Plaster statue of girl with finger in mouth, barefoot & dressed in green and brown dress with patch on skirt, circular base with tree stump & leaves.ornaments, plaster, statue, d4706

Mounted decal "The Melbourne Tram" - glued to green vinyl covered craftwood or similar timber. Has a hanging strip or cord with two metal lugs screwed into the mounting material on rear. Mounted by "The Exhibition Centre" Randal advised that Y469 was painted dark green very briefly in 1992 - an initiative of the Kirner Government to operate "The Melbourne Tram" as a tourist service. See also the front cover of the PTC "Changing Times", Vol 2, No. 22, 18 June 1992 - htd539i4 for the launch of the tourist tram service. See Reg Item 627 for a brochure or pamphlet for the service and 669 for a complimentary ticket. See Reg item 5962 for a calendar image of the tram.trams, tramways, the met, logos, decal, y class, tourist trams

Opened packet of circular paper doyleys. Size 8 on red and gold label with a cats head logo. Packet is made of part blue/ green and part cellophane. Doyleys are mainly pierced with some embossing.On either side of cats head logo are the words 'Trade Mark'.domestic items, table setting, food & drink consumption

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain and decorative hearth tiles in the fireplace of the drawing room at Villa Alba. The decorative tiles depict pink clematis flowers, buds and foliage. The tiles were produced by Mintons Ltd.fireplaces, villa alba - drawing room, mintons, mintons - tiles

This stained glass was originally installed at Geelong Town Hall following its expansion in 1917. The Geelong Council involved the staff and former students of the Gordon Technical College in designing the artwork and aesthetic of the building. Arthur S. Pittock, former student and local glazier, was responsible for the design and construction of the large stained glass window in the stair hall. The window was described as “a special feature” in the new building with the leaded glass work using “the motif throughout in Greek form, of admirable colour”. The window showcases the City of Geelong’s original coat of arms, featuring images of Geelong’s early industries: sailing, wool, wine and wheat production, and a kangaroo as an inescutcheon. During the redevelopment of City Hall in the late 1960s the stained glass window was removed from the building. The surviving City Hall window is the most elaborate, known surviving stained glass window by PittockGeelong Crest fashioned in glassBy the right use of God's gifts 1894stain glass window, arthur s. pittock, city hall geelong

Cast iron finial spike for a fence post

A gold coloured medallion in a black velour box it appears to have been issued by Weapons of War which was a series of 52 DVDs. It was found in the archive cupboards and may have been collected due to the connection with commemorating the military service of ADF personnel. Legacy was founded by returned servicemen of the first world war and Legatees were all ex-service personnel until the 1990s.A record that Legatees collected items that commemorated military service.Round gold tone medallion with colour image of a bugler and red poppies and an embossed Australian Army rising sun. In a black velour box.Embossed 'Weapons of War. A history of military tools and machines' on reverse. Text 'Commemorating Australians in Military Service' around the outside, plus a rising sun symbol with 'The Australian Army' underneath.medallion, army, souvenir

A presentation Platter to the Frank Lewis Family. Hecworth was a brand created by Platers Pty Ltd to produce silver-plated tableware and other household items. in May 1949 Platers Pty Ltd merged with Rodd (Australia founded in 1919 manufacturers of silver and jewellery and in 1960 merged with Mytton Rodd (Australia)Ltd. The products were known for their high quality and affordable prices and were popular in the 1960's. Hecworth silver plate was often used as wedding gifts and other special occasions.A large vintage 1960's heavy decorative round silver plated presentation platter with a leaf trim on the raised edge, an inscription in the middle surrounded by a circular group of seven large floral or leaf patterns.'Presented as a token of esteem to the Frank Lewis Family from the residents of Seville - Yellingbo & District July 15th 1966' On the back is stamped - 'Hecworth Reproduction Old Sheffield'silver, awards, trophies, plaques, chargers, platters

Plaster figurine of young girl in light green dress and hat with dark green boots carrying a (broken) fan.ornaments, plaster

