Showing 1657 items
matching art
Artwork, other (1265)
Ceramic (766)
Decorative object (713)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2050)
-
Gippsland Art Gallery
Print, Gittoes, George, Hose Fitter, 1991
Donated from the estate of Patricia Marie White, 2013Etching on papergippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Print - Contact prints - Pastoral Scene, 1960-1979
Set of 2 contact prints from glass plate negatives. Top: Group of men and women sitting/standing in a bush clearing. Bottom: Man and woman in horse drawn buggy, in front of cyprus pines and wooden fence. People in both prints wearing costume from late 19th, early 20th century. -
Swan Hill Regional Art Gallery
Print, HUNTER Philip, Large Plain 1, 2003
-
Geelong Gallery
Print - Akimbo, BRASSINGTON, Pat, 1996
Inkjet print -
Horsham Regional Art Gallery
Print, John OLSEN, Blue fish, 1978
Gift of the Davidson family in memory of Jean Davidson, 2022etching on paper -
Darebin Art Collection
Print - Nusra Latif Qureshi, Nusra Latif Qureshi, Island Dream I, 2004
print -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Portland Centenary Celebrations, 1934
Promoting the 1934 centennary celebrations, Portland, 1934.Colour lithographic print showing a man and a woman in stylised mid-nineteenth century dress, portrayed in an early 20th century style, overlooking Portland Harbour. Text states "Visit Portland/ The first Victorian Settlement/ during the Centenary Celebrations/ from 15th to 23rd November 1934. Framed under non-reflective glass in brown and gold wooden frame.Front: (no inscriptions) Back: (no inscriptions)lithograph, centenary, 1934, portland -
Kew Historical Society Inc
Print - Framed Fashion Plate, History of Fashion - Republic from 1790 to 1792, Republic from 1793 to 1794, c.1878
Framed fashion plate showing the 'History of Fashion' from 1792-94 in France.fashion -- 1790s, fashion - france, fashion plates -
Gippsland Art Gallery
Print, Krausmann, Rudi, Critic, 1979
Donated by Charles Nodrum, 2019Screenprint on papergippsland, artwork, permanent collection -
National Vietnam Veterans Museum (NVVM)
Print - Print, Framed, We're outta here
Timber framed, red bordered, signed print 110/250, Mike Eggleston 2783957. Depicting 13 soldiers crouching on the ground, in the foreground and 7 Hueys coming in to land. Other troops in the background.We're outta here, Mike Eggleston 2783957, 110/250. On the reverse side are the signatures of D&E PL/1 HRU Reunion, 2010huey, print -
Glenelg Shire Council Cultural Collection
Print, Beth Oag, Reclining Nude, c. 1974
NoneDiptych prints of a nude woman reclining on her right side. Her right hand is curving up to wrap over the top of her head. Her left arm is behind her body, out of sight. A darker area at the base of image indicates a blanket on which she is reclining. Background is featureless.Front: Artists proof E.D.6 (lower left) "Reclining nude" (centre) B. Oag (lower right) (pencil) Back: (no inscriptions) -
Swan Hill Regional Art Gallery
Print, IRVING, Tony, The old Kiosk, St Kilda, 1984
-
Federation University Art Collection
Print - Printmaking - Silkscreen, Icon, 1970
Franz KEMPF (1926- ) Born Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition lithograph printed in colour.art, artwork, franz kemp, kemp, print council of australia -
Glenelg Shire Council Cultural Collection
Print, Edward Henty, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46 -
Gippsland Art Gallery
Print, Jose, Ellen, Pelicans are Home I, 1989
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Woodcut print and watercolour on handmade papergippsland, artwork, permanent collection -
Horsham Regional Art Gallery
Print, Doug CROSTON, Roundabout, 1975
Gift of Mr Reg Collins, 1982 -
Gippsland Art Gallery
Print, Kelly, William, For Peace, For Hope, For Freedom, For Noel, 1988
Donated by the Australian Print Workshop, 1996Etching on papergippsland, artwork, permanent collection -
Ringwood and District Historical Society
Print, Ringwood Bowling Club invitations to the openings of the bowling and croquet greens (1931-39)
1929 saw the establishment of the Ringwood Bowls Club initially located on the land now occupied by the Eastland Shopping Centre. It moved to its current location in Loughnan Road, Ringwood in 1997.Small invitation cards(1) The President, Cr A Blood, invites to official opening of new green on 10th October 1931 by RG Menzies MLA, (2) official opening of the bowling and croquet greens on 1st October 1932 and (3) opening of the green on 23rd September 1939.city of ringwood bowls club, ringwood bowling club, ringwood bowls club, lawn bowls, bowling -
Latrobe Regional Gallery
Print, PAOLOZZI, Eduardo b. 1924 Scotland d. 2005 London, Bilko, 1995
ScreenprintSigned and dated 'Eduardo Paolozzi 1995' in lower right under printed image. Edition 1/30 lower left corner under printed image. -
Latrobe Regional Gallery
Print, HOS, Kees. Born 1916, The Hague, Holland, Aeonisation II B, 1966
PrintTitle and edition 1/25 under lower left corner of printed image. Signed 'Kees Hos '66' in lower right corner. -
Horsham Regional Art Gallery
Print, Sydenham EDWARDS, Botany Bay Lily (Crinum Pedunculatum), 1815
Donated through the Australian Government's Cultural Gifts Program by Katherine Littlewood, 2019hand coloured engraving on paper -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, ca. 1944
This framed print was part of the original furnishings of the St Nicholas Seamen's Church in Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This print is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. Framed coloured print depicting the Virgin Mary. An indoor scene of a seated female figure wearing a long dress showing a book to an unclothed infant on her lap. This print is part of the St Nicholas Seamen's Church Collection. flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, print, religious print, virgin mary -
Darebin Art Collection
Print - Victor Majzner, Victor Majzner, Images of Tanya (Chapter 4 and 5), 2001
screenprint -
Wyndham Art Gallery (Wyndham City Council)
Print, Edwina Green, Untitled, 2023
Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Edition of 4 + A/P. Pigment print by Hound & Bone Studio, screen printed and assembled by the artist and Trent Walter at Negative Press. -
Federation University Art Collection
Print - Artwork, 'The Game Insane' by Geoffrey Ricardo, 1990
Framed limited edition print. Donated through the Australian Gifts Programme by Katherine Littlewood. geoffrey ricardo, printmaking, sport -
Swan Hill Regional Art Gallery
Print, MacQUEEN, Mary McCartney, Carlton houses, 1960
-
National Vietnam Veterans Museum (NVVM)
Print, HMAS Perth
Black plastic framed coloured print of HMAS Perth at sea in convoyprint, hmas perth -
Glenelg Shire Council Cultural Collection
Print, Portland Pier, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish.Front: Portland Pier 32/70 A Gee 83 Back: 11 -
Queenscliffe Maritime Museum
Print - Print of a Man-of War - un-named, Print of a Man-of-War by Time-Life Books- un-named, Printed by Time-Life Books in 1984
Time-Life Books insert of typical Man-of-War style boats/shipsColoured print of a typical Man-of-War by Time-Life Books- un-named boatRefer Notes section for detailstypical man-of-war drawing -
Gippsland Art Gallery
Print, Schmeisser, Jorg, Buds - Variation, 1984
Purchased, 2002Etching on papergippsland, artwork, permanent collection