When Lagoon announced their imminent departure from Port Melbourne, PMH&PS arranged a farewell display for the 1999 Festival. Anne CALLAGHAN and Peter PARRINGTON went to the factory to collect information and memorabilia, and to take these photos.From a group of colour photos taken at Lagoon Confectioners February 1999 prior to their leaving Port Melbourne: Phyl SPOTKEIFF nee CAMILLERI and Pat AQUINILA nee MOIRER, employees for 40 years (ref 963.01), packaging sherbet bombsindustry - food, business and traders - confectioners, phyl spotkeiff nee camilleri, pat aquilina nee morier, lagoon confectionery pty ltd, bob mcquade, dean mcquade, lorraine mcquade

Purchased in 1968 by Phyl Johnson at Myers. Worn twice by her and then, in 1990, by her mother, Mrs M. Gray at her grand daughter's wedding at Box Hill, St Andrews Presbyterian Church1968 Pale pink pure wool, short sleeved dress. Round neck with zip from neckline to waist. Fully lined in pink polyester fabric. Detail stitching from bustline to waist and continuing across waist line at back. Fitted pink jacket has waist length long sleeve, trimmed with a collar of faux fur. Fastened with three buttons and loops, and has two pockets with detailed stitching. Jacket is fully lined with pink polyester.Merco Dabroncostume, female

Black and white photograph Joyce Chenery, Shirley Stephenson, Elaine Lay, Merle Sanderson, Joe Chenery, Phyl Andrews two others of the Senior Citizens Club on stage dressed in bizarre costumes as the Roumattics entertaining with amusing songs Lakes Entrance Victoriasenior citizens, entertainment

Photograph of Federal Mill basketball team players Phyl Bryant and Jess Kemp. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Phy Bryant / Jess Kemptextile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

Heidelberg Golf Club: Ladies' second pennant team 1996. Photograph taken at Kooringal where Heidelberg defeated Latrobe to avoid relegation. Team members: Jan Balgowan, Phyl Lloyd, Liz Scanlon, Jacquie Wegener, Jan Wallis, Margaret Leonard, Meip Kretching, Robin, Bienios. 1 Colour photograph and captionladies' golf, hgc women's golf, women's pennant

Black and white photograph of Division one Winners Pennant Bowls Club, back row Dot Fox, Pam Moran, Audrey Lancaster, Billie Steele, Shirley Jensen, Lil Mitchelson, front row Pam Thomas, Joy Towers, Loris Aitken, Phyl Allen, Pat Jerkins, Betty Eakins. Lakes Entrance Victoriabowls club, sports

Monty Gray, the auctioneer was a member of the State Legislative Assembly, and uncle to photo donor, Phyl Johnson. Mrs Rene Bawden and daughter Shirley Jones were early members of the Nunawading Historical Society and often attended auctions and frequented second shops looking for early 1900's artifacts for Schwerkolt Cottage and MuseumCopy of 1950's photo of Horton's Auction Rooms, Station Street, Box Hill with the auctioneer, Monty Gray. Mrs Rene Bawden and her daughter, Shirley Jones are third and fourth from the lefthorton's auction rooms, gray, monty, bawden, rene, jones, shirley

Photograph of Federal Mill basketball team. Back Row L to R: Jess Kemp, Dolly Kelly, Hilda Drayton, _ Front Row: _, Phyl Bryant. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.textile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

Colour photograph of a party in the house behind North Kew Newsagency at 93 Willsmere Rd, North Kew. The party was held after the first successful election of John Hogan Gervasoni to Kew City Council. Left to right - Fr Bob Maguire, Vin Read, Phyl Read, Gus Gervasoni, Pat Walsh, Allen Walsh, Kath Rice, Kathleen Gervasoni.bob maguire, vin read, phyl read, gus gervasoni, pat walsh, allen walsh, kath rice, kathleen gervasoni

Presbyterian Girls Fellowship, late 1930s.|Back row standing: Win Leckie; Jean Gibb; Wilga Ough; Marj Collins; Hilda Conley; Audrey Maxwell; Dorothy Layton.|Seated: Jean Duke; Mavis Dixon; Ruth Collins (school teacher); Mrs Shaw (Presbyterian Minister's wife); Isabel Maskell; Phyl Bunnett.|On floor: Val Ough; Joan Chalmers; Roma O'Brien. Four copies, held together.tatura, costume, female

A large number of people sit at tables inside a tent/marquee. The men are dressed in three piece suits with ties and the ladies have floor length dresses and most wear hats. Two men wear darkened glasses. Vines and flowers are strung around the two tent poles in the centre,, with one vine attaching both poles and holding a Christmas bell shape between them. On the tables sit cups and small plates, with larger empty plates possibly holding sandwiches or slices, suitable for a garden party event. No people have been identified, although in an associated letter, Phyl Matthews puts forth that that one man is not her grandfather.B/W photograph of group having tea inside a tentassociation for the advancement of the blind, phyllis matthews

