-
8th/13th Victorian Mounted Rifles Regimental Collection
Ceremonial object - Side drum
Side drum painted in colours indication it is part of a set related to the base drum marked as 8/13 Victorian Mounted Rifles.military, music, band, regimental, vmr -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Mayoral chain, Blashki, City of Sandringham Mayoral Chain, c. 1954
This chain was part of the official regalia worn by the Mayor of the City of Sandringham before the amalgamation into Bayside City Council in 1994. The chain was seen as an outward sign of power, authority, and responsibility and was a formal, full-dress type of regalia that was worn by the mayor over their robes at ceremonial functions. The large central drop medallion features the design of the council sea, and the links of the chains are made of cutwork initials of each Mayor. The Sandringham seal was designed by Sans and McDougal had been selected in 1917, by a special committee and its main features are the Sandringham pier and breakwater, with a yacht in full sail as an inset, supported by two dolphins. The motto reads 'Omni Opere' which translates to ‘With all earnestness.’9 carat yellow gold mayoral chain for the City of Sandringham. Consists of two concentric circles of 57 small oval links, with an Australian Coat of Arms as a centrepiece and a large 'drop' medallion of the City of Sandringham seal below. Each oval link is made up of the cutwork initials of a mayor, the surrounding oval border has an inscription above the initials which gives the mayor's name; an inscription below gives dates of office; the earliest is Cr. B.J. Ferdinando 1917-18, and latest is Cr. S.T. Russell 1993-94. The ovals are surrounded by decorative scrolls and are joined by small curb chains. The outer circle contains 31 links, while the inner contains 26. On both shoulders sit decorative bars, joining the front of the chain to the back. The main medallion has an oval central panel that features the coloured Sandringham seal in enamel depicting two sailboats in the water, a pier protruding from the left, a coastline on the right with two pine trees. Above the scene are decorative triangles in light blue and yellow, above which is another section in dark blue containing a third sailboat. The seal is flanked by two engraved dolphins and above it sits an engraved St Edward's gold crown filled with red enamel. Below the seal, there is a ribbon containing the Latin motto 'OMNI OPERE' which is engraved and filled in dark blue enamel. The pendant is surrounded by cutwork lettering reading 'CITY OF SANDRINGHAM / 1919' and leaf decorations. The medallion is inscribed on the reverse with important dates in Sandringham's history. A fleur-de-lys joins the medallion to the Australian Coat of Arms centrepiece above. The Coat of Arms features a shield, depicting symbols of Australia's six states, in enamel, flanked by an engraved kangaroo on the left and emu on the right. Below it sits a ribbon engraved 'ADVANCE AUSTRALIA'.mayoral chain, ceremonial wear, seal, medallion, mayor, coat of arms, crest, bayside, blashki & sons, city of sandringham, sandringham, omni opere, blashki, mayoral regalia, motto, st edward's crown, sans and mcdougall -
Bendigo Historical Society Inc.
