and is in the centre of the picture. R. Wied wrtitten on back of painting.Cesare Vagarini -
Wangaratta Art Gallery
Sculpture, Rose Wedler, Gentle Giant 2, 2013
Wangaratta Art Gallery CollectionA sculpture of a steel gum tree silhouette on a stained red gum base.rose wedler, sculpture, gum tree -
Horsham Regional Art Gallery
Painting, Bob MARCHANT, What a whopper!, 1996
Purchased through the Horsham Art Gallery Trust Fund, 1996 -
Swan Hill Regional Art Gallery
Painting, PATERSON, Jim Robert, Telecom 1989, 1989
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Ballaarat Mechanics' Institute (BMI Ballarat)
Print - Photograph by Herb Richmond, Ballarat, 1938 Centenary. Post Office at night
Ballarat HistoryOld Gloss Printballarat, ballaraat, 1938, centenary, post office -
Whitehorse Historical Society Inc.
Textile - Doyley
White cotton doyley with deep crocheted lace edginghandcrafts, lacemaking