The horseshoes in this purpose-built display case were made by Thomas Alfred Chapman in 1906-1907. Chapman operated a blacksmith’s shop in Mortlake Rd, Purnim, about 15 mins drive from Warrnambool. Chapman made this horseshoe case especially for the 3rd Exhibition of Australian Manufacturers and Products, held in the Exhibition Building in Melbourne, which was organised and promoted by the Australian Natives Association (ANA). Reference is made to the horseshoe case in the Exhibition’s Souvenir Catalogue of 1907 on page 85, under the heading 'In the Machinery Section the following exhibits are also shown … 'CHAPMAN, T.A. , Woolsthorpe, via Warrnambool, Case of Horseshoes'. The Australian Natives’ Association (ANA) were a non-partisan and non-sectarian, friendly society founded in Melbourne, Australia in April 1871. It was set-up for the benefit of Australian-born white men, and membership was restricted exclusively to that group. Men of other races including the Chinese and Indigenous people were not allowed to join. The ANA had relatively progressive views on women (for the time) and attracted suffragists seeking support for their cause, and in 1894, the ANA advocated for women’s enfranchisement. Although, white women were only admitted as members from 1964. The organisation was most prominent in Victoria and sought to shape Australia’s national identity and was a training ground for businessmen, trade unionists and politicians including many of Australia’s early prime ministers such as Edmund Barton, Alfred Deakin, James Scullin and Francis Forde, and the first Australian-born governor-general, Isaac Isaacs, was a member. By 1910 it had developed into a nationwide association with real political and social influence, and members would participate in many activities. The ANA lobbied strongly for anti-Chinese legislation and were an ardent believer of colonial unification. Its mission and efforts are largely credited for the successful referendums that resulted in Federation of the six Australian colonies into a new nation, the association’s most important legacy. The ANA was also a supporter of trade protection, and were a staunch advocate of the first act of Australia's new parliament, the Immigration Restriction Act 1901 (cth) or commonly known as the White Australia Policy, which became one of the central pillars of Australian nationalism in the 20th-century. The ANA campaigned against the Australian Federal Government's new immigration policy after the Second World War (non-British immigration from southern and central Europe) in order to maintain a 'white Australia', and resisted changes when the Labor government during the 1970s fully dismantled and abandoned the White Australia Policy. The ANA merged with Manchester Unity Independent Order of Oddfellows, in 1993 to become Australian Unity Ltd. The display case of horseshoes changed hands several times, going from its maker Thomas Chapman to his mother then various other members of his family. The case was also displayed at the Lee Family’s butcher shop at 188 Liebig St Warrnambool, and in the Purnim Hotel during the Warrnambool May Races. In the late 1950s the horseshoe case went to Thomas’s son, Brian. He was a Master Farrier and completed his apprenticeship at Flemington Racecourse, and in Warrnambool he owned a blacksmith business at the Warrnambool Racecourse Grounds. Brian later operated a blacksmith’s at Flagstaff Hill, where his customers would bring their horses to be shod. Brian passed away in August 2017. The horseshoe case is significant as an example of trades in the early 20th century in Western Victoria, Australia. It is also significant as an example of horseshoes from the early 20th century. The horseshoe display case is also significant for its association with the Australian Exhibition of 1907, showcasing Australian produce and manufacturing to the world. The horseshoe display case is locally significant for its association with local families, essential businesses and community events. Display case of homemade horseshoes. Wooden case with glass front containing 16 horse shoes grouped in sets, each set with a label: Made 1906-1907 for Australian Exhibition of 1907 by Thomas Alfred Chapman of Warrnambool. The case contains (a) complete chrome set each of Trotting Shoes, Hunting Shoes and Racing Plates, and (b) one pair of Hind Polo Shoes and one pair of Front Aluminium Shoes. The wooden frame has gold lettering on each side proclaiming “Australian Natives Association, T.A. Chapman, horse shoer, Warrnambool” and is topped by a painted Australian coat of arms. Gold lettering on frame, in the order of top/bottom/ left/right “AUSTRALIAN.NATIVES.ASSOCIATION / T.A. CHAPMAN / Horse Shoer / Warrnambool”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, horseshoe display case 1906-1907, chromed set of trotting shoes 1906-1907, chrome set of hunting shoes 1906-1907, chrome set of racing plates 1906-1907, pair of hind polo shoes 1906-1907, pair of front aluminium shoes 1906-1907, australian exhibition 1907, australian natives association (ana), t.a. chapman horse shoer warrnambool, thomas alfred chapman, brian chapman, brian “snacks” chapman, blacksmith warrnambool, warrnambool may races, warrnambool racecourse, purnim hotel, lee family’s butcher shop warrnambool

White booklet on victorian timbers.Forest Commission of Victoria.|Victorian Timbers.|Exhibited at the Australian Natives Association Exhibition.books, reference

Image of The Federal Woollen Mills mills display from the 'Made in Australia' Exhibition held at the Geelong in July 1928. The exhibition was organised by the manufacturers sectional committee of the Geelong Chamber of Commerce and Manufactures. Over 50,000 people attended the exhibition, making the exhibitors and organisers delighted at the result.Black and white photograph of a Federal Woollen Mills display in a landscape format. The exhibit featured draping fabrics and a suited man in the left hand edge.Center of display - The Federal Woollen Mills Pty Ltd. Geelong. Famous Federalia Fabricswool, woollen mills, wool manufacture, federal woollen mills, 'made in australia' exhibition, geelong

Loose photograph inside the photograph album - Geelong Made in Australia Centenary Exhibition 1938textile mills - history textile machinery, fairnie, mr edward john - returned soldiers and sailors mill, textile mills - history, textile machinery

Loose photograph inside the photograph album - Geelong Made in Australia Centenary Exhibition 1938textile mills - history textile machinery, fairnie, mr edward john - returned soldiers and sailors mill, textile mills - history, textile machinery

Demonstrates the work done by the BTM/BTPS to celebrate the 50 years since the end of the Second World War and the documents prepared for the CHHA Exhibition in 1995.Two postcard sized colour photographs of the Museum's "Australia Remembers" Exhibition boards at the CHHA display and depot Oct. - Dec. 1995. Shows layout of Boards, captions etc. Kodak - official sponsor and Olympic logos on rear. Both photos re-imaged 18/7/2019.btm, exhibitions, world war ii

Gold medal certificate presented to Collins Bros Mill Pty Ltd for the best grouped exhibit at the South Australian Centennial Exhibition, 1936.CENTENNIAL EXHIBITION / Gold Medal / Certificate of Merit / AWARDED TO / Collins Bros Pty Limited / FOR / Attractive Stiff Grouped Exhibit / from an Exhibition point of view / [signature] PRESIDENT / [signature] SECRETARY / ART / INDUSTRY / TO CELEBRATE / THE HUNDREDTH ANNIVERSARY / OF THE / FOUNDATION OF SOUTH AUSTRALIA. / SOUTH AUSTRALIAN CHAMBER OF MANUFACTURERS INCORPORATED / 1836 / 1936 / Albert V. Adlam From- / ROBT. R. STANESBY / THE PICTURE FRAM MAKER, / MOUNT CUTTER, &c. / FREE LIBRARY BUILDINGS, / Moorabool St., Geelongtextile mills history, south australian chamber of manufacturers incorporated collins bros mill pty ltd, textile mills - history

A cream soft covered document titled 'Souvenir of A.N.P.E.X (Australian National Philatelic Exhibition)1950.' Masonic Philatelic Society of Victoria. Founded 1946. President: Mr. W. H. Pethard. On inside page is an outline of a musical programme held at Scotts Hotel October 5th, 1950. Accompanying the booklet is a collection of 8 blue 1950 ' on to Melbourne' stamps and 8 pink 'on to Melbourne stamps. All stamps published by the Australian National Philatelic Exhibition & Centenary of Australian Postage Stamps.philately, stamps, exhibition, lydia chancellor collection, collection, postage stamps, clubs and associations, societies, recreation, organisation, organization, clubs, entertainments

The photograph shows a cable tram set with trailer No. 534 east bound in Bourke St on its way to Nicholson St passing the St. James Building at William Street. The conductor standing at the back of the grip car is in MMTB uniform with his ticket wallet in his left hand and bag visible. The grip man appears to be ringing his bell. There is a side advertisement for the "All Australian Exhibition". A reference to the exhibition is in The Argus of 3/11/1924 - see reference.Yields information cable trams in Bourke St and their crews.Photograph, black and white, plain backtrams, tramways, cable tram, bourke st, conductors, tram crews, william st, tram 534

From the 18th Century museums and individuals have collected man's manufacturing work, the bottle. In Australia some collections have been in existence for over 60 years although most collections stem from the mid- to late 1960s. This national exhibition, the ninth Australian exhibition, is conducted by the Colac Bottle Collectors Club in 1980 to foster the collection, study and preservation of old bottles. The majority of bottle shows are run on competitive lines with the host club setting the categories and judged by collectors considered to have wide knowledge and experience. Ninth National Bottle Exhibition, Colac, Victoria. Your souvenir booklet. Colac Bottle Collectors Club; Colac (Vic); 1980. 36 p.; illus. Soft cover.colac; bottles; collectors; history; glass; ceramics;

This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique

This audio tape consists of music for two of the temporary displays (Fashion; Tourism and Industry) in the Australian Pavilion's Exhibition space at Osaka's Expo 70. Robin Boyd was appointed Exhibits Architect for the Australian Pavilion.Reel tape with labels. Duration: 26:50 minutesexpo 70, robin boyd, ohm2022, ohm2022_8

A soft covered book titled 'Australian National Philatelic Exhibition 1850 - 1950.' Melbourne Town Hall 4th to 14th October 1950. It contains a separate prospectus relating to the exhibits. Also included are some newspaper articles relating to the exhibition.philately, stamps, exhibition, lydia chancellor collection, collection, postage stamps, amusements, recreations

Demonstrates an important part of Ballarat's tramway operations during the Second World War when conductresses and many women were employed by the SEC and yields information about a brochure printed for the Australia Remembers exhibition in 1995 by the BTM.248.1 - A4 sheet folded into 3 on blue photocopy paper - titled "Ballarat Trammies at War" - produced by BTM for 1995 Australia Remembers exhibition with two photos and details on Museum and membership. 248.2 - as above, but unfolded, 248.3 - original of cover of 248.1 on A4 size coated paper for bubble jet printer. 248.4 - as above, but 2nd sheet. Images added 29/9/2013. See A. Bradley's notes.trams, tramways, sec, ballarat, conductresses, world war ii, btm

Original design by Dorothy Leviny, aged 25, while she was a student at the Bendigo School Of Mines under the tutelage of Arthur T. Woodward. Woodward, who had come to Australia from Britain, was a renowned proponent of the Arts and Crafts Movement in Australia during the late nineteenth and early twentieth centuries. Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. Dorothy Leviny was the ninth child born to noted colonial silversmith and jeweller, Ernest Leviny, and his wife, Bertha (nee Hudson).This original wallpaper design by Dorothy Leviny is one of few that remain in existence from the early twentieth century showing the influence of the British Arts and Crafts Movement in Australia.Original wallpaper design made by (Bertha) Dorothy Leviny painted in watercolour. The repetitive floral design consists of pale pink bell-shaped flowers with green stems and leaves. Paper, card, watercolour paint.'D. Leviny /06'.dorothy leviny, watercolour painting, arts and crafts movement, 1906, buda, castlemaine, arthur t woodward, bendigo school of mines, exhibition of womens work 1907, wallpaper design, illustration

2 white souvenir first day covers one with with dark blue ink print and one with red ink print. 100 Centenary 1850 - 1950 First Adhesive Postage Stamps. And Australian National Philatelic Exhibition Melbourne 4-14 Oct-1950.philately, covers, first day cover, lydia chancellor collection, collection, australian national philatelic exhibition, stamps, postage stamps, entertainment, amusements, exhibition

