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Artwork, other (1294)
Ceramic (767)
Decorative object (720)
Drawing (4609)
Mixed media (529)
Painting (2485)
Print (1666)
Sculpture (407)
Textile (1396)
Work on paper (2094)
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Gippsland Art Gallery
Painting, Piggott, Owen, Blue Window, 1974-75
Donated from the estate of the artist, 2016Mixed media on boardgippsland, artwork, permanent collection -
B-24 Liberator Memorial Restoration Australia Inc
Work on paper - Flight Mechanics Course Notes, Fitters II.E Flight Mechanics Course Notes
R.H. Percy was a flight mechanic fitter on B-24 aircraft c1942-1945These course notes were used by all flight mechanics for B-24 aircraft.Foolscap size cardboard covered papers51067 Percy R.H. course 176 TFM, R.A.A.F. 4847 Fitters II.E, Flight Mechanics Course Notes, ENGINEERING SCHOOL, ISSUE 3-1941, This Book is R.A.A.F. Property and is NOT TO BE REPRODUCED without authority. By authority: Wilke & Co Pty. Ltd. Printers 19-47 Jeffcott Street, Melbourne. -
Bendigo Military Museum
Work on paper - NOTIFICATIONS, (.1) 1941, (.2) 16.1.1941
Items relate to Reginald Charles ALLARDICE V40236 AMF and 418577 RAAF. Refer Cat No 3627.5 for his service history.(.1) A.M.F Mobilization assembly card, double sided re RC Allardice V40236 to report on Day 1 at the Surrey Hills Drill Hall, Black printed with purple stamps. (.2) A.M.F notice to recruits to report on 23.1.1941 to the Drill Hall Robinson Road Surrey Hills. Document has written and typed in black and stamped in purple re RC Allardice.orders to report for duty, mobilisation book -
Ringwood RSL Sub-Branch
Work on paper - Japanese propaganda
Japanese propoganda -
Gippsland Art Gallery
Work on Paper, Piggott, Owen, Look and See the Rhythms, 1980
Donated from the estate of the artist, 2016Ink on papergippsland, artwork, permanent collection -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Wellingtonia Avenue Ballarat Botanical Gardens, Sequoiadendron Giganteum Trees, June 2009
Wellingtonia Avenue is an important of the Ballarat Botanical Gardens' History dating from 1863-1874.The future of Wellingtonia Avenue is questionable particularly concerning the advisability of replanting Sequoias in a less than favourable environment.1 page with 4 copies in note form.None.john garner, doctor, friends of ballarat botanical gardens, ballarat botanical gardens, wellingtonia avenue, sequoiadendron giganteum, sequoias, heritage victoria, register of significant trees, drought tender, john garner collection, gardens, ballarat -
Kew Historical Society Inc
Textile - Household Textile, Doily, 1940 - 1955
The Fashion & Textiles collections of Kew Historical Society include a number of art or household textiles manufactured or created in the United Kingdom as well as in Australia. As other cultures opened to Australian travellers in the 20th century, members began collecting and donating textiles produced in a number of other countries.White circular embroidered doily with crocheted lace edging. Three violet pansies with white leaves. Possible Semco kit. Punctured holes. household textiles, doilys -
Gippsland Art Gallery
Painting, Perrins Shaw, Peggy, Arabia, 1969
Donated by the artist, 1974Gouache and pastel on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Rolando, Charles, Woodcutters Clearing, c.1890
Purchased with the assistance of the Gippsland Art Gallery Society, 1997Oil on linengippsland, artwork, permanent collection -
Ararat Gallery TAMA
Textile, Roma Center, Basic Forms In Black and White, 1975
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Whitehorse Historical Society Inc.
