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Artwork, other (1312)
Ceramic (770)
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Mixed media (540)
Painting (2490)
Print (1673)
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Work on paper (2110)
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Federation University Art Collection
Sculpture, Donna Marcus, 'Colour Study 36' by Donna Marcus, 1999
Donna MARCUS Featuring instantly recognisable post war kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context.Annodised alumnium cookware made into a sculptural wall hanging. art, artwork, anodised aluminium, sculpture, donna marcus -
Bendigo Historical Society Inc.
Drawing - COHN BROTHERS COLLECTION: ETCHING OF MORITZ COHN, 1878
Drawing of Moritz Cohn by Johnstone, O'Shannassy and Co. Wooden frame, glass broken on front. Screws and string on the back for wall hangingJohnstone O'Shannassy and Co.drawing, etching, moritz cohn, moritz cohn, cohn bros -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 7 Lofty Avenue, Camberwell, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 20 Cochran Avenue, Camberwell, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Hawthorn Historical Society
Drawing - Property Illustration, 2/45 Linda Crescent, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film2/45 LINDA CRES, HAW Margaret Picken ©2002 WOODARDS - HAWartist - margaret picken 1950- -
Swan Hill Regional Art Gallery
Mixed media, SANSOM, Gareth; NEESON, John R ; LASICA, Shelley, La Mordida / Red Neck lifeguard / Moss, 2000
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Camberwell Historical Society
Drawing (series) - Architectural drawing, 44 Cooloongatta Road, Camberwell, 1997
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Gippsland Art Gallery
Mixed Media, Unknown Artist, Woven Covered Fishing Spear, Undated
Donated by John Leslie OBE, 1979Wood and grassgippsland, artwork, permanent collection -
Ararat Gallery TAMA
Mixed media, Sarah Contos, Total Control, 2015
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Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Stopping Place Indicator to fit SEC 17" Reflector", "Track Lights - stop Mark Light Indicators", 1925
Set of two foolscap prints of drawings showing details for the stopping marks for Melbourne trams - when street lights were not that good. Both drawings date stamped 8/7/1966 giving date Bob obtained them from the MMTB. .1 - Drawing O2706 - "Track Lights - stop Mark Light Indicators", dated 1925, shows a round light to be placed in front of a street light. .2 - - Drawing No. E9641 "Stopping Place Indicator to fit SEC 17" Reflector" - shows a rectangular light to be placed in front of a standard SEC street light with a bulb. Notes Red for compulsory stops and yellow for provisional or hail stops. Original drawing 1943, Rev C 1958.trams, tramways, tram stops, street furniture, electrical equipment, drivers -
Hawthorn Historical Society
Drawing - Property Illustration, 65 Harcourt Street, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 65 Harcourt Street, Hawthorn East by Margaret Picken.65 HARCOURT ST, HAWTHORN Margaret Picken ~93 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (Item) - Drawing Lockheed Hercules C-130A , Markings Installation-Airplane Exterior Australian (RAAF) C-130A Drawing No. 365660
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Hawthorn Historical Society
Drawing - Property Illustration, 6 Melville Street, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.6 MELVILLE ST, HAW Margaret Picken ~95 WOODARDS - KEWartist - margaret picken 1950- -
National Wool Museum
Drawing - Framed Illustration, Dennys Lascelles Austin & Co. Wool and Grain Warehouses Geelong, c.1913
Previously on display at the National Wool Museum on level 1 in Gallery 2 foyer.Framed illustration showing the external view of the Dennys Lascelles Austin & Co. wool and grain warehouse, including the Bow Truss Building. A car, horse drawn cart, people and a steam engine are shown on the street in the foreground.Front: DENNYS LASCELLES AUSTIN & CO. / WOOL & GRAIN BROKERS, GEELONG. / WOOL & GRAIN WAREHOUSES GEELONG. Back: NORMAN BURN / (LATE OF CHARITY'S) / Art Picture Framer / And / Repairer of Pianos & Organs / NOTE ADDRESS: / 15, JAMES STREET, GEELONG / (Opposite Davies Furntiture Warehouse).dennys lascelles wool store, austin, bow truss building, wool, geelong -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah II, c1982
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / ERNEST MARCUSE / Reverse: Y 4 / 015 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Bossiaea walkeri (Cactus bossiaea/Cactus pea), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Pencil study of a flowering plant. Leaves grow from a central stem. Five red flowers in full bloom are attached to the leaves, and there are four buds. Leaves are grey-green and have serrated edges. Mounted in a double matt (cream on olive) in glazed timber frame with gold paint.Front: CEWoolcock (signature, lower left in image) (purple pencil) Bossiaea walkeri (lower right) (pencil) Back: 56 (upper left) (pen)cema, botanical, collin woolcock -
Robin Boyd Foundation
Drawing - External perspective, Tower Hill Lake Reserve Museum, Jun-61
In 1961 Robin Boyd designed the Tower Hill Reserve Visitors Centre to fit naturally within the surrounding terrain. The building’s shape reflects a volcanic cone. The windows allow a 360-degree view of the park. The Centre opened just after Robin Boyd’s death in October 1971. Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 2. General view and external perspective. Watercolour on dyeline. tower hill, robin boyd, ohm2022, ohm2022_15 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 25 Florence Avenue, Kew, 1997
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Florence Avenue, Kew; made by Margaret Picken in 1997. A permit to demolish the house was granted by the City of Boroondara in 2006. A new house was subsequently erected.25 FLORENCE AVE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 florence avenue - kew (vic). -
Bendigo Historical Society Inc.
