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Churchill Island Heritage Farm
Functional object - Combination spanner
This instrument is a 'McKay Massey Harris Spanner P206'. These spanners were supplied with harvesters and other implements to be used by the farmer to maintain his equipment. The agricultural spanner was often of odd shapes to allow for use in confined spaces or because the one tool could be used for more than one function. Broken one end. Small box spanner and broken open spanner one end, square box spanner with two open spanners at other end. Rusted.1_06combination, spanner, broken, tool, tools, churchill island, farm -
8th/13th Victorian Mounted Rifles Regimental Collection
Functional object - Lance bucket
This lance bucket could be attached to the stirrup iron quickly via the two straps and was for temporary issue to a troop for ceremonial occasions such as a vice regal escort, or Govt house guard when lances were carried. It differs from a much more common bucket which fitted over the top if the stirrup iron. An elliptical hole allowed the stirrup leather to pass through thus securing it to the stirrup more securely than the two straps alone. Lance buckets were used by the Squadron Sergeant Major and Squadron Quarter Master Sergeant of each Light Horse Squadron as they were the only ones to carry lances to assist them when they performed the duty of markers that the troops lined up on when on parade, or forming squadron-in-line, as they did for the charge at Beersheba. Unusual piece of light horse saddlery. Leather lance bucket with two adjustable straps to attach it to a stirrup.military, horse, stirrup, light horse, lance -
Working Heritage Crown Land Collection
Functional object - Ventilation Grate
Lead ventilation grate painted creamhistoric building, former royal mint -
Ararat Gallery TAMA
Functional object, Kuro - tsuaki Yokan, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Bendigo Historical Society Inc.
Functional object - WOODEN POLICEMAN'S TRUNCHEON
Wooden Policeman's truncheon, red gum, piece chipped out of handle.essential services, police -
Mont De Lancey
Functional object - Chamber Pot
White ceramic chamber pot with squared handle.chamber pots, domestic object, bedpans, potties, containers -
Ararat Gallery TAMA
Functional object, Evening Moon confection, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Whitehorse Historical Society Inc.
Functional object - Kodak Photo Folder
Till CollectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Brown Kodak Photograph Folder'Kodak'photography, photographs / slides / film -
Melbourne Tram Museum
Functional object - Trolley Wheel, Melbourne & Metropolitan Tramways Board (MMTB), 1950's?
Trolley Wheel - cast brass, fitted with a cylindrical bush in the centre. Used on Melbourne trams until the late 1950's when changed for trolley skids to bring the power from the overhead into the tram. Fitted to the end of a trolley pole with another cast item known as a hasp. Has been used. Used by Ballarat and Bendigo trams.trams, tramways, tramcar component, overhead, trolley wheels, trolley poles -
Vision Australia
Functional object - Object, Writing frame
This wooden frame is designed to sit over paper pages. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing handwritten notes.1 wooden frame with elastic and beads and metal cornersassociation for the blind, assistive devices -
Ballarat Tramway Museum
Functional Object - Timetable Board, State Electricity Commission of Victoria (SECV), 1940's?
Metal sheet- black background, painted with white lettering and coloured(orange and red) symbols, some scratches and white or light blue paintbrush out markings and dribbles- reverse is style of sign in item No.22. Gives times of first and last cars, frequency for each route and Grey St. and Sturt West additional services. On reverse side has a more modern timetable, see item No. 22. On display 22/10/1995 on wall by front of No. 39.ballarat trams, timetable boards, secv, street furniture -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Float, n.d
Homemade 1950's cork fishing float, carved and sealed cork, shank painted white, black, red and yellow. Metal eyelet top and bottom. Purchased for $36 (for 4) -
Flagstaff Hill Maritime Museum and Village
Functional object - Megaphone, 1920-1940
A megaphone or loudhailer is usually portable or hand-held, the cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. Used to communicate with others over distances. In Greek mythology, "Stentor" was a Greek herald during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. The large funnel-shaped device is made of painted metal that is riveted together. It has no metal mouthpiece at the narrow end but rather a larger opening that is associated with a movie directors megaphone. It could also be used in a maritime situation or anywhere a person needs to amplify their voice to give directions to others over a distance. The Megaphone has significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in not only marine situations, or light house stations as well as many other differing types of applications where a person voice was needed to be amplified when communicating with others.Megaphone or loud hailer, metal painted green with handle and a large indented mouth piece. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, megaphone, loud hailer, directors megaphone, communication device -
Stanley Athenaeum & Public Room
Functional object - Lamp, Tilley Lamp
Black enamel top cover with circular dome. Mantle with glass cover 8cm: adjustable fuel knob. Protective guard with carrying handle attached - silver coated steel. Silver coated domed base with primer knob. mantle fragile & damaged.Tilley 'Pyrex' 171. Made in UK. Manufactured in United Kingdom '570XA' -
Nillumbik Historical Society Incorporated
Functional object - Hand Pump, W & B Douglas Pump Factory, Hand Pump to Manually Draw Water from Well, Mid - Late 19th Century
Hand Pump. Reticulated water did not reach Diamond Creek until 1914. This beautiflly restored hand pump raised water from the outside domed well to provide cool clear water for domestic use.The Hand Pump is a well preserved example of equipment used domestically in the Diamond Creek areaHand pump used for pumping water from shallow wells. Restored by Kim Howard in 1996. Green. Column is screwed to base which is mounted on Redgum planks.PATENTED 1842, W & B DOUGLAS, "MIDD'A CONN.#handpump, #waterpump, #domesticuse -
Whitehorse Historical Society Inc.
Functional object - GAs Mask WWI, Gas mask, C 1917
Example of WWI German gas mask.Part of Honeybun Collection Mitcham RSLWWI gas mask (German?) Battle of Hamel 1918.NIl -
Wodonga & District Historical Society Inc
Functional object - Cordial / Soft drink Bottles - Belvoir, c1950 - 1966
Belvoir drinks were marketed by Stephens Bros. They established their business in Wodonga c1938, having taken over the aerated water and drinks business previously operated by Messrs. E. Bartel and E. Clark. Bartel and Clark had purchased S. Mason Cordial Company from Samuel Mason Jr. in 1920. Samuel Mason Sr. began a bakery and aerated water company c1857. Stephens Brothers was operated by Lindsay, Donald and William Stephens. In 1947 they manufactured their own cement bricks to build a new factory in High Street, Wodonga. Over time they operated under various names including the Wodonga Cordial Company and Belvoir Wodonga Cordial Company. In 1938 their output of aerated waters was 100 dozen bottles a day but by 1948 that had doubled. In 1949 they also established a wood yard at their High Street premises to provide additional income during the slower winter months. In 1966 the company was purchased by the Tarax Ale Brewing Co. with Lindsay Stephens staying on as Company Manager.These artefacts has local significance as they are representative of a well-known Wodonga manufacturing business.2 different sized bottles for Belvoir soft drink. Both bottles feature the blue brand on one side and information related to manufacture and contents in white print on the opposite side. The larger bottle holds 26 fluid ounces and the smaller one holds 13 fluid ounces.On front: An oval shaped name "BELVOIR" surrounded by leaf design with white text "The seal of quality" above the oval and "A Flavour for every taste" beneath the name. On opposite side in white text: "MANUFACTURED BY/ WODONGA CORDIAL CO./ WODONGA/ PRESERVATIVE ADDED / ARTIFICIALLY COLOURED/ NET CONTENTS 19 FL OZ / PHONE WODONGA -39.wodonga manufacturing, stephens bros wodonga, wodonga cordial company, belvoir drinks wodonga -
Flagstaff Hill Maritime Museum and Village
Functional object - Deadeye, Late 19th century to 1950s
A dead eye is a part of a vessel’s rig On board sailing ships, dead eyes were used in three different areas. Traditionally dead eyes are made of wood but they have different forms according to where they were used in the vessel rigging. The most common type of dead-eye is flat, with three holes and was used to tension the shrouds, the heavy lines which steadied the masts on each side. Each shroud had a dead eye at the lower end, which corresponded to a similar dead eye attached to the side of the ship. The two were connected with a rope called a lanyard, which was used to tighten the assembly. The stays, heavy lines running forward from the masts, were also tensioned with dead eyes. These are much larger and rectangular, with four or six holes. The third type of dead-eye was a two-holed version attached to an eye at the end of the parallel, which tied a yard to the mast. The loose ends of the parallel rope passed through the dead eye and then down to the deck, making it possible to tighten or slacken the parallel from the deck so that the yard could be more easily manoeuvred. It was especially important for the mizzen yard, which had to be shifted from one side of the mast to the other when tacking the ship.An item used on sailing ships rigging this item of ships equipment and its use has been used from the beginning of the invention of sailing ships going back to ancient times. Its use on sailing vessels had not changed in design or use until they went out of fashion and steamships took their place.Circular wooden ships rigging dead eye with three holes Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sailing vessel rigging, dead eye, sailing equipment -
Bendigo Historical Society Inc.
Functional object - FABER LEADS IN CONTAINERS
Five chromed cylindrical containers with leads for propelling pencils enclosed.E.Faber.USA.drawing, pencil, faber -
Churchill Island Heritage Farm
Functional object - large hatchet
Medium length wooden axe handle modern head cast iron. Blacksmith made cast and forged. One flat side, hammer end.hatchet, tools, hammer, blacksmith, blacksmithing, smithing, churchill island, farm -
Trafalgar Holden Museum
Functional object - Cart/van tree, Circa 1900
as used on horses to pull a variety of heavy equipment Ca 1900as manufactured and sold by Holden and FrostShaped to fit on horses back with two straps that fit around horses belly Two metal rings for reins two brackets for strapping and a metal buckle on end of belly bandPatent etched on saddle surfacecart / van tree, equine -
Whitehorse Historical Society Inc.
Functional object - Fountain Pen, Pre 1939
A black self filling fountain pen with a cap over the nib of gold coloured metal with name HASCO in gold on the cap. The pen comes in its own box of green cardboard with gold writing - 'HASCO ' Self-Filling Fountain Pen - Marvel of Value.HASCOdomestic items, writing equipment -
Whitehorse Historical Society Inc.
Functional object - Dipper
Galvanised Metal 'Willow'dipper.Willowdomestic items, laundering -
Stawell Historical Society Inc
Functional object - Bottle, 1982
Stawell High School 70th Anniversary Souvenir Glassstawell -
Whitehorse Historical Society Inc.
Functional object - Soldiers Mess Pannikin, Pannikin (German WWI), 1917
Example of WWI soldiers mess pannikin.Part of the Honeybun collection - Mitcham RSL.Tin mess pannikin, German WWI.Silesia 17 (origin + date?)soldiers, mess kit -
Wodonga & District Historical Society Inc
Functional object - Dazey Churn, 1922
In the early 1900's, E.B. Jones developed a small glass churn for home use. Nathan Dazey purchased Jones' business and relocated it to St. Louis, Missouri as the Dazey Churn and Manufacturing Co. Dazey churns were manufactured up until 1945. Although best known for its butter churns, the company also made can openers, knife sharpeners and other kitchen products. Thes churns were widely used throughout households in rural Australia during the first half of the 20th century.This item was typical of kitchenware used widely in the early twentieth century when households produced more basic food items. A round glass churn with metal lid and mechanism. The handle was turned to rotate the paddle at the base of the mechanism in the jar. The jar holds 2 quarts of milk.The embossed Jar lettering is as follows: DAZEY CHURN No. 20 Patented February 12,1922 DAZEY CHURN & MFG. CO. ST. LOUIS, MO. MADE IN U.S.A.domestic appliances, kitchen appliances -
Churchill Island Heritage Farm
Functional object - Milk cart
In the 1800's and early 1900's milk was delivered to homes in horse-drawn carts. The milk was placed into churns by the vendor and the churns put into the cart. On arriving at the homes, the milk would be poured into containers the householders had provided.Unpainted wooden milk vendor cart, rubber inflatable tyres ( perished)"Milk Vendor" painted on right sidefarm machinery, horse drawn vehicles, milk cart -
Queenscliffe Maritime Museum
Functional object - Anchor, Kedge
Kedge anchoranchor, kedge anchor -
J. Ward Museum Complex
Functional object - Old Ararat Gaol - T Bar Key
A key used commonly in Victorian Government Institutions. Metal T Bar Key with some scratches, rust, and small dents from wear and tearA.W engraved on one sidekeys, gaol -
Stawell Historical Society Inc
Functional object - Bottle, 1860's
Black Bottle. Possible Goldfields Black Beer Bottle made locallystawell