Showing 4319 items matching domestic-and-leisure
Accessory (1350) Clothing (2268) Costume (164) Craft (183) Domestic object (2166) Footwear (170) Furniture (367) Headwear (496) Leisure object (598)-
Trafalgar Holden Museum
Accessory - Cab Pedestal
Used on horse tackle during the 19th and 20th centuries and imported by Holden and FrostImported used and sold by Holden and Frost Ca1900Brass cab pedestal used on harness fittinhequine, military, agriculture, civilian, ca1900, cab pedestal -
Churchill Island Heritage Farm
Clothing - Chemise, c 1850
This is an elegant chemise formerly owned by the grandmother of Mrs Janet Amess and dated approximately 1850. It is made of Limerick lace embroidered on to square net (which is now unprocurable) and it opens at the front. The chemise was an undergarment worn against the skin and underneath the corset therefore fine fabrics were favoured. Limerick lace originated in Ireland with tambour lace which was applied on to net using a very fine hook with chain stitch. A later development was run lace where the design was marked out on net using a needle with cotton thread. The design was then filled using darning and decorative stitches. The Limerick lace industry began in the Irish city of Limerick and blossomed in the first Golden Age of Irish lace making (1820 – 1860) before the onset of the depression and the Potato Famine. The handwritten note included with this garment clearly illustrates their ongoing interest and the value that the Amess ladies placed upon the history of lace garments.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide respresentative examples of techniques from the late nineteenth to the early twentieth centuries.Limerick lace, open at front. Square net.Packed with note"Real Limerick Lace undergarment" and two notes in Janet Amess' writing see 0036lace, churchill island, janet amess lace collection, limerick, square net, amess, garment, undergarment, clothing -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1940
Rayon Bloomers. Mrs J Hughes.stawell clothing material -
Whitehorse Historical Society Inc.
Accessory - Manicure set, not known
Purchased by committee member to add to the collection of personal effectsOval tortoiseshell case containing four manicure tools with tortoiseshell handles. Case is made of woodpersonal effects-toilet requisites, manicure -
Bendigo Military Museum
Accessory - BADGES, 1) 1917
Items belonging to Horace Eli Hambly No 794 AIF. Refer 2325.2 for his service history..1) Badge, metal, gold colour, 4 points with centre soldier kneeling attached is a long brass chain. The rear is engraved. .2) Badge, 'RSL Membership", metal, centre has 2 figures membership clip on top is "1919". .3) Badge, RSL Membership" metal, centre has 2 figures. Membership clip on top is "1937" Brass plate on rear, pins. .4) Badge, brass, "Letter A" for ANZAC, pin clip on rear..1) Presented to Cpl H Hambly 1917 .2) "95194" .3) "V 74265"badges, membership -
Whitehorse Historical Society Inc.
Clothing - Coat, 1967
Purchased by donor 1967Full length camel coloured suede coat. Trimmed with cream coloured lambs wool around sleeves, hem, neck and front edges. lined with taupe silk lining. Hand cut and craftsman made by Knight Taylors Ltd Invercargill New Zealand Knight Taylors Ltd Craftman guarantee individually craftsman cut from finest New Zealand pelts hand selected cutter Sylvia Johston crafted by Jean Doherty 2/4102 -
Whitehorse Historical Society Inc.
