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Whitehorse Historical Society Inc.
Decorative object - Fan
Fan belonged to the donor's mother, Mrs. Evelyn Osborne.Black fan - top half silk with white flowers and blue leaves and a silver edge to fan. Lower half of fan is black cane perforated with a design.costume accessories, female -
Wodonga & District Historical Society Inc
Decorative object - Fob sovereign Holder, c1900
The first British gold sovereign was minted as long ago as 1489 under the reign of Henry VII. Subsequent monarchs issued their own gold coins until the reign of James I, crowned King of England and Scotland in 1603 when the practice died out. The modern use of the sovereign and half sovereign coins as common currency in Britain began in 1817. In Australia, the Sydney Mint was established as a branch of the Royal Mint in London in 1855. Its primary role, together with the mints of Melbourne (1872-1931) and Perth (1899-1931) was to strike Sovereigns and Half Sovereigns from the gold that had been discovered in the goldfields of Victoria and New South Wales in 1851. During the First World War, the Sovereign - like most gold and silver coins - was gradually withdrawn from general circulation, although special limited issue coins have frequently been minted for special events, such as the Platinum Jubilee and recent death of Queen Elizabeth 11. Sovereign cases were small portable boxes usually in cylindrical shape and made from various metals with snapshut covers to contain the coin. The spring in the base allowed several coins to be stored in a small container. These fob holders were particularly common in the late 19th to early 20th century and were frequently used by men who could then safely carry coins in their suit pockets. This case was used by a member of the Raper family of Wodonga, Victoria. This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A small silver case with a fob attachment designed to hold sovereign and half sovereign coins. Inside the case are 2 circular spring loaded receptacles to hold the coins. The lid is lined with velvet. A clip and fob is attached to the front of the case.currency, predecimal coins -
Melbourne Tram Museum
Decorative object - Mounted decal, The Exhibition Centre, "The Melbourne Tram", 1992
Mounted decal "The Melbourne Tram" - glued to green vinyl covered craftwood or similar timber. Has a hanging strip or cord with two metal lugs screwed into the mounting material on rear. Mounted by "The Exhibition Centre" Randal advised that Y469 was painted dark green very briefly in 1992 - an initiative of the Kirner Government to operate "The Melbourne Tram" as a tourist service. See also the front cover of the PTC "Changing Times", Vol 2, No. 22, 18 June 1992 - htd539i4 for the launch of the tourist tram service. See Reg Item 627 for a brochure or pamphlet for the service and 669 for a complimentary ticket. See Reg item 5962 for a calendar image of the tram.trams, tramways, the met, logos, decal, y class, tourist trams -
Mont De Lancey
Decorative object - Conestoga Wagon, Mr Chas W Davis, Unknown
The collection of thirteen model horse drawn vehicles were carefully handmade by Mr Chas W Davis 1925 - 2002. He was a talented artist and saw doctor. This model of a horse drawn Canestoga Wagon replicates the vehicle that enjoyed respect from the public during the 1880's. A model of a long covered Conestoga Wagon with two horses, brown and tan. The cream fabric covers curved shaped metal bands and is laced with string around the base to attach it to the wagon.It has a green base, green wooden seat and footrest. There are two wooden barrels attached by wire on one side and the other side has a luggage box. It has two small gold painted spoked wheels with painted black tyres at the front and two larger ones at the back. The forerunner of the Conestoga Wagon had its origin in Europe as a mobile home for shepherds and nomads in the early 1800's. The east coast of America became home to people from all over Western Europe so the old wagon designs were carried to the New World. The wagons were named after a river in Lancaster County Pennsylvania where the Stutz family built them for the western treks of history. Fondly known as the 'Prairie Schooner', the cost in 1840 was $48.00, unpainted spare wheels $8.00, Lawson axles $12.00. They came in 12 and 14 feet beds.replicas, models, scale models, vehicles, carriages, horse drawn vehicles, toy horses, drays -
Greensborough Historical Society
Decorative object - Door Pane, glass, Shire of Diamond Valley, 30/09/1964
This glass door insert is one of a pair previously inserted into the entrance doors to the Shire of Diamond Valley offices in Greensborough. The Shire of Diamond Valley was a Local Government Area located about 20 kilometres northeast of Melbourne. The shire covered an area of 74.38 square kilometres and existed from 30/09/1964 until 1994. After the local government mergers of 1994, the Shire of Diamond Valley offices were used by the Nillumbik Council.This etched glass is a reminder of the Shire of Diamond Valley. As a large piece of glass it is fragile and could have easily been lost or broken when the Diamond Valley offices changed ownership.Clear glass door insert. Etched with insignia of Shire of Diamond Valley.Glass is etched with the coat of arms of the Shire of Diamond Valley surrounded by inscription 'Shire of Diamond Valley. Proclaimed 1964'.shire of diamond valley, emblems, glass etching, local government buildings, door panels -
Kew Historical Society Inc
Decorative object - Pair of embroidered doilies, 1950 - 1960
In the early 20th century it was common for ladies to work doilies in lace or embroidered cloth. They were used to decorate sideboards or dressing tables and also on trays underneath crockery and on plates under food. These could be made from purchased kits or pattern books. They may form part of a trousseauSet of two white embroidered doilies. Scalloped edge has crotcheted finish. An embroidered leaf and half flower pattern on two opposing corners and embroidered quarter flower on the other two corners. There is an embroidered flower in the centre. There are six sets of embroidered holes to thread a ribbon through to gather the larger doily.doilies, household linens -
Whitehorse Historical Society Inc.
