-
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''NAUGHTY MARIETTA''
Bendigo Operatic Society ''Naughty Marietta'' at the Capitol Theatre, View Street Bendigo for a Five Night Season Commencing Friday 7th July, 1967. Producer: Cid Ellwood - Musical Director: Max O'Loghlen - Assistant Producer, Ballet and Wardrobe Mistress: Madge Welch - Society Pianist and Chorus Mistres: Gwen Grose. Cast in Order of Appearance: John Stanistreet as Etienne Grandet - Peggy Green as Adah - Des Duguid as Captain Richard Warrington - James Watson as Sir Harry Blake - Ferd Lorenz as Silas Slick - Carol Mills as Lizette - Valerie McCracken as Marietta - John Boquest as Rudolfo - Douglas Sayle as Lt. Governor Grandet - Ian Unmack as Florenz - joan Mellis as Fanchon - Anne Pearson as Annette - Kaye Moncrieff as Feliceprogram, theatre, bendigo operatic society -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Remembering Vietnam - the Wall at 25
vietnam veterans memorial (washington, d.c.), vietnam war, 1961-1975, united states, vietnam war, 1961-1975 - veterans - united states -
City of Greater Bendigo - Civic Collection
Programme - Official Olympic Souvenir, G. W. Green & Sons, XVIth Olympiad Melbourne Australia, 22 Nov.- 8 Dec. 1956, 1956
Held in Melbourne from the 22nd November to 8th December, the 1956 Summer Olympics, officially known as the Games of the XVI Olympiad or the Melbourne Olympics were the first held outside of Europe or the USA. This programme was originally enclosed with book 'Australia, Land of the Southern Cross' as is a visitors guide to Australian states and cities.Colour printed programme. 15, [1] pages. Illustrated. Colour printed front and back cover based on the Olympic ring colours. Inside pages printed in red and black. Contents include an official programme listing all the events, venues and dates; photograph and map of Olympic grounds and Village; a guide to facilities and services available to visitors during the Olympic Games and lists of Australian cities and towns with brief statistics and description for each listing. Includes an introduction by Frank Selleck, Lord Mayor of Melbourne ; Maurice A. Nathan, Chairman, Olympic Civic Committee.melbourne olympic games, olympic games 1956, city of bendigo tourism -
Ballarat Tramway Museum
Sign, State Electricity Commission of Victoria (SECV), "Passengers Must Not Obstruct the Entrances", 1960's
Demonstrates how the SEC used enamel signs to convey instructions to passengers or to confirm the advice of the conductor and how enamel signs were made. Enamel sign, black capital letters and lines on white background, titled "Passengers Must Not Obstruct the Entrances". Sign has a black enamel backing, with marks from the enamelling process. Four screw holes in each corner to secure the sign. 4563i1 - Similar sign but different layout and smaller in length "Passengers Must Not Obstruct tram Entrance." Two screw holes in sides.trams, tramways, signs, sec, tramcars -
Port Melbourne Historical & Preservation Society
Film - DVD, "The Port Mob", Mar 2007
Ed was sent to the workshop by PMH&PS to learn how to create the dvd"The Port Mob" DVD Made by Edwin Whiting at the ACMI workshop in 2007, covering his childhood mates and their war servicewar - world war ii, edwin whiting -
University of Melbourne, Burnley Campus Archives
Programme - Graduation Ceremony Program, Department of Agriculture, Victoria, Graduation Ceremony & Official Opening of the Student Amenities Building, 1973
The Student Amenities Building was officially opened by the Hon. R. J. Hamer, Premier of Victoria. Also present: Ian Smith, Minister for Agriculture and Dr. D. S. Wishart, Director of Agriculture.graduation ceremony, student amenities building, sketch, burnley horticultural college, the hon. r. j. hamer, ian smith premier of victoria, minister for agriculture, dr. d. s. wishart, director of agriculture, graduation ceremony programme -
Ballarat Tramway Museum
Sign, A. Simpson and Son Limited Enamellers of Pirie St Adelaide, "Passengers are requested ....."
