Showing 1658 items
matching art
Artwork, other (1266)
Ceramic (766)
Decorative object (715)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1658)
Sculpture (402)
Textile (1394)
Work on paper (2050)
-
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Dido and Aeneas, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Poole, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Federation University Art Collection
Print - Artwork, 1969, 2015
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed digital inkjet on paper artist, artwork, printmaking, mark graver, parallel prints -
Bendigo Military Museum
Print - PRINT, FRAMED, AIF RACE MEETING
Print of a poster for race meeting " AIF Race Meeting" to be held on the New Flemington Track, Barbara near Gaza dated Saturday Sept 7th, 1940. NB: this is a second display of same print. Print of poster - black print on white background. Frame - timber, painted black colour. Glass front.On back of frame, on adhesive label, handwritten red ink. ON LOAN TO / BENDIGO RSL, AS LONG AS THEY/ WANT IT./ TO BE RETURNED/ IF DISPLAY OF PRINT NOT IN USE/ TO / N.S. FULLERTON/ 18 BOSQUET/ WHITE HILLS / OWNER.framed print, history, ww2, army -
Gippsland Art Gallery
Print, Durre, Caroline, Spill and Hose, 1991
Donated by Rodney Scherer through the Australian Government Cultural Gifts Program, 2004Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Leach-Jones, Alun, Cypress and Acacia [II], 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection -
Darebin Art Collection
Print - Luke Cummins, Luke Cummins, Mooki (Mother Nature), 2001
-
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Face Combination, Not dated
PrintSigned 'Kees Hos' and titled "Face Combination" lower left corner under printed image. '299' in lower right corner under printed image. -
Bendigo Military Museum
Print - PRINT, FRAMED WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book; " Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints." Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an original recruiting poster - red and blue print on white background on paper. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "RECRUITING POSTER Expeditionary forces, Recruits wanted c.1916" Details on poster -red ink - "RECRUITS WANTED/ EVERY MAN PHYSICALLY FIT IS WANTED" Blue ink "COMMONWEALTH OF AUSTRALIA/ EXPEDITIONARY FORCES with further headings under "CONDITIONS OF ENLISTMENT" - " Rates of pay per day" - "Separation Allowance" - "Pensions".framed accessories, prints, ww1, gallipoli, centenary -
Swan Hill Regional Art Gallery
Print, TROVA, Ernest, Head, planet earth (falling man series), unknown
-
Mission to Seafarers Victoria
Print - Reproduction of a painting, Captain James Cook - The First Voyage 1768-1771
The first voyage of Lieutenant James Cook was a combined Royal Navy and Royal Society expedition to the south Pacific Ocean aboard HMS Endeavour, from 1768 to 1771. The aims of this first expedition were to observe the transit of Venus across the Sun (3–4 of June 1769). Departing from Plymouth in August 1768, the expedition crossed the Atlantic, rounded Cape Horn and reached Tahiti in time to observe the transit of Venus. In September 1769 the expedition reached New Zealand. In April 1770 they became the first known Europeans to reach the east coast of Australia, making landfall near present-day Point Hicks, and then proceeding north to Botany Bay. The expedition continued northward along the Australian coastline. In October 1770 they reached the port of Batavia in the Dutch East Indies. They resumed their journey on 26 December, rounded the Cape of Good Hope on 13 March 1771, and reached the English port of Deal on 12 July. The voyage lasted almost three years. Voyage 1 (1768–1771): ship Endeavour Route: London – Madiera – Rio de Janeiro – Cape Horn – Tuamotu Island – Tahiti – Society Islands – New Zealand – New Holland (Australia) – East Timor – Java – Batavia – Cape of Good Hope – St Helena – Ascension – LondonCook joined the British merchant navy as a teenager and joined the Royal Navy in 1755.Colour reproduction of portrait of Captain Cook by Nathaniel Dance (1735-1811)Captain James Cook - The First Voyage 1768-1771captain james cook, nathaniel dance (1735-1811), endeavour, navigators, sea voyage -
Glenelg Shire Council Cultural Collection
Print, Gannets, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of several birds (gannets). In the foreground is a white seated bird with a peach coloured head. Behind this bird are seven standing birds and one seated. The birds are printed on dark blue background.Front: Leanne Hollis (lower left) Back: 21 -
Whitehorse Historical Society Inc.