Textile - Table runner, not known
Used by Mrs Jean Ashcroft (nee Broad) and probably worked by her. She came from Galashiels ScotlandFine white linen table runner with drawn threadwork hem and whitework embroidery of flowers, leaves and ribbonnonemanchester, table linen -
Federation University Art Collection
Painting - Acrylic on canvasboard, McGernnisken, Justin, [Orange woman with blue hair] by Justin McGernnisken
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.An orange woman with blue hair. If you can assist with information on this artist or artwork please use the email link below. art, artwork, figure', alumni, horsham campus art collection -
Glenelg Shire Council Cultural Collection
Painting, Portland Town Hall, c. 1955
Portland Town CouncilPainting of a bluestone building with four columns mounted decoratively on the front of the building. A footpath is in front of the building, with a man and woman walking. A dirt road curves from foreground centre towards and past the building to the left. Two tall pines are behind the building on right. Building bears sign reading "Town Hall 1869". Framed under stippled glass in wooden frame.Front: Town Hall Portland '55 (brown paint, lower let). Travis Webber (brown paint, lower right). Back: Geelong Picture Framers, 211 Moorabool Street, GEELONG. Ph. 97805 (blue ink stamp, lower centre). -
National Vietnam Veterans Museum (NVVM)
Painting, Ziggy at the Switchboard
Colour acrylic or oil painting of a signals radio room. The painting depicts an operator facing the artist whilst tuning in a frequency.The operator is in a Green uniform with two bars and two chevrons on his sleeve is a Raeme Lad - Ziggy. The painting is set in an ornate Gold frame.Donated to the N.V.V.M. Phillip Island. In memorry of Dr. Zygmunt A Gizyckide Gozdawa. MDDS ( Poznan - Poland B.D Sc (Melb) L.D.S. (Vic) By Gizycki De Gozdawa Family Heritage Foundation Ziggy @ Raeme Lad Radio Wksp. 7 BN RAR 1st Tour NUI DAT.1967.painting, signals, gizycki -
National Wool Museum
Textile - Blanket, Waverley Woollen Mills, 1960s
Note from collector: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Waverley 'El Rio' Multicoloured checked Double sized blanketEl Rio Blanket/By Waverley/Pure Woolblankets, blanket fever, wool, el rio, waverley, launceston -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Camp huts, 1943
Painted by internees C Vagarini at Camp 13.B. FrankBrown wooden frame. 3 huts and the end of a 4th hut in front of which are attractive gardens with a large barrel. Flower pot behind which is a blue cylinder, not unlike a fire extinguisher.Casare Vagarinipainting oil, vagarini c, frank b, camp 3, tatura, ww2 camp 3, oil -
Whitehorse Historical Society Inc.
Painting - Ink Sketch, Bill Andrade - Mitcham Arts, Around Schwerkolt (Cottage), November 1988
Schwerkolt Cottage drawn in November 1988.Black ink & water colour of Schwerkolt Cottage with trees in background. Has a cream surround with a black frame. Labelled "Around Schwerkolt "Bill Andrade. On back label Bill Andrade - phone 890-9607, 18 Perth Street, Blackburn Sth 3130 member - Mitcham Arts Old Water colour Society Ink & water. Nov 1988.As above.ink & water colour, schwerkolt, mitcham arts, schwerkolt cottage, bill andrade -
Glenelg Shire Council Cultural Collection
Work on paper - Photographic Copy - Protractor, n.d
Port of Portland Authority Archivesport of portland archives -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: BOLSTER PILLOW CASE WITH PIN-TUCKS AND BRODERIE TRIM, Early 1900's
Textiles. Fine linen fabric, white in colour. A 19 cm wide panel of fabric has been sewn to the top of the cover, and is edged on three sides with finely embroidered broderie anglaise featuring a circular, six petalled flower impression. A panel of the same broderie runs through the centre of the panel, and is bordered by a band of three pin-tucks on each side. An envelope of the linen fabric backs the bolster pillow.textiles, domestic, bolster pillow case with pintucks -
University of Melbourne, Burnley Campus Archives
Work on paper (item) - Student Work, Annabel Dungey, Birch Tree Residence Project, 2018
assignment, burnley horticultural college -
Kilmore Historical Society
Textile - Childs christening dress, Unknown
Christening dress donated by Kilmore familyWhite cotton, short sleeves with drawstrings, gathered waist, broderie anglaise triangular shaped bodice detail, broderie anglaise trim to skirt. Excellent conditition.child, christening -
Federation University Art Collection
