Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Six men sit in front of the group (Mr Imhose stands fourth from the left in front row), upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 10 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2491 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardHandwriting reads: "Mental Hospital / Beechworth / Miss A. J. Ross / about 82 in 1944".mental asylum, beechworth, mayday hills, mayday hills hospital, victoria, mental health, history of mental illness, treatment of metal illness, asylum, hospital for mentally unwell, miss a.j. ross, nurse, staff, doctors

Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Five men sit in front of the group, upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 12 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2490 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardFrazer & Vallance Photographers Melbournemental asylum, beechworth

Taken in 1880, the photograph depicts a group of eleven young men and women with a dog. They are having a picnic outdoors in what is thought to be Beechworth Forest. A number of the people in the photograph are holding bunches of wild flowers.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 1997.270 / A02703 /entertainment album, picnic, beechworth, 1800s, dog, flowers, leisure, outdoors, forest

Depicted in this photograph is a religious minister or priest dressed in a dark suit with a clerical collar. He is seated in an armchair holding a small suitcase or a briefcase. A group of adults (mainly women) dressed in formal attire are standing behind him, while a older women holding a bouquet stands beside him.Black and white rectangular reproduced photograph printed on matte photographic paper Reverse: 6952 (in pencil)/ B62K091 (stamped in black ink)/entertainment album, beechworth, burke museum, religion

Depicted is a group of five young women dressed in fancy costumes (two girls sit upon chairs while three girls stand behind them) upon a stage next to an older woman dressed in a formal dress is sitting behind a microphone and table. The women in the photograph are part of a concert party. The older woman is Isabel Rosengren, a local teacher. Black and white rectangular reproduced photograph printed on matte photographic paper.Reverse: 5646 (in black pen)/ Teacher - Isabel Rosengren (in pencil)/ ADVERTISER (stamped in blue ink)/burke museum, beechworth, concert, concert party, isabel rosengren, entertainment album

Copied from a lantern slide, the photograph depicts a large gathering at Baarmutha Park on Easter Monday, 1906. There are groups of men, women and young children, all dressed in formal attire. Some of the women are holding parasols.The record is historically significant as it provides insight into the types of social and leisure activities enjoyed by people in the early twentieth century. It also illustrates the attire worn during this time. Black and white rectangular photograph printed on matte photographic paper.Reverse: 1997.2557 / A02557 /entertainment album, entertainment, racecourse, baarmutha park, sport, leisure, athletics, beechworth

Taken in c. 1902, depicted is a group of adults and children dressed in formal clothing, with some of the women in the crowd carrying parasols, standing and sitting around and upon the rock at Queen Victoria Park on the Ford Street side of the park. This group is celebrating the official opening of the park. On top of the rock is a gas lamp post.Originally known as the Beechworth Botanical Gardens, the Queen Victoria Park features a extensive collection of historic trees and plants, which have been listed on the Indigo Shire’s Significant Tree Register. Sepia rectangular photograph printed on matte photographic paperReverse: 3716 (in black pen)/ 97.2273 (in pencil)/entertainment album, beechworth, queen victoria park, gardens & parks, opening, burke museum

Depicted are three men dressed in women's clothing, including bonnets, tutus and wigs. They are part of a theatre group.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5657 / K42K242entertainment album, entertainment, dance, theatre, theatrical group, beechworth, event, party, 1950s

The photograph depicts one young man and two young women. They are all dressed in casual clothing.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5664 / t / O /entertainment, entertainment album, beechworth, 1950s, arts, recreation, theatrical group, theatre

Depicted is an unidentified male performer dressed in women's clothing. He is positioned on a stage and in front of a microphone. The photograph appears to have been taken by a reporter from the Ovens and Murray Advertiser; a weekly newspaper published in Beechworth.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: THE OVENS AND MURRAY ADVERTISER /entertainment album, entertainment, 1950s, performance, theatre, theatrical group, arts, the ovens and murray advertiser, newspaper, beechworth, actor

The photograph depicts a large group of young men and women dressed in formal attire. They were part of the Beechworth Methodist Church's Youth Group.The photograph provides insight into one of the first religious institutions in Beechworth. The Methodist Church is historically significant as it was the first permanent church built on the Ovens goldfield in 1857. A Sunday School group for local youth was established in 1869, emphasising the importance of children's religious education during the nineteenth century. Thus, the photograph reflects the importance of Methodism in Beechworth - and, more broadly, Victoria - at this time.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 3714 / Beechworth Meth / 97.2332 / Endeavour / Beechworth Methodist / Endeavour Group /entertainment album, entertainment, church, religion, beechworth, methodist church, youth group, leisure, recreation

The photograph depicts a large group of young men and women dressed in formal attire. They were part of the Beechworth Methodist Church's Youth Group.The photograph provides insight into one of the first religious institutions in Beechworth. The Methodist Church is historically significant as it was the first permanent church built on the Ovens goldfield in 1857. A Sunday School group for local youth was established in 1869, emphasising the importance of children's religious education during the nineteenth century. Thus, the photograph reflects the importance of Methodism in Beechworth - and, more broadly, Victoria - at this time.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 3716 / 97.2339 / Beechworth / Meth Endeavour / Beechworth Methodist Church / Endeavour Group / A03289 /entertainment, entertainment album, church, beechworth, religion, recreation, leisure, youth group, methodist church

Taken in 1910, the photograph depicts a group of young, unidentified women attending a picnic in Bright; a town located in Victoria's high country.The photograph provides insight into the types of leisure activities enjoyed by residents living in Beechworth and surrounding towns. Its historical significance is strengthened by its production in 1910. Consequently, the record can be used as a resource to study the state of the natural environment in Bright at this time.Black and white rectangular photograph printed on matte photographic paper mounted on board.Obverse: "Ladies Bath" Falls / F. Foxcroft photo / Bright. / Reverse: 1997.2636 / Vera + Dorrie / Picnic at Bright area / 1910 / x / x /entertainment album, picnic, beechworth, bright, victoria, high country, 1900s, leisure

Taken in 1920, the photograph depicts a very large group of men, women and children dressed in fancy costumes. They are congregated inside the R & B Hall in Beechworth.The photograph is historically significant due to its production in the early twentieth century. Additionally, it also provides insight into the types of arts, recreation and leisure activities enjoyed by local residents during this time.Sepia rectangular photograph printed on matte photographic paper mounted on board.Obverse: R & B. Hall. / Beechworth. / Reverse: Fancy Dress / Ball / Federal Hall / Beechworth / 1920 / 30 + 12 / 1997.2554 /entertainment album, costume, fancy dress, beechworth, r&b hall, arts, recreation, leisure, entertainment, ball

The photograph represents the original complete landscape (southerly) view of the FALLS OF HALLADALE shipwreck which occurred at 3 am on the 14th of November 1908. This image includes three groups of well-dressed Edwardian sightseers on the clifftop and a rocky headland. Subsequent reproductions of this well-known image have been cropped to a striking portrait view, emphasising the vertical line of the masts and sails of the sailing ship, and excluding the groups of sightseers on the adjoining headland. The small girl in the foreground and the loose topsail on the foremast are common to both the landscape and the cropped portrait images of this memorable scene. The photograph was taken at an early stage of the ship’s final days, somewhere between the date of her grounding in mid-November 1908 and early January 1909, when salvagers began dynamiting her masts to get to the cargo in her holds. The heavily laden FALLS OF HALLADALE was 102 days out of New York when the swell of the Southern Ocean lifted her onto the rocks near Peterborough. At the time she was sailing at six knots in a light breeze, her sails fully set and on an ENE tack. Mist over the land created an optical illusion of a distant horizon and the crew believed they were at least ten miles off the coast. When high cliffs loomed up out of the darkness it was too late in the light conditions to change tack or let go the anchors. Within minutes of running aground, her decks were awash and the holds filling with water. Captain Thomson and his 29 crew took to the boats, leaving the vessel stranded on the reef, looking awkwardly graceful in her predicament, firmly wedged between two parts of the reef and with all her square-rigged sails still set, FALLS OF HALLADALE provided a landmark visible for miles. Over the following two months, she attracted hundreds of sightseers, including contemporary photographers. A Court of Marine Inquiry at Melbourne on 30 November 1908 found Captain Thomson guilty of a gross act of misconduct ― in that he carelessly navigated the ship, neglecting to take proper soundings and failing to place the ship on the port tack before it was too late to do so. His Master’s Certificate of Competency was suspended for six months and he was ordered to pay £15/15/- toward the costs of the inquiry. It was an expensive outcome for the captain but his error provided many weeks of inexpensive entertainment for coastal residents and visitors to Peterborough. To judge from the standard of formal dress in this photograph, visiting the wreck was considered a special occasion as well as a popular one. Falls of Halladale: - The iron-hulled, four-masted barque, the Falls of Halladale, was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roofing tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908) Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92 Russell & Co. they standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886 they introduced a 3000 ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890 they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough south west Victoria Crew: 29The shipwreck of the FALLS OF HALLADALE is of state significance: Victorian Heritage Register No. S255. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Black and white photograph on cream-coloured backing card and in good condition. Description of Image: Quadrant 01, vessel with full set of sails perched on reef with stern submerged; Quadrant 02, predominantly clear sky over flat calm sea; Quadrant 03, two groups of standing sightseers on rocky promontory with three individuals approaching from far left foreground; Quadrant 04, fifteen well dressed sightseers seated on grassed cliff top including one child and six women. There is a deliberately obscured inscription in white ink along lower border or foreground of photograph.Letters in upper case and white contrast stretching across the grassed foreground of photograph have been smudged over by development process and are largely indecipherable. However rear of backing board of identical but reduced image Reg. No. 3207 bears pencilled words “Mrs Francis” and “Wreck of ‘Falls of Halladale’ Peterborough 1908”, which accords with what remains of the initial inscription.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, falls of halladale, shipwreck spectacle, shipwreck photograph, peterborough reef, edwardian sightseers, russell & co.

The photograph was taken towards the ESE from Peterborough headland. It reproduces an original landscape view of the FALLS OF HALLADALE shipwreck which occurred at 3 am on 14 November 1908 (and confirms that the vessel was on an ENE tack at the time of the collision). The image includes three groups of formally dressed Edwardian sightseers on the cliff top and an adjacent rock ledge. Subsequent versions of this well-known image are usually cropped to present a striking portrait view, emphasising the vertical lines of the ship’s masts and sails, and excluding the groups of sightseers on the right hand of the original image. The small girl in the foreground and the loose sail on the foremast are common to both the landscape and edited portrait versions of this memorable scene. The photograph was taken at an early stage of the ship’s final days, somewhere between the date of her grounding in mid-November 1908 and early January 1909 (when salvagers began dynamiting her iron masts so they could get to the valuable cargo still in her holds). Firmly wedged between two parts of the reef and with all of her square-rigged sails fully set, the FALLS OF HALLADALE provided a spectacle for many miles along the coast. Over these weeks she attracted hundreds of sightseers, and photographers, before the pounding seas finally broke her weakened hull and she disappeared back into deeper waters. The iron-hulled, four-masted barque, the Falls of Halladale, was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual beautiful green American slates (roofing tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908) Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92 Russell & Co., they standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886 they introduced a 3000 ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890 they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough south west Victoria Crew: 29The shipwreck of the FALLS OF HALLADALE is of state significance: Victorian Heritage Register No. S255. The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976). The Falls of Halladale shipwreck is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976).Photograph; sepia-toned black and white, mounted on grey card. Image of a fully rigged sship, the Falls of Halladale, stranded near the shore with a group of people in the foreground seated on the ground. The photograph is well-worn. Description of Image: Quadrant 01, vessel with full set of sails perched on reef with stern submerged; Quadrant 02, predominantly clear sky over flat calm sea; Quadrant 03, two groups of standing sightseers on rocky promontory with three individuals approaching from left foreground; Quadrant 04, fifteen well-dressed sightseers seated on grassed cliff top including one child and six women. There is a deliberately obscured inscription in white ink along the lower border or foreground of the photograph.Lettering of white uppercase in grassed foreground of initial image is smudged out by subsequent development process and largely indecipherable. However pencilled writing on rear of card ― “Mrs Francis” and “Wreck of ‘Falls of Halladale’ Peterborough 1908”.flagstaff hill maritime village, shipwreck coast, peterborough reef, shipwreck photograph, falls of halladale, warrnambool, flagstaff hill, shipwrecked image, flagstaff hill maritime museum, shipwrecked coast, maritime museum, edwardian sightseers, shipwreck spectacle, photograph, mrs francis, wreck of falls of halladale, peterborough 1908, 1908, peterorough, shipwreck

Celebrating the centenary of settlement after George Bass landed at Westernport. Held on 10-17 April 1926.HistoricalLarge black and white photos, mounted on brown cardboard, of well dressed group of men and women outside Cowes School and watching two men playing marblesBack to Phillip Island 1926. Cowes Stste School [ 1282 ]photographs, centenary celebrations 1926, cowes state school, back to phillip island 1926

Photos taken on a trip or trips to Phillip Island in the 1940s by Jim Nilsson and friends. . There were other people called ? Taylor and Neil mentioned on rear of photos. A negative of the bridge was also donated.Historical4 small black & white photos . First shows a jeep parked at the San Remo side of the bridge, second is taken driving across the bridge towards the island. Third is the Continental guesthouse with 4 cars parked at the front and women walking along footpath.The last photo is a group of 4 young men, arms around their shoulders, standing in front of the Continental- one is Jim Nilsson.first phillip island bridge to san remo, continental guest house,, jim nilsson, bridges

Tropicana motel, Osborne Ave, Cowes.HistoricalLarge black and white photograph of group of men and women, front row seated.Historical Society at the Tropicanaphillip island historical society, cherry mcfee, stan harris, audrey mcfee, audrey nicol, ivy cleeland, mrs helen jansson

This is a photograph of a fishing party at Marlo, East Gippsland, in 1936. On the back is a description written by Ruby Richardson. Ruby Richarson was born 1902 in Orbost. Her father was Albert Eli and mother Lettice Tomlinson. Ruby had sisters, Mary Agnes Jessie born 1897 and Grace Jane born 1905. Albert Eli Richardson, died in 1851 aged 90i Orbost, His father was given as George Samuel Richardson and mother Jane Farndon, (research - Lois Crisp) The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted The Governor-in-Council declared Marlo to be a township on 18 February 1889. During May 1889, the government surveyor, E.L. Bruce set out 19 sections of the new township, with the first sales of subdivided land occurring the following May. At this time, Stirling's Marlo Hotel was the unofficial hub for the community. It was a general store, accommodation house and the unofficial post office, with settlers taking turns in bringing the mail from Orbost or Cunningham. This continued until Aug 1942, and in 1969 was located in a house adjacent to the Marlo Hotel, before being transferred to the Marlo General Store in this year. The official Post Office List states the Marlo Post Office opened around 1902.[ In 1925, the "Marlo House" (a nine room accommodation guest house) was granted a liquor licence. The "Marlo House" became "The Marlo Hotel". The Marlo Hotel was popular with many Orbost and district settlers, who travelled to Marlo by horseback or buggy. Marlo has always been a popular destination for fishermen. A small black / white photograph of a group of men and women on a small boat.on back - "Fishing party..................Ruby Richardson"marlo-fishing recreation-fishing

This is a photograph of a group of people dressed up in traditional Japanese costumes for a Church of England bazaar and fete C 1900. in the late 19th and early 20th centuries Churches in Orbost provided venues for social activities, fellowship and entertainment. Many concerts, festivals and money-raising fetes were held by the church committees. St. James' Anglican Church, Orbost, was conceived and built as a memorial to the men 'who served and suffered during the Great War' as noted on the foundation stone. The Right Reverend GH Cranswick, DD, Bishop of Gippsland, laid the stone on 1 October 1927.This item is reminiscent of the late 19th - mid 20th centuries when church-going was more commonA black / white photograph on grey buff card. It is of a large group of men and women dressed in traditional Japanese costume.on front at top - handwritten - "E. H. NIXON" with an arrow pointing to the first lady standing in the back row.churches-orbost church-of-england-orbost anglican-church-orbost festivals celebrations

This is a photograph of the first committee and members of the Orbost Bowling Club in 1931. L-R: Rev. Montgomerie, Ab Trewin, Dave & Dick Pardew, Jack Cameron, Harry Cameron, Carl Dreverman, Lance Herbert, Rupert Mosley, J. McKeown, Sam Lynn, T. Bartold - Geo. Haymes. The first meeting was held on 23/3/1922, then the Orbost bowling Club was formed in 1929 when the funds for the construction of the green were issued by debentures of five pounds each. These were all taken up and a six rink green was laid down. Inaugural President, Sam Lynn and Secretary T. Bartold, the first Club Champion was M. Rothberg. It was not until 1951 that women were admitted as associates albeit restrictions.Associate members were not to exceed 25 and ladieswere to be of good character with preference to be given to wives of male members. Ladies had tot be off premises by 4pm. It was not until 1935/1936 that Orbost became a member of the Central Gippsland Bowling Association. Bowling clubs play a significant role in community recreation needs. The Orbost Bowling Club plays an important role in the Orbost community.A small black / white photograph of a group of men wearing lawn bowling uniforms. In front of them are two balls.on back - handwritten - "Opening Orbost BC Committee Oct 1931"

The first meeting to form an Agricultural society in Orbost was convened by the then Orbost Progress Association and held in the Mechanics Hall on Saturday, 10th October 1891. Its first show was held on 3rd March 1904...on a site alongside the Bonang Road where the present Golf Club stands. It is currently held at the Recreation Reserve at Newmerella. (Ref: In Times Gone By-Deborah Hall) This frame was made by Mary Lynch, wife of Matt Lynch. Pictured in the photograph are: Back: W. Fisher, Archie Rodwell, Mat Lynch, Rupert Mosley, George Granter, Arthur Saunders, Arther Pardew, John Bird, John Gilbert. Front: Bill Ginning, George Perry (secretary) John Johnston (president), Carl Dreverman.This item is associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history. It is also an example of the craft skills of women in the early 20th century.A black / white photograph of a group of thirteen men, some standing, some sitting in front of a wooden shed. The photograph is in an ornate frame made of dried seeds.on front - "Orbost Agricultural Show Committee probably 1904"orbost-agricultural-society lynch-mary orbost-show

Trudi Hogeman made this fan from old greeting cards. This is an old way of making fans with blanket stitch around the edges. She was a member of a craft group when she made this object. Trudi Hogeman died in January 2017 and is buried at Marlo. Her daughter is heather Terrell, president of the Orbost Historical Society.This item is an example of a handcrafted item and reflects the needlework skills and hobbies of women at the time.Six teardrop shaped leaves held together by a paper clip to form a fan. It has been blanket stitched around the edges of each leaf. Leaves are made of cardboard photographs possibly cut from greeting cards. All cards have floral images.handcraft hogeman-trudi fan

Various photos taken by Richard McGilvery of the transfer to Japan of the while part of BCOF. Item in the collection of RICHARD WILLIAM McGILVERY, RAAF. Refer Cat No. 7287P for his service. Details photos and awards.Black and white photos of various sizes. 1. Photo of various service personnel at a lookout point. Looking over a landscape. 2. Image of a man in civilian clothes standing in front of a tree. 3. Image of man standing in front of a kitchen, possible R. McGilvery in civilian clothes. 4. Picture of service men and women on board HMAS Kanimbla off Samarai on 24/4/47 at sea. 5. Picture of various men, two in uniform, rest in civvies sitting in or leaning against a vehicle. 6. Various service personnel sitting around tables in a mess. 7. Group of large No. of Service men and women posted in front of a giant statue of Buddha.2. No. “939” written on the back. 4. On back is written "HMAS KANIMBLA off Samarai 24/4/47". 5. No. “256” Stamped on back. bcof, japanese occupations

The Grinton Collection. Group paddling, life after 1919. Refer - Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting a group of women and children paddling along a grassy riverbank with trees in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "E. Paddling".framed accessories, camera on the somme, ww1, 38th bn, grinton

Items in the collection re Clarence Shearing, refer Cat No 7089.16P for his service details.Photographs B & W/Sepia/Colour total twenty covering aspects of service in BCOF. Four photos re soldiers and service women. Two photos re group of soldiers and in a jeep. Four photos re groups and moving ammunition. Nine photos of parades including Cameroon Highlanders. One colour photo re BCOF Colour patches.On one, "Cameroon Highlanders Kure".photographs, bcof, kure

The Grinton Collection. Unknown French Family. Refer Cat No. 1280 for Jack Grintons service history.Photograph - framed. Photograph - black and white photograph on paper depicts a group portrait of five civilians, two women standing and boy, women and man seated in front. Background exterior building wall and window. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "K. Group portrait of five French civilians."framed accessories, camera on the somme, ww1, 38th bn, 'grinton

The Grinton Collection. Photo taken on leave in Scotland. JACK GRINTON. Refer Cat No. 1280 for his service history. "M. Bert with two family friends" "BERT GRINTON No. 5024". 38th Bn. Refer Cat No. 1320P for his Service history.Photograph - framed. Photograph - black and white photograph on paper depicts a family group of two women and one man (Bert Grinton) standing together in the corner of a brick building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime" "M. Bert with two family friends". framed accessories, camera on the somme, ww1, 38th bn, grinton.

Photo taken at the Grinton home at Tragowel near Kerang in 1919. JACK GRINTON. Refer Cat No. 1280 for his service history. BERT GRINTON No. 5024 38th Bn - Refer to Cat No. 1320P for service history.Photograph - framed. Photograph - black and white photograph on paper depicts an informal group portrait of two men and four women; two women seated. 3rd left, Bert Grinton. Background - verandah of timber house with a "WELCOME" banner suspended from verandah posts. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "C. Welcome Home". framed accessories, camera on the somme, ww1, 38th bn, grinton