Print - Photograph, St Thomas the Apostle school, Blackburn, 1992
The unveiling and blessing of the finished ceramic mural took place on Friday 3 July 1992. The Nunawading Council supplied the funding for the project through their 'Artists in Schools' program. They had a ceramic artist to assist in the project.2 coloured photographs (a & b) of some children from grade 1 and 2 at St Thomas the Apostle School, Blackburn, in their art room looking at their completed mural. Date 1992st thomas the apostle school, blackburn artists in schools project -
Bendigo Military Museum
Print - PRINT - PHOTOCOPY, Vincent Kelly, Volunteers for the War from R.O. Henderson, Beehive Stores, Bendigo, 1915-1916
One name in the photo “A Owens” does not appear on the actual Beehive Honour Roll. Refer Cat No. 4978P for the Beehive Bendigo Honour roll.Photograph - Photocopy on paper all print in black showing seven men in suits."Volunteers for the War from R.O. Henderson's Beehive Stores Bendigo" Back Row - R-L. Messrs P. Buddle, H. Cadwallader, C. Wood, F. Marriott. Front Row: R. Jenkins, J.A. Williams, A. Owens.beehive staff, r.o. henderson -
Ringwood and District Historical Society
Print - Sketches, Ringwood Technical School 30th Anniversary Sketches 1988 by Glenn Duncan
ABOUT THE ARTIST: (Source: Details accompanying the prints, published in 1988 - courtesy Liz Seaton). Glenn Duncan was born around the time that plans for a technical school at Ringwood were being made. For his primary and secondary education, he attended Blackburn North Primary School, and Blackburn and Box Hill North Technical Schools. At tertiary level, he completed a Diploma of Art and Design at Caulfield Institute of Technology, followed by a Diploma of Education at Hawthorn Institute of Education. Glenn worked in printeries, design studios and advertising agencies, and as a freelance Graphic Designer. His teaching career included 3 years at Goroke Consolidated School, and then, from 1986 to 1988, as a member of Ringwood Technical School's Art Department. Glenn Duncan's sketches are a unique tribute to the school on the occasion of its 30th anniversary.Set of 12 prints of sketches of School Buildings and grounds by Resident artist at the school Glenn Duncan. 8 prints are on yellow paper. 4 are mounted on backing boards taken from frames. The image of the Artist's profile is a scan of a sheet accompanying the sketches. See the Title for each image -
Charlton RSL Sub Branch
Print - Framed print of Allied surrender of Singapore Island, Framed print
Wood and glass frame -
Gippsland Art Gallery
Print, Rees, Lloyd, Northwood Point, Lane Cove River, 1978
Donated from the estate of Patricia Marie White, 2013Soft-ground etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Watteau, Jean-Antoine (after), The Comical Concert, c.1730s
Donated by Charles Nodrum, 2019Etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Buildwas Abbey Shropshire, 1779
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Charlton RSL Sub Branch
Print - Framed print of troops marching, Framed print of Australian troops marching down Bourke Street Melbourne
Framed picture under glassTroops march through the city. A stirring spectacle on Friday. First Australian troops left Melbourne Sept. 1914 -
Darebin Art Collection
Print - Yosl Bergner, Yosl Bergner, Figures in Windows, Unknown
Yosl Berger’s attraction is not just as a great humanist, this near centurion artist believes in the constancy of work which produces a continual evolution of a full and prolific artistic practice. Berger also lends service to each day when he opens up his Tel Aviv studio to create – even at 95 years of age he still considers himself as a student of the world -
Flagstaff Hill Maritime Museum and Village
Print - Portrait
Print, portrait of Queen Victoria wearing a blue dress and sash. Printed by Alf Cooke, Queens Printer, Leeds, UKflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Gippsland Art Gallery
Print, Turner, J.M.W. (after), Devonport, c.1859-78
Purchased, 2013Engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, MacFarlane, Stewart, Blind Date, 1992
Artworks Gallery Collection. Donated by Norman & Petah Creighton, 2018Coloured linocut print on papergippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Print, Framed Lithograph, Helicopter Resupply
