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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - 3 black & white Photographs, 'The Grange' ( 'Baydon Hill' ) Moorabbin, c 1920
'The Grange ' was a 2 storey home built 1857 by Mr Charles Tuck, originally named 'Baydon Hill' , at 1011 Nepean Highway, Moorabbin ( South Brighton). Mr Charles Tuck was Veterinary Surgeon from Baydon Hill, Wiltshire, England, who migrated to Australia c1850. He married his cousin Miss Jan Chaudler in Melbourne in1853. He was at the Ballarat gold-fields at the time of the riots and then they settled in South Brighton ( later Moorabbin) and built a large Georgian Styled home called 'Baydon Hill'. The Tucks had a large family - 9 children. Charles enjoyed a prosperous Veterinary Practice as his advice was needed for stock purchases by the farmers / settlers. Charles died in 1893 and Jane left the property c 1903 and died at Blackburn in 1928. The House had 5 owners, the last being the Healey family c1920 and at some stage the name was changed to 'The Grange' and the gates shown were installed. The Healey Family were also prosperous in developing vegetables and flower seeds and seedlings. 'The Grange' was sold to Moorabbin City Council 1972 and then used by the City of Moorabbin Historical Society for meetings and storage of historical material. It was demolished amidst considerable controversy 1983 and the District Police Offices were built on the site. ( S.T.Mulvany, Grand-daughter of Charles Tuck 26/7/1974)The Grange was a significant property 1853 -1983 in Moorabbin. It was built by Mr Charles Tuck 1857and in1900 extended from Point Nepean Road to South Road - 10acres. Mr Harold James Healey purchased the property in c1920 and leased a portion to a Chinese market gardener. Later with his sons he established a profitable Plant Nursery that they managed for 42years.. Keith Healey, a son, remodelled the house extensively mid 20thC .The Moorabbin City Council purchased it in 1972 for $255,000 and it was demolished amid controversy 1983. The District Police Offices are now on the site.3x black and white photographs of the property at 1011 Nepean Highway Moorabbin built by Mr Charles Tuck c1853 known as 'The Grange'. Originally it was named 'Baydon Hill' because he migrated from Baydon Hill, Wiltshire, England c1850. These photographs are c 1880, 1920 and 1950 showing the original and later additions made to the property by some of the 5 owners.Written in pencil on back a) " This Photo donated by Mr Neil Follett - at the time it came into his possession he had a photography studio in Cheltenham. Photographer unknown"; Folio 6 b) The Grange c 1950 Folio 6/10 c) 'Baydon Hill' ( alias "The Grange" ) / Donated by Mrs Elsa Jones, daughter of Leslie Stephen Tuck, youngest son of Charles Tuck Folio 6 /18tuck charles, tuck jane, veterinary surgeons, livestock, market gardeners, early settlers, dendy's special survey, brighton, moorabbin, ballarat, gold diggings, horses, chickens, cattle, bullocks, flower shows, fruit garden, mulvaney s. t., healey haold james, healey keith, moorabbin city council, chinese market gardeners, plant nursery, tuck leslie stephen, jones elsa -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photographs x 2 B/W, Stefanie & William Rietman c1920, c1920
Stefanie and William Rietman were the children of August and Frieda Rietmann. Stefanie became a school teacher and designed and made resin jewellery, Later she established a Native grass garden in Joyce park, Ormond, William joined August's business and after his death continued the development of Rietman's Landscaping and pottery firm . His son Ray also continued the family business in Bay Road Highett and the Carrum. August Rietman 1877-1951 and his wife Frieda 1878-1942 leased the Cottage in 1917 and raised 2 children Stefanie 1918-2006, and William 1920– 1997. August was a Monumental Mason / Potter / Sculptor and he was employed at Corbens Ltd Clifton Hill, to make the War Memorials for many towns post WW1. August purchased the property 1935,and established a pressed concrete business using the cottage as a workshop and storeroom After August died in 1951, William, his son, continued to work in the business from the site until the land was sold to Lewis Co. Ltd Timber Merchants in 1970. Rietman's Landscaping Ltd moved to Bay Road Highett 1953 and later to Carrum. The Rietman family is an example of the diverse nationalities that lived and worked productively in Moorabbin Shire 1871–1933 , the City of Moorabbin 1934-1994 and continues today in the Cities of Glen Eira, Kingston, Bayside, and Monash. August, a sculptor and stone mason, was employed by Corben Pty Ltd Clifton Hill to carve WW1 Memorials before establishing his own successful masonry business in the Box Cottage during the latter 1920s. After becoming interested in pressed cement casting, he took on apprentices (1930s Depression) and among his products were garden furniture, pots and also street lamp standards, some of which were installed in St Kilda Road. After August’s death in 1951, his family continued the business ‘Rietman’s Landscaping Ltd.’, at Highett and Carrum.Photographs x 2 Black & White, of Stefanie Amilie Rietman, and William Henry Rietman c 1920 at Ormond AustraliaHand written namesrietmann august, rietman august, rietmann frieda, rietman frieda, stonnington city town hall, war memorials, world war 1 1914-1918, rietman stefanie, rennick stefanie, francis stefanie, rietman william, rietman ray, mountford paul, malvern city town hall, box cottage museum ormond, box william, box elizabeth, joyce park ormond, rietman's landscaping pty ltd, bay road highett, macrobertson pty ltd, coleraine soldier memorial 1921, resin jewellery, australian native grasses, schools, education, craftwork, pottery, ceramics, ormond state school -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, 6 x B&W Photos of Cheltenham Methodist Youth Group c1914 -1918, Various Photos of Cheltenham Methodist Youth Group c1914-18, 7 x 1914-18 & 1 x 1947
5 x Various photos of the Cheltenham Methodist Youth Group.c 1914 - 1918 Location unknown. (Note soldier's uniform in some photos) 1 x photograph celebrating the Anniversary of Conductor Mr Huntly in 1947 6 x Black and White photographs 5 x . Various photos of the Cheltenham Methodist Youth Group.c1914-18 1x photo Anniversary Conductor Mr Huntly 19477 left : 1947 Anniversary / Conductor Mr Huntly cheltenham methodist youth group, 1914, 1918, world war 1 1914 - 1918, cheltenham, moorabbin, methodist church, social clubs, youth groups, australian infantry force, concerts, musical conductors, market gardeners, early settlers, moorabbin shire -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, 1903 or 1908 Moorabbin Football Club, 1903 or 1908
1903 or 1908 Moorabbin Australian Rules Football Club. Philip Jones, a relative of James Jones who was a pioneer settler in Moorabbin Shire, is holding the football. In the late 1850s Melbourne's schools are first recorded organising football games modeled on precedents at English schools The earliest known such match was played on 15 June 1858 between Scotch College and Melbourne Grammar School on the St Kilda foreshore. On 10 July 1858, the Melbourne-based Bell's Life in Victoria and Sporting Chronicle published a letter by prominent Victorian cricketer Tom Wills, calling for the formation of a "foot-ball club" with a "code of laws" to keep cricketers fit during winter. The Melbourne Football Club's rules of 1859 are the oldest surviving set of laws for Australian football. The ten simple rules were drawn up on 17 May at a meeting chaired by Tom Wills and in attendance were journalists W. J. Hammersley and J. B. Thompson, and Thomas H. Smith. The rules were signed by Tom Wills, William Hammersley, J. Sewell, J. B. Thompson, Alex Bruce, T. Butterworth and Thomas H. Smith. Importantly, the rules were widely publicised and distributed. Having been codified in 1859, this means that Australian football is an older sport than most other football codes in the world, including soccer. As Geoffrey Blainey states, "soccer has no club that matches the antiquity of the early Victorian clubs." In 1859 several new football clubs formed including the Castlemaine Football Club, Geelong Football Club and the Melbourne University Football Club. The first football match played at the Melbourne Cricket Ground (MCG) was not until 1876. Cricket authorities soon saw the opportunity to capitalise on the rapid growth of Australian football, however, and soon most grounds in Victoria were expanded to accommodate the dual purpose, a situation that continues to this day. Football matches between 1859 and 1899 were played in a 20-per-side format. n 1896, delegates from the stronger and wealthier Victorian Football Association clubs—Carlton, Collingwood, Essendon, Fitzroy, Geelong, Melbourne, St Kilda and South Melbourne—met to form a breakaway competition and in 1897, the Victorian Football League (VFL), was born as an eight-team competition. Popularity of the VFL grew rapidly and by 1925 with 12 teams, had become the most prominent league in the game and would dominate so many aspects of the sport from that point on. Moorabbin Football Club, nicknamed the Kangaroos, was the name of two distinct Australian rules football clubs which played in the Victorian Football Association (VFA). The first club, founded in the early 20th century, joined the VFA in 1951 and played there until 1963 with great success; they played home matches at Moorabbin Oval and wore royal blue and white hooped jerseys. The second club played in the VFA from 1983 to 1987. Moorabbin played initially in the Federal Football League, making their debut in 1909 and competing until 1950. During this time the club won 12 premierships, including winning all six premierships staged over the nine years between 1940 and 1948 (the competition was in recess from 1942 until 1944). The club entered the VFA in 1951. Its Federal League home ground, the Dane Road Reserve, was not up to VFA standards; so, in 1951 the club played at Cheltenham, and in 1952 moved into the Moorabbin Oval, which the Moorabbin Council had developed during 1951. The Kangaroos made the 1954 and 1955 finals series without success but in 1957 they helped eliminate premiership favourite Williamstown after defeating them by two points in the Semi Final. Moorabbin, who were coached by Bill Faul, took on Port Melbourne in the Grand Final, whom they had not once beaten since joining the league. In another upset, Moorabbin won comfortably to claim their maiden VFA premiership. In the early 1960s, the Moorabbin Council was very keen to bring a Victorian Football League team to Moorabbin Oval. 1964, the Moorabbin City Council secured a deal with St Kilda, who moved to Moorabbin Oval starting in 1965. The club originally intended to seek readmission for the 1965 season, but in July the club committee decided to withdraw permanently from the Association,and disbanded.Photograph is Black and White. Three rows of Australian Rules Football players in a typical team photograph. Some are wearing striped jumpers, either the stripes are going horizontal or parallel. There is a known man in this photo, named Philip Jones, who is holding the football in front row. There are two men wearing suits at the left, on the end of the third row. Hewitt, Photographer, 92 Regent St. North Richmond.moorabbin, football club, 1903, 1908, philip jones, james jones, early settlers, market gardeners, pioneers, herron john, australian rules foorball, victorian footbal league, victorian football association, moorabbin city council, moorabbin shire, city of moorabbin, st kilda football club, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - Two Photos of pupils at Bentleigh State School, East Bentleigh, 1895
Photo 1: Circa 1895: Pupils at East Bentleigh State School. Located close to Cnr. of Tucker and Centre Rds, East Bentleigh. Demolished c 1990. Pupil, Elizabeth Ann Jones, (Mrs Kennedy) B.1884- D 1979 is marked with a cross. The Jones and Kennedy families were early settlers in the Moorabbin Shire. Photo 2: Circa 1895: Pupils at East Bentleigh State School with a football. The very poor condition of these "restored" photographs indicates their great age, and deterioration that occurred prior to the Moorabbin Historical Society receiving them. Unfortunately, no further improvement is possible. The original photographs are held on file at the CM.H.S. Box Cottage Museum.2 x black and white Photographs. The photos are in poor condition and have been re stored. The first photo is a group of pupils, standing and sitting in a line having a class photo taken. Due to the deterioration of the photograph, some of the pupils are not clearly seen. The class is a mix of young boys and girls. The girl third from left, front is marked with a cross and named Ellzabeth Ann Jones 1884 - 1979, a relative of Mr James Jones and Mr John Herron, who became Mrs Kennedy. Second photograph is also a group photo of young male pupils from the East Bentleigh State School. Again it is a poor quality photo and some of the pupils are difficult to see. pupils, bentleigh state school, east bentleigh, moorabbin, football, 1895, jones james , jones. elizabeth ann, jones martha, kennedy john, herron john, market gardeners, pioneers, early settlers, moorabin, bentleigh, brighton, henry dendy's special survey 1841, state schools, australian rules football, students, teachers, education, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, postcard "Boiling the Billy" c1900, Early 1900's "Boiling the Billy", c1900
Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, 1909 Moorabbin Australian Rules Football Team, 1909
Australian Rules Football history see MAV 00517 1909: Football Team. Only player named is Paddy Green. Since the player guernseys are almost the same and the photographer is the same we presume this is the same team as shown in MAV 00517 named as the Moorabbin Football Team Moorabbin Football Club, nicknamed the Kangaroos, was the name of two distinct Australian rules football clubs which played in the Victorian Football Association (VFA). The first club, founded in the early 20th century, joined the VFA in 1951 and played there until 1963 with great success; they played home matches at Moorabbin Oval and wore royal blue and white hooped jerseys. The second club played in the VFA from 1983 to 1987. Moorabbin played initially in the Federal Football League, making their debut in 1909 and competing until 1950. During this time the club won 12 premierships, including winning all six premierships staged over the nine years between 1940 and 1948 (the competition was in recess from 1942 until 1944). The club entered the VFA in 1951. Its Federal League home ground, the Dane Road Reserve, was not up to VFA standards; so, in 1951 the club played at Cheltenham, and in 1952 moved into the Moorabbin Oval, which the Moorabbin Council had developed during 1951. The Kangaroos made the 1954 and 1955 finals series without success but in 1957 they helped eliminate premiership favourite Williamstown after defeating them by two points in the Semi Final. Moorabbin, who were coached by Bill Faul, took on Port Melbourne in the Grand Final, whom they had not once beaten since joining the league. In another upset, Moorabbin won comfortably to claim their maiden VFA premiership. In the early 1960s, the Moorabbin Council was very keen to bring a Victorian Football League team to Moorabbin Oval. 1964, the Moorabbin City Council secured a deal with St Kilda, who moved to Moorabbin Oval starting in 1965. The club originally intended to seek readmission for the 1965 season, but in July the club committee decided to withdraw permanently from the Association,and disbanded. Photograph is Black and White. Three row of football boys. Some are wearing striped jumpers, either the stripes are going horizontal or parallel. There are twelve men wearing a suits, four in the third row, four in the second row and four in the first row. One of the boys wearing a suit in the front row, has a hat in his hand. The boys in the front row are kneeling, the second row are standing on the ground and the third row are standing on benches. Only player named is Paddy Green. Phillip Jones may also be in the photo Row 2 4th from left Front of Mount : 1909 Back of Mount : written Paddy Green , stamp HEWITT 92 Regent Street North Richmondfootball team, 1909, paddy green, moorabbin, moorabbin football club, 1903, 1908, 1909, philip jones, james jones, paddy green, early settlers, market gardeners, pioneers, herron john, australian rules foorball, victorian footbal league, victorian football association, moorabbin city council, moorabbin shire, city of moorabbin, st kilda football club, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - Photograph, Exhibit at 1916 Easter Carnival, 1916 Easter Monday
The photograph was taken on Easter Monday 1916 at the Easter Carnival. It is showing one of the exhibits at the Australian Natives Association's Fruit and Vegetable Exhibit, at the Mentone Recreation Ground. The Easter Carnival was a fund-raising event to assist and repatriate wounded WW1 soldiers returning home. The photographer is unknown.Black and white photograph. The photograph is showing two men, a horse and a carriage. One of the men is holding on to the horses' harness and the other man in standing on a platform on the carriage holding the horses' reign. The horse is harnessed to the carriage containing various fruits and vegetables elaborately displayed. Much of the fruit and vegetables are seen in boxes along the carriage and others are hanging along the edge of the carriage. Some of the fruit and vegetable clearly able to be seen are pumpkin, parsnip, carrots, cabbage, cauliflower, turnip, grapes, various types of apples, oranges and lemons. There are also flowers meticulously arranged around the frame of the carriage and wheels. Front; A.N.A Exhibit / Easter Carnival - 1916 Back; Donated by / W.A.Follett / Heatherton ( written in ink ) Easter Monday CCarnival / at Mentone Recreation Ground / 1916 A.N.A ( written in pencil)easter carnival, 1916, photograph, australian natives association, fund-raising, world war i, ww1, mr w.a follett - heatherton, fruit, vegetable, mentone, mentone recreation ground -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, 1914-18 The Methodists Youth Group Cheltenham, 1914-18 The Methodists Youth Group Cheltenham, 1914-18
The date of the photograph is unknown however it can be suggested it was probably during world war one, 1914-18, as one member in the group is in solider's uniform. The photographs are showing the Cheltenham Methodists Youth Group.These two small photos depicting a group photo of the Cheltenham Methodists Youth Group. The first photo shows the group sitting on the grass having a picnic. The second photograph depicts five members standing and two people sitting in front of them to the right of the photograph.back of photographs : C Whiteheadcheltenham, cheltenham methodists youth group, youth group, 1914-18, moorabbin shire, market gardeners, world war 1 1914 - 1918, soldiers, australian infantry force, -
Dunkeld Museum Inc.
Coat, Flying, During World War 1
This coat was owned and worn by Lieutenant T L(known as Leigh) Simpson D.F.C. who joined the Royal Flying Corps during Workd War 1. He was born in Hamilton Victoria and had an interest through his family in flying, before the war. In 1916 he transferred from the Light Horse Field Ambulance to the 68th Australian Sqd. Royal Flying Corps. He was promoted to lieutenant of the 3rd Squadron. During the war he was a pilot and photographer and took hundreds of reconnaissance photos over occupied territory. He was involved in photographing enemy positions and supplying information to the artillery batteries which then shelled those positions. He was involved in a number of missions involving direct contact with the enemy including Baron von Richtofen and was involved in the "dog fight" which led to von Richtofen's death. In May 1918 he had been promoted to Flight Commander and temporary Captain when his cousin Captain Duigan was wounded. He represented Australia at von Richtofen's funeral and presented the Australian wreath. Following his discharge after being seriously wounded, he returned home and became a grazier in the Dunkeld area. He maintained his interest in aviation throughout his life with a strong connection with Reg Ansett and was a director of Ansett Airways Pty Ltd for many years. He died in Dunkeld in 1960This flying coat is significant because it was owned by Lieutenant Thomas Leigh Simpson DFC while he was in the Australian Flying Corps during World War 1. World War 1 Flying coat. Tan leather, nap finish. Lining wool fabric. Map pocket on front of chest. Internal pocket on left front behind map pocket and external pocket below the waist on the left hand front towards the side.L Simpson on the inside left front.t leigh simpson, royal flying corps, baron von richtofen, australian aviation -
Federation University Historical Collection
Photograph - Black and White, Foto: Vinders, Frank Wright, Officials and Child at Kerkrade, 1960's
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of three men and a child. A man, Frank Wright, is bending down to shake the hand of a young boy who is seated on a small chair in the middle of a sports ground. Squatting next to him is another man, possibly his father and behind the child is a man dressed in a uniform. At the bottom of the photo, the head of another photographer can just be seen. In the background can be seen a large audience in the stands and several officials are standing watching the interaction between Frank and the child. The place is Kerkrade, the Netherlands.Hand written on the front of the mounting board - Foto Vindersfrank wright, foto vinders, kerkrade -
Federation University Historical Collection
Image, Ballarat School of Mines Tennis Team, 1937
This image was reproduced on page 27 of the 1937 Ballarat SChool of Mines Students' Magazine.Ballarat School of Mines Tennis Team for 1937. They are B. Martin, A. Morshead, E. Dunstan, W. Sewell, R. Matthews, N. Brazenor, V. Pound. Written on back - "S of Mines", "1937" Also includes photographer's stamp 'Richards & Co.".ballarat school of mines, ballarat school of mines tennis team, tennis, sport, physical education -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a child
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat -
Federation University Historical Collection
Photo - Little Gem tintype, Possibly American Studio, Portrait of a child
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, American Studio, Portrait of a Woman
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Man
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a Boy
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem -
Federation University Historical Collection
Photograph - Photograph - Black and White, Mount Helen Campus under Construction, 1971, 16/04/1971
Black and White photographs of the Mount Helen Campus under construction. .1) Preparing for the site of the Student Amenities Building (now Albert Coates Centre). View from the north-west, from the site of 'S' building. federation university, federation university australia, feduni, university of ballarat, mount helen, construction, big tree, tree of knowledge, mount helen campus -
Federation University Historical Collection
Newspaper, Ballarat Star, 16 November 1893
3 x four page broadsheet, including an advertisement for the Ballarat School of Mines, and many other Ballarat organisations. ballarat, ballarat star, hewitt, hewett, church, chuck photography, boradbent, robbins carnells, kugelmann, herbalist, abrahams, ballarat horticultural society, vigneron, ballarat liedertafel, liedertafel, chinese, chinese hawker, loo sing, chinese furniture, sweating commission, isaac walker, carngham, george mcpherson. great combined reaper, brickmaking, william dunstan, mount pleasant, j. tweedale, figgis, dentist, lowther, jeweller, marks, sing loo, chinese furniture (sweating), ballarat gas company, mount pleasant brickmaking, chuck photographer, broadbent brothers, cherry and robbins, sadlery, h.f. kugelmann, herbalist, a. and g abrahams, clearing sales, isaac wilks, george mcpherson, great combined reaper and binder, brickmaking for william dunstan, j. tweedale estate, j.j. lowther, dentist, john latta, george downing, chalres lennon, james hayes, lenore pearce, robert e. mactagagrt, m. o'connell, e.t. dunn, crown lands -
Federation University Historical Collection
Photograph - Photograph - Black and White, Boy With Pumpkin, c1990s
This image was taken as a part of Paul Lambeth's photography class at the Ballarat School of Mines. Teh exercise including lighting and large camera format with the photographer taking a portrait with a piece of fruit or vegetable. Black and white photograph adhered to card depicting a young man holding a pumpkin.photograph, boy, pumpkin, paul lambeth, tafe -
Federation University Historical Collection
Photograph - Black and White, Paul Lambeth, Vincent Street, Daylesford, 1987
Paul LambetPhotograph of Vincent Street Daylesford taken through the front window of the photographers car. 13762.1: black and white photograph adhered to card 13762.2: black and white photograph, enlargement of 13762.1title in pencil on verso "Vincent St, Daylesford"vincent street, daylesford, street scene, paul lambeth -
Federation University Historical Collection
Photograph - Photograph - Black and White, Herald, Frank Wright departing Australia, 1933, 5/8/1933
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of the torso of a man wearing a suit, leaning against ship's railing and holding streamers. The man is Frank Wright and the ship is 'Balranald'. .2) Black and white photograph of two levels of the side of a ship with passengers standing at the railings. In the middle distance is a man leaning against the railing, holding streamers and in the foreground are the backs of a crowd of men. The man is Frank Wright and the ship is 'Balranald'..1) Printed on back - Post Card, Kodak Handwritten in pencil on back - Frank Wright, Taken by Herald photographer when boat ("Balranald") was leaving Port Melbourne for London, Aug 5th 1933 Stamped on back - An indistinct "Copyright Herald ..." stampfrank wright, cornet, conductor, ballarat, st hilda's band, herald, balranald, port melbourne -
Federation University Historical Collection
Photograph - Black and White, Richards & Co, Ballarat Junior Technical School; Scholarship and Studentship Winners, 1919
Scholarships and Studentships played a very important role in schools of the day. Many families had to make sacrifices to enable their sons to remain at school. The addition of a third year to the junior technical course added to the burden. The main difficulty was the fee of one pound per term for students over the age of 14. There were 4 terms per year making it an expensive undertaking. Many working class boys, and they were in the majority at technical schools, had to seek employment as soon as they reached the age of 14, the statuary leaving age. Because of these financial obstacles, scholarships played an important role in the schools of the day.Black and white studio photograph of 15 boys, sitting or standing.Back of photograph: "Richard & Co Ballarat Photographers" stamped with additional stamp "Proofs not returned charged for" Inpencil; "Jr Tech. School" -
Federation University Historical Collection
Black and white studio photograph, Richards & Co, Ballarat Junior Technical School Scholarship Winners and Prefects, 1923
Scholarships and Studentships played a very important role in schools of the day. Many families had to make sacrifices to enable their sons to remain at school. The addition of a third year to the junior technical course added to the burden. The main difficulty was the fee of one pound per term for students over the age of 14. There were 4 terms per year making it an expensive undertaking. Many working class boys, and they were in the majority at technical schools, had to seek employment as soon as they reached the age of 14, the statuary leaving age. Because of these financial obstacles, scholarships played an important role in the schools of the day. Older boys were selected on merit to become Prefects to assist staff. Three names are know in this photograph - Standing 3rd from left, George S Dimsey; standing top right hand end, James Hammer who achieved in B.H.P.; seated in middle front row, Lindsay F Hillman. Ballarat Junior Technical School Scholarship winners and Prefects 1923 posing for a studio photograph.Back of photograph: "Richard & Co Ballarat Photographers" stamped with additional stamp "Proofs not returned charged for" Inpencil; "Jr Tech. School"scholarship, studentship, ballarat junior technical school, leaving age, prefects, financial obstacles, working class -
Federation University Historical Collection
Photograph - Black and White, Richards & Co, Ballarat Junior Technical School Tennis Court - 1956, 1956
When Ballarat Junior Technical School building was opened in 1921, there was little cleared space for the students to use for sporting activities. The area known as Battery Paddock was used for dodge-ball and football. Gradually the slope area was cleared and planted. In November 1922 a tennis court was opened in the Battery Paddock. It was designed and built by two former students of the Ballarat School of Mines. The old Mount Doran school house was moved to the area as a students' common room. A new tennis court was built in the same vicinity in 1934. This area was on the corner of Grant and Albert Streets. Area is where the Corbould Building and the Automotive Skills Centre of School of Mines Ballarat Grant Street Campus now stand. Black and white photograph of the tennis court built in 1934 at Ballarat Junior Technical School. Gaol wall to the left and the old Mount Doran school house that was moved to the school grounds in 1922 and used as a Students' common room. Four students playing tennis with others watching.Stamp on back indicating photographer - "Richards & Co - Ballarat"ballarat junior technical school, student, 1921, battery paddock, ballarat school of mines, ballarat school of mines tennis court, mount doran, students' common room, 1934, grant street, albert street, corbould building, automotive skills centre -
Federation University Historical Collection
Photograph - Black and white studio photograph, Ballarat Junior Technical School Group portrait, c1920s
Studio photograph of a group of students from Ballarat Junior Technical School. Similar to other group photographs of Prefects and Scholarship winners.Black and white studio photograph of 16 boys - seated and standing. Most are wearing the Ballarat Junior Technical School badge."Jun.Tech" written on back. "Richards & Co Ballarat - Photographers" stamp. "Proofs not returned charged for"ballarat junior technical school, prefects, scholarship winners, alumni -
Federation University Historical Collection
Photograph - Black and White, Richards & Co, Ballarat Junior Technical School - Tennis Team 1938, 1938
Sport and available playing areas were important and every effort was made to provide this for the students when they moved into the new building in 1921. The terraces leading down from the gaol wall were terraced and clearing areas of rubble to provide playing areas for football and cricket was done by the students. In November 1922, a tennis court was opened in the Battery Paddock. It was designed by Syd Chambers and constructed by Les Waller, former students of the Ballarat School of Mines. A new tennis court was built and opened in 1934, in the same area. This photograph is of the 1938 Tennis Team - Ballarat Junior Technical School. The boys standing are L to R: D. Eltringham and J. Burt. Seated on the left is W. Rowe and W. Edwards on the right. They are with Mr J. Hosie - staff member 1938-41. Donald Eltringham was Dux of the school in 1938. He obtained a Diploma in Electrical Engineering and Mechanical Engineering from the School of Mines Ballarat - 1944/47A formal group of four boys in tennis outfits with racquets and one adult male.Photographer's stamp embossed on front with rubber stamp on back "Richards & Cc - photographers - Ballarat. In pencil - "Jun Tech" and "1938"tennis court, battery paddock, syd chambers, les waller, ballarat school of mines, 1938 tennis team, ballarat junior technical school, eltringham, burt, rowe, edwards, j. hosie, electrical engineering, mechanical engineering -
Federation University Historical Collection
Photograph - black and white, Ballarat Junior Technical School Students - Group
Formal group photograph of students from Ballarat Junior Technical School. If you have information about the students/date, please use comments section belowPhotographers stamp on back - 1215 13 -
Federation University Historical Collection
Photograph - black and white, Ballarat Junior Technical School Softball Team
Group photograph of Ballarat Junior Technical School Softball Team. Twelve members of the team in uniform If you have information about the students/date, please use comments section belowPhotographers stamp on back - 1215 14