Showing 7524 items matching tools-and-equipment
Container (1218) Equipment (1887) Functional object (4020) Instrument (409) Machine (358) Tool (1467) Vehicle (150) Weapon (458)-
Working Heritage Crown Land Collection
Functional object - Nail, Nail - medium rose head with star
Collection of 14 corroded nails with a rose heads and stars and rectangular shafts that narrow to a blunt tip.archaeology, historic building, former royal mint -
Bendigo Military Museum
Equipment - SPLINT BANDAGE
Part of first aid kit issued to Flight Sergeant "Robert G. Jackson". Posted to Butterworth, Malaysia from 1966 - 69Triangular cloth bandage, brown in colour, folded up into a small parcel to be used in relation to fractures and breaks.medical, butterworth, robert g. jackson -
Flagstaff Hill Maritime Museum and Village
Functional object - Prosthetic Arm, Early 20th century
This prosthetic arm has been made to assist a person who has part of his or her arm missing. The hook fixed to the end is an attempt to give the wearer extra assistance in replacing some of the functions of a hand. Prosthetic hook arms like this one have existed for centuries. Archaeological evidence shows that prosthetic limbs have been designed and used since almost 6000 years ago. Hooks for seafarers were made from whatever materials were readily available onboard the ship., such as metal, wood and leather. Often the prosthetic arms were simple lock-jointed pieces with basic hand positions. During the 19th century, advanced technology led to improved appearance and movement of prosthetics. Further development in the 20th century included lightweight, durable materials and electronic robotic movement of the hook, along with a more aesthetic appearance.This prosthetic arm is an example of an aid used to assist people with missing limbs, whether born that way or as a result of injury. Prosthetic or artificial arm. Brown leather cylinder with elbow pad and straps with buckles. A single rotating metal hook has been fixed to the end.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, prosthetic, artificial arm, artificial limb, prosthetic arm, false arm, hook hand, amputee's aid, medical equipment, medical assistive aid, assistive aid, rotating hook, fake arm -
Flagstaff Hill Maritime Museum and Village
Functional object - Porcelain Insulators, Mid-twentieth century
White Porcelain “Made in Occupied Japan” electrical insulators. Insulators can be dated from September 1945 to April 1952 during the allied occupation of post WWII Japan. Pin insulators were manufactured specifically for Australian export. Pin insulators are made of non-conductive porcelain and were used to create a barrier between outer wrapped suspended wiring and threaded wood or metal dowel. Pin insulators such these have been found on utility poles around Australia.Porcelain insulators stamped with “Made in Occupied Japan” are often viewed with much interest by collectors given their connection to WWII and short seven year manufacturing time span. Pin insulators such as these are an example of Australia’s continued electronic development which began in the late 19th century. Collection of seven white porcelain insulators made in Occupied Japan. Insulators are cylindrical in shape, with indentation at top. The indentation creates a flat mushroom top head. Insulators display a manufacturer stamp at the bottom of the cylinder. Insulators are single walled and hollow inside with threading at the enclosed top end. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, insulators, porcelain, electrical insulators, occupied japan -
Ararat Gallery TAMA
Functional object, Inaniwa Udon, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Hand-cut sections of cryptomeria wood make a simple but dignified box for dried noodles. The shop in Akita City that sells this product was founded in 1665. The label, with its numerous seal impressions, has the look of an old-time legal document, and this is fitting, for it is actually the shop's pedigree. It records, among other things, the name of the founder and the fact that the shop, originally located in Inaba, once sold its noodles to the feudal lord of the region by special appointment. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Flagstaff Hill Maritime Museum and Village
Functional object - Rowlock, early 20th century
This row lock was fitted onto the Warrnambool Lifeboat, which is also on-site at Flagstaff Hill Maritime Village. The construction of the lifeboat 'Warrnambool' began 15th September 1909 and was completed almost 12 months later 1st September 1910. It was built at the Government Dockyard in Williamstown, Victoria, along the lines designed by Great Britain's Royal Lifeboat Institution, and included whale back decks fore and aft, mast and centre board, and rudder and tiller hung from the stern post. It could be propelled by both sail and oar. At that time Captain Ferguson was Chief Harbour Master and Mr Beagley was a foreman boat builder. Mr Beagley built the lifeboat with his fellow workmen. It had all the latest improvements in shape, disposition of weight with watertight compartments, and it had space for a large number of people in addition to the crew. It appears that 'H Meiers' whose signature was on the plaque that was found concealed in the hull, was involved with the building of the lifeboat. His signature and the dates of the start and finish of the boat's construction are penciled on the raw timber 'plaque' found in the hull in the early 1990s when the lifeboat was being restored. It is interesting that the 'Melbourne Directory' of 1911, published by Sands and MacDougal, lists McAuley and Meiers, boat builders, Nelson Place foreshore, between Pasco and Parker Streets, Williamstown, It is quite possibly the business of the person whose name is inscribed on the lifeboat plaque. Flagstaff Hill's documentation also mentions that the keel was laid at 'Harry Myers, boat builders, Williamstown, Melbourne the name 'Myers' can also be spelled 'Meiers', which could be the same person as the Meiers in "McAuley and Meiers" (as mentioned in genealogy lines of Myers). The new lifeboat, to be named 'Warrnambool' was brought to town by train and launched at the breakwater on 1st March 1911 using the Titan crane (the old lifeboat built-in 1858, was then returned to Melbourne in 1911). This new lifeboat was stationed at Warrnambool in a shed located at the base of the Breakwater, adjacent to the slipway. The lifeboat ‘Warrnambool’ was similar in size to the old lifeboat but far superior in design, with new sea-going qualities such as greater maneuverability. The ‘self-righting, self-draining’ design was made the vessel difficult to capsize and even if the boat overturned it would right itself to an even keel and the water would drain away. The hull was built of New Zealand Kauri, using double diagonal planking, laid in two layers at right angles, with a layer of canvas and red lead paint between the timbers to help seal the planking. It has plenty of free board. The backbone timbers were made of Jarrah. The Warrnambool lifeboat was one of several rescue boats used at Port Fairy and Warrnambool in the early 1900s. In late 1914 the Warrnambool lifeboat and crew were used to help find what was left of the tragic wreckage of the Antares and were able to discover the body of one of the crewmen. Between 1951 and 1954 the lifeboat was manned under the guidance of Captain Carrington. He held lifeboat practice each month on a Sunday morning, to comply with the Ports and Harbour’s request that lifeboats be ready for action in case of an emergency. In the early 1960’s it ended its service as a lifeboat and was used in Port Fairy as a barge to help dredge the Moyne River. Flagstaff Hill obtained the Warrnambool lifeboat in 1975. In 1984 it was on display at Flagstaff Hill Maritime Village, Warrnambool. On 23rd May 1990, she was lifted from the water and placed in a cradle for restoration. The name 'WARRNAMBOOL could be seen faintly on the lifeboat before it was restored. It was during the restoration that Flagstaff Hill's boat builder discovered the 'plaque' inside the hull. A copy of the blueprint plans has the name “V.E.E. Gotch” printed on it. His advertisement in Footscray’s ‘Independent’ newspaper of Saturday 11th May 1901 states he is “Principal and Skilled member (Naval Architect) to the Court of Marine Inquiry of Victoria and holds classes for naval architectural drawing and arithmetic.” The subject row lock is significant due to its association the Warrnambool Lifeboat which was an integral part of an important service to the local community as a lifesaving vessel for a half-century. One of the lifeboats many achievements was when it was used to help retrieve the body of a shipwrecked crew member of the ship Antares. Rowlock from the Warrnambool Lifeboat.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lifeboat warrnambool, life boat, life saving vessel, 1910 vessel, port fairy, boat builder plaque, rescue boat, beagley, government dockyard, williamstown, v.e.e. gotch, royal lifeboat institution, captain ferguson, non-capsizeable lifeboat, self-righting lifeboat, antares shipwreck, double diagonal planking, captain carrington, rowlock, lifeboat rowlock -
Ararat Gallery TAMA
Functional object, Saru - koshi Miso, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979. Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Baskets of closely woven bamboo are used to package miso (soybean paste) from the city of Aizu Wakamatsu. Ordinarily, miso is sold in containers of pottery or wood, but these packages are unusual for another reason. The soup made with miso must be strained through a bamboo sieve if it is not to be lumpy, and these baskets may be used as sieves. Here two baskets are bound together to make a package of uncommon charm. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Doki no Kenjo Chimaki, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here we see a creation of the type whose beauty is said to have astonished the celebrated sixteenth-century tea master Sen no Rikyu. Originally, confections of mochi (steamed and pounded rice) filled with bean jam were wrapped in chigaya, a species of reed, and came to be called chimaki. We are told that a shopkeeper named Kawabata Doki used bamboo leaves to wrap the chimaki he presented to the emperor Gokashiwabara (1464-1526) and that thereafter the use of bamboo leaves for wrapping such confections became predominant. In fact, the bamboo-wrapped chimaki seen here are known as Doki chimaki after the pioneering shopkeeper, and it is small wonder that this product of Kyoto should have an air of refinement and dignity suggestive of the imperial court. The two different flavours of the contents are indicated by exposing either the upper sides or the undersides of the leaves. The cord used to bind the chimaki together is made of rushes, and ceremonial gift cords (mizuhiki) are attached. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
Montmorency/Eltham RSL Sub Branch
Equipment - Mess Tin, 1939
The Mess Box ( 0089.1 ) is one of two with the partnering box referenced at 0089.1Aluminium Mess Tin with metal movable steel handle attached to one end.Inscribed on aluminium plate affixing handle to box “ C & B. Ltd. 1939. “ with arrow pointing upwards. -
Whitehorse Historical Society Inc.
Functional object - Well and pump
The pump was restored by Alan Mitchell who was an employee of Zerbe Engineering, Ashburn Place, Blackburn. The work was carried out by Alan in their workshop.The pump was patented by Joseph W. Douglas, Middletown Conn. and the patent was assigned to W & B Douglas.A reconstructed well of red bricks. Circular, dome shaped, it has a grill on the flat top of the dome on which the force pump is situated next to the grill. It circulates the water which is held in a tank beneath the brick structure. The force pump is hand operated with a replacement handle made c1965 by Alan Mitchell who restored and donated the pump. The well is located outside the kitchen door of Schwerkolt Cottage.Patented 1842 M--D Conn.civil engineering, water supply, machinery, pumps -
Flagstaff Hill Maritime Museum and Village
Functional object - Metal ship's bolt, Russell & Co, Circa 1886
In the 19th century, the Industrial Revolution meant that shipbuilders could build ships using iron. These iron ships could be much larger, with more space for cargo and they didn't need as much work to keep them in good condition. Isambard Kingdom Brunel's "Great Britain" built in 1843, was the first ship to be built entirely of wrought iron. In the 1880's steel began to be used instead of iron. Ships also began to be fitted with steam engines although a great deal of coal was needed to travel even short distances. For this reason, ships continued to be fitted out with sails even though some came with engines. The iron-hulled, four-masted barque, the Falls of Halladale, was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roofing tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908) Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92 Russell & Co., standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886 they introduced a 3000 ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890 they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough south west Victoria Crew: 29 The Falls of Halladale was a four-masted sailing ship built-in 1886 in Glasgow, Scotland, for the long-distance cargo trade and was mostly used for Pacific grain trade. She was owned by Wright, Breakenridge & Co of Glasgow and was one of several Falls Line ships, all of which were named after waterfalls in Scotland. The lines flag was of red, blue and white vertical stripes. The Falls of Halladale had a sturdy construction built to carry maximum cargo and able to maintain full sail in heavy gales, one of the last of the ‘windjammers’ that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previous to this, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new, raised catwalk-type decking allowed the crew to move above the deck stormy conditions. This idea is still used today on the most modern tankers and cargo vessels and has proved to be an important step forward in the safety of men at sea. On 4th August 1908, with new sails, 29 crew, and 2800 tons of cargo, the Falls of Halladale left New York, bound for Melbourne and Sydney via the Cape of Good Hope. The cargo on board was valued at £35,000 and included 56,763 tiles of American slate roofing tiles (roof slates), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6,500 gallons of oil, 14,400 gallons of benzene, plumbing iron, 117 cases of crockery and glassware and many other manufactured items. The Falls of Halladale had been at sail for 102 days when, at 3 am on the night of 14th November 1908, under full sail in calm seas with a six knots breeze behind and misleading fog along the coast, the great vessel rose upon an ocean swell and settled on top of a submerged reef near Peterborough on the south-west Victoria’s coast. The ship was jammed on the rocks and began filling with water. The crew launched the two lifeboats and all 29 crew landed safely on the beach over 4 miles away at the Bay of Islands. The postmistress at Peterborough, who kept a watch for vessels in distress, saw the stranding and sent out an alert to the local people. A rescue party went to the aid of the sailors and the Port Campbell rocket crew was dispatched, but the crew had all managed to reach shore safely by the time help arrived. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. Further salvage operations were made from 1974-1986, during which time 22,000 slate tiles were recovered with the help of 14 oil drums to float them, plus personal artefacts, ship fittings, reams of paper and other items. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson’s navigational error, not too technical failure of the Clyde-built ship. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire. This particular artefact was one of many found by John Laidlaw (a local Warrnambool diver) when diving on the Falls of Halladale in the 1960's. In August 1973, John Laidlaw and Stan McPhee went on to discover the underwater location of the Schomberg - a passenger ship sailing from Liverpool that ran aground on December 26th 1855 near Peterborough which now lies in 825 metres of water. When John Laidlaw died, his family donated a number of artefacts to Flagstaff Hill.This item is significant as it was recovered from the Falls of Halladale by a local diver. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).A thick metal bolt with a flattened head at one end, a smooth shaft approximately 4 cm long followed by a 6 cm long screw section - some of which is damaged and flattened. The end appears to have had a part broken off and is showing rust damage. flagstaff hill, flagstaff hill divers, flagstaff hill maritime museum & village, great ocean road, warrnambool, shipwreck coast, falls of halladale, falls of halladale wreck, shipwreck artefact, artefact, diver, john laidlaw, bolt, metal bolt, metal artefact, ship's bolt -
Glenelg Shire Council Cultural Collection
Functional object - Stamp Holder, n.d
Portland Town CouncilMetal stamp holder with turning top.council stationery, portland archives -
Glenelg Shire Council Cultural Collection
Functional object - Fishing lure, n.d
Wooden hand made fishing lure for barracouta and salmon. Solid wood, round white plastic coating, two holes drilled into one end, wire threaded through and out two holes either side of lure, hook attached.fishing, travel, lure, recreation, sport -
Clunes Museum
Functional object - Silver Coin Holder
.1 Silver coin holder. Holder made to hold 3d,6d,1s,2s,2/6 coins. Ring on holder to attach to watch chain. .2 3d piece 1951 (Contained in holder)Best Nickel Plated Made in Englandcoins, silver coin holder, nickel plated, pre decimal currency -
University of Melbourne, Burnley Campus Archives
Tool, Tripod, Pre 1960's
Large timber tripod with means of attachment for dumpy level (but not B24.0049). See B91.126 for photograph of tripod in use by a student.surveying equipment, students, landscaping, dumpy level -
Montmorency/Eltham RSL Sub Branch
Equipment - Canteen
Olive green oval shape canteen with plastic twist top with obvious wear & tear including scratches and dents.canteen, olive, green -
Clunes Museum
tool - WOODEN BOTTLE TOP KNOCKER
THERE IS NO PHYSICAL DESCRIPTION RECORDED FOR THIS COLLECTION ITEMlocal history, food technology, bottling -
Ballarat Tramway Museum
Functional Object - Rubber Stamp, State Electricity Commission of Victoria (SECV), "SATURDAY", 1960's
Demonstrates aspects of Ballarat's Tramway operations by the SEC in noting the days a person worked or was rostered to work. Has a strong association with the SEC and tram operations in Ballarat.Rubber stamp and wood stamp base with plastic handle or holder for stamping rosters and/or time sheets with the word "SATURDAY" to indicate when a person was rostered or worked a Saturday. Red wood stamp holder or base and black plastic handle with drawing pin to indicate the top of the stamp. trams, tramways, sec, rosters, times, crews -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Marker panel
Red fluoro plastic square used for identification of patrol location for aircraft.marker panel, sas -
National Wool Museum
Tool - Drum Carder, Kacoonda, c.1980
This drum carder was purchase by Gill Stange at the Whittlesea Show in the late 1980s. The carder allowed Gill to spin fleece from her own Merino sheep. Merino is a difficult wool to spin when compared to other popular varieties, such as Corriedale or crossbred wool. The carder helped her to tease out the fleece, slightly separating the fibres before spinning. It also allowed for easier removal of foreign matters, such as seeds and mud. Little is known about the Kacoonda brand who produced the carder. They were Australian based and appear to have only operated throughout the 1980s.The carder has one large central roller with two smaller rollers on either side. The larger roller rotates in the inverse direction of the two smaller rollers. The carding cloth is a mint green in which closely spaced wire pins are embedded. The shape, length, diameter, and spacing of these wire pins is that of a standard carder. On one side of the carder a handle is found that is used to spin the three rollers. Additionally on this side is a sticker which reads “The Kacoonda Carder. Subject to Patent Action”. A Silver grip for the easy movement of the carder can also be found high on this side. On the opposite side of the carder, many nuts and plates can be found which hold the rollers in place. This is opposed to the other side of the carder, which has a brown plastic cover plate attached underneath the handle. The walls providing a path for the carded wool to follow when being carded, are made of wood. The carder comes complete with a teasing tool. This tool has the same mint green carding cloth as the carder’s rollers. It is attached to a simple wood handle for ease of use.Wording, green, printed. Sticker on side of carder. “The Kacoonda Carder / SUBJECT TO PATENT ACTION”whittlesea show, drum carder, textile production, carding wool, kacoonda -
Clunes Museum
Functional object - INVALID DRINKING CUP
INVALID DRINKING CUP USED DURING ILLNESSAN INVALID DRINKING CUP WITH SPOUT AND HANDLE DECORATED WITH PINK ROSES ON GREEN BACKGROUNDlocal history, domestic item, crockery, -
University of Melbourne, Burnley Campus Archives
Tool - Garden Maintenance, Irrigator
Mobile impact irrigation system that travels along a wire. Sweep arms. Similar size to B20.0021Trurain Travellorgarden maintenance, irrigation -
Flagstaff Hill Maritime Museum and Village
Tool - Pocket Knife, ca 1855
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Piece of Pocket Knife, metal Ornate side. Holes drilled through. Recovered from the wreck of the Schomberg. Fancy design in metalwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, pocket knife -
Australian Commando Association - Victoria
Vehicle - Folboat
Includes letter re Keith Taylor VX105908 -
Montmorency/Eltham RSL Sub Branch
Equipment - Scabbard for Machete
Leather Scabbard for Machete (0128.1)GEO. PIZZEY & SON LTD. 1942 (Indent stamp) -
National Vietnam Veterans Museum (NVVM)
Equipment - Dog tags, T Goode
Metal set of embossed dog tags worn by service personnel (Tom Goode) attached to green nylon chord. One is octagonal; the other is round.On both: O neg / CE / T D Goode / 39293dog tag, id tag, tom goode, 9rar, goode -
Wodonga & District Historical Society Inc
Functional object - Foot Bellows, Fletcher Russell & Co. Ltd, c1895
FLETCHER RUSSELL & CO. LTD/ WARRINGTON MANCHESTER & LONDON Thomas Fletcher (1840-1903) had established a gas appliance manufactory in Thynne Street, Warrington by the 1880s. By 1895 the company had become Fletcher Russell and Co Gas Engineers, his firm having merged with Alexander and William Russell of Pendleton Iron Works. In 1950, the firm merged into Radiation Ltd which was later acquired by 'TI New World. In the early 1880s Thomas Fletcher was a registered dentist who went on to found a dental apparatus manufacturing business. He later diversified into producing equipment for blacksmiths, foundries, forging and other sectors. The company had grown to 900 employees in 1914. These foot-operated bellows were for pumping gas to keep the patient relaxed while the dentist worked on their teeth. They were later modified for a variety of uses where a continual flow of air was needed.These bellows are representative of a range of devices developed in the late 19th Century to assist in manufacturing. They were donated to our collection by a Wodonga resident.A set of foot bellows made from timber, metal and leather. The bellows were activated by pressing up and down on the metal step-shaped lever at the front. The air outlet on one side would have a hose attached to it to direct the air current to wherever it was needed. The bellows are made from leather. The manufacturers mark is attached to the top within a metal circle.On top of Bellows in a circle: "FLETCHER RUSSELL & CO./ WARRINGTON/ MANCHESTER / LONDON"foot bellows, fletcher russell & co. ltd. -
Falls Creek Historical Society
Equipment - Ski Backpack, 1960s
This backpack was manufactured in the 1960s. It was typical of backpacks used to carry in packages, small boxes and supplies by early residents of Falls Creek before any oversnow transport was available. The pack may have belonged to Julian Newton Brown as it was found outside the old Falls Creek Flats, commonly referred to as Alcatraz, where he lived for some time. The Flats were built in 1961 and quickly earned the name Alcatraz as they were only 2½ squares each so were compared to prison cells in Alcatraz. The name stuck and was later officially adopted.This item is significant because it demonstrates how ski equipment has changed over time.A backpack made from canvas with a wooden frame and canvas strapsski equipment 1960s, falls creek flats, alcatraz falls creek, julian newton brown -
Clunes Museum
Functional object - BINOCULARS
OLD STYLE BINOCULARS - BLACK LEATHER COVERED 1 LENS MISSINGioiacona family, ugo -
Bendigo Military Museum
Tool - WOOD PLANE
Item used in early wood constructionWooden and metal construction designed to be hand held. Tool has folding metal hand supports both front and rear. There is a fine scraping blade extending from the underside of the tool. This blade has an adjustable dept screw attachment to set the amount of waste to be removed from the surface of the timber.J.S. NO 8plane, wood, passchendaele barracks trust