Coloured Lithograph of helicopters resupplying a firebase.lithograph, helicopter, firebase -
Gippsland Art Gallery
Print, Kline, Gillian, Spirit of the Bush, 2013
Purchased with the assistance of the Gippsland Art Gallery Society, 2013Two plate colour etching on papergippsland, artwork, permanent collection -
Federation University Historical Collection
Print - Document, Group of Old Ballarat School of Mines Students in Coolgardie and Kalgoorlie, Western Australia, 1900
In 1900 a group of former Ballarat School of Mines students working in Western Australia commissioned and presented a bust of Professor Alfred Mica Smith to the School. The former students are Claude Maitland (CLark & Co.); A.L. Hay (Queen Margaret Gold Mine); A.S. Lilburne (Freemantle Smelting Works); Latham Watson (Golden Rhine Gold Mine); Arthur Kildahl (Ivanhoe Gold Corporation. Thomas Copeland (Associated Gold Mine); F.A. Moss (Kalgurli Hold Mine, Hainault Gold Mine); W.A. Hearman (New Arrow Propriety); Caradoc James (Golden Link Gold Mine); Alex Fraser (great Boulder Gold Mine); E.O. Watt (Kalgurli Gold Mine); G.M. Roberts (great Boulder Gold Mine); J.J. Dunstan (Chaffers Gold Mine); H.W. Moss, (Kalgoorli Gold Rec. Co); J.A. Hill (Kalgoorli Gold Rec. Co); John Dunstan (Associated Gold Mine); C.M. Harris (Hannans Propriety Development Co. Ltd); W.H. Cobould (Hannans Reward Gold Mine); John W. Sutherland (Golden Horsehoe Estates)The original photo was presented to Professor Alfred Mica Smith by the 'Old Boys' pictured.A printed image of former students of the Ballarat School of Mines, and donors towards commissioning a bust of their former lecturer Professor Alfred Mica Smith. ballarat school of mines, mining, western australia, coolgardie. kalgoorlie, maitland, hay, lilburne, watson, kildahl, copeland, moss, hearman, james, fraser, watt, roberts, dunstan, hill, harris, corbould, sutherland, william corbould, john sutherland, john w. sutherland -
Gippsland Art Gallery
Print, Kaldor, Suzanne, Latrobe Valley, 1987
Donated by the artist, 1987Watercolour, Papergippsland, artwork, permanent collection -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, Reinthal & Newman, Jesus Chrisus, after 1874
Picture is a print of an original drawing that appears to have been created in 1874 (these numbers are in the top left corner) by artist Gabriel Max ("Gab Max" is in top right corner). The print was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The picture is significant because of its association with the Mission to Seamen in Williamstown, Victoria. This organisation had strong connections to the colonisation of Victoria by people travelling and arriving by sea. The picture is also significant as a representation of 19th century religious art by Gabriel Max.Picture; print of a drawing. Representation of Jesus Christ, closed eyes, tear on cheek, with a crown of thorns, titled “Jesus Christus”, drawn in 1874 by 19th century artist Gab. Max (Gabriel Max). Print on paper; black and grey drawing on beige canvas-look background with image of fixing pins in each corner, edges look like torn fabric. Published by Reinthal & Newman, New York. Print is behind glass, mounted in heavy wooden frame that is painted dark brown. Reverse has numbers on small white label. Base of reverse has 2 small holes, each with indentations from something round. Backing board has indentations from nails no longer there. There are remnants of original hanging wire but this has been replaced. Part of the St Nicholas Seamen's Church CollectionFRONT: Top left :1874” Top rignt “GAB MAX” Hand written script under picture “Jesus Christus”. Printed bottom left on front “A33 © REINTHAL & NEWMAN PUBS. N.Y.” REVERSE: “162” written in black felt pen on white label. Pencilled on reverse "11 3/8 x 9 1/4" and "Kodak" and other indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, christian art, picture of jesus christ, jesus christus, photographic print of jesus christ, missions to seamen victoria, mission to seafarers, flying angel’s club, religious worship, reinthal & newman new york, jesus christ with crown of thorns, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown -
Gippsland Art Gallery
Print, Viney, Wayne, Clearing Storm, 2000
Donated by the artist, 2014Monotype on papergippsland, artwork, permanent collection