Starch is used during the laundry process to give fabric a feeling of stiffness. It is used often for linen, shirts and blouses. This box still has the remnants of starch inside it.Starch was used by many households in the late 19th and the 20th century to give linen and uniformsa firm feeling.Box: cardboard rectangular box, blue and white with star graphic. Contents inside. "The Silver Star Starch" Robert Harper and Co Ltd . "The Silver Star Starch" "Robert Harper &O Co."flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, starch, silver star starch, blue star, robert harper and co ltd ., laundry, laundering, washing, bed linen, table linen, decorative linen

Taken from curtain panel. Australian flowers.Cream Fillet Lace 14cm Sq. Australian Waratah Flower set in centre of sq.domestic items, ornaments / decorative, handcrafts, lacemaking

Metal RAAF Point Cook crest mounted on a small dark red coloured plaque. The plaque has a mounting slot on the back and foward sloping curved sides meeting at a lower point. The circular RAAF crest has a jeweled crown at the top, black lettering at the bottom, and gold lettering on a circular blue enamel background surrounding a brown coloured line drawing of an eagle flying over water with the sun in the background.Point Cook Royal Australian Air Force First And Foremostraaf, point cook, crest, metal, plaque

A selection of 15 embroided silk postcards from a soldier named James (Jim). Edges are embossed and a central piece of silk is fastened to each postcard carrying various inscriptions in brightly coloured thread. The designs are mostly floral or patriotic. The silk portion of some postcards contains a pocket in which miniature cards are contained.Front: various including "To my dear mother", "A kiss from France", "To my dear sister" and "From your loving son" Back: various including "My best love to you all at home/from Jim". Postcards addressed to: "Mrs. J Corkish/no. 4 Marsden Terrace/Ramsey" and: "Miss M Corkish" appears to be "C/O Healin (?) Bank/ Revival (?)/Manchester"

Decorative brass light fitting, possibly a replica.historic building, former royal mint

Garden edging manufactured by White Bros which is now known as Vitclay.Sandy clay coloured garden edging tile, square base with decorative top.'White Bros/Registered/2/3/88/ pressed onto front of tile.ceramics, terracotta

Item made by an Italian POW held in Camp 13murchison, camp 13, italian, pow, monkey

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Aboriginal necklace made from snake backbones,, threaded on cotton. no catchlocal history, ethnographic material, dress and ornament, necklace, snake, aboriginal

Whiskey glass - with gold rim, dimpled or spheres on the base and "The Prahran and Malvern Tramways Trust" logo in gold on the side of the glass. Made to celebrate the 85th Anniversary of Malvern Depot - 1995 - advice of Ron Scholten 28/2 2nd copy added 13/5/2019.trams, tramways, crockery, pmtt

Noel Mc Geary was a dentist in Ballarat, Victoria whose hobby upon retirement was ceramics that were sold through local commercial gallery, Macarthur Gallery. This ceramic rose is an example of his work demonstrating a the high standard of his work.porcelain, rose, ballarat

This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short string of black beads of varied sizes. The beads are joined by metal hooks and has a hooked clasp.fashion accessory, decorative items, women's jewellery

A silk patchwork quilt in a hexagons pattern originally owned by the Denbigh family of ‘Wimba’. The Denbigh family is recorded as living at ‘Park Villa’ ‘near Kew’ in 1856. John Denbigh was at this stage the superintendent of the local Baptist school. By 1869 they are listed as residing in Cotham Road. John Sharp Denbigh’s death in 1875 resulted in the sale of Wimba. This is an important early English silk hexagons quilt with outstanding technical workmanship, and is well-provenanced.The quilt is constructed in the popular hexagon pattern of silk off-cuts of an earlier period. Hexagon patchwork quilts were typically constructed of individual hexagons, which were formed using paper or card templates. Where these are visible, it would indicate that writing paper was used to form the templates. The quilt is unlined and has a green silk border, added at a later date. Early 19th Century patchwork quilts tended to use cotton to create the hexagons, whereas silk became the preferred medium mid-century. The quilt has been dated to the middle decades of the 19th century due to the colour range, and the exclusion of black silk hexagons. Most of the silk used in the quilt has a sheen, however there is some use of velvet in one or two larger hexagons. The exposed reverse of the quilt includes a large amount of very fine hand stitching.An unlined quilt was typically used as a summer spread. patchwork quilt, hexagon pattern, denbigh family, wimba, cotham road, kew, john denbigh, helen johnston, quilt, patchwork, textiles, migration to australia