-
Royal Australasian College of Surgeons Museum and Archives
Ceremonial object - Ivory gavel
-
Mission to Seafarers Victoria
Ceremonial object - Crucifix, early 20th Century
Whilst the crucifix appears to be the result of two separate items being fused together it is probable that this artefact was used in one of the Missions at Port Melbourne or possibly aboard a ship.The Mission to Seafarers began its life as an Anglican based charity and continues to be so today. However, throughout the years it has always offered an ecumenical approach to offering social, spiritual and physical comfort to seafarers. Wooden crucifix with ornate brass Jesus on the cross affixed to front. The brass cross is very ornate with floral motifs and scroll work. It appears that the wooden crucifix and brass crucifix were originally two separate items and several nails have been used to affix the brass ornament to the wooden one. Brass plaque on wooden crucifix: "INRI" Brass inscription on brass crucifix: "INRI"religion, wood, brass, anglican, jesus, crucifix, ecumenical-tradition, st peter chapel, mission to seafarers, flinders street, seamen's mission -
Vision Australia
Ceremonial object - Object, Harrison Brothers & Howson, Ceremonial trowel
Sir Edward Mitchell was the chairman of the Edward Wilson trust, which enabled the building of the Braille Library during a time of great economic turbulence due to the last months of World War 1. This commemorative trowel was given to him in thanks for his (and the trust's support) of the project, which would ultimately provide a great resource to blinded soldiers who were prepared and able to learn Braille. In addition to the area housing the Braille collection itself, an entrance hall, reading room, secretarial office and hall also provided space for reading, administration of the collection and opportunities for social or recreational activities.1 silver plated trowel with handle inside boxPresented to Sir Edward Mitchell K.C., K.C.M.C. on the occasion of his laying the foundation stone of the new library for the Victorian Association of Braille Writers October 28th 1918. (Inside box lid: By Special Appointment Harrison Bros & Howson, Sheffield, England Cutlers to His Majesty)victorian association of braille writers, sir edward wilson -
Vision Australia
Ceremonial object - Image, Engraved letter for centenary celebrations, 1995
To honour the 100th anniversary of the founding of the Association for the Blind (then Association for the Advancement of the Blind), sister organisation Seimei Association for the Aged Blind sent this plaque.1 digital image of metal letter to AFB from Seimei Association for the Welfare of the Aged BlindMr John Moule President Association for the Blind In celebration of the Centenary of The Association for the Blind. A Seed of Love planted one century ago has grown to the commendable and universal Association for which I pay my hearty respect. I feel honored of our Sisterhood Agreement which marks the 10th Anniversary this year and wish this agreement of our mutual reliance will enrich advanced care and services for the blind and also to develop mutual friendships between two countries. 8th December 1995 Akio Honma President Director The Seimei Association for The Welfare of the Aged Blind, Tokyo (Japanese characters)seimei association for the welfare of aged blind inc., association for the blind -
Bendigo Military Museum
Ceremonial object - 67th BATTALION QUEEN'S COLOURS, c. 1912
See catalogue number 1956.2.1) Right hand side of the attached photo. Union flag in Queen's colours configuration. Fringed with red and white. Two red and white tassels on a red and white cord attached to the top left hand corner. Sewn sleeve for pike on the left hand side. .2) Right hand pike in photo. Wooden pike with a metal ring encircling the handle. Pike surmounted by metal Queen's crown. Handle has a hallmarked silver engraved plate attached with metal slotted screws.Engraved on silver plaque: 'Presented by His Most Gracious Majesty the King Emperor to the 2nd Battalion 8th Australian Infantry Battalion formerly the 4th and 5th Infantry BRIGADE 9VICTORIA0 in recognition of services rendered to the empire in SOUTH AFRICA 1899-1902'battalion colours, queen's colours, military banners, flags, 67th battalion -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, 1888
Oval black leather box with crimson satin lining containing an engraved silver commemorative trowel with a bone handle."Presented to J. Bartlett Davies Esq. on the occasion of his laying, The Foundation Stone of the Mentone, Memorial, Presbyterian Church August 17th 1889" -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Font, circa 1944
This font is a piece of church furniture used in a baptism service. It was originally installed in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The church was a branch of the Victoria Missions to Seamen. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This font is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Baptismal font: four-legged, varnished oak wood pedestal supporting a wooden box with a copper basin insert. The box has a removable cover that has a round wooden knob. The sides of the box section have a decorative diamond-shaped motif. The box and lid are octagonal, with four short sides and four long sides. The tops of the legs have a decorative design. This is one of the original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.-flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, font, baptisimal font, church furniture, religious ceremony, copper ewet, religious furniture, christening font, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, flying angel club -
Buninyong Visitor Information Centre
Ceremonial object - Award, ANZIA: The Leonie Dunbar Memorial Award for Community Websites. Buninyong Community 2016, 2016
