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Artwork, other (1312)
Ceramic (770)
Decorative object (722)
Drawing (4630)
Mixed media (541)
Painting (2490)
Print (1673)
Sculpture (407)
Textile (1405)
Work on paper (2111)
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Port Melbourne Historical & Preservation Society
Drawing - Illustration, copy, Departure of English Steamer from Sandridge, 1877
Small photographic copy of engraving from Illustrated Australian News 1877 'Departure of English Steamer from Sandridge'On back, '3A' 'B2' '7'piers and wharves - railway pier -
Gippsland Art Gallery
Print, Unknown Artist, Roadmaking in the Tambo Valley, c.1881
Donated by M. Parasiuk and K. Alcock, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 344 Burke Road, Glen Iris, 1998
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 12, Bob Stone, The boat at times appeared to stand up perpendicular on a wave that rose up like a wall, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Twelth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts Portland lifeboat being rowed through heavey seas.Front: Linocut Bob Stone 2009 The boat at times appeared to stand up perpendicular on a wave that rose up like a wall. 'SA Advertiser 20th August 1859' - Black pen, hand writtenadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 6, Bob Stone, A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Sixteenth in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts a group of 6 people, one of whom is addressing a crowd of people.Front: 'Linocut Bob Stone 2009' A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859 - hand written, black penadmella, shipwreck, portland lifeboat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - A Glowing Reference, John LINGHAM, letter from Council, City of Ballaarat, 1909, 5th March 1909
John Lingham was employed by the City of Ballaarat Council, in the Botanical Gardens, for over 30 years.John Lingham was a Curator of the Ballarat Botanic Gardens who worked with Guilfoyle and was a highly regarded consultant about other public gardens in Victoria. City of Ballarat logo, typed in the form of reference, signed by the Mayor and City Clerk with some dark shading left hand side.City of Ballarat seal in lower left hand corner.john garner collection, garner, dr, lingham, 1909, city of ballaarat, ballarat botanical gardens, ballarat, gardens, john lingham, floral and landscape gardening -
Whitehorse Historical Society Inc.
Decorative object - Figurine
Plaster figurine of young girl in light green dress and hat with dark green boots carrying a (broken) fan.ornaments, plaster -
Horsham Regional Art Gallery
Painting, Peggy SHAW, Abstract, n.d
Gift of the artist, 1974gouache on paper -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Margaret Baskerville, Sir Thomas Bent, c. 1911
This work is a plaster maquette of a large bronze statue of politician and land speculator Sir Thomas Bent by Margaret Baskerville that is located on the corner of Bay Street and Nepean Highway, Brighton.Margaret Baskerville, Sir Thomas Bent c.1911, patinated plaster, 55 x 49 x 49 cm. Bayside City Council Art and Heritage Collection. Donated by Charles Douglas Richardson, 1931.patinated plaster thomas bent, politician, mayor, premier, bust, sculpture, margaret baskerville, land speculator, speaker, local government, councillor, member of lower house, portrait -
Hawthorn Historical Society
Drawing - Property Illustration, 21 Roseberry Street, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.21 ROSEBERRY ST HAW E Margaret Picken ~99 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Moorabbin Air Museum
Drawing (Item) - Camoflage Scheme for Four Engined Flying Boats
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Flagstaff Hill Maritime Museum and Village
Ceramic - Amphora, mid-to-late 1800s
This amphora or jug, with a silhouette shaped like a woman with hands on hips wearing a long flared-out skirt. The design was used in ancient Greece for pottery storage jars, the neck being narrower than the body. The amphora was discovered by Joe O'Keeffe in 1934 in a sand blowout west of Levy's Point west of Warrnambool while he was planting marram grass for Mr Duncan. An article in the Warrnambool Standard newspaper of December 21, 1985, states that the amphora may be linked to the wooden sailing ship called the Mahogany Ship (also called the Ancient Wreck). Thermoluminescence testing indicates the relic was made in the mid-to-late 1800s and experts suggest it was of North African origin. The presence of the amphora in the sand dunes, and the amphora itself, are still a mystery. The amphora was donated to Flagstaff Hill on a long-term loan by the Duncan family and displayed to the public for the first time on December 21, 1985, until February 2023 when the display was returned to storage to rest with the redevelopment of the Assistant Lighthouse Keepers Cottage (Shipwreck Museum). An extensive search for members of the Duncan Family has been undertaken by Flagstaff Hill and stakeholders to resolve the loan term loan, but the family is not known. As such to properly care for the amphora, it has been registered until ownership can be determined.The object is significant for its possible link to one of Victoria’s and Australia’s maritime mysteries, the Mahogany Ship (also known as the Ancient Wreck). It is one of very few known relics that could give evidence of the existence and history of the vessel. It is listed on the Victorian Heritage Register S438 as it is one of Victoria’s oldest recorded shipwrecks. The identity of the vessel has the potential to change Australia’s history.Amphora or jug; earthenware, orange clay with areas of cream. The vessel has a wide mouth, a deep lip, two opposing handles between the neck and shoulder, and a bulbous body. The curved handles have a design of six bands between them. There are three rings of small dots encircling the body. The underside has concentric circles in the clay, uneven edge and pinhole markings. Pinhole patterns: [3 holes above 3 holes] opposite [3 holes above 3 holes], 1 hole] [ 1 hole above 2 holes]flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, amphora, jug, mahogany ship, ancient wreck, joe o'keefe, duncan, thermoluminescence, north africa, levy point, pottery, storage jar -
Bass Coast Shire Council - Art Collection
Artwork, other - Man at Work, Gayle Glover
Australia 1997Oil on boardSigned -
Federation University Historical Collection
Drawing - Artwork - Drawing, Edith Alice Watson, Drawing from the Plaster Cast by Alice Watson, 1930-1931
Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.A series of drawings undertaken by Alice Watson when she was studying "Drawing From the Plaster Cast" at the Ballarat Technical Art School. Some drawings are double sided.plaster casts, drawing, ballarat technical art school, alice watson, edith alice watson, alumni, visual arts -
Federation University Art Collection
Sculpture - Sculpture - ceramic and wood, McDonald, Kathy, Untitled by Kathy McDonald
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.CEramic and wood sculpture .1 .2art, artwork, horsham campus art collection, sculpture, shells, kathy mcdonald -
Hawthorn Historical Society
Drawing - Property Illustration, 9 Rathmines Grove, Hawthorn East, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.9 RATHMINES GVE HAW Margaret Picken `99 WOODARDS - HAWTHORNartist - margaret picken 1950- -
Federation University Art Collection
Sculpture - Artwork, Hynes, Marge, 'Exploding Defrags' by Marg Hynes
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mobileart, artwork, marge hynes, mobile, sculpture, horsham campus art collection -
Kew Historical Society Inc
Textile, Fringed Crocheted Cot Cover, Twentieth Century
Heavy off-white white open crocheted cot cover or throw. The item has a central hexagon, surrounded by smaller row of hexagons, surrounded by a third row of larger hexagons. cot covers, baby shawls, crochet, throws -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Australian Shepherds Hut 19th Century, Samuel Prout
Steel engraving -
Bass Coast Shire Council - Art Collection
Artwork, other - Phillip Island Historical Mural, John Adam
AustraliaEnamel on Marine Ply MuralSigned -
National Vietnam Veterans Museum (NVVM)
Painting, Into The Mud
An original coloured painting showing a truck rolled over with its load rations on the ground. One soldier is holding a box and another soldier is drinking from a vessel.2 Transport Platoon RAASC South Vietnam. Rations on their way to Aussie troops in Nui Dat. One truck in the convoy swerved to avoid an American semi carrying ammunitions. The wheels found the soft muddy edge of the rice paddy, and ... into the mud!. My son Trooper barry "Jock" Tiernan is pictured as one of the men rescuing the load from the mud. the other soldier is Ray Heathcote, driver of the truck.painting, vietnam lest we forget, barry "jock" tiernan, ray heathcote -
Ringwood RSL Sub-Branch
Work on paper - Document Post Card, Field Service post card, 1942
Field Service Post CardPost marked 12 Dec 1942 Addressed Mrs. M. Healey?? 57 Melville Street Hawthorn. Signed by K. Brookes?? The postal directories list Irene May Scully, dressmaker. Parents, Florence and Thomas, a gas employee. Florence was born in Caulfield 1921 and died in Blackburn Married name McKay -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 21 Barrington Avenue, Kew, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 21 Barrington Avenue, Kew by Margaret Picken.21 BARRINGTON AVE., KEW / MARG PICKEN '88 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 21 barrington avenue -- kew (vic.) -
Whitehorse Historical Society Inc.
Textile - Lace Piece
Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece cream lace used for demonstration purposeshandcrafts, lacemaking -
Ringwood and District Historical Society
Work on paper - History of Band, Terry Johanson, History of the Ringwood Band by Terry Johanson. 2005, 5-Dec-05
Terry Johanson - History of the Ringwood Band - 7 pages +Additional Keywords: Johanson, Terry / Bradley / McAlpine / Blood / Brown / Little / Polkinghorn -
Glenelg Shire Council Cultural Collection
Print, Portland Pier, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish.Front: Portland Pier 32/70 A Gee 83 Back: 11 -
Australian Lace Guild - Victorian Branch
Textile - Nanduti lace
Use: DomesticNeedle weaving lace round mat -
Flagstaff Hill Maritime Museum and Village
Textile - Twine, 20th century
Sailmaker's twine is usually stored on a reel. It is wax coated and ready to use. The twine is made from strands of fibres that are plied together. The wax waterproofs the twine and smooths out the fine hairs of the fibres, making it easier to work with. The waxed twine helps prevent the ends of the rope work from fraying. Sailmakers use twine and needles to sew sails and many other canvas items such as bags and covers. Special tools, equipment, benches and seats are needed to work with the large heavy and thick pieces of canvas. Sometimes the sailmaker with have special-purpose tools made for his unique work. The place of work on shore is often called a sailmaker's loft. However, sailmakers also work on the job, on sailing ships and boats. This twine is an example imperative equipment for sailmakers. Sailmaking was an essential trade in the shipping industry of the 17th to 19th and early 20th centuries. Sailmakers were often part of a ship's crew, making repairs as needed and using their skills for other work such as net making.Twine; reel of brown waxed sailmaker's twine.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, twine, waxed twine, sailmaker's twine, sailmaker's equipment, sailmaking, canvas work -
National Vietnam Veterans Museum (NVVM)
Print, The Vung Tau Ferry - About The Painting
Single page article on a painting (not included) called The Vung Tau Ferry and About the artist pictured. Article refers to HMAS Sydney and the 22 trips it made to South Vietnam in 1968 carrying troops and cargo.the vung tau ferry -
Hawthorn Historical Society
Drawing - Property Illustration, 139 Riversdale Road, Hawthorn, 1993
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.139 RIVERSDALE RD HAW Margaret Picken ©2002 WOODARDS - HAWartist - margaret picken 1950-