One of a group of signs that were fitted into tramcars in Ballarat, giving instructions to passengers about prams, behaviour, smoking, fare payment, talking to the motorman, instructions or information to drivers etc. Yields information about the sign manufacture, demonstrates the type of signs provided in tramcars.Enamel sign, black capital letters and lines on white background, titled "Passengers are requested not to enter into conversation with the motorman when tram is in motion". One of a number similar signs donated to the Ballarat Tramway Preservation Society by the SEC following closure of the Ballarat Tramways system in 1971. Sign has a black enamel backing, with marks from the enamelling process. On the rear is part of a paper sign about mounting the sign with screws and not using nails and the name of the manufacturer "Simpson & S? Pirie Street......" (See Reg Item 4899 for the full manufacturers label) .1 - As for above, added 31/12/2010/ trams, tramways, tramcars, signs, motormen, passengers -
Flagstaff Hill Maritime Museum and Village
Currency - Coin, 1896
This Great Britain one shilling coin is dated 1896, which is during the reign of Queen Victoria. There were over 9 million of these coins minted. Queen Victoria succeeded King William IV to the British Throne in 1837 – she was only 18 years old at the time – and she ruled until 1901. British coins such as this one shilling were in circulation in the colony of Australia until 1910, when the Commonwealth of Australia began producing its own coinage. This one shilling coin was minted by the Royal Mint at Royal Mint Court, in Little Tower Hill, London, England. Coins for circulation in the Kingdom of England, Great Britain and most of the British Empire were produced here until the 1960’s when the Royal Mint shifted location to Wales. There are three main groups of shillings produced during Queen Victoria’s reign:- - The Young Head; 1837-1887, in 8 different versions, on the obverse showing the Queen’s maturing face over 50 years. - The Junior Head; 1887-1892, minted when Queen Victoria had been reigning for 50 years. Her head was smaller on the coins minted 1887-1889 than on those shillings minted 1889-1892. - The Old Head; 1893-1901, shows the veiled head of Queen Victoria. The obverse side of the coin was designed by Thomas Brock. The inscription’s translation is “Victoria by the Grace of God, Queen of the British territories, Defender of the Faith, Empress of India”. The reverse side of the coin was designed by Edward Paynter. The inscription "HONI SOIT QUI MAL Y PENSE" translates as "Evil be to him who evil thinks". AUSTRALIAN CURRENCY The early settlers of Australia brought their own currency with them so a wide variety of coins, tokens and even ‘promissory’ notes (often called IOU’s) were used in the exchange of goods and services. In 1813 Spanish dollars were imported and converted for use by punching a hole in the centre of the coin. Both the outer ring, called the holey dollar, and the punched out ‘hole’, called the dump, were then used as the official currency. In 1825 the British Government passed the Sterling Silver Currency Act, making the British Pound the only legal form of currency in the Australian colonies. Not enough British currency was imported into the colony so other forms of currency were still used. In the mid 1800’s Australia entered the Gold Rush period when many made their fortunes. Gold was used for trading, often shaped into ingots, stamped with their weight and purity, and one pound tokens. In 1852 the Adelaide Assay Office, without British approval, made Australia’s first gold coin to meet the need for currency in South Australia after the Gold Rush began. In 1855 the official Australian Mint opened in Sydney, operating as a branch of the Royal Mint in London, and the gold was turned into coins called ‘sovereigns’. Other branches also opened in Melbourne and Perth. Up to the time of Australia becoming a federation in 1901 its currency included British copper and silver coins, Australian gold sovereigns, locally minted copper trade tokens, private banknotes, New South Wales and Queensland government treasury notes and Queensland government banknotes. After