Decorative object - Lace front guipure lace
Donated by Heather McNamara From Isobel McNamara, her mother-in-law.Cream guipure lace front.heather & isobel mcnamara lace -
Working Heritage Crown Land Collection
Decorative object - Light fitting, Mint Light Fitting
Decorative brass light fitting, possibly a replica.historic building, former royal mint -
Clunes Museum
Decorative object - PLATE, FORD, RICHARD MR. [DICK]
.1 PAINTING OF ORIGINAL CRESWICK HOSPITAL ON CERAMIC PLATE, THEN GLAZED. .2 PAINTING OF MOUNTAINS, RIVER AND COTTAGE.1 CREAM COLOURED CERAMIC CIRCULAR PLATE, PAINTING OF ORIGINAL CRESWICK HOSPITAL. .2 CREAM COLOURED CIRCULAR PLATE OF MOUNTAIN AND RIVER SCENE.local history, ornament, ceramic -
Glenelg Shire Council Cultural Collection
Decorative object - Doily, n.d
Collection of doilies and cloths, hand worked by Florence Millard, who won numerous prizes in local showsSmall square filet crochet doily, cream cotton butterfly design. -
Kew Historical Society Inc
Decorative object - Pair of hand embroidered pelmets
This item is part of a larger collection donated to the Kew Historical Society by Anna French. The collection includes personal items from the donor's family, as well as items given to the donor and her mother by a family friend, Lucy Merritt (Jean) Hornby. The item is from that part of the collection inherited or assembled by Jean Hornby. The collection is significant given Jean Hornby's mother's descent from Robert Hornby (1854-1935) and Eva Merritt (1865-1959); her mother the chid of a family who settled in Kew in the 1850s, this providing a chain of provenance for items dating to the mid-nineteenth century, when her maternal forebears arrived in Melbourne. Other items represent Jean Hornby's contribution to her local and wider community.The items as created are representative and fine examples of late Victorian and or Edwardian needlework. While many such items were copies of published patterns, these may be original designs. Two mantle or pelmet decorations, with hand embroidered arum lilies on delustred satin backed onto canvas. One pelmet is slightly longer than the other, but each has the same number of bobbles on the trim. hornby family, families -- kew (vic.), jean hornby, soft furnishings, decorative arts, embroidery -
Flagstaff Hill Maritime Museum and Village
Decorative object - Fork
This fork is from the wreck of the Loch Ard that sailed from Gravesend London. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware & cutlery items. This fork is representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. Some of the pieces display their makers’ mark of William Page & Co Birmingham UK. Within the Flagstaff Hills cutlery collection donated from the Loch Ard, maker’s marks are often obscured by sedimentary accretion or verdigris after a century of submersion in the ocean. However sufficient detail has survived to indicate that the collection of samples of electroplated cutlery probably originated from the same cargo consignment from the Loch Ard and were made by William Page & Co. William Page was born in 1811 and died in 1885. He was active as a manufacturer of cutlery from 1829 with premises at 74 Belmont Rd, Dales End as a "close plater" (someone who works sheet metal), and he began electroplating in 1855. William Page & Co was also active from 1880 at Cranemore St, Cattle’s Grove also 55 Albion St, Birmingham, in 1936 the firm became Ltd. The firm used the trademarks "Asrista, Bolivian Silver, Silverite, Roman Silver, Roumanian Silver and Trevor Plate. In 1938 William Page was a supplier to the British Government, marking it's products with the broad arrow symbol and was also present at Sheffield. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Silver plated copper alloy table fork from the wreck of the Loch Ard. William Pageflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, fork -
Wodonga & District Historical Society Inc
Decorative object - Sarah Coventry jewellery pin for 15 years service, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Small rectangular gold metal pin with a small pearl inlay on the proper left side for 15 years service. The 10 K stamp on the back surface suggests it is 10 karat gold.The abraded areas on the clasp on the back expose underlying silver coloured metal indicating that the clasp is plated. "Sarah / SC / 15 / YRS / Coventry" on the front surface. "cTo ® / .... 10K" stamped in the back surface on the lower proper left side indicating 10 karat gold. The (®) symbol indicates that the manufacturer's mark is federally registered with the US Patent and Trademark Office. The 'cTo' is the trademark by O. C. Tanner Jewelry Co. in Salt Lake City, U.S.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, pin, jewellery pins -
Whitehorse Historical Society Inc.
