Showing 1054 items matching art
Artwork, other (1199) Ceramic (742) Decorative object (662) Drawing (4550) Mixed media (467) Painting (2349) Print (1647) Sculpture (392) Textile (1019) Work on paper (1999)-
Flagstaff Hill Maritime Museum and Village
Decorative object - Container, Unknown
The container could be amongst personal effects as luggage or in a home, used for storing small items.It is currently not associated with a historical event, person or place at this time and is being used to augment Flagstaff's village display.Wooden container, round shape, with lid. Container shows evidence of wood turning inside. Decorative painted flower design flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, jar with lid, wooden jar, personal effects -
Clunes Museum
Decorative object - GLASS DOME
CLEAR GLASS SPHERE WITH REMOVABLE BLACK RUBBER BASElocal history, domestic item, ornaments, decorative -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Ceramic vignette of a caesarean section locked twin childbirth
This is a rare and hazardous obstetric complication, occurring approximately once every 90000 deliveries. It usually results in a low survival rate for the twin that presents first, with a stillborn rate over 50%. This piece is believed to be from South America, and is either from Colombia or Peru.Ceramic childbirth scene with three figures. At centre, a woman lies on a table giving birth. A figure wearing a hat stands to her right, resting their hand on her upper chest in a gesture of support. On her left, a gloved man with receding hairline and a moustache is leaning over her abdomen and is extracting two babies from her womb.obstetric delivery -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Carved wooden figurine of a doctor
Wooden statuette of a doctor. The statuette depicts a male figure in a white coat, with a blue tie, pant cuffs and dark coloured shoes visible beneath the coat. The man has a brown beard and a receding hairline. He is holding a large syringe under his right arm, and is wearing a stethoscope which extends from both ears and is being held in his left hand. -
Wangaratta Art Gallery
Sculpture, Rose Wedler, Pendant, 2002
Wangaratta Art Gallery CollectionA jewellery sculpture featuring a pendant style necklace in a dark wooden hand-carved block stand. The necklace pendant consists of three metal disks and four clusters of red beads. -
Dandenong/Cranbourne RSL Sub Branch
Decorative object - Patch
This seems to be a recently produced patch that may have been made for an anniversary/commemorationCloth patch, round. Embroided with a yellow border around the outer circumference of the patch. "VILLERS-BRETONNEUX" is embroided in red cotton along the top half of the circumference. There is a yellow kangaroo with the year 1918 in white cotton. The lower area of the badge has "AUSTRALIA" in yellow cotton."VILLERS BRETONNEUX 1918 AUSTRALIA" -
Federation University Art Collection
Sculpture, [Horse], c2000
Sculpture of a horse's head. If you can assist with information on this artist or artwork please use the email link below.artwork, artist, sculpture, gippsland campus, horse, fauna -
8th/13th Victorian Mounted Rifles Regimental Collection
Sculpture - Hussar figurine
The British Army 14th/20th King's Hussars was affiliated with 20th Australian Light Horse Regiment [date ?] . This affiliation carried over to 8th/13th Victorian Mounted Rifles in 1948 and is now maintained in the affiliation of the Queens Royal Hussars and 4th/19th Prince of Wales's Light Horse following various amalgamations and linkings.Rare example of a gift between British and Australian regiments.Metal figurine on a turned wooded base depicting an hussar. Wraparound inscribed plaque on base."Presented to 8th/13th Victoria (sic) Mounted Rifles by all ranks 14th/20th King's Hussars on the occasion of the presentation of our new Guidon / 12 June 1982"20th light horse, 8th/13th victorian mounted rifles, queens royal hussars, 14th/20th king's hussars -
Whitehorse Historical Society Inc.
decorative object - Lace floret
Round piece of cream lace with raised centre.handcrafts, lacemaking -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Chain Bracelet from the Sarah Coventry Jewellery Range c. 1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the bracelet has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned bracelet with multiple connected chains"(c)SARAHCOV" on clasp sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, bracelet -
Whitehorse Historical Society Inc.