Federation the Australian government began to overwrite privately issued notes and prepared for the introduction of its own currency. In 1910 a National Australian Currency was formed, based on the British currency of ‘pounds, shillings and pence’ and the first Commonwealth coining was produced. In 1966, on February 14th, Australia changed over to the decimal currency system of dollars and cents. Australia did not have its own currency in the colonial times. Settlers brought money from other countries and they also traded goods such as grain when currency was scarce. For a long time there was no standardised value for the different currencies. In 1825 British currency became the only official currency in the colony of Australia and coins such as this silver shilling were imported into Australia to replace the mixture of foreign currency. Australia became a Federated nation on 1st January 1901. In 1910 National Australian Currency was formed and Australia produced its own currency, based on the British ‘pounds, shillings and pence’. The British currency was no longer valid. This silver shilling is of national significance as it represents the British currency used in Australia from 1825-1910. This silver shilling is also of significance to Australia as part one of the British Colonies ruled by Queen Victoria. It is part of the special silver and gold coins minted 1887-1893 to celebrate the 50 years Jubilee of Queen Victoria’s reign 1837-1887. Coin, Great Britain Shilling, 1896. Silver coin, round. Obverse; Queen Victoria head, ‘Old Head’, looking left. Reverse; 3 shields (each crowned) - 3 passant lions (England), 1 rampant lion (Scotland), golden harp (Northern Ireland) - floral symbols between them – 1 rose, 2 thistles. Inscriptions on both sides of coin.Obverse “VICTORIA . DEI . GRA . BRITT . REGINA . FID . DEF . IND . IMP” Reverse “ONE SHILLING, 1896”, Inner band, [some letters hidden] “HONI SO VI Y PENSE” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coin, currency, money, legal tender, australian currency history, royal mint, british shilling 1896, thomas brock, edward paynter, great britain shilling, queen victoria currency, queen victoria 50 years golden jubilee shilling, colonial australia currency, numismatics -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, CD, Photos from the Vietnam War by A (Alan?) Hughes
Photos by A Hughes, 3 RARvietnam war, 1961-1975 - personal narratives - australian, 3 rar -
Kadimah Jewish Cultural Centre and National Library
Audio - Interview with Lois Sandor
Lois Sandor is the daughter of Bezalel (Zal) Markov who was the President of the Kadimah in 1918. Lois was interviewed about her father's life in Melbourne and his involvment with the Kadimah. Markov was a Chemist who had two Chemist shops in Carlton. The interview was recorded in November 2022 and the interviewer was Renata Singerkadimah jewish cultural centre, z. markov, bezalel markov, lois sandor, kadimah presidents, jewish carlton, carlton, chemist, birth control -
National Vietnam Veterans Museum (NVVM)
Sign, Go 9 RAR, 1968-1969 (Approximate)
A metal plate featuring a kangaroo emblem with intext" Duty first -Royal Australian Regiment" and yellow text "Go 9 RAR"Go 9 RAR, Duty first - Royal Australian Regimentmetal plate -
Melbourne Legacy
Programme, Junior Legacy Club Annual Demonstration 1953, 1953
Programme of a Legacy Demonstration at the Melbourne Town Hall in October 1953. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Presented at the Melbourne Town Hall Friday 23rd October and Saturday 24th October 1953.A record of a Junior Legacy Demonstration in 1953.Cardboard program includes running order, acts and names of instructors. Performed at the Melbourne Town Hall Friday 23rd October 1953 and Saturday 24th October 1953.Cardboard 'X' in pen on the bottom left corner. Inside left cover in pen '13 17 6 8 8 23 8'. On back cover MU 6025 WL 2995 Vernon L Leg S. Bates MU 7454 Leg A. Beattie C 4471junior legatee, annual demonstration -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, NVVM: Under Construction
Coloured film about the construction of the NVVM at Newhaven (Copy 2)national vietnam veterans museum - construction -
Melbourne Legacy
