30pp starting with Samuel Amess b. 1730 m. Elizabeth (Annison) 26/12/1750 at St Michael and All Angel's, Barton Turf, Norfolk, England - Jaxon Charles Doherty, 11th generation b. 7/10/2012. Plastic comb binding. Black and white. Compiled by Geoff Collier.amess family, family history, genealogy

Brendon Collier up at ladder against a tree trunk with a fire hose putting out a tree stump smoulderingcolor photoBrendon Collier 1985b.collier, 1985

Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

Photographic copies of a number of certificates and correspondence john collier, ballarat school of mines

flight, aeroplane, arthur collier

ISBN 0-2411-0611-7Illustrated hardcover book with dust cover. Cover is black buckram with no wording. Dust cover has large B&W photo of St Paul's Cathedral in London, surrounded by smoke. Title is in large red text at top with author's name in white at bottom.Inside cover "RR Schiller" Flyleaf "Ivo Barrow Thurs 28.8.86" "[Mary Martin Aug 86 Booklist-B043-$2.00]"books, military history

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

Bibliography, ill, map, p.294.non-fictionThe whole story of the desperate six weeks either side of 13 August 1940world war 1939-1945 - aerial operarions - britain, battle of britain

Index, bib, ill, , maps, p.208.non-fictionExamines the military leaders, campaigns, battles, tactics and strategy of the African theater of war during World War II.world war 1939-1945 - campaigns - north africa, afrika corps

newspaper page Herald Sun page 13. Colour photograph of two people holding white ribbons in front of the north facade of the QVWC building, Demons coach Neale Daniher and Jan Daniher. charitable organisations, official events, sportspeople

Book

According to his military records, William Collier did not make it to France. After enlisting on 3/04/1915 he went to England. It was there that he was diagnosed with "Miner's Complaint" and discharged as medically unfit, returning to Australia on 17/07/1917 on the Aryshire.Black and white post card photograph of three men in World War 1 military uniform, standing in snow. They appear to have been in a snowball fight.On back of card: "Grandpa Collier in middle. I think in France in 1919"william collier, world war i, world war 1, ww1, wwi

Series of photographs loaned for copying by Robert Collier through Keith Rooney. Photographs have been scanned by Ted Arrowsmith at 300dpi as a 'tiff' and burnt onto a CD Rom. copies of photographs were produced from the CD Rom for inclusion in the album.Black and white photograph of members of the Tunstall Football Club in 1927. Cecil Collier on right.tunstall football club.

Used in Mobile Intensive Care Ambulances (MICA) 1, 2 and 3 during the 1970s and 1980s. These units were effective and reliable. Paramedics were happy, however, when they were replaced by the Lifepak 5 as the new unit was much lighter and smaller. Source Ian Donaldson AHSV assistant curator. This particular item was donated to Ambulance Service Melbourne by the Collier Charitable Fund. Cream and brown plastic medical equipment with carry handle.PHYSIO-CONTROL PRESENTED TO AMBULANCE SERVICE - MELBOURNE BY COLLIER CHARITABLE FUND collier charitable fund, paramedic, mica

Samuel Bedson (1834 - 6/12/1909) Samuel Bedson worked at the Bendigo Pottery making artificial flowers for 20 years. He left Victoria in 1895 before dying in Christchurch, New Zealand. His daughter Maude married Horatio David Collier in 1894 and remained in Bendigo. Horatio founded Collier Shoes in the early 1900's. 8555 Bedson family (father Samuel, wife Elizabeth & daughter Maude). Samuel Bedson (1834 - 1909), wife Elizabeth (Nee Astbury) and daughter Maude Eliza (1873 - 1960) Samuel & wife came to Bendigo, either with or shortly after Geo. Guthrie; to open and work the Bendigo Pottery. Maude Eliza married Horatio David Collier. Marion Heeps grandparents. bedson family, bendigo

An interview with Mr Sam Collier, then Box Hill's oldest resident and his memories of early days. Included are the naming of Box Hill and the departure of the first train from Melbourne to Sandridge.An interview with Mr Sam Collierellingworth, william, sutton, r, clisby, (school teacher), collier, samuel, box hill

sepia image ( copy ) image shows group of 7 men dressed in prisoner's clothes, dark jackets, white pants and white skull caps with arrow head imprinted. On back of image ' this taken at Bendigo Easter Fair 1930, costumes borrowed from Pentridge Prison. Footwear retail Dave Collier, DWC, Stan Giovenetti Spag, Wall De Araugo, Killer, Vic Blaeminch employed Colliers, Squizzey, Frank Leach, Tobacco Sthop Mitchell St., Slim, Jack Richards, Grovery, Mitchell Street, Spiko, Nicknames are also written on image.easter fair, collier, giovenetti, de araugo, vlaeminch, leach, richards.

A artbooks featuring numerous artists. One of them is former Ballarat Technical Art School student and teacher Betty Collier (Thege). Collier's work is featured on pages 65 . .1) Collier's work is featured on pages 65 . .2 ) Collier's work is featured on pages 66 . non-fictionbetty collier, art, michelle purves, jillian grombeek, jean marc la roque, christine vella

Mustard and black patterned book with white letteringA Handbook of Textiles. Ann M Collier

Series of photographs loaned for copying by Robert Collier through Keith Rooney. Photographs have been scanned by Ted Arrowsmith at 300dpi as a 'tiff' and burnt onto a CD Rom. copies of photographs were produced from the CD Rom for inclusion in the album.Black and white photograph of Sam Williams outside his wattle and daub home on the corner of Peel and Victoria Street Mitcham. Left to right are Sam, his wife Charlotte (nee Murray), his mother (Elsie Rachel Williams,grandmother of Robert Collier) and Marie Arrowsmith who was living in the hut at that time with her husband, Edgar.\mitcham, williams, sam, arrowsmith, marie

Catalogue. 30 page catalogue of 995 items for auction from 'Werndew' the Collier Estate mansion at 65 Irving Rd, Toorak on 12, 13, and 14 July 1954. Auctioneers- Beauchamp Bros. Collins St., Melbourne. Attached and loose are numerous newspaper articles (1954) about the Collier mansion and family. Jenkin Collier (d.1921) left his fortune, made in the 1870s building boom, to his 3 unmarried daughters who lived in 'Werndew'. Annette Collier died 1947, aged 82. Alice Collier died 1950, aged 86. Edith Collier died 1954, aged 84.Beauchamp Bros. - auctioneersheritage, collier estate, jenkin collier, werndew, auction, annette collier, alice collier, edith collier