decorative object - Doyley
doyley made of filet lace with flower design in centrehandcrafts, lacemaking -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Link Chain Necklace from the Sarah Coventry Jewellery Range c. 1970s-1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned, wide link chain necklace from the Sarah Coventry Jewellery range, featuring circular makers mark tag.On circular makers mark tag, "SC", on reverse "(c) Sarah Cov". sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces -
Royal Australasian College of Surgeons Museum and Archives
Sculpture - Hygieia, 2004
Hygieia (Ύγεια, lit., “healing”) probably began as an abstraction, which later became personified. She does not appear to be a deity of extremely ancient origin, and there has been much scholarly debate as to exactly where and when worship of her first developed. Her cult most likely arose in the territory of Sikyon, where she was worshipped along with Asklepios, the legendary god of medicine. In later times Hygieia came to be regarded as the daughter of Asklepios, although her cult was not introduced to Epidauros, his principal sanctuary, until at least the 4th century BC. The earliest large-scale devotion to her is found in the aftermath of the Plague of Athens (420BC). The cult of Hygieia was taken to Rome, along with that of Asklepios (Æsculapius), in 293BC, to avert a pestilence. Here she gradually became integrated with the old Italian god Salus. Towards the end of the pagan era both Hygieia and Asklepios lost their specific associations with medicine, and became general protective deities. A beautiful wooden statue representing Hygieia, the Greek goddess of health.The figure is highly polished, which brings out the intricate grain of the timber. In it, the sculptor has endeavoured to combine the qualities of a classical pose with a contemporary yet timeless surreal sensuality. It will stand on a stone pedestal about 90cm high, and be placed in a prominent location in the Melbourne headquarters. The College’s statue is semi-abstract in style, carved from a single piece of jarrah. The piece of timber from which it is fashioned was salvaged from the remains of a century-old shearing shed on Rifle Downs, at Darkan in the south-west of Western Australia. -
Glenelg Shire Council Cultural Collection
Decorative object - Commemorative Place - Naming of Portland Bay, n.d
Commemorative plate, manufactured by Adams. 'Lieutenant Grant - discovery and naming of Portland Bay, Dec 5 1800portland bay, 1800s, lieutenant grant, commemorative -
Whitehorse Historical Society Inc.
Decorative object - Trophy
See Ref. 4362Oblong wooden shield with large shield in the middle with a circular medallion in the centre of a large metal shield. This is surrounded by six small metal shields. |Large metal shield engraved 'Blackburn East Primary School - House Athletics Sports'.|Smaller Shields:|1. Mackellar 1983-2. Paterson 1984-3. Mackellar 1985See abovetrophies & awards, sports -
Bendigo Art Gallery
Sculpture, UNKNOWN, Psyche, unknown
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Darebin Art Collection
Sculpture - Irianna Kanellopolou, Irianna Kanellopolou, Unit, 2003
This work consists of three figures (each approximately one metre high) made from cement, and painted three different shades of a Red Iron Oxide colour. The works were made with the intention of celebrating community and the importance of diverse cultures to the identity of Darebin. Uniqueness and individuality are reflected while creating an overall sense of unity and belonging. -
Glenelg Shire Council Cultural Collection
Decorative object - Lamp Bowl, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Pair to 3850.Cut glass lamp bowls, decorated in criss-cross pattern around bowl, creating numerous facets. Circular base and brass top with metal tags.Front: Rd. No 5373 (stamped in base) Rd. No 218630 (stamped in top)birmingham collection, lamp, decorative, household, lighting -
Ararat Gallery TAMA
Decorative object, Mizuhiki, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Gippsland Art Gallery
Sculpture, Woollard, John, Green Turned Red Gum Bowl, 1986
Purchased, 1986Forest Red Gumgippsland, artwork, permanent collection -
The Royal Children's Hospital Archives
Decorative object, Royal Children's Hospital nurse's badge
Metal brooch with coloured inlayRoyal Children's Hospital Melbourne. Infirmus Opitulare -
8th/13th Victorian Mounted Rifles Regimental Collection
Decorative object - plumes, 1915 circa