Decorative object - Brooch
Grey metal brooch with horseshoe pattern.costume accessories, jewellery -
Glenelg Shire Council Cultural Collection
Decorative object - Ceramic Dish, n.d
Ceramic glazed dish, white on outside, light blue inside, with Aboriginal motif in browns, black, white.Front: 'Casterton" Back: Base: 'Vlasta 3A' - etched into baedecorative dish, ceramic, casterton -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Wooden Parrot, Rosella, 1940's
Made in Camp 1 by Hans Beck for his little daughter.Toy wooden Rosella parrot, painted red, green blue, yellow and black. On a long stick and made to sit on the edge of a shelf. Counter balanced. Homemade.beck h, haynes b, toy rosella parrot, toys, wooden parrot, internment camp handcraft -
Flagstaff Hill Maritime Museum and Village
Decorative object - Ornament, 19th century
This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was most likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Ornament, fine unglazed white porcelain, carved to represent a woman standing in front of a green vase. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, vase, woman with vase, germany -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Faux Crystal Necklace from the Sarah Coventry Jewellery Range c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Faux purple crystal pendant set in a claw clasp ,with silver tone chain."(c)SARAH" on back of pendant sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces -
Eltham District Historical Society Inc
Decorative object - Trophy, Winner's Cup, Eltham Gift 1954, 1954
Presented to W. Forbes Raymond (Billy) William Forbes 1934-2008 Born Nyah West, Vic and died Echuca, Vic, Billy was a painter and decorator in the 1950s before joining the Melbourne Metropolitan Fire Brigade in the 1960s. In the 1970s he was employed at the Melbourne Metropolitan Board of Works until his retirement in 1991. In the 1930s he was raised in Nyah West then moved to Wallan in the 1940s, Collingwood/Carlton in the 1950s, Reservoir in 1970 then Torrumbarry, Vic from the 1990s. Billy undertook National Service in the 1950s and played football with the Carlton Royals in the 1950s and 1960s. Billy was presented with this Winner's Trophy for the 1954 Eltham Gift. The Eltham Gift was a running race similar to many other 'Gift' races around the the Melbourne suburbs and country towns. And that is where the mystery lies as press reports of the day have a completely different person winning the Eltham Gift in 1954. Bert Edwards was recorded in local news as winning the 1954 Eltham Gift held at Central Park Eltham. Brass alloy silver plated cup (engraved) on brown baketlite platic basePresented to W. Forbes, Winner, Eltham Gift, 1954eltham gift 1954, raymond (billy) william forbes 1934-2008, running race, sports, trophy, w. forbes, winner's cup, central park, athletics -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Decorative object - Ornaments, Floral vase, Circa 1890 to 1900
The Royal Winton brand has always been synonymous with quality and design and has roots in Stoke-on-Trent, England that go back over one hundred years. Originally known as Grimwade Brothers it was founded by Leonard Lumsden Grimwade. Leonard had shown a natural talent for modelling pottery and it was in this field that his infant business began, in 1885. He was soon joined in the business by his older brother, Sidney Richard, another potter. The family of Daphne Sturt were early settlers in Moorabbin ShireCirca 1890 to 1900. A Grimwade's floral and black-patterned ceramic vase with detachable "frog" for holding flowers in place. The rim of the vase is trimmed with gold. On the bottom of the vase there is a Backstamp: Grimwade, Winton, Stoke-on-Trent, England. Made in England. The Grimwade's makers -mark is also present.grimwade leonard, ceramics, pottery, stoke-on-trent, early settlers, craftwork, moorabbin, brighton, ormond, sturt lesley, sturt daphne, bentleigh -
Working Heritage Crown Land Collection
Decorative object - Light fitting, Mint Light Fitting
A decorative architectural element made of iron that is badly corroded historic building, former royal mint, architecture -
Whitehorse Historical Society Inc.