Clothing - Stockings
A pair of taupe nylon stockings (8-10 denier). Reinforced toe ,heel and top with P60 woven into top. Back seam. In a clear plastic container with gold lettering 'Prestige' and cream fitted lid.Stockings :P60 Lid:Prestige.costume accessories, female, costume, female underwear -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race colours, Paddy Glasheen
Reproduction of Paddy Glasheen's colours for the 100th anniversary of Grand Voyage winning the 1920 Boort Cup.Paddy Glasheen's colours were worn by him when driving the Hall of Fame trotter Grand VoyageReproduction of original colours. Blue with red sleeves and green capPaddy Glasheen embroidered on the cuffs. -
Bendigo Military Museum
Accessory - TICKET, NSW Railways, 1942
The ticket is signed for use by Spr Mason A.W by the issuing Officer who appears to “DAWSON MAJOR”. Alan Mason VX 140967, refer Cat No 3979.2 for his service details.Railway Ticket NSW, cardboard, black printed, entries in black pen, double sided No 12243, large letter “30” on both sides, 2nd class.For Soldiers in uniform only, expires 31 December 1942, Military fortnightly ticket.tickets railways, military, alan walter mason -
Kew Historical Society Inc
Clothing - Striped Hand-Knitted Woollen Cardigan, Grace James, 1971-1988
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Striped hand-knotted woollen cardigan in bands of different widths and colours. The front and waistband of the cardigan are knitted in black wool.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), knitted cardigans -
Glenelg Shire Council Cultural Collection
Accessory - Brooch, 1930s
Belonged to Florence Dellar (Mrs. George), 59 Henty Street, Portland.Ceramic dye with gold safety pin catch. Hand painted with a view of harbour painted on yellowish sky. 2 Piers. Bathing Baths. Pine trees. -
Kew Historical Society Inc
Clothing - Lace Collar, 1870s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream collar. Panels of locked stitch lace onto netting are alternated with cut work. The neck edge is bound with fabric to attach the collar to a garment lace, women's clothing, collars -
Bendigo Military Museum
Accessory - BELT - WEBBING, unknown
Belt - dark jungle green, three-hole web belt, using rows of 3 eyelets all the way round the belt. With metal clasp closure, hook waist measurement adjuster and metal keepers. Possibly not Australian Military.accessories, army, belt -
Whitehorse Historical Society Inc.
Clothing - Windcheater, C. 1985
See Ref. NA4362Maroon school windcheater. School motif on left breast. Ribbed neck, cuffs and waistband.From Know Edge Rises/Strength/Blackburn East.costume, children's uniform -
Kew Historical Society Inc
Clothing - I'm a St George's Baby tee--shirt, St George's Hospital, 1988
The tee-shirt was given to Glenn Littlechild after his birth at St George's Hospital in Cotham Road, Kew on 22 July 1988. His parents were Sue and Les Littlechild. 1988 was the year of the Australian Bi-Centennial and the item may have been produced for babies born in that year.White cotton tee-shirt with a slogan and picture printed centre front, produced by St George's Hospital."I'M A ST GEORGES BABY'st george's hospital - kew, tee-shirts, hospitals -- kew (vic.) -
Whitehorse Historical Society Inc.
Clothing - Tie, c 1950's
Tie worn by Vernard G. Williams on his marriage to Dorothy Cunnington on 27/09/1958. See suit NA4152Plain grey tie worn at a Wedding with suit NA4152 and pink cummerbund NA4129'Austico'costume, male ceremonial -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's cream cotton 1/2 petticoat 'teddy', button crotch, c1900
This lady’s cream fine cotton combination 'teddy' is an example of the dressmaking , lacework and needlework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the skill and craftsmanship of the women of these families Lady's hand sewn fine cream cotton , 'teddy', a combination petticoat with a crotch that fastens with 2 mother of pearl buttons Shoulder straps and neckline are edged with crochet and the yoke has coloured needlework. Hand sewn gathering at hip line of side seams clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards -
Bendigo Military Museum
Accessory - RIDING CROP
Tan leather riding crop, one end has folded leather flat section, the other a plated knob with a copper Rising Sun badge affixed. The badge has been curved around the shaft of the crop. Badge has Australian Commonwealth Military Forces.military equipment-army, transport-animal, trades-leatherworking, accessory, crop -
Kew Historical Society Inc
Footwear - Pair of Black Satin & Velvet Shoes, Enrico Coveri, 1985
The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes, donated by Annie McIntyre, form part of the McIntyre family collection.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"mcintyre collection, enrico coveri, international fashion - footwear - 1980s, women's shoes -
Glenelg Shire Council Cultural Collection
Clothing - Child's Petticoat, 1900s
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White lawn infant's dress. Gathered at waist. Gathered at neck forming shoulder straps. Embroidered central panel from front waist to hem.childhood, clothing, embroidery -
Australian Commando Association - Victoria
Footwear - GP Boots
green -
Kew Historical Society Inc
Costume, Fur Capelet, 1920s
Fur cape belonging to the donors's motherFitted fur cape. Possibly mink.fashion & design collection - kew historical society, costume accessories, furs -
Kew Historical Society Inc
Costume - Performance Costume, Floor Show Dress, Blue Brocade, circa 1965, c.1965
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Blue brocade, halter neck, full-length sheath, with two blue chiffon drops from back to floor. The dress was worn by Robin Vanser (aka Robin Kelly nee Vandersluys) in live performances in the 1960s, including on the Don Lane Show, and in Sydney in 1966 in a program that included Johnny Ray.performing arts - australia - 1960s, robin vanser, performance costumes, floor show dresses -
Kew Historical Society Inc
Accessory, Multi-strand Gilt Metal Necklace, 1960s
Gilt, silver and pearl multi-strand necklace, often worn with the gold caftan, previously donated by Dione McIntyre to the Society.neclaces, costume jewellery, dione mcintyre -
Bendigo Military Museum
Footwear - SOCKS, ARMY, Belworth Australia, C.1960’s, one pair .1) 1968 New
Items issued to Wayne Forbes No 3176337, refer Cat No 754 for his service details..1) .2) .3) Three pairs of Army issue khaki woollen sockssocks, army, footwear -
The Beechworth Burke Museum
Accessory - Chatelaine, C. 1890
The exact creation date of this chatelaine is unknown, however the hallmarks and engravings on some of the attached objects indicate that this chatelaine was made in the late 1890s. The shark tooth and the liberty bell attached to the chatelaine suggest that the item once belonged to an Australian who had connections to America. The compact, scent bottle lid, and feminine design of the other objects suggest that this wasowned by a woman. The name on the plate indicates that this object may have belonged to someone with the surname Heine. The hallmarks on the scent bottle lid and the compact indicate that they were made in Birmingham, England in the late 1890s, and that the compact was made by H. Matthews. Chatelaines where used by both men and women, usually fastened to a belt or pocket, and small household objects were attached to the main body of the chatelaine by chains. They were only worn by the heads of the household as a display of position and power.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A decorative silver belt hook with small household object attached by chains to a suspended name plate. There are 8 chains and 7 objects; a vesta case, scent bottle lid, compact, shark tooth, bell, button hook handle, container.HEINE/ [plate] CHERRY./ from/ LEO/ May 12th 1899/ [inscription on vesta case] L??S/ Anchor symbol/ x symbol/ lion symbol/ [Hallmark on scent bottle lid] R/ HM/ Anchor symbol/ Lion symbol/ m symbol/ [Hallmark on back of the compact] SYDNEY/ [inscription on shark tooth] Proclaim liberty throughout all the land unto all inhabitants thereof/ By order of the Assembly of the Province of Pensylvania for the State House in Philada/ [inscription on bell] A01176/ burke museum, silverware, social history, heine -
Port Melbourne Historical & Preservation Society
Clothing - Jacket, Port Melbourne Municipal Band, 1940s
Port Melbourne Municipal Band uniform: black jacket with silvery lyres on lapels and right sleeve, and metal buttonssocieties clubs unions and other organisations, arts and entertainment - music, port melbourne municipal band -
Kew Historical Society Inc
Accessory, Hat Pin, Metal & Pearl, 1920s
Item of functional jewelleryGilded metal and oval pink pearl hat pin.hat pins, costume jewellery, fashion accessories -
Greensborough Historical Society
Clothing - Windcheater, Plenty Valley FM windcheater, 1987_
Plenty Valley Community Radio began operations in 1987Red windcheater Size 16Plenty Valley fm stereoplenty valley community radio, merchandise, logos -
Ballarat Heritage Services
Clothing - Costume, Elizabeth Gervasoni (Hogan), Altar Boy's Surplice used at St Peter's Catholic Church, Daylesford, c1935
Elizabeth Hogan was born at Inglewood. She married Gus Gervasoni of Daylesford. Their only child, John Hogan Gervasoni, weas born at Daylesford on 29 September 1929. Altar boy surplice worn by John Hogan Gervasoni at St Peter's Catholic Church, Daylesford. It was probably made by his mother Elizabeth Gervasoni (Hogan). The last image shows John Gervasoni wearing the surplice at his First Communion at St Peter's Daylesford. Maree Scheggia (later Sullivan) stands at the front right).elizabeth hogan, elizabeth gervasoni, bess gervasoni, john hogan gervasoni, altar boy, maree scheggia, maree sullivan, st peter's catholic church, daylesford, surplice