Presented to the Buninyong Community Website which was developed by Liz Lumsdon around 2015-2016. "The Australia and New Zealand Internet Awards (ANZIAs) are a collaboration between auDA and InternetNZ. The awards are an annual event celebrating the achievements of organisations, businesses and individuals that have made significant contributions to the development and use of the Internet in Australia and New Zealand."--Website. Perspex angular shaped award with etched lettering. Upright design with rectangular base. ANZIA: The Leonie Dunbar Memorial Award for Community Websites. Buninyong Community 2016websites, community projects, buninyong, awards -
Bendigo Military Museum
Ceremonial object - RELIGIOUS STOLE, Church Stores
Part of the Reverend Chaplain Major Thomas Bruce Williams No 556101 Collection.Plain black Christian religious stole with two embroidered crests consisting of a Maltese cross under a central circle with the motto 'In This Sign Conquer'. The cross is ringed by a floral wreath and topped with a queen's crown. Three folds are sewn into the mid section of the stole.Inside the middle section - supplier's name in gold lettering on a black tag.army chaplains, personal equipment, major thomas bruce williams -
Buninyong Visitor Information Centre
Ceremonial object - Plaque, Official Opening of Restored Buninyong Library, April 1991, April 1991
Brass plaque commemorating the Official Opening of Restored Buninyong Library, April 1991 by Cr. Derek Leather, Shire President, and active, hands-on supporter of the project.Brass plaque commemorating the Official Opening of Restored Buninyong Library, April 1991 by Cr. Derek Leather, Shire President, and active, hands-on supporter of the project.buninyong visitor information centre, buninyong library, plaques -
Port Melbourne Historical & Preservation Society
Ceremonial object - Partial foundation stone (two pieces), Temperance Hall, Port Melbourne, 24 May 1890
Obtained from grounds of former Temperance Hall, Nott and Liardet Streets. Found when renovations/extensions were being made by PMCC in 1990. The stone was laid on 24 May 1890 by James Munro MLA who was a leading temperance advocate.Two pieces of commemorative stone which was originally in wall of Temperance Hall.' This s.... was laid by ...... the Honora... James Munr... ...... May 24th ........'james munro, built environment - civic, port melbourne temperance hall -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Friends of St Brigids Association
Ceremonial object - Humeral Veil, Humeral Veil - a liturgical vestment that covers the shoulders and hands of the minister to carry the Blessed Sacrament or give Benediction
Used at St Brigid's Church Crossley Rectangular cloth"Benediction " : "CSNG Crossley"ceremonial textiles -
8th/13th Victorian Mounted Rifles Regimental Collection
Ceremonial object - Regimental Guidon, circa 1990
The 20th Light Horse was raised as part of the reorganised Citizen Military Forces (Militia) following the end of WWI. It had Headquarters at Seymour Victoria and sub-units along the Goulburn Valley. The guidon, emblazoned with the South African and WWI battle honours, was presented in 1927. The 20th Light Horse served overseas during WWII being the only Light Horse unit to do so and received the battle honour South West Pacific 1944-45. In 1948 when 8/13 Victorian Mounted Rifles was raised as the descendent regiment of the 8th, 13th and 20th Light Horse Regiments it became the custodian of the three guidons including that of the 20th Light Horse. In 1991, the two Victorian mounted regiments 8/13th VMR and 4/19th Prince of Wales's Light Horse were linked to form a single regiment which had custodianship of six guidons, 4th, 8th 13th, 17th 19th and 20th Light Horse Regiments. All except the 4th Light Horse Guidon were laid up at the Shrine in August 2005. The 4th guidon is to be laid up in November 2017.A representative example of a symbol of the esprit de corps and achievements of a regiment of citizen soldiers drawn from Victoria. Well provenanced and fine example of military heraldic art.Burgundy corded cotton flag with gold thread fringe with rope and tassels. at centre is 20th Light Horse badge surrounded by wattle wreath with purple and gold rectangular colour patch under. XX in top left corner and battle honours on either side of centre motif."South Africa 1899-1902, Gallipoli 1915, Palestine 1917-18, Anzac, Egypt 1915-17, South West Pacific 1944-45"guidons, flags, embroidery, citizen military forces, heraldry, light horse regiments -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Tablecloth, Methodist Youth Fellowship
Pale blue square cotton tablecloth with Methodist Youth Fellowship Junior blue and gold embroidered emblem in one corner."MYF JUNIOR"methodist youth fellowship juniors -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Priest's robe sash, Joyce Maslen, February 1982
This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Priest's robe sash or stole, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The soft, white cotton, twisted cord is finished at each end with a knot and tassel.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, priest's stole, priest's robe sash, sash, knotted sash, priest's vestment -
Camberwell Historical Society
Ceremonial object - Glassware and trophies, Camberwell Central Bowls Club and South Camberwell Bowls Club glassware
9 glassware objects. 3 x South Camberwell Bowls Club trophies, 4 x Camberwell Central Bowls Club tall glasses, 2 x Camberwell Central Bowls Club smaller tumblers. Printed with the Bowls Club logos in gold. Stored in shoebox wrapped in tissue paper.South Camberwell Bowls Club; Camberwell Central Bowls Clubtrophy, bowls club, camberwell, south camberwell -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe
Red academic robe with blue front trim.Labelled Blashky & Sonscity of greater bendigo ceremonial item -
Friends of St Brigids Association
Ceremonial object - Benediction cope, Black moire taffeta Benediction Cope with fringed silver embroidery edging. IHS and flowers embroidery . 1Metal clasp. 123cm
-
Whitehorse Historical Society Inc.