Programme, Junior Legacy Club presents their Annual Demonstration 1945, 1945
Programme of a Legacy Demonstration at the Melbourne Town Hall on 19th October 1945. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1980s, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy annual demonstration.Printed programme for 1945, photocopy of a A4 page folded in 3. annual demonstration, junior legatee -
Wooragee Landcare Group
Newsletter
-
National Wool Museum
Audio - Wool Talk featuring Joan McInnes No. 5, Dalgety Farmers Limited, c.1980s
Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Cassette tape featuring image of a woman seated on a hay bale next to a ram.front: Wooltalk. / featuring / Joan McInnes. / No. / 5 / IN A / SERIES / Dalgety Farmers Limited / INCORPORATED IN VICTORIA spine: Dalgety Farmers Limited Wooltalk. No. 5 back: 'WOOLINE' / KEEP IN TOUCH FOR THE COST OF A LOCAL CALL / Brisbane (008) 17 7630 / Yennora (008) 42 4706 / Newcastle (008) 04 6220 / Goulburn (F&G) (008) 04 6250 / Albury (008) 02 1624 / Melbourne (008) 33 3037 / Geelong (008) 01 2075 / Portland (008) 35 3391 / Port Adelaide (008) 88 8483stuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, training, technical advice, mills, cassette tape, audio -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Vietnam: the ten thousand day war: special collectors edition (Copy)
Contains 7 Film, DVDsvietnam war, 1961-1975 - participation, american -
Robin Boyd Foundation
Audio - Recording, New Music
The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Facade: An Entertainment. LP 33RPM vinyl, Catalogue Number: NMLP1, Paper Packaging Cover (opens like a book), 1 Vinyl disc, Cover notes, author unknown, Limited Edition of 400 copies (this is copy no. 102). Kevin McBeath - reciting poems written by Edith Sitwell, Music by William Walton, Conducted by Harry Hutchins. Orchestra ensemble: Richard Chugg (flute), Audrey Walklate (Piccolo), Thomas White (Clarinet), Charles Crawley (Saxophone), Standish Roberts (Trumpet), Don Howley (Violoncello), Valarie Awburn (2nd Cello), Ernest Lighton (Percussion).lp, sound recording -
Port Melbourne Historical & Preservation Society
Audio - Oral History, Growing up in Cruikshank Street, Graeme Taylor, 22 Jun 2009
Graeme Taylor discussing growing up in Cruikshank St. Interviewed by Graham BrideDuration 00:38:58built environment, families, graeme taylor -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, Wilbraham Liardet, Dawn Harris, Frankston Historical Society, Glen Stuart, 26 Jul 1999
Recording of PMHPS Meeting on 26.07.1999. Recording done by Glen Stuart at Port Town Hall. Speaker was Dawn Harris of the Frankston Historical Society regarding Wilbraham Liardet, who was a distant relative of Dawn who has been working on a book about the family or a decade. Recording duration 59:11.liardet family, dawn harris -
Robin Boyd Foundation
Audio - Recording, London Records
The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.A Festival of Lessons and Carols. LP 33RPM vinyl, Catalogue Number: X.5523, Record cover, Paper sleeve, 1 vinyl disk. Cover notes, no author listed. Recording at King's College Chapel, Cambridge Christmas Eve 1958. Directed by David Willcocks, Simon Preston, Organ. Choir of 16 Kings College members.lp, sound recording -
Melbourne Legacy
Programme, Annual ANZAC Commemoration Ceremony for Students 1995, 1995
A circular sent to Victorian schools informing them of the 1995 annual "Anzac Commemoration Ceremony for Students", held on 5th April 1995. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The 6 pages outline the order of service of the ceremony, some background notes on the ANZAC Commemorations, a short history of the Shrine of Remembrance, a story of Legacy and a letter from the President of Melbourne Legacy. It mentions the ceremony is telecast on the ABC television channels. They mention is it a 'Circular to Victorian Colleges and Schools' so they were sent to school to publicise the events. There is a letter to the school Principal from the President of Legacy inviting the schools to attend or to listen to the telecast. Each ceremony was attended by the Governor of Victoria, in 1995 it was Sir Richard McGarvie. The photo was published in an issue of the Answer in May 1992 and the caption says, 'Junior Legatees Kathleen McGrath and Greg Sallee place a wreath at the eternal flame'.A record of a ceremony at the Shrine for school students in 1995.Printed brochure of the student Anzac ceremony with a photo of two junior Legatees at the Cenotaph, single page folded into 3. Circular to All Victorian Colleges and Schools. 64th Annual Anzac Commemoration Ceremony for Students.anzac commemoration for students, wreath laying ceremony -