Mixed media - Golden Square Secondary College
TDK compact disc labelled photos 2005. On the CD several folders containing photos relating to the students at the college in 2005golden square secondary college, 2005 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 5 Ellesmore Court, Kew, 1994
This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5 Ellesmore Court, Kew by Margaret Picken.5 ELLESMORE CRT., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5 ellesmore court -- kew (vic.) -
Tatura Irrigation & Wartime Camps Museum
Drawing, Trix doing her 'stand fast'
"Trix doing her 'stand fast' with the Colonel at Waranga Hospital." Drawing, coloured, original of Camp 1 Hospital rounds with Sister Beatrice Moore 1944Sister Beatrice MooreUnframed. Original. 3 army officers in uniform and a nurse.Bottom Right corner. D Albacenti. Waranga H 23.5.44sketch, albacenti d, moore b, camp 1, tatura, ww2 camp 1, illustrations, reproduction -
Hawthorn Historical Society
Drawing - Property Illustration, 4 Sellwood Street, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. 4 SELLWOOD ST HAWTHORN Margaret Picken ~94 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Port Melbourne Historical & Preservation Society
Drawing - Property sketches, Frank Gordon Real Estate, 1990s
Property sketches done for Frank Gordon Real Estate in the 1990s. 37 Poolman Street built environment - domestic, built environment - commercial, frank gordon real estate, poolman street -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 8A Cochran Avenue, Camberwell, 1996
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1&2/5 Windsor Street, Kew, 1990
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1&2/5 Windsor Street, Kew by Margaret Picken.1&2/5 WINDSOR ST., KEW / MARGARET PICKEN '90 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1+2/5 windsor street - kew (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/17 Grandview Terrace, Kew, 1994
This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2/17 Grandview Terrace, Kew by Margaret Picken.2/17 GRANDVIEW TCE., KEW / MARGARET PICKEN '94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/17 grandview terrace -- kew (vic.) -
Robin Boyd Foundation
Drawing - Aerial Perspective, Domain Park, Sept 1960
Project: Domain Park from office of Grounds Romberg and Boyd. Perspective of Penthouse. The Domain Park flats (1959-62) were designed by Robin Boyd and were among the first high-rise blocks of ‘luxury’ flats constructed in post-war Melbourne. This exterior perspective highlights the unparalleled views available from the penthouse apartment.Aerial Perspective, Tracing Paperdomain park, robin boyd, ohm2022, ohm2022_14 -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 12 Clyde Street, Kew East, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 12 Clyde Street, Kew East by Margaret Picken.12 CLYDE ST., KEW E. / MARGARET PICKEN ~95 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 12 clyde street - kew east (vic) -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 1/31 Carramar Avenue, Camberwell, 1999
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Ellen José, Boon wurrung Blossom, 2008
The bluestone is laid on crushed yellow ochre sandstone, with the base encircled by indigenous flowering plants. Each rock represents one of the six clans that made up the Boon wurrung. For thousands of years, Boon wurrung women and children congregated in this area during special periods in spring and summer. The area was rich in seafood and had fresh water wells dotted around it. Among the Banksia trees that provided shelter, grew indigenous plants and flowers through which the women made garlands to wear in their hair.boon wurrung, blossom, sculpture, public art, indigenous, bayside indigenous coastal trail, ellen josé, ellen jose, bluestone, sandstone