W.S. Vogt Photographer of Main Street Bairnsdale 1920s Dear Ruby No doubt you would know this spot, & this is the boat we went for our trip on Sunday & we did enjoy it, no doubt Lakes Entrance is some place. I did enjoy it. Yesterday we went to Eagle Point for a ?? and it was good oh. & we have been out motoring all the morning some swank us. Hope bu? is good, & how are the cats & George. Regards to Bert, home ??? Jack & self, your loved sister Maud How is the euchr?s Home on Thurs on ???tom fielding collection, postcard, bairnsdale, boat, mitchell river

Jane Annois had a long involvement with Potters Cottage in Warrandyte, where she taught for many years. Potters Cottage was established in the late 1950s in Warrandyte as an artist co-operative. Founding members included Reg Preston, Phyl Dunn, Gus McLaren, Artur Halpern, Sylvia Halpern and Elsa Ardern. These talented artists had the ingenuity and foresight to create a teaching studio, gallery shop and restaurant to experiment, make, promote and sell predominantly domestic wares of the time. These activities helped financially sustain each member’s individual creative practice. Potters Cottage was influential in the development of contemporary ceramics, building and developing practices that experimented with traditional ceramic processes, raw materials and locally sourced clay. The group mentored and nurtured many interested in the art of ceramics, producing alumni and teachers such as Peter Laycock, John Dermer, Greg Daly and Jane Annois. Jane Annois is a ceramic artist who has lived and worked locally in Warrandyte for many years. She focuses primarily on exploring the art of Japanese raku, adapting the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. Jane also applies a fine slip called terrasigillata which gives soft, warm ochre colours. This technique was once used by the Greeks over 2000 years ago to seal and decorate their pots. She is also strongly onfluenced by the French potters, particularly in the style of terre vernissee, a decorative form of terracotta tableware. Three piece stoneware and raku fired ceramic sculpture. The first piece is a hollow, dome shaped object. It is orange (terracotta slip) in colour with a copper metallic band and a black edge on one side with a small yellow glazed rounded triangle and metallic strip of colour on the otherside. The second piece is shaped like a traditional vase. It is orange (terracotta slip) in colour with white crackle on the inside. It has a yellow slip edge with a dark glazed square on one side and on the other side a black thick edge that mirrors the contour of this shape. The third piece is shaped loosley in the form of the letter 'z'. It compliments the second piece with a yellow slip edge and black glazed square to its lower left side and top right as well as on its' other side a black thick edge that mirrors the contour of this shape. This piece has a very small skewed square opening at its' top. All three pieces have elements of crazing and variations of colour and lustre, caused by the raku process. 2006.52.1VA has the artist name/signature 'J. Annois' inscriped small (with fine point ceramic tool?) on the front of the piece, bottom right; 2006.52.2VA has the artist name 'Jane'? inscribed (unlegible - with fine point ceramic tool?) underneath; 2006.52.3VA has the artist name/signature 'Jane Annois' inscriped (with fine point ceramic tool?) inside its hollow form. evolution, raku, stoneware, terrasigillata, terracotta, glazes, slip, terre vernissee

This plaque was originally placed in the Foyer of the Soldiers Memorial Institute Bendigo. After the restoration to the SMI in 2016 - 18 it was then placed in what is now called the Building and RSL History Room. Refer Cat No 8012P re George Lansell's service and RSL history.Plaque brass rectangular shape, has inscriptions in black, has six screws securing it to a timber backing board on a wall."This tablet placed here by the Members as a mark of esteem and respect. Col. Sir George V. Lansell President Bendigo Sub Branch R.S.S.A.I.L.A 1920 - 52. A Soldiers Friend"brsl, smirsl, plaque

George Frederick PIERCE No 2839 AIF. The phot shows him wearing the award of the “DCM” which has been superimposed on the photo. Cat No 1891P has Georges full service details, award and his death. 1891P is a very large colour enhanced framed version of this one.Photo B & W, portrait of a soldier with studio background pasted onto a larger grey background with flowers, flags, kangaroo, emu and details under. On the cardboard, writing relates to the award of the “DCM”. The grey background has a darker surround and red stamp in the right hand corner.“No 2839 Pte G.F.PIERCE DCM (Infy)”photography, military, remembrance

Plastic covered book with spiral wire spine with four individual street scenes. Published 2006, this is a collection of articles written during the previous decade.CONTRIBUTORS, David Allen, Vera Alsop, Alan and Phyl Blackbell, Myrtle Carruthers, Philip Casan, Mervyn Chivers, Neil Clark, Bambra Cohen, Ross Cowling, Liz and Mick Dexter, Betty and John Evans, Gwen Fairweather, Rod Fraser, Keith and Jean Hardy, Joan Haper, Alison Ingamells, Jim and Garry Jago, Rita Johnson, Bruce Kaighin, Mary Knafelc , Mary Le Get, Marion Marshallsea, Ian and Margaret McKellar, Hec Mclean, Lila McRea, Kaye Moulynox, Doug Muller, Keith Norris, Roy Norris, Beryl Paul, Bessie Penn, Florence Penn, Jill Pump, Russ Read, Helen Rees, Alan and Betty Ritchie, Ken Roberts, Isobel Robin, Jenny Rose, Joyce Rowlands, Frank Secomb, