Showing 4288 items
matching tools-and-equipment
Container (1477)
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Functional object (4288)
Instrument (442)
Machine (370)
Tool (1763)
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Weapon (467)
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Bendigo Historical Society Inc.
Functional object - FOUNTAIN PENS
Group of 5 fountain pens of various makes sizes & colours.drawing, ink, pens -
Glenelg Shire Council Cultural Collection
Functional object - STAMP, n.d
Stamp, lead, 'E.G.VIVIAN' -
Clunes Museum
functional object - YARN BALL
ROUND BAKELITE BALL TO HOLD YARN TO KEEP IT CLEANlocal history, domestic item, ball to hold wool -
J. Ward Museum Complex
Functional object - Old Ararat Gaol - Set of Seven Gaol Keys
These watch house keys were used to secure the cell doors in an the Old Ararat Gaol. They are dated from the 19th century.These keys are a good example of keys used by Victorian prisons in the 19th century. Large metal ring holding seven large keys to Gaol cell doors.J. Hubball Melbournelocksmith, watchhouse, incarceration, keys, gaol, prison -
Numurkah & District Historical Society
Functional object - Lens
Glass lens from spectacles -
Vision Australia
Functional object - Object, Braille wooden board and Braille text book
Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping. This donation includes the signature of Miss B Yoxon, who was a student that transcribed braille around the 1920's for the Victorian Association of Braille Writers, and the owner of this board and textbook. Some originals of her work and a translated letter from her friend James Grubb accompany the frame. 1 wooden board and Braille paper, with 1 Braille text bookbraille equipment, victorian association of braille writers -
Whitehorse Historical Society Inc.
Functional object - Button Hook
Button hook for boots with amber and green pearlised handle.costume accessories, footwear accessories -
Ararat Gallery TAMA
Functional object, Kitayama no Kusa, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Wodonga & District Historical Society Inc
Functional object - German Hairclippers, Alcoso Company, c1900 - 1950
Hair and beard clipping was frequently carried out at home prior to WW11 and often much later in rural areas. Manual hair clippers were readily available for purchase. The Alcoso company started as steel manufacturers by Alexander Coppel in 1821. Alcoso is an acronym for Alexander Coppel Solingen. They were very successful and opened a second manufacturing facility sometime in the 1850s. They manufactured pipes, rolled steel, wire, tableware, daggers, swords, knives and razors. They started manufacturing razors in the 1850s. The company is most famous for their swords. The Coppel family that Alexander donated millions of marks to charity including building an orphanage, a school for the disadvantaged, and a recreation centre. They headed various social rights groups. They were leading citizens of Solingen. The family was Jewish and the company was Aryanized in 1936. Alexander Coppel and his family were sent to a concentration camp in 1941 along with the remaining Solingen Jews. He died there of starvation in 1942 at the age of 77.This kind of hair clippers were a common household item in the early 20th century. They are representative of an important Jewish company prior to WW2.2 sets of hairclippers made from steel alloy. The arms of the clippers are hinged and can be adjusted with a wing screw. The arms are squeezed together and released. like scissors to operate,On box lid: "Haarschneide-Maschine/ Hairclipper/ "Alcoso"/ Solingen / Tondeuse/ Maquina para cortar el pelo" Translation hair cutting machinehair clippers, alcoso company, alexander coppe, personal items -
Mont De Lancey
Functional object - Lamp
It was used as a bedroom lamp by Valmae (Colling) Gaudion in various railway houses lived in around Victoria in the days before electricity.A bedroom oil lamp with a light amber coloured glass bowl with a ring holder and blue oil inside. It has a green glass handle, a metal burner, cotton wick and a knob to adjust the flame. The chimney is clear glass with a decorated edge on the top.lamps, oil lamps -
Melton City Libraries
Functional object, Set of keys, Unknown
Sets of keys, belong to a churchchurches, misc. -
Stawell Historical Society Inc
Functional object - Bottle
Stoneware Bottle (F.C. Heywood Stawell) Ginger Beerstawell -
National Vietnam Veterans Museum (NVVM)
Functional Object, Ration pack
gold plated tin (empty) and plastic bag - ration packs - food and sunderies.blue coloured 'B' on plastic bagration tin -
Flagstaff Hill Maritime Museum and Village
Functional object - Lamp, Carl Hermann Nier, 1928-1932
Carl Hermann Nier in 1877 a silverware maker started to produce miners lamps and household lanterns in Beierfeld, Saxonia, East Germany. In January 1902 he established the Nier-Feuerh and company in his home town to produce kerosene lanterns. Carl's three sons Bruno, Curt and Woldemar Nier made the company into the largest lantern producer in the 1930s with Bruno Nier holding many patents for lamps. Lantern production was interrupted by World War II and ceased at the end of 1944 because of the shortage of materials and the advancing Russian army. After the Second World War the company restart the lantern production in 1947 at Luedenscheid and Hohenlockstedt north of Hamburg and fully re-establishing the company in 1950. A domestic item with an interesting history that now is sought after by collectors giving an insight into how hurricane kerosene lamps came into being from a manufacturer in Germany that held numerous patents for oil lamps from 1902 until 1940.Kerosene lamp with handle, red in colour, badly rusted. Lamp shade has lever to lift so you can light it.Marked "Feuerhand Nr 327" "Made in Germany".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lamp, kerosene lamp, hurricane lamp, nier-feuerh, carl hermann nier -
Trafalgar Holden Museum
Functional object - Leather Label Tag
Leather label tag with perspex window for name and address made and sold by Holden and FrostSold by Holden and Frost and used as name tagLeather label tag with trap and brass buckleleather, name tag -
Ararat Gallery TAMA
Functional object, Shosho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Trafalgar Holden Museum
Functional object, Riders crop
Used by horse riders to move horses while riding or drovingManufactured and sold by Holden and Frost Ca1900Tapered hickory rod with shaped handgrip with leather strap on endequine, crop, whip -
Kew Historical Society Inc
Functional object - Upright, embossed celluloid, silk lined vanity dresser box, 1904-1914
The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vida May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vida and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district. Vida May Wing was born in Richmond in 1882. A noted teacher of plain, fancy and step dancing, during the first two decades of the twentieth century she held annual fancy dancing and floral balls, where her pupils were the performers. In 1916, she married Hubert Charles McDonald. She died in 1959.Upright, embossed celluloid, silk iined vanity dresser box which belonged to Vida May McDonald (nee Wing). The sides of the box are covered with purple figured velvet while the lids are covered with embossed celluloid. The case has a number of panels which open to reveal its pink silk lined interior which was once fitted out with mirrors, combs, brushes, and makeup jars. Nilvida may wing, vida may mcdonald, beauty cases, makeup boxes -
Numurkah & District Historical Society
Functional object - Bicycle lamp
Chrome lamp has round glass lens at front with red circular glass reflector at side, mounting clips at back -
Wodonga & District Historical Society Inc
Functional object - 'Perutz' Photographic Film Roll & Tin, Perutz
Perutz was the German firm of chemist Otto Perutz, and was established in 1870. It was the first company to produce a roll film for the Leitz camera.A clear film roll and silver metal film roll tin. On tin: "PERUTZ/6x9/620"photography, photograph, photo, camera, leitz camera, perutz, german, germany -
Glenelg Shire Council Cultural Collection
Functional object - Blotter Pad, c. 1912
F. A. Stubbs was a draper based on Julia Street in Portland. Advertising in the Portland Guardian in 1913.Blotter, absorbent side pink, lots of ink. Front white, calendar for October 1912, in dark blue, advertising for F.A. Stubbs, draper, Portland, in dark blue, calendar and advertisement enclosed by green border.portland trade, industry, drapers, advertising, commerce -
Trafalgar Holden Museum
Functional object - Rifle bag, 1946
Military rifle carrier with ammunition pocket on side as issued to troops in 1947Made by GMH 1946 for Military useArmy green canvas rifle carrier with ammunition pocket on side. Canvas cover over opening with brass buckle to close.GMH&Co 1946military, rifle carrier, canvas -
Bendigo Historical Society Inc.
Functional object - VOLT METER FROM PLAZA THEATRE MANUFACTURED BY NALDER BROS
Volt-Meter from'Plaza Theatre', Mitchell St. Bendigo. A tag attached has the numbers 1-4-78 and says ' This meter was ''.(illegible!)' The scale goes from 0 to 120volts. And was manufactured by 'Nalder Bros & Thompson Ltd London.. It also measures both DC and ~ 50 (50 cycles per sec alternating current) Case is circular and made of a dimpled metal. With a 'half moon' shaped display. Case is approx. 200mm in diameter and 60mm deep -
Mission to Seafarers Victoria
Functional object - Balance Scale
Small balance scale volum collection -
Flagstaff Hill Maritime Museum and Village
Functional object - Harness Ring, Ca. 1855
The brass harness ring was one of many that were recovered from the wreck of the Schomberg sailing ship. It is a fitting used for horse straps and harness equipment. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baine’s Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This object is significant as an example of an item in common use in the mid-19th century. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes. Brass ring, a round tubular ring with a shiny surface. It was recovered from the wreck of the Schomberg.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, schomberg, brass ring, harness ring, harness fitting, harness hardware -
Whitehorse Historical Society Inc.
Functional object - Spectacles
Thin wire framed spectacles with dark tinted lenses. Fin wire mesh pieces, which are movable, are attached to middle of frame surrounding lenses.personal effects, seeing aids -
National Vietnam Veterans Museum (NVVM)
Functional object - Webbing, basic, Circa early 1960's
Basic webbing was used by Australian Defence forces during the Vietnam War era (1962 - 1975) to carry personal equipment such as ammunition, water, basic rations, shelter usually on short duration operations such as patrols. Basic webbing was a classic and iconic item of equipment universally used by servicemen in Vietnam.Army basic webbing set. Jungle green colour and made of canvas. Consisting of a webbing belt, 2 ammunition pouches, 1 water bottle cover, a shoulder harness and a patrol bag.The name 'A Kelly' on the front and the name 'Ceskus. 6102716 on the back.basic webbing, vietnam war, military equipment, webbing -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Lure, c. 1970
Fishing lure. Black, aqua, rust red horsehair covering shank of hook. No 'head'. -
Glenelg Shire Council Cultural Collection
Functional object - Plate and Whistle, 1950s
Mr Merv Weckert worked the Marion for 30 years and was given the plate upon his departure.Metal plate from Marion crane with air horn attached.Front: Machine number/ 9539/ MARION POWER SHOVEL CO./ MARION OHIO U.S.A. Back: (no inscriptions) -
Mont De Lancey
Functional object - Vase
FA A milky green glass vase with a wide rim and a balloon shape near the footed base. vases, ornamental objects, functional objects, containers