Kew Historical Society Inc
Programme, Presentation by Field-Marshal Viscount Lord Kitchener of Banners presented by Her Excellency the Countess of Dudley to the Senior Cadet Battalions of the Commonwealth at Government House, Melbourne on 12th February 1910 at 3 p.m, 1910
Presentation by Field-Marshal Viscount Lord Kitchener of Banners presented by Her Excellency the Countess of Dudley to the Senior Cadet Battalions of the Commonwealth at Government House, Melbourne on 12th February 1910 at 3 p.m.world war 1914-1918, patriotic concerts -- melbourne -- victoria -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, CD, Ron Whitehead's photos in Vietnam (Copy 1)
vietnam war, 1961-1975 - personal narratives -
Bendigo Historical Society Inc.
Banner - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: HOUSE BANNER
Golden Square Primary School, Laurel Street, house flag. Blue material, gold writing, yellow fringe on bottom. Flag is attached to wooden rod at top. On flag 'Fortuna' in yellow print.education, primary, golden square laurel st p.s. -
Eltham District Historical Society Inc
Film - Video (DVD), Frank Stokes, Stokes Family, 1950-1977
Various family scenes taken from outside the family home on the southeast corner of the intersection of Nyora Road and Pitt Street with Eucalyptus Road. Also, scenes of the Stokes Orchard and equipment used, construction of water reservoir at the end of Nyora Road near Reynolds Road and Diosma Road as well as early stages of the Stokes Orchard housing development. Frank Stokes worked as a qualified accountant at Kennons leather factory in Burnley, while living at 1 Thomas Street, Mitcham. He suffered from migraines and wanted to go back to the land (he had previously worked on farms and orchards since coming to Australia in 1926 both in WA and Vic.). He first travelled to the district by train in July 1942 to find land with the intention to establish an orchard. By chance he met Arthur Bird of Bird Orchard (bounded by Pitt Street, Eucalyptus Road and Wattle Grove) and they got talking over their common interest. Arthur put Frank up for the night and pointed out the land, 158 acres- Taylor Estate- £900, part of Crown Allotment 15, Section 5, Parish of Nillumbik (CA15) somewhat diagonally opposite Bird Orchard. He applied through the Riverina Agency to purchase the land who in turn had to get permission from Canberra to sell as there was a new government regulation banning land sales except for immediate production. He obtained a loan on his Mitcham house of £600 @ 5% and paid £450 deposit with quarterly payments of £15 over 5 years. The title to the property was issued May 15, 1946. He was helped and advised by Arthur Bird who farmed the neighbouring orchard. Early 1943 he took possession and would catch the train out to Eltham on Fridays after work and began building a hut for shelter and to lock up tools. He was able to pay a neighbour (Hawkins) to help with clearing and fencing 25 acres and with a horse and single furrowed plow, planted approximately 2,500 fruit trees - cherries, peaches, plums, almonds, pears, apricots and lemons as well as a few apples and oranges; a massive job. A huge problem was hares and rabbits eating all the new buds off the tiny trees. As well as laying poison he painted the trees with a mixture of cow manure and lime. Often working by moonlight. It was extremely difficult to get wire and wire netting because of the war but after much effort he obtained a permit from the Agricultural Department for supplies in March 1944. In February 1945 he applied for a permit to build a “packing shed” as no house building allowed. It was to be 33 feet x 21 feet and cost £312. Constructed mostly from second-hand materials, which was hard to obtain, especially iron for roofing. Frank finished work at Kennons October 31, 1945, and in March 1946 he sold the Mitcham house for £1230 plus £170 for furniture. The family of five then moved into a very unfinished at Eltham, which was a struggle to weatherproof. Eventually rooms were divided off and lined with hessian bags and whitewashed. Their income was firewood (cut and sold), selling rockery stones and cut sweet bursaria. (It was discovered during the 1940s that Bursaria contained the sunscreen compound Aesculin. The RAAF utilised this compound from Bursaria during WW2 for pilots and gunners.) The orchard’s first fruit sale was a 1/2 case of Le Vanq peaches in December 1947 - 8 shillings. In 1956 plans for house were drawn and Glen Iris bricks purchased (1956 Olympic Rings variant). The building of the house commenced in 1957 - 12 feet of original packing shed removed – and was completed in 1959. Water was connected from newly built pressure storage on the property at the end of 1959 and the electricity connection for the first time at 3pm on April 29, 1960. In the mid-1970s the Shire of Eltham divided the orchard up into numerous rate-able parcel lots, which became unaffordable for Frank. Consequently, Stokes Orchard was turned into a housing development by Macquarie Builders and marketed as the Stokes Orchard Estate in two stages; Stage 1 encompassing Scarlet Ash Court, Ironbark Close and Peppermint Grove bounded by Nyora and Eucalyptus roads c.1976 and Stage 2 encompassing Stokes Place, Orchard Way, The Crest and The Lookout bound by Nyora and Diosma roads c.1979. The development of Orchard Way, The Crest and The Lookout did not proceed as planned due to the lack of the sewer along Diosma Road and so many of the proposed lots were incorporated into five-acre parcels instead. With the arrival of the sewer along Diosma Road many years later, most of these five-acre parcels have since been subdivided many times.Representative of the orchard growing areas of ElthamMP4 00:24:39; 426MB Digital file only - Digitised by EDHS from a DVD copy on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes. 24 min duration compilation of home movie Super 8mm film shot by Frank Stokes brother-in-law.beryl bradbury (nee stokes) collection, frank stokes, nyora road, stokes orchard, stokes orchard estate, stokes place, video recording -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: June 20, 2000
Around the Institute was a weekly program designed to keep clients and staff informed of events, activities and thoughts relating to low vision and blindness. It consisted of interviews undertaken by Jo Matthews, with sound engineer Ed Gamble, designed to inform, educate and explore on a variety of topics. June 20: Audio Described Videos – Kate Stephens, Audio Described Videos in the Library – Damien Tyquin, His new role in technology and training – Chris Edwards.royal victorian institute for the blind, radio shows -
Ballarat Tramway Museum
Sign, State Electricity Commission of Victoria (SECV), "Conductors Cash Shortage", Post 1966?
Sheet aluminium sign, red metal primer on rear of, off white painted on front, with red and black painted with this sheet steel(?) attachments, riveted to aluminium and folded so that a sheet of paper or prepared numbers could be slipped in. Used to indicate cash shortages of Conductors for the last week and lowest week for the year. $ sign in block paint, otherwise in red paint. Appears to have been set up for decimal currency. Drilled with holes in each corner. Holes have been countersunk. Used at depot probably in revenue or pay in office. trams, tramways, conductors, fares, tickets, ballarat -
Bendigo Military Museum
Programme - SOUVENIR PROGRAMME, R A A F, 28 April 1943
Single sheet of paper, when folded forms 4 pages. The paper was white, the printing is in dark blue ink. At the bottom of the front page is a palm tree. Front Page - “ The Moresby Microbes The Jubilee Concert RAAF Recreation Hut Konedobu April 28, 1943raaf, new guinea, konedobu -
National Wool Museum
Currency - One Pound Note, John Ash, 1938 - 1948
John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash