Lantern slide for a "Geelong Made in Australia Exhibition" held in the Dennys Lascelles showroom in 1928.Glass slide advertising the Made in Australia exhibition at Geelong, 1928.GEELONG / MADE IN AUSTRALIA / EXHIBITION / SAT. JULY 21st TO 28th INCLUSIVE / 1928 / IN / DENNYS LASCELLES LTD / SHOW-ROOMS / ADMISSION 1/- CHILDREN 6D. T.W. CAMERON, Slide Specialist / 430 Bourke St., Melb. Phone 6877textile industry history, woollen mills history, dennys, lascelles limited, textile industry - history, woollen mills - history

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. For over 60 years, the Society has worked with local government and other community organisations to stimulate interest in Kew’s history and heritage. The Society has regularly held local exhibitions, sometimes in shop windows, on other occasions in civic halls, and now at the Kew Court House and Kew Library. This and other photos taken in the same year are examples of an exhibition in the Kew City Hall.Attendees including named members of the Society at an early art exhibition.Reverse: "KH31. Background from left, KHS members (mayor Cr Hutchinson & mayoress), Mr Slattery, Reed, Miss Mack. Two visitors nearest camera. Historical exhibition 1976." "Dr McMahon?" kew historical society - exhibitions, kew (vic.) -- history, kew civic hall, kew city hall, exhibitions — kew (vic.)

Handwritten letter relating to the loan of 'native weapons' from the Ballarat School of Mines Museum for exhibition at the Missions Exhibition on the Melbourne Exhibition Building. 46 Sturt Street Ballarat 19-6-14 Dear Mr Fenner Will you be good enough to give Mr Vickary some native weapons from the museum for a show at the missions exhibition being now held at the Exhibition building. Yours truly W. Middletonballarat school of mines museum, aboriginal, aboriginal weapons, melbourne exhibition building, missions exhibition, middleton, fenner, vickary

Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Copy photograph of demonstration electric locomotive (narrow gauge) hauled vehicles at the Gold Jubilee Exhibition in 1901. See page 80 of Keith Kings, Bendigo Tramways, ARHS 1972 for further details. Image 5783i3 reproduces this page. .1 - On rear in ink "Electric railway demonstrated at Gold Jubilee Exhibition Bendigo 1901". In bottom right hand corner "P.W. Duckett". trams, tramways, bendigo, exhibitions

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph, one of two copies, of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5."Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figuerola to his left."arists - kew (vic), exhibitions -- kew (vic.), gordon greer

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Very faded photographic colour positive of a christening gown and four Victorian-era dresses displayed at the 1976 Festival of Kew exhibition mounted by the Kew Historical Society. This picture is one of the earliest showing items from the Coombs Collection on display. The collection had been donated to the Society in 1961. Dresses displayed: L-R blue silk 2-piece fitted day day dress with long train; cream satin parasol; gold taffeta wedding dress with long train; blue silk 2-piece day dress with applied later lace at neck and waist; duck egg blue quilted afternoon dress with buttons at front. Inscribed verso: Kew Historical exhibition 1976festival of kew 1976, kew historical society -- exhibitions, coombs collection

35mm Kodak white cardboard colour slide by Keith Kings of - ex VR tram No. 52 at the Bourke St terminus, in the siding during the VR Exhibition - after a repaint, showing route 52 and Special., 5/10/1968Keith Kings stamp and number "38-21", with details of exposure. in ink "MMTB VR class 52 Bourke St terminus as part of the VR Exhibition 5/10/1968"trams, tramways, vr class tramcars, bourke st, exhibitions, tram 52

Provides information about an exhibition at Scienceworks, opened by the Minister for the Arts, Haddon Storey on 15-11-1993 featuring the story of the painting of the third series of Transporting Art trams. Gives the names of the artists and sponsor - Victorian Health Promotion Foundation. The trams themselves did not go.Yields information about a Transporting Art exhibition at Scienceworks during late 1993.News Release - Transporting Art Exhibition - dated with a hand date stamp 24 Nov. 1993.Has number 4377 in ink.exhibitions, press release, news release, transportiong art, minister for the arts, scienceworks, haddon storey

This historic photograph collage displays the members of the Warrnambool Garrison Military Band at the time of the Great Exhibition in Melbourne. It commemorates the visit of the band's members to that exhibition in 1888-1889. Major W.S. Helpman was the commander of the Warrnambool Militia Garrison Artilery at that time. This photograph is significant historically for its record of the members of the Warrnambool Militia Garrison Band of 1888-1889. The photograph connects the band members to the citizens of Warrnambool and their protection by the Militia. It is also significant for the connection of the band with the various local military and community events. The site of the 1888 Warrnambool Garrison and Fortifications at Flagstaff Hill Maritime Village is Victorian State Heritage-listed is significant for its intact and operational nature and is one of the best-preserved pieces of Victoria's early colonial heritage. Black and white photograph collage of the members of the Warrnambool Garrison Military Band. The photograph shows 29 individual portraits of the band members in uniform with their instruments. The photograph was presented to Major Helpmen in commemoration of the visit of the Band to the Melbourne Centennial Exhibition of 1888-89.Printed " Presented / Major Helpman / The members of the Warrnambool Garrison / Military Band / In Commemoration of their visit to the / Melbourne Centennial Exhibition 1888-89" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, warrnambool garrison band, melbourne centennial exhibition, fortifications, volunteer corps, military band, major w.s. helpman, militia, great exhibition

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of a group of adults attending an exhibition entitled Artists of Kew. Two people have been identified in the photograph - Cr WHS Dickinson and Alma Figuerola at centre. The location of the exhibition is at the old Kew Town Hall in Walpole Street. Both Miss Figuerola and Cr Dickinson were foundation members of the Kew Historical Society.Reverse: "Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figrierola [sic] to his left". "KH-97" kew historical society - members, alma figuerola, cr whs dickinson, exhibitions - kew (vic), southesk - cotham road - kew (vic), kew town hall - walpole street

Invitation to the opening of the exhibition at the Gold Museum "Objects Faces Places", photograph by Julie Millowick at the Gold Museum 2/3/2009. Has a photo of No. 27 on the top of the invitation card and details of the exhibition on the rear. The BTM provided a number of objects to the exhibition.Date stamped by BTM and letter number "5838"trams, tramways, exhibitions, gold museum

Official record of the Centennial International Exhibition Melbourne 1888-1889 containing a sketch of the industrial and economic progress of the Australasian colonies during the first century of their existence and of the exhibition held in Melbourne, Victoria to commemorate the close of that period, also records of the manner in which the work of the different sections of the exhibition was carried out, the official awards of the executive commissioners, the catalogue of exhibits together with sundry illustrations. Published by authority of the executive commissioners, printed by Sands & Mcdougall Ltd 1138 pages with a pull out map.book, exhibitions, exhibitions, centennial international exhibition, awards

Medal, Australia : Victoria. Melbourne International Exhibition 1880, silver.Front: Melbourne Exhibition Building and Southern Cross / Melbourne / Exhibition / 1881 Back: Early "Coat of Arms" showing kangaroo and emu supporting a shield divided into quadrants representing Produce and Transport / rising sun (above) / 1880 (below)stokes melbourne, melbourne international exhibition 1880-1881

Colour photograph of BTM Display Board at Ballarat & District Model Railway Club's Exhibition, Queens Birthday Weekend, June 1996 Exhibition. On Fujifilm paper.On rear 'M29/8, BJE 96'btm, exhibitions, displays, model railways

A selection of 2 of 5 coloured photos of exhibition displays of patchwork quilts, cushions, knitted bears.Rhyll Craft Group Bicentennial Exhibition. 12-13th March, 1988rhyll craft group, rhyll, bicentennial celebrations 1988, crafts

A photograph of two of the showcases and display boards that were used at an exhibition on early Sunbury wineries, that was mounted at the George Evans Museum from August 1996 to January 1997. On display were photographs of the early wine-makers and their vineyards as well as some equipment used in wine-making. The displays in the museum featured a variety of items relevant to the vineyard history in Sunbury in the nineteenth century A non-digital coloured photograph of two glass showcases and two display boards featuring photographs of people and buildings as well as items relevant to vineyards and wine making in an exhibition.george evans museum, vineyards, wine making, sunbury, exhibitions

Trifold beige flyer with brown writing. Flyer for an exhibition for portraits on loan from the Bendigo Art Gallery at the Sandhurst Trustees Company 18 View Street, Bendigo; held June to August 1982Exhibition supported by Bendigo Trustees Company.portraits, bendigo art gallery, sandhurst trustees company, june - august 1862

Certificate - "Earl's Court, London, 1899. Greater Britain Exhibition. Diploma for Gold Medal"EARL'S COURT, LONDON, 1899. / GREATER BRITAIN EXHIBITION / DIPLOMA FOR GOLD MEDAL / AWARDED TO Mr H. Beggs / FOR Wool, Merino / BY THE LONDON EXHIBITIONS LIMITED. / [signature] / Director General. / [signature] / Chairman. / WEINERS LTD LONDON N.W.logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), beggs, mr h.

To commemorate the 125th anniversary of Edward “Ned” Kelly’s committal trial in the Beechworth Historic Courthouse, the Robert O’Hara Burke Memorial Museum (henceforth Burke Museum) commissioned this postcard to coincide with their exhibition dating September 2005 to March 2006 and titled the Ned Kelly 125th Anniversary Exhibition. The postcard depicts a Snider-Enfield of .577 calibre which was reputedly favoured by the Bushranger. The firearm is of typical 1870s hunting design and was displayed as a focal point within this exhibition. The firearm, which was named “Betty” was reportedly taken by Kelly from Henry Dudley. The weapon has the letter ‘K’ engraved into the wood of the fore end. Other items also displayed in this exhibition include the Burke’s Kelly death mask, a replica of the Kelly Gang armour and photographs from the Burke Museum’s Kelly album. This postcard advertises an exhibition held at the Beechworth Burke Museum to commemorate the 125th anniversary of Kelly’s committal trial, which took place in Beechworth's historic courthouse. The selection and interpretation of items like the gun called 'Betty' are significant for understanding the changing nature of Kelly scholarship, treatment and curation, in particular, the popular and iconic myth of the Australian bushranger. The item can be compared with other Kelly photographs in Burke Museum's collection.Rectangular colour printed postcard celebrating Ned Kelly 125th Anniversary Exhibition at Burke Museum, Beechworth. Inset image of Ned Kelly's rifle. Obverse: Ned Kelly / 125th ANNIVERSARY EXHIBITION / ROBERT O'HARA BURKE MEMORIAL MUSEUM BEECHWORTH . VICTORIA . AUSTRALIA / September 2005-2006 / BEECHWORTH / Echoes of History / HISTORIC & CULTURAL PRECINCT / NED / KELLY / TOURING ROUTE / REVERSE: Ned Kelly / 125th ANNIVERSARY EXHIBITION / ROBERT O'HARA BURKE MEMORIAL MUSEUM BEECHWORTH . VICTORIA . AUSTRALIA / September 2005-2006 / AFFIX STAMP HERE / 7250 / This is the rifle that was taken from Henry Dudley by Ned Kelly. It became Ned's favourite / rifle, which he called 'Betty'. Note the 'K' carved into the wood of the fore-end. / Interestingly, there is at least one other rifle owned by Ned Kelly that also has a 'K' engraved / into it by Ned- the Colt revolving carbine used by Ned at Glenrowan /kelly album, ned kelly exhibition, ned kelly's rifle, betty, snider-enfield, .557 caliber, rifle, revolver, exhibition, beechworth, burke museum, 125th anniversary, firearm

Certificate awarded to the Geelong RSS Mill for winning the gold medal for the most attractive still grouped exhibit at the South Australian Chamber of Manufactures Centennial Exhibition in 1936.Certificate awarded to the RSS Mill for the most attractive still grouped exhibit at the South Australian Chamber of Manufactures Centennial Exhibition, 1936.South Australian Chamber of Manufactures / INCORPORATED. / Centennial Exhibition / MARCH 20th to MAY 16th, 1936. / GOLD MEDAL / AWARDED TO / GEELONG RETURNED SAILORS' & SOLDIERS' / WOOLLEN & WORSTED MANUFACTURING CO. LTD. / Most Attractive Still Grouped Exhibit. / Section A. / H.E. WINTERBOTTOM, Secretary. / Modern Printing Company, Chancery Lane, Adelaide. Phone, Central 283.woollen mills history, textile mills, returned soldiers and sailors mill, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000), woollen mills - history

Architecture as Idea was curated by recent RMIT graduates Dale Jones-Evans, Randall Marsh and Roger Wood who had founded Built Moderne in 1983. The exhibition challenged the way architectural exhibitions could be. Rather than exhibiting representations of architecture (drawings, models, photographs) the curators invited their 26 exhibitors (25 men and 1 woman, Jennifer Hocking) to build an object expressive of their idea of architecture. Exhibition posterarchitecture, design

Emerging Artists Project was a exhibition organised with the Mission to Seafarers in the World Trade Centre in 2012The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals. And with its heritage feature is also a sought after filming location.Poster, postcards of exhibitioncultural events, emerging artists project, eap, wtc, world trade centre, spirituality

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. For over 60 years, the Society has worked with local government and other community organisations to stimulate interest in Kew’s history and heritage. The Society has regularly held local exhibitions, sometimes in shop windows, on other occasions in civic halls, and now at the Kew Court House and Kew Library. This and other photos taken in the same year are examples of an exhibition in the Kew City Hall.Two foundation members of the Kew Historical Society at an early exhibition mounted by the Society. The historic 1890s oil painting of Adeney Avenue, donated to the Society in 1965 [1965.0002], can be viewed on one of the screens in the background. Reverse: "KH27. Kew Historical Society member Mr Clark, and Mrs Reed in attendance at the Historical Exhibition, Festival of Kew 1976. Kew Civic Centre (Town Hall), Mr Clark, background, Mrs Reed, facing camera."kew historical society - exhibitions, kew city hall, kew (vic.) -- history

This is a souvenir mug produced for visitors to the ‘Mary Rose’ Exhibition in Warrnambool (December 1994 to February 1995). The ship ‘Mary Rose’, built in Portsmouth, England in 1509-10, was historically of major significance. She was the spearhead of a master plan to give England superiority on the high seas. Using new technology of the time, heavy artillery was mounted on the lower decks of this ship and this overloaded the ship. In 1545 she sank in Portsmouth Harbour with the loss of 700 lives as she was about to set sail to defend the English against the French invaders. In 1982 the hull of this ship was raised to the surface and the contents recovered. Over 200 items from the wreck were brought to Warrnambool and displayed in 1994-5 at the Warrnambool Art Gallery. This mug is of interest as it is a memento of the ‘Mary Rose’ Exhibition held in Warrnambool in 1994-5. This exhibition was an important event in the 1990s in Warrnambool and attracted many visitors. This is a cream-coloured china mug with a handle and a raised black and cream image of the ‘Mary Rose’ ship on one side and printed material in brown on the other side. It has the distributor’s name on the bottom with a map of Victoria and a brown dot showing the location of Warrnambool. It is a souvenir of the ‘Mary Rose’ Exhibition held in Warrnambool in 1994-5. “Mary Rose” Exhibition Warrnambool 1994-1995 Lady Bay Creations Warrnambool Australia mary rose ship, mary rose exhibition in warrnambool, history of warrnambool

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Groups of school children dancing around maypoles in front of Royal Exhibition Building, Melbourne. Spectators sheltering under umbrellas."12,892. THE AMERICAN FLEET IN AUSTRALIA. State Schools' Demonstration, / Exhibition Oval, Melbourne. The Maypole Dance."stereographs, american fleet