Showing 1197 items matching domestic-and-leisure
Accessory (1344) Clothing (2267) Costume (164) Craft (182) Domestic object (2162) Footwear (170) Furniture (367) Headwear (496) Leisure object (598)-
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Furniture - Furniture, large, wood, dining table 20thC, 20thC
A large wooden dining table used by Carol Green CMHS memberA typical wooden Dining table of mid 20th century as used by residents in the City of MoorabbinA large wooden dining table.furniture, woodwork, craftsmen, moorabbin, melbourne, bentleigh early settlers -
Bacchus Marsh & District Historical Society
Costume - Jacket, Jacket worn by Eva Pearce
Eva Pearce, 1888-1973, was a resident of Bacchus Marsh.Handsewn velvet jacket. Black coloured with gold coloured button.clothing and dress, eva pearce 1888-1973, pearce family -
Mont De Lancey
Furniture - Mothering Chair
Beryl SebireA dark brown wooden chair with a decorative carved back support at the top with four turned spindles for more support as well as two extra carved rails near the bottom. The seat has a pastel coloured covered embroidered cushion connected to the base of the seat. There is braid around the edge of the cushion attached by upholstery pins or studs. The chair has four decorative legs and no arm rests.chairs, mothering chair, furniture -
Falls Creek Historical Society
Footwear - Ski Boots 1952
These boots were purchased in at "Sports House" in Salzberg, Austria by the donor, Gordon Smith. They were used in Austria and then at Falls Creek, Victoria. Mr Smith used the boots until he joined the Ski Patrol for the SEC when he was provided with new boots. These boots are significant because they are representative of skiing footwear in the early years of skiing at Falls Creek.A pair of leather ski boots from the 1950s. The boots have been resoled by the owner. There are metal hooks to secure the laces which are yellow.ski boots 1950s, ski clothing, gordon smith -
Kew Historical Society Inc
Headwear - Cream Straw & Silk Hat, L’Estelle, 1930s
In 1930, the business 'L'Estelle' is registered as operating at 107B Glenferrie Road, Glenferrie (Commonwealth of Australia Gazette No.99 (12 November 1930)The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Plain straw woman’s hat with a narrow brim covered with pale green and pink silk roses and net. Label: L’Estellel'estelle, women's clothing -- hats, headwear, straw hats -- 1930s -
Clunes Museum
Costume - CAMISOLE, CIRCA 1850
SEWN LAWN AND BRODERIE CAMISOLElocal history, costume, female underwear, womens - clothing, camisole -
Glenelg Shire Council Cultural Collection
Costume - Pair Lace Cuffs, n.d
Belonged to Marianna Trangmar, b.1820/1821 - later Mrs George Crouch.Pair of crochet lace cuffs, worn by Marianna Trangmar/Crouch. -
Bendigo Military Museum
Headwear - HAT, SLOUCH, Dunkerley LTD Akubra, 1967
Slouch hat, Khaki fur felt, leather lining inside, no pugaree on.“Davey 3799339” “D SHUGG” on banduniforms -army, costume - male headwear, slouch hat -
Glenelg Shire Council Cultural Collection
Costume - Sash - Ancient Order of Foresters, n.d
Small purple sash, green stripe down both sides * SCR, coat of arms, AOF printed / embroidered in green and gold -
Yarra City Council
Furniture - Installation/Sculpture, Three Brothers
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Bendigo Military Museum
Headwear - HAT, SLOUCH, LIGHT HORSE, 1968
Slouch Hat - Khaki, felt, puggaree Light Khaki with a maroon stripe, emu feathers, 17 Light Horse ensign, metal brass coloured with round maroon braid underneath. Leather Inner band and chin strap.17 LH. Prince of Wales Light Horse.passchendaele barracks trust, hat, uniform -
Flagstaff Hill Maritime Museum and Village
Furniture - Screen, Thomas Hope, 1905-1913
The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen -
Whitehorse Historical Society Inc.
Footwear - Shoes, Ladies, 1990s
Worn by donorBlack leather flat court shoes, square toe, with square buckle decoration on front. All in original shoe box.Annapelle Size 7. Made in Chinacostume, female footwear -
Stawell Historical Society Inc
Furniture
Carved wooden Piano Stool with Tapestry Seat stawell, music -
Kew Historical Society Inc
Headwear - Brocade Turban, 1960s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Woman’s hat made of stiffened patterned fabric in shades of blue, gold and white.Nilhats, australian fashion, women's clothing -
Kew Historical Society Inc
Headwear - Green Felt & Black Ribbon 'Cloche' Hat, Anne Harrison of Kew, 1950s
Marion “Annie” (Cooper) Harrison, a milliner by trade, designed and made women’s hats, initially in the 1940s in High Street, and later in the 1950s and 60s at 5 Princess Street. The hats were constructed upstairs in her shop in Princes Street while the ground floor was reserved for sales and display. She employed other milliners to assist but always ran the showroom herself. Hectic periods were in the weeks before the big racing carnivals when the many wealthy race-goers of Kew kept her busy. She typically walked to her business as she and her husband, Fred Harrison, lived locally. Annie died in April 2016, at the great age of 107 years. Her hats are held in local and national collections.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green and black felt woman’s hat retailed by Anne Harrison of Kew. The pale green crown is bordered by a black turned up rim. An additional adornmant to the hat is an abstract bow at the front made of black felt.Label: Anne Harrison of Kew. WM 9906.anne harrison, women's clothing, costume accesories - hats, fashion and textiles collection - kew historical society, cloche hats, milliners - kew (vic) -
Whitehorse Historical Society Inc.
Headwear - Hat, 1950-1960
Hat belonged to Leslie Ricketson's Mother.Hat constructed with six large dark brown satin bows mounted on a pointed framework of wire or stiff nylon covered in the same fabric as bows. Hand stitched.costume, female headwear, trades, millinery -
Bendigo Military Museum
Footwear - BOOTS - ARMY
Boots issued WW2.Pair of brown leather boots with brown leather laces, metal heel and toe tip. Leather sole.uniforms, footwear, boots, ww2 -
Mont De Lancey
Furniture - Chair
A white wicker child's rocking chair with a curved top and arms joined in one piece. There are two single curved wooden struts on either side in the middle to support the arms.rocking chairs, furniture -
Flagstaff Hill Maritime Museum and Village
Furniture - Desk
Desk wooden with slanting top & hinged lid-has a piece along front to stop items rolling off. Has been estapoledflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Military Museum
Headwear - BERET, Beret Manufacturers Pty Ltd
Part of the "Kevin John Herdman" No. 397661, collection. See Cat No. 5942P for details of his service record.Navy blue felt beret with RACT unit badge fixed to the front. Beret lined with khaki polyester fabric and clear plastic. White calico manufacturers label sewn onto lining. Beret edged with black coloured material enclosing a drawstring for adjustment.Printed on manufacturers label in black ink: BERET MNFRS. PTY LTD, VICTORIA (upward arrow) DSN 8405-66-012-4669, Size 56". uniform, royal australian corps of treansport, beret, kevin john herdman -
Port Melbourne Historical & Preservation Society
Headwear - PMHPS cap, 1990 - 1999
Dark navy peaked cap with PMHPS logo on front. Adjustable strap at back. Small button on top and vent holes around top half of cap.celebrations fetes and exhibitions, advertising, port melbourne historical & preservation society, pmhps, port melbourne festival -
Merbein District Historical Society
Headwear - Bowls hat, Ladies, Luton International
Off white with black band with Merbein written on band and LBA Victoria badge. Green lining.Band with Merbein written on it and a LBA silver badge with Victoria written in blue lba victoria, women, merbein, sports, ladies bowls association -
Mont De Lancey
Furniture - Bookcase, c1880's
Used at Mont De Lancey by H. & M. Sebire. Part of original furnishings of dining room. Used in the 1880-1890's.Freestanding wooden bookcase with two glass doors at top, pull out drawer and two cupboards below. Has decorative wood panels.bookcases, furniture -
National Vietnam Veterans Museum (NVVM)
Footwear, Boots
A black leather boot (right only) with no lacesboots, clothing -
Bendigo Military Museum
Headwear - CAP, FORAGE, C.WW2
Forage cap, khaki wool, green piping around the middle of sides. Green section inside the top fold, 2 Australian brass buttons at front. Internal lining is green cotton drill.headwear, forage -
Kew Historical Society Inc
Costume - Performance Costume, Floor Show Dress, Aqua Chiffon, 1960s
Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Aqua chiffon, high neck, full-length body hugging gown with sheer batwings to wrists. The chiffon is covered with round silver sequin-size 'sparkles'. The dress was worn by Robin Vanser (aka Robin Kelly nee Vandersluys) in live performances in the 1960s, including at the Wentworth Leagues Club Sydney and also on the Barry Crocker Show in 1968.performing arts - australia - 1960s, robin vanser, performance costumes, floor show dresses -
Whitehorse Historical Society Inc.
Headwear - Hat
Worn by donor for churchFur over 2 wire head bands, trimmed with two brown satin bowscostume, female headwear -
Bendigo Military Museum
Headwear - BERET, Post 1945
Beret - Navy felt, ribboned band, Insignia Badge.Badge - Royal Australian Corps of Transport 'PAR ONERI'.passchendaele barracks trust, army beret, uniform -
Hymettus Cottage & Garden
Furniture - Chair, Edwardian parlour chair