The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. The regiment took pride in their inauspicious number and adopted the nickname 'the Devil's Own' and wore a black ostrich plume in their hats. The regiment also obtained an unofficial badge featuring a dancing devil. A rare example of a plume worn in military headdress in World War One. It is well provenanced. in good condition and complete.Framed set of ostrich plumes in light black wooden frame with glass front."Original issue plumes as issued to 13 Light Horse Regt prior to the introduction of Emu plumes. Presented by 13 ALH (AIF) Assn"13th light horse, military, light horse, wwi -
Kew Historical Society Inc
Decorative object - Velvet mantel hanging embroidered with chenille thread, c. 1890
Variably described as mantel hangings, pelmets or valances, these became a common form of Victorian interior decoration in the second half of the 19th century. The hanging uses arrasene embroidery which was introduced for artistic embroidery c.1883. Arrasene embroidery was a variation of chenille embroidery and was mainly used for curtain borders, mantel hangings and screens. When used to embroider flowers on velvet or plush, it was sewn upon the surface without being ‘drawn through’. Madonna lilies, irises, daffodils and narcissi were commonly used in designs of mantel hangings.Velvet mantel hanging embroidered with chenille thread. The scalloped edge of the pelmet is bordered by multicoloured silk cording. This example was owned by Netty Cornish of 15 Peel Street, Kew, and donated by her daughter, Mrs F Plumridge in 1980. The embroidered flowers in this example include narcissi and roses.mantel pelmet, peel street, kew, nettie cornish, mary plumridge -
Whitehorse Historical Society Inc.
Decorative object - Lace Pieces
Stitching on back seems to indicate pieces taken off a garment.Two pieces of black Guipure lace - large round flower design at top, spiralling down to thin leaf design.costume accessories, female -
Whitehorse Historical Society Inc.
Decorative object - Picture, c1900s
The girl is presumed to be Miss Scott.Large photograph of girl on child's bicycle. Filigree type picture frame with metallic coating.photography, photographs / slides / film -
Federation University Historical Collection
Sculpture, Carved Aboriginal Birds, c2000
Two Carved Aboriginal Birds made from a very light timber such as Balsa Woodaboriginal, sculpture, birds -
Flagstaff Hill Maritime Museum and Village
Decorative object - Minton Majolica model of a White Stork, 2001
Royal Doulton as part of the Minton Miniature series produced this stork model in 2001. A limited edition of 1,793 pieces were made, and this stork is number 118. The stork is a scaled down model of the original life-size piece first produced by John Henk, c. 1870, as a walking stick and umbrella stand. A rare miniature stork demonstrates the artistry and skill required to produce Majolica ware during the 19th century and the present.A miniature white stork standing on one leg atop a rocky mound, an eel clasped in its beak, a frog beneath its foot, the stand formed by tall bullrushes & water-lily pads.Inscribed at the base Minton founded 1793, artist mark: 6, made in Englandminton & co., majolica, miniature model, flagstaff hill maritime museum, stoke upon trent, john henk, staffordshire -
Federation University Art Collection
Sculpture - Artwork, Donna Marcus, 'Melbourne' by Donna Marcus, 1999
Donna MARCUS (1960- ) Featuring instantly recognisable kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context. In 1981 Donna Marcus was awarded a Bachelor of Visual Arts from the Tasmanian School of Art, followed by A Master of Arts (Visual Arts) from the City Art Institute (University of New South Wales). In 2006 Donna Marcus received a PhD from Monash University in Melbourne, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Anodised aluminium sculptural pieces made from old cookware. The 'Cities' that Donna Marcus depicts in anodised aluminium reflect the artist's travel and history. These urban representations draw on memories from home and more particularly, the kitchen. art, artwork, donna marcus, sculpture, annodised aluminium -
Geelong Gallery
Sculpture - Yellow Fort United Bank, PARAMOR, Louise, 2011
Plastic and mirror -
Wodonga & District Historical Society Inc
Decorative object - Two Glass bead necklaces, c1920s
This kind of beads was commonly worn by women in the early to mid 20th century. These strings of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.2 strings of glass beads. Both necklaces have a metal clasp and are strung on a cord of thick cotton.decorative items, women's jewellery, fashion accessory