Ceremonial object - Rotary Ceremonial chain
Maroon fabric neck 'chain' with metal badges attached with name and year of Sergeants at Arms - 19 in number. A blue and gold Rotary Badge attached.Rotary International - Sergeant at Arms -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Ceremonial object - Clothing, child's dress-up costume, c1927
A child's dress-up costume incorporating the Australian Red Ensign Flag made for a pageant c1927A child's dress-up costume c1927. An Australian Red Ensign Flag sleeveless top with detachable capeclothing, moorabbin, dressmaking, textiles, melbourme, velia dowdes house -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, Blashki & Sons, c. 1990's
Red loose fitting ceremonial robe with contrasting broad band of blue fabric on lapel and collar. Square cut sleeves lined with cream fabric. Blashki & Sonsblashki & sons, city of greater bendigo ceremonial item -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative trowel
Silver commemorative trowel with ivory handle in black leather box with blue velvet and satin lining. "Gardinder Methodist Church Presented to F.J.Cato Esq on occasion of laying Foundation Stone May 3rd 1924"gardiner methodist church -
City of Greater Bendigo - Civic Collection
Ceremonial object - Eaglehawk Bell, unknown
The Borough of Eaglehawk was a local government area which covered the northwestern suburbs of the regional city of Bendigo and covered an area of 14.54 square kilometres (5.6 sq mi). Eaglehawk was first incorporated as a borough on 29 July 1862. It had nine councillors, who represented the entire borough. Councillors met at the Town Hall (incorporating the Star Cinema) at the intersection of Sailors Gully Road and Loddon Valley Highway, Eaglehawk. The Town hall has always been the centre of the Borough's activities and was built in 1901 on the site of an earlier town hall which had stood on the location since 1865. The Victorian Heritage Database notes: "The present building replaced this earlier building and was opened on 14 August 1901. The architects were the Melbourne firm of Wilkinson and Permewan. As a much larger and more sumptuous building of brick and stone featuring a central clock tower, the new hall reflected prevailing architectural fashion and was a remarkable investment for a town consisting predominantly of poor mining families. The condition of the town hall is substantially as built. The design is almost identical to the Castlemaine Town Hall." On 7 April 1994, the Borough of Eaglehawk was abolished, and along with the City of Bendigo, the Rural City of Marong and the Shires of Huntly and Strathfieldsaye, was merged into the newly created City of Greater Bendigo.Brass bell with eaglehawk topper / handle on timber stand. The lower front section of the topper has the Borough of Eaglehawk seal attached. No hallmarks or makers stamps visible.borough of eaglehawk, star cinema -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative trowel, 1904
Sterling silver commemorative trowel with a turned wood handle, engraved decorations and inscription"Presented to F. J. Cato Esqe on the occasion of his laying memorial stone S. Malvern Methodist Church Oct. 8th. 1904"cato, f. j., south malvern methodist church -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, c1941
Silver commemorative trowel with a black Bakelite handle in a dark blue cardboard box."Presented to M.WHITE ESQ. JP by the Architect CLIVE H. LORD, A.R.I.A. to lay the FOUNDATION STONE of the NORTH BALWYN METHODIST CHURCH. 30-8-41."white, m., north balwyn methodist church, lord, clive h. -
Bendigo Historical Society Inc.
Ceremonial object - JOHN FREDERICK HARPER COLLECTION: METAL LODGE LAPEL PIN, 1965
Object. Metal Lodge Pin, possibly steel. The Symbol of a Compass and Square at the top of the 7.5 cm long pin.organisation, masonic lodge, metal lodge lapel pin -
Charlton RSL Sub Branch
Ceremonial object - World War 2 Honour Roll, Roll of honour listing names of locals who served in WW2, Post 1945
Large 6 panel wooden board listing names of men and women from the district who served during WW2.Names listed alphabetically showing if the person served overseas and if that person was killed on service. -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Towel cover, 1907 to mid 20th century
This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Baptismal towel cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The white linen cover is made like a bag. it has an inscription. The bag has a press stud closure.In black pen "BAPTISMAL TOWEL"flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, needlework, fine linen, towel cover, baptismal towel cover, baptism service -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Chalice cover, 1907 to mid 20th century
This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Chalice cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The fine white fabric has been hand stitched with a wide hem. A hand-embroidered emblem of a Celtic Cross has been worked on the centre. The arms of the cross feature wheat ears. The three scalloped ends of each arm represent the 'Father, Son and Holy Ghost'. Embroidered symbol [Celtic Coss]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, chalice cover, needlework, embroidered, celtic cross