Work on paper - Printmaking - Monoprint on paper, John Saultry, 'Old Quay' by John Saultry, 2000
John SAULTRY ( - c1910) John Saultry studied Visual Art at the University of Ballarat. Framed monoprint on paperart, artwork, john saultry, monoprint, alumni, printmaking, human movement collection -
Kew Historical Society Inc
Work on paper, Joy Stewart, 14-16 Princess Street, Kew, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of the pair of two-storey terrace houses at 14-16 Princess Street, Kew by the artist Joy Stewart. Inscription: "14-16 Princess Street, Kew". Signed lower right: "JStewart".joy stewart, princess street (kew) -
Eltham District Historical Society Inc
Work on paper (Sub-Item) - Photograph, Flooding, looking downstream from Susan Street, Eltham 8 April 1977
Colour photograph. Looking downstream from Susan Street, Eltham , 8 April 1977. Note water line on shed flood, diamond creek, flooding, susan street -
Gippsland Art Gallery
Painting, Langlois, Chris, Waterfield, no.2, 2012
Donated by the artist through the Australian Government Cultural Gifts Program, 2013Oil on linengippsland, artwork, permanent collection -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Painting - Artwork- Print, Bardia (action leading to the fall of Post 11)
Painting depicts a significant action carried out by the 2/6th Battalion, an anticedent unit of 5/6 RVRLarge framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet.A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephoneww2, 5/6rvr, 2/6th australian infantry battalion, bardia, ivor hele -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Bust of Gordon Unveiled, The Ballarat Courier, 25, 27 October 1941, October 27, 1941
The first article announces the unveiling of Gordon's bust and the second gives an account of the unveiling of Gordon's bust outside the Gordon Memorial Cottage in the Ballarat Botanical Gardens and something of Gordon's connections.Many Literary Societies were represented at the unveiling of Gordon's bust. This event also connected Ballarat citizens with the Gordons and their history, as well as with the poet.2 white pages with uneven quality of print. The newspaper article is headed "Bust of Gordon Unveiled". 1 white page with a short paragraph, second column, announcing the unveiling of the Gordon Bust.At the bottom of p.2 in blue biro is written October 27,1941. P.1.john garner, doctor, john garner collection, ballarat botanical gardens, friends of ballarat botanical gardens, adam lindsay gordon, adam lindsay gordon cottage, adam lindsay gordon bust, literary societies, poetry, australian poetry, the gordons, archbishop of canterbury, gardens, ballarat -
Bendigo Military Museum
Painting - PAINTING, FRAMED
The building was the HQ of the Eaglehawk RSL Sub Branch. This version was a prototype of a 2 part set of the 3 Bendigo RSL’s HQ’s Cat No’s 8231, 8232 & 8233. This painting was done prior to the building being demolished post 2005. Refer cat No 8124P for an early photo of the building, also 8118 & 8110.Painting - water colour, by the artist StanThomas of a building “RSL HALL, EAGLEHAWK” Frame- black, colour painted timber frame with inner frame / mount white painted timber . No glass Hand painted on lower edge of painting “RSL HALL EAGLEHAWK / STAN THOMAS”ehrsl, brsl, smirsl, water colour -
Churchill Island Heritage Farm
Textile - Lace Trim
This fine lace trim at 1.6cm width is quite narrow, the pattern is geometric in style with one side a selvedge and the other a gracefully scalloped picot edging. It appears to be made of cotton although it could be silk, and ostensibly looks to be a Cluny lace style of bobbin lace which is heavily plaited and worked in one continuous piece. Cluny lace is geometric in pattern often with thin radiating wheat ears. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces such as Cluny. The machine developed from a braiding machine and uses bobbins which imitate the hand movement of hand-made lace makers. This fine lace trim may adorn a child’s collar and cuffs or trim a finely pleated blouse. It may also trim a mob cap or a shawl.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.machine made lace trim with selvage edge on one side and scalloped edge with picots, geometric interior churchill island, lace, janet amess lace collection, trim, amess, cluny -
Stawell Historical Society Inc
Painting, Will Rees, Fyans Creek Halls Gap Vic, 1931
Framed Water Colour painting of creek with walking bridge over it and woman standing on bridge. Gum tree to left of painting.Fyans Creek Halls Gap Vic Will Rees "31 (Bruce Morcom 12-9-1987)