Decorative object - St. Christopher's Medal
Collection of Margaret ScarlettReligious MedallionPossibly Aluminium Alloy with shank to hold ribbon or chain. St. Christopher's Medal engraved.St. Christopher's Medalreligion, christian -
Geoffrey Kaye Museum of Anaesthetic History
Decorative object - Plate, Royal Selangor, c.2017
Gifted to ANZCA during the ANZCA ASM 2017, held in Brisbane.Pewter plate of medium size, with embossed central image of modern day Malaysia city landscape. Presented in manufacturer blue cardboard boxFront: [MALAYSIA] Reverse: [ROYAL / SELANGOR / PEWTER]asm, brisbane, royal selangor -
Villa Alba Museum
Decorative object - Wallpaper, Rural Town, 1850-1859
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes items that provide a local, statewide, national and international context for the development of interior decoration and design in Melbourne. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample c.1850. Designer unknown. Pictorial design of a rural village in English style. Sample from a wallpaper shop in Melbourne of the period.decorative arts & design, wallpapers - 1850s -
Wodonga & District Historical Society Inc
Decorative object - Silver toned Coloured Stone Bracelet from the Sarah Coventry Jewellery Range c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver tone clasp bracelet with coloured stones, and floral embellishments with coloured faux crystal."CANADA/(C)SARAHCOV"sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, bracelet, bracelets, stone, floral, flower -
Ararat Gallery TAMA
Decorative object, Murasaki - no, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Mission to Seafarers Victoria
Decorative object - Stickers, c. 2000
two sample stickers showing the different forms of the Flying Angel Logo depicting the angel of the Revelation. The left hand logo is 20thC. the right hand logo the new logo for the Millenium post 2000 in the 21st Century.Illustrates the change from 'seamen' to more gender neutral 'seafarers'.Two stickers depicting two different graphic designs of the flying angel logo of the Mission to Seafarersflying angel, angel of the revelation, missions to seafarers, logo, mission to seamen, seamen's mission, pat dann, hastings mission -
Greensborough Historical Society
Decorative object - Badge, Greensborough Swimming Pool Appeal, 1961c
Small badge from the 1960s, indicates a donation to the Greensborough Swimming Pool Appeal.Circular metal badge, green and black print on yellow"Greensborough Swimming Pool Appeal" 541greensborough swimming pool, fundraising, community support -
Whitehorse Historical Society Inc.
Decorative object - Sampler, 1847
When removed from the frame, in Sept 1999, for conservation work it was found that probably on three previous re-framings the work had been tacked as the tack heads are clearly visible around the edge and staple marks are also present. The conservator was able to remove some rust but not the staple marks. She feels the 'browning' of the material was caused by the wooden board which the sampler was mounted on.|The conservator stated that the material was cotton 'Tiffany' fabric.Framed sampler of cross stitch headed 'Prudence' 'Hear the Words of Prudence, give heed unto her councils and shore them in your heart. Her maxims are universal and all her virtues lean apon her. She is the guide and mistress of human life. Put a bridle on thy tongue , set a guard before thy lips lest the words of thine own mouth destroy thy peace. Let him that scoffed at the lame take care that he hurt not himself. Whosoever speaketh of anothers failings with pleasure shall hear of his own with bitterness of heart. of much speaking cometh repentance but in silence is safety'|Embroidered trees and buds, flowers, baskets all stylized. 'To labour and to be content with that a man hath. is a sweet life' Mary Baker 1803 18 M.A.G. 47handcrafts, needlework -
Wodonga & District Historical Society Inc
Decorative object - Gold toned necklace with an oval-shaped pendant from the Sarah Coventry jewellery range, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery. Gold toned metal neckalce with an oval-shaped pendant inlaid with a brown resinous material, which appears to be faux amber. The patent number is stamped on the back of the clasp."Sarah" on the front side of the clasp "PATENT 3427691" on the back of the clasp.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces, amber, faux amber