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National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Australia remembers: 50th Anniversary commemoration of the Battle of Long Tan & Vietnam Veterans' Day, 2016
Service held at the Australian Vietnam Forces National Memorial in Canberra on the 18th August, 2016.battle of long tan, australian vietnam forces national memorial -
Bendigo Historical Society Inc.
Pamphlet - Flyer to organise the Bendigo High School reunion
Flyer to gauge interest and organise a 40-year reunion of Form 1 students 1957 who attended Bendigo High School. Two page with list of student names to follow up / contact all former students. bendigo high school student reunion, flyer for interest in 40 year reunion of bhs students -
Moorabbin Air Museum
Pamphlet (Item) - Fairchild F27 Pacemaker- Piedmont Airlines, Piedmont Airlines New Fairchild F27 Pacemaker
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Bendigo Military Museum
Currency - JAPANESE INVASION MONEY, Japanese Government, 1939 - 1945
There are three paper notes printed by WW2 Japanese Govt. 1. Face value is one pound. Printing in green ink. It depicts some palm trees and a beach. The letters OA OA are printed in Red. 2. Face value is one shilling. Printing in blue ink. It depicts Palm Trees and a beach. The letters OC OC are printed in red ink. 3. Face value is 1/2 shilling, purple ink. Depicts Palm trees and a beach.ww2, invasion money, japan -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Flyer - Ritchill Estate, McKinnon, 1927
The train line from the city to Frankston was electrified in 1922 which intensified the sale in the municipality of Moorabbin, particularly land which was in the vicinity of the railway stations.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleRitchill Estate, McKinnon, auction Saturday 5 April 1930lysbeth street, amelia st, murray road, mckinnon, auction, real estate, moorabbin -
Bendigo Historical Society Inc.
Ephemera - Invitation, 2015
Originally on the site of the Government Camp, the Sandhurst prison was built in 1863, when it housed both male and female prisoners. In 1972 it was renamed the Bendigo Prison, a medium security prison for male inmates. It closed in 2004 and was redeveloped as an arts and performance precinct named "Ulumbarra" (meeting place.Two invitations to the Gala Opening of Ulumbarra Theatre, Bendigo on 17/04/2015ulumbarra theatre, old bendigo gaol, opening -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Vietnam War, Volume 3: Vietnam! Vietnam!
Series of 5 Film, DVD's on the USA's involvement in the Vietnam Warvietnam war, 1961-1975 - participation, american -
Port Melbourne Historical & Preservation Society
Flyer - PMHPS, seeking storage space, 1993
Flyer seeking storage space for the PMH&PS collection 1993 societies clubs unions and other organisations, port melbourne historical & preservation society, pmhps -
Canterbury History Group
Pamphlet - Mont Albert Park, Camberwell
Copy of the pamphlet for subdivision of Mont Albert Park, includes Mangarra Road, Malaca Road, Gwinda Avenue, Irilbarra Road and Canterbury Roadcanterbury, canterbury road, gwenda avenue, irilbarra road, mangarra road, malaca road, mont albert park, land subdivision -
Whitehorse Historical Society Inc.
Pamphlet, Heritage Week 2015, 2015
Whitehorse City Council commemorates the centenary of the Gallipoli landing during its 2015 Heritage Week.Whitehorse City Council commemorates the centenary of the Gallipoli landing during its 2015 Heritage Week, listing its program of events between 10-15 September.Whitehorse City Council commemorates the centenary of the Gallipoli landing during its 2015 Heritage Week. heritage week 2015, events -
Queenscliffe Maritime Museum
Pamphlet - Port of Geelong Trade Statistics 1971, Port Statistics 1971, 31 December 1971
Port of Geelong trade figuresPort of Geelong Trade StatisticsStaple bound, 12 page pamphlet/booklet re Port of Geelong, 1971, Trade Statistics.Reverse " NIL " -
Melbourne Legacy
Pamphlet, Fifty years of service to the Children and Widows of Ex-Servicemen, 1973
This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy in 1973. It includes 'The Story of Legacy' and 'What Legacy does' and 'The Legacy Badge'. 1973 was the 50th Anniversary of Legacy.An example of promotional material issued by Legacy in 1973.Brochure x 6 pages to promote Legacy in 1973, it's golden jubilee year, with a blue and gold cover and black and white photos inside.legacy promotion, golden jubilee, fundraising -
Greensborough Historical Society
Pamphlet, Banyule Youth Summit: Summit highlights, 2018_
Outcomes of the Banyule Youth Summit held 20184 p. colour pamphletbanyule youth summit -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Clunes Museum
Film - DVD, Nine Network Australia, Postcards - Episode 22, 2008, 2008
Visual programme featuring Widow Twankey's. a local cafe, and the Clunes Museum prior to the redevelopment of the site at 36 Fraser Street, in 2012. Interviews of Tim Hayes, owner of Widow Twankey's and Pat Cook the Curator of Clunes Museum. Images of significant sites and historic buildings as well as streetscapes and landscapes of Clunes.DVD IN WHITE PAPER SLEEVE CHANNFEL 9 POSTCARDS, EPISODE 22 "GENERAL SHOW"widow twankey's, pat cook, tim hayes, clunes museum -
Bendigo Historical Society Inc.
Ephemera - AILEEN AND JOHN ELLISON COLLECTION: A PLAIN CALICO BAG, 1950's
Plain calico drawstring Bag. One side seam 2 cms casing around top with cotton tape drawstring.manchester, furnishings, plain calico bag -
Greensborough Historical Society
Pamphlet, Yarra Plenty Swimming Club Championships 2022, 2022
A flyer for the Yarra Swimming Club Championship 2022; this club is associated with Yarra Swim SchoolPamphlet, colour illus. and textclub championships 2022, herb norman, yarra plenty swimming club, yarra swim school -
National Vietnam Veterans Museum (NVVM)
Film - Film, USB, USB
A collection of about 150 Photograph (originally slides) on a USB stick of basic training for National Service in 1969-70. Also, R&R in Hong Kong 1969-70 from Geoff Maxwell of 1 Field Squadron RAAF.photograph, 1 field squadron raf -
Marysville & District Historical Society
Flyer (Item) - Information flyer, Eagle Nest House Mountain Hideaway, Unknown
An information flyer regarding Eagle Nest House Mountain Hideaway in Buxton.An information flyer regarding Eagle Nest House Mountain Hideaway in Buxton.buxton, victoria, australia, eagle nest house, accommodation, information flyer -
Federation University Historical Collection
Flyer - Document, W.S. McKee, Printers, Gem Pictures Advertisement, c1920
The advertised feature "Heritage' was released in the United States in August 1920. See an advertisement at http://news.google.com/newspapers?nid=1499&dat=19210703&id=26tRAAAAIBAJ&sjid=TCEEAAAAIBAJ&pg=3490,5244641Gem Pictures advertising pamphlets (three of the same on green paper), and Gem Pictures advertising tickets (six of the same: three are printed on green paper and three are printed on orange paper).gem pictures, matty robourt, willard mack, wonders of the sea, electric mirror arc projection -
Ballarat Tramway Museum
Ephemera - Ticket/s, State Electricity Commission of Victoria (SECV), SEC 2d Concession, 1955? - 1965?
Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 1 remaining ticket - red ink on off white paper, denomination 2d, overprinted "Concession" in black, numbered A233399, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 100 tickets been stapled onto an off white, ruled on one side cardboard back with a heavy metal staple and an off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See also Reg Item 3988 for another 2d Concession - but note difference check points on side of ticket. Note: "L.P.L." in bottom right hand corner of ticket. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets -
Greensborough Historical Society
Flyer - Invitation, Greensborough Inter Church Council, Greensborough Interchurch Council. Invitation to 10th anniversary celebration, 20/06/1999
The Greensborough Interchurch Council celebrated 10 years in 1999. The council was formed by 9 local churches representing a range of denominations including Catholic. Anglican, Lutheran and Uniting. This is an invitation to members to attend the 10th anniversary celebrations.Invitation: black text on white paper.greensborough interchurch council -
Ballarat Tramway Museum
Ephemera - Ticket/s, State Electricity Commission of Victoria (SECV), SEC 3d, 1940's?
Two blocks of tickets each - light red ink on off white 60 gsm paper, denomination 3d (printed in blue), headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 50 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "E" prefix is in red, the ticket number is in black. Ticket used as a Transfer, had day of issue to be punched on the left hand side and the destination validated in number on the right hand side. 2117.1 - E143156 - 99 2117.2 - E143003 - 99 Thought to be used prior to 1950's around the second world war.trams, tramways, secv, tickets, parcels -
Ringwood and District Historical Society
Flyer, Land Sale Advertisement - Woodlands Estate, North Ringwood, Victoria - circa 1970
Double sided single-page advertisement for land sale with locality map and layout of Woodlands Estate subdivision in North Ringwood, with summary of local features and services. No indication of date of flyer other than post-Eastland Shopping Centre opening in 1967.Subdivision includes Oban Road, Terrigal Close, Dorelaw Drive (later Melview Drive), Naroo Court, and Barook Court. Agent's rubber stamp imprint - H.C. Walton & Son, 264 Doncaster Road, North Balwyn. -
University of Melbourne, Burnley Campus Archives
Flyer - Photocopy, scanned, Rose pruning demonstrations, 1953
Flyer for rose pruning demonstrationspruning, roses, flowers -
Robin Boyd Foundation
Pamphlet, The Barnes Foundation
Class Schedule of the Art Department. -
Ballarat Tramway Museum
Ephemera - Ticket/s, State Electricity Commission of Victoria (SECV), SEC 3d, 1950's to early 1960's?
Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Two Blocks, each with four remaining tickets - orange ink on off white paper, denomination 3d, numbered V526396 - 99 and A648196 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a cardboard back with a heavy metal staple and a off white coloured or plain cardboard retaining strip at the top of the ticket. The ticket price is in orange ink while the ticket number itself is in black ink. On rear in orange ink is a diagonal criss cross or tartan pattern. 3987.1 - has a white cardboard back, slightly shorter than the ticket with ruling on one side. 3987.2 - has a brown / grey cardboard back. Note the size of the 3d varies between the two tickets and the punch marking lists on either side. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets -
Bendigo Military Museum
Flyer - INVITATION, 1916
The invitation was to Robert Raymond O’Donahoo No 1399 14th Bn AIF . Refer Cat No 1500 for his service details.Folding invitation, parchment cover, yellowish with gold seal at the top, inside 4 pages, phot of the King and Queen then details re “Entertainment to Wounded Soldiers and Sailors at Buckingham Palace on March 22nd 1916, all writing in gold.Front cover, “Entertainment to Wounded Sailors and Soldiers given by and in the presence of their Majesty’s the King and Queen. (In the Riding School at Buckingham Palace on Tuesday, Wednesday, Thursday March 21,22,23, 1916”invitations, buckingham palace. -
Bendigo Historical Society Inc.
Pamphlet - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT PAMPHLET, 1995
Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Pamphlet for Rosalind Park Lookout - two copies. One side of the pamphlet has a layout image of the five sections of the mosaic and the poppet head base. The sections are numbers 1 to 5 Section 1: A stylised representation of the main Bendigo Goldfield based on a geological plan (Publish in 1992). It shows the lines of reef, including the famous Hustlers, Garden Gully and New Chum. Section 2: A typical cross section of the Bendigo Goldfields Section 3: The mine layout shown in this design features part of the Garden Gully line of reef. Section 4: Shown here is the Iron Bark mine on the Sheepshead reef. It has an interesting pattern of drives, stopes and winzes. Section 5: In this section the artist uses gold as her inspiration. The larger mosaic shows quartz veins winding through the earth containing gold in its various forms. The smaller mosaic represents the atomic structure of gold. It shows the the nucleus, the six shells of the atom, their electrons and orbits. The other side of the pamphlet describes the background of the community arts project, the artist, and volunteer workers, also notes mentioning the Bendigo community history. It also lists the donors for funding and business's that supported the project, with special thanks to Eric Wilkinson - Geolpogical advoser, the students and staff from Camp Hill, St Killians and Violet Street primary schools. BRIT and La Trobe University, bendigo. -
Ballarat Tramway Museum
Ephemera - Menu, Bendigo Tramways, "Cafe Tram", 2000 - 2008
Set of four documents, advertising the Cafe Tram, Bendigo. .1 - Central Deborah - Cafe Tram - menu cover - with photographs and history on the back, c2000 - images 1 and 2 .2 - Pamphlet for above detail times, costs, duration and contact numbers - single sheet, double side, black and white printing - image 3 .3 - Folded colour pamphlet advertising the Cafe Tram and sponsors - image 4 and 5 .4 - Card advertising replacement to the "Cafe Tram", Bendigo "Ninesevensix" - same tram, different marketing etc - double side card - image 6 & 7.4 - has "42" in ink in top right hand corner.trams, tramways, bendigo, bendigo trust