Ceremonial object - JOHN FREDERICK HARPER COLLECTION: LODGE APRON, 1950-1990's
Object. Soft off-white kid leather apron, with three sides edged in a 5 cm wide band of blue grosgrain ribbon, mitred at the lower corners. A Vshaped over-lap-13 cm deep at the centre front peak and sewn into the waistband, has a metal angled lodge symbol at the centre front. This symbol which has a circular blue enamel shape at the centre, is repeated in the corners of the lower edge. Two 5 cmx16cm long blue ribbon tabs hang from under the V shaped panel, and have a 5.8 cm x 1.3 cm metal fitting at the lower edge. From this metal fitting, seven x 5 cm long chains, each finished with a small metal ball hang over the lower end of the ribbon tab.P.Blashki8. & Sons. IM SAGE ESTABLISHED 1885 105 YEARS OF SERVICE. 109 SWANSTON STREET MELB..organisation, masonic lodge, kid leather apron -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Ceremonial object - Clothing, child's dress-up costume, c1927
A child's dress-up costume incorporating the Australian Red Ensign Flag made for a pageant c1927A child's dress-up costume c1927. An Australian Red Ensign Flag sleeveless top with detachable capeclothing, moorabbin, dressmaking, textiles, melbourme, velia dowdes house -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Kew Historical Society Inc
Ceremonial object, The International Association of Lions Clubs, Brass Bell & Gavel, 1978
The official records of the Lioness Club of Kew, of which this object is a part, are held in trust by the Kew Historical Society.The Lioness Club of Kew was the first Lioness Club in the Melbourne area. As such its records are of Historic and Social Significance as a record of post-war community organisations run by women. As the records were donated to the Kew Historical Society as a place of deposit, they are well provenanced. They comprise albums, objects, and a history of the Club so provide a complete picture of the Club's operation.Brass Bell, with attached wooden gavel. The bell was used in meetings of the Kew Lioness Club from about 1978 to 1992. The wooden gavel was made by Ray Boothroyd. The bell is engraved with the names of past presidents of the Kew Lioness Club."Lioness Club of Kew / Past Presidents / Helen Joyce 1978-1979, 1979-1980 / Dorothy Cameron 1980-1981 / Valerie Newbegin 1981-1982 / Prue Molnar 1982-1983 / Edna Cartwright 1983-84 / Helen Joyce 1984-1985 / Kathleen Holgate 1985-1986 / Deborah Davis 1986-1987 / Lynette Bell 1987-1988 / Prue Molnar 1988-1989 / Judy Brown 1989-1990 / valerie Ayres 1990-1991 / Deborah Davis 1991-1992"lioness club of kew, women's groups - kew - (vic), bells -
National Vietnam Veterans Museum (NVVM)
Ceremonial object - Bracelet, Missing in Action (MIA)
Stainless steel open-ended bracelet engraved with missing serviceman's full name and date missing. In a buff square velvet satin-lined box.Robert Charles Carver, 04/11/70mia, robert charles carver, mia 4/11/1970 -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Maniple, 1907 to mid 20th century
This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Maniple, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. Handmade Eucharist serving cloth, white fabric with white embroidery on one end, symbolising rope entwined around an anchor. Embroidered symbol [cross]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, maniple, eucharist, embroidered linen, hand worked linen, j.a. coe, rope and anchor emblem, religious service, religious ceremony, ceremonial linen, embroidered cloth -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, c1935
Gold plate on silver plated EPNS kite shaped commemorative trowel with a turned wooden handle with an engraved inscription. The trowel is in a blue cardboard box."Presented to Mrs Richard Lord on the occasion of her laying the foundation stone of the "Youth Welfare" building at Barkers Road Methodist Church. Nov. 9th 1935"mrs richard lord, barkers rd methodist church -
Glenelg Shire Council Cultural Collection
Ceremonial object - Sash, Ancient order of the Foresters, n.d
Red silk sash with coat of arms. Joined at both ends to form loop, ending in a tassel (gold). -
Glenelg Shire Council Cultural Collection
Ceremonial object - Sash, n.d
Plain green sash, cloth, hemmed, remains of gold fringe on both short ends. One join in sash. -
Buninyong Visitor Information Centre
Ceremonial object - Award, ANZIA: The Leonie Dunbar Memorial Award for Community Websites. Buninyong Community 2016, 2016
Presented to the Buninyong Community Website which was developed by Liz Lumsdon around 2015-2016. "The Australia and New Zealand Internet Awards (ANZIAs) are a collaboration between auDA and InternetNZ. The awards are an annual event celebrating the achievements of organisations, businesses and individuals that have made significant contributions to the development and use of the Internet in Australia and New Zealand."--Website. Perspex angular shaped award with etched lettering. Upright design with rectangular base. ANZIA: The Leonie Dunbar Memorial Award for Community Websites. Buninyong Community 2016websites, community projects, buninyong, awards -
Bendigo Historical Society Inc.
Ceremonial object - JOHN FREDERICK HARPER COLLECTION: CARDBOARD BOX, 1950-1990's
Object. Rectangular shaped, navy blue cardboard box, with a cardboard hinged lid. 13 cms long, 6 cms wide, 1.5 cm deep. On the receipt of this box it contained two lodge regalia lapel badges . Refer 11415.11. 11415.12.HARVEY C.SMITH PTY.LTD. MASONIC REGALIA SPECIALISTS, 57-59 SWANSTON ST., MELBOURNE, C1,Phone Central 6712.organisation, masonic lodge, cardboard box for masonic regalias -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, Late 20th century
Navy ceremonial robe with lapin fur collar and cuffs and three lines of gold braid along hem. Blashki & Sonscity of greater bendigo ceremonial item -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Ceremonial object - Seal press, Seal press - City of Sandringham
This seal press was used by the City of Sandringham to emboss agreements and official documents. Cast iron seal press, with wooden handle at angle to metal compartment. Gilded decorative treatment on black, with red line beneath gilding around the base. Round die still attached for City of Sandringhamseal press, seal, die, city of sandringham, sandringham, council, writing accessory, stamp, press, bayside -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Altar Cloth, Mrs J. (Mavis) Doonan, 1950's
This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Altar cloth, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The white fabric has been hand stitched and five stylised cross emblems have been embroidered onto the fabric, one the centre and the other four placed so that they are positioned on the top of the altar rather than on the draped edges.Embroidered symbols, five; [stylised cross]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, altar cloth, embroidery, wheat wreath emblem -
City of Greater Bendigo - Civic Collection
Ceremonial object - Lansell Pendant, George Lansell Jnr, AKA Mayoress Pendant, 1956
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. The Bendigo Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. The medallion was passed on to each subsequent Mayoress when the new Mayor was appointed. The Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. The drop and chain have been hand crafted n 18ct yellow gold and engraved by a master engraver also by hand. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. Front; Progress / BENDIGO. Verso; PRESENTED / TO THE / BENDIGO CITY COUNCIL / by / SIR GEORGE LANSELL, / TO COMMEMORATE THE CENTENARY OF / LOCAL GOVERNMENT IN BENDIGO / 10 - 1 - 56george lansell jnr, mayoress chain, bendigo centenary, mayoress snell, city of greater bendigo ceremonial item, lansell pendant -
Melbourne Legacy
Ceremonial object, Military Pace Stick
A hinged wooden stick that is used in military situations. It is kept in the Comradeship Lounge as a link to the legatees' military background. A pace stick is a training instrument used to gauge the length of pace and measure distance and interval for military parades. Legacy has a strong link to the military, most early legatees would be familiar with the pace stick and its use.Wooden stick that is hinged, has metal tips and is used as a pace tool.comradeship, pace stick -
National Vietnam Veterans Museum (NVVM)
Ceremonial object - Memorial Cross, Grice
White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.Grice, Victor Roy, 1730947cross, memorial cross, grice -
City of Greater Bendigo - Civic Collection
Ceremonial object - Engraved Silver Trowel, Bendigo and Eaglehawk Electric Light and Tramway Powerhouse, 1901
This trowel was presented to City of Bendigo Mayor, Simeon Ryan by Mr B. Deakin the Australian representative of the Victorian Electric Supply Company on the occasion of the laying of the foundation stone for the new power house building in Hargreaves Street, Bendigo. This power house was built to supply power to both Bendigo and Eaglehawk and the overhead power system for the tramway which ran from Quarry Hill, through the city to Eaglehawk and from Golden Square to Lake Weeroona. The building of the power house changed Eaglehawk and Bendigo as street lights were installed and houses became electrified. A report in the Bendigo Independent in 1902 reported ' Night will then be almost as brilliant as the day and people .... who live in the suburbs are to be provided with a tram service worth of the name'. (See reference A Mammoth Scheme.) The tramways closed in April 1972 after the Victorian Parliament granted the SEC an application to cease operating. Today Bendigo Trust operates the tourist trams which run along Pall Mall and welcomes over 40,000 visitors annually. The Bendigo Tramways Depot is the oldest operating tram depot in Australia and is listed on the Victorian Heritage Register. There are currently 45 trams in the fleet (13 of which operate as part of the 'Talking' Tram service).For more about the history and to tour the tramways visit www.bendigotramways.com.Triangular shaped silver engraved trowel with ivory handle (0286a). Top face of trowel is ornately engraved with floral and decorative motifs and an image of an electric tram and two power poles. Reverse has engraved text. No makers mark detected. Housed in a leather covered case (0286b), lined with ruched blue silk. Case has two brass hinges and two small brass clasps.PRESENTED / By / THE ELECTRIC SUPPLY CO / OF VICTORIA TO / SIMEON RYAN. ESQ JP. / MAYOR OF BENDIGO / ON THE OCCASION OF HIS LAYING / THE MEMORIAL STONE OF THE / BENDIGO AND EAGLEHAWK / ELECTRIC LIGHT AND TRAMWAY / POWER HOUSE / 26th JUNE, 1901/ STERLING SILVERcouncillor simeon ryan, councillor s h mc gowan, councillor john hoskins, councillor george loudon, councillor john green, councillor alfred hicks, borough of eaglehawk, borough of eaglehawk mayor, mayor loudon, city of bendigo mayor, mayor ryan, bendigo and eaglehawk tramway -
Buninyong Visitor Information Centre
Ceremonial object - Crucifix, Brass crucifix
History of the crucifix ownership not known at this point. To be checked.Small moulded crucifix made of brass.religion, christianity -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, 1888
Oval black leather box with crimson satin lining containing an engraved silver commemorative trowel with a bone handle."Presented to J. Bartlett Davies Esq. on the occasion of his laying, The Foundation Stone of the Mentone, Memorial, Presbyterian Church August 17th 1889" -
Melbourne Legacy
Ceremonial object, Legacy Torch
A cast of the Legacy torch mounted on wood. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. An example of the Legacy torch being cast and mounted for use in events and meetings.Cast metal torch and wreath, mounted on a timber triangular mount. Torch and wreath colour gold. Triangular timber stand, one side stained brown, base and third side painted brown. Wreath and torch attached to stained timber side by a single screw.torch, logos -
Glenelg Shire Council Cultural Collection
Ceremonial object - Town Crier's Bell - Syd Cuffe, c. 1983
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Town crier's bell, brass with wooden handle, brass clappertown crier, portland town crier, syd cuffe, town crying bell -
Bialik College
Ceremonial object - Menorah, VCE 2005, 2005
Menorah, engraved with a heart and the words 'VCE 2005'. Please contact [email protected] to request access to this record.2000s, judaism -
City of Greater Bendigo - Civic Collection
Ceremonial object - Shire of Strathfieldsaye Gavel and Stand, Unknown
This gavel (or mallet) and stand was used by the Shire of Strathfieldsaye Mayor or a presiding officer of a meeting to signal for attention or order.Wooden gavel with carved handle and stand. Front of stand has enameled circular badge containing the Shire of Strathfieldsaye coat of arms with words Shire of Strathfieldsaye Victoria 1866.Shire of Strathfieldsaye Victoria 1866.shire of strathfieldsaye, city of greater bendigo administration item -
Camberwell Historical Society
Ceremonial object - Glassware and trophies, Camberwell Central Bowls Club and South Camberwell Bowls Club glassware
9 glassware objects. 3 x South Camberwell Bowls Club trophies, 4 x Camberwell Central Bowls Club tall glasses, 2 x Camberwell Central Bowls Club smaller tumblers. Printed with the Bowls Club logos in gold. Stored in shoebox wrapped in tissue paper.South Camberwell Bowls Club; Camberwell Central Bowls Clubtrophy, bowls club, camberwell, south camberwell -
Camberwell Historical Society
Ceremonial object - Trophy, Auburn Football Club Premiers Trophy, 1942
Smaller silver trophy cupInscription: 'Auburn Football Club, Premiers 1942, A. Downie'trophy, camberwell, football, auburn, sport -
8th/13th Victorian Mounted Rifles Regimental Collection
Ceremonial object - Base drum
Early attempt to form regimental band took place in 1948, but it failed. This drum indicatesit was more successful later but it is not thought the band followed the regiment to NE Victoria in 1955. Possibly band members joined 4/19 Prince of Wales's Light Horse.Base drum with title around edge of skin "8/13 Victorian Mounted Rifles"band, vmr, military, music, drum -
Glenelg Shire Council Cultural Collection
Ceremonial object - SEAL, Seal - Portland Borough, n.d
Seal - Portland Boroughseal, administrative, portland borough