Postcard depicting the opening of the first parliament of the Commonwealth of Australia in the Exhibition Building Melbourne by HRH The Prince of Wales. Printed along the top of the card is ' Citizen's presentation to the Borough Council Eaglehawk. Down the sides and across the bottom is a list of about 60 names of citizens in Eaglehawk.postcard, opening of parliamenty, opening of the first parliament, exhibition buildings, borough council eaglehawk

Demonstrates an important part of Ballarat's tramway operations during the Second World War when black out conditions applied and headlights had to be masked. The item is a replica made at the time for an exhibition.Replica headlight mask used in BTM's Australia Remembers Exhibition 1995, made to dimensions in SECV drawing BA-T9-8387, made from galvanised sheet metal, cut and folded. Painted on external surfaces, gloss black - 7 Velcro dots on rear for mounting on display boards - used in Photo of No. 27 Oct. 1995. See related documents for an image of the SEC drawing. See SEC Drawing No. BA-T9 -8387.trams, tramways, ballarat trams, australia remembers, headlight mask, btm, ballarat tramways

35mm slide, white plastic mount of Tram No. 27 dressed in World War II garb on white bumper and white strips on footstep and door entry and headlight mask. Slide used to make Reg. Item No. 242 used for the CHHA Australia Remembers Exhibition. Made in September 1995. Has tram 28 in the background. Was sent to Sydney for use in Trolley Wire article, Feb. 1996, but not used. See Trolley Wire Feb. 1996.On back in top left hand corner "W.A.Doubleday 9/95"tramways, trams, secv, ballarat, btm, 27, world war ii, tram 27

The Ballarat College of Advanced Education Print Award offered $1,200 as an encouragment to Australian printmakers. The exhibition was held at the Ballarat Fine Art Gallery. Four page application form for the inaugural Goldfields Print Award Exhibition printed in brown ink on light brown paper. allan mann, margaret rich, neil leveson, john crump, printmaking, ballarat college of advanced education, ballarat fine art gallery, art gallery of ballarat

The CD-ROM contains images from the Hugh Gray familyA CD-ROM of images relating to Hugh Gray, including: * A shopfront in Dana Street, Ballarat. A man, thought to be Charles Gray (son of Hugh Gray), stands out the front. * Ballarat School of Mines Certificate for Charles Ralston, student of Telegraphy, 1874 * Charles Ralston, exhibitor at the 1st Australian Juvenile Exhibition * Convention of Land and Reform League * Hugh Gray's Business License, 27 April 1857 * Ballarat Mechanics' Institute 13th Concert * John Basson Humffray Testimonial Ticket, 1857 hugh gray, charles ralston, telegraphy, charles ralston, australian juvenile exhibition, convention of land and reform league, business license, ballarat mechanics' institute concert, john basson humffray

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersxavier college, australian art, dorothy rogers, art catalogues

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersaustralian art, xavier college

The Kew Historical Society holds a nationally significant Fashion & Design collection. In 2023 this collection was augmented by a donation by descendants of Francis Henty of nineteenth and early twentieth century costumes and costume accessories. These rare and aesthetically significant acquisitions increased the importance of the nineteenth century costume collection held by the Society. Following their accession, the Henty costumes were exhibited with other notable examples of fashion and design, previously donated by descendants of the Coombs and Weir families.28 x Exhibition photos of Fashion in the Age of Elegance 1840-1900, held at Villa Alba Museum during the 2023 Australian Heritage Festival. The exhibition showcased items drawn from the Henty, Coombs and Weir Collections.fashion -- nineteenth century, exhibitions -- kew historical society, henty collection, coombs collection, weir collection

The portrait was commissioned by the Old Lauristonian Association and painted by W.B. McInnes in 1932. It was exhibited in the Australian Art Exhibition, November 1932, and entered for the Archibald Prize in 1933. The inscription reads "Miss Margaret Irving Founder and headmistress 1901-1933". Size 1000mm x 800mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Margaret Irving Founder & Headmistress 1901-1933 Miss Margaret Irving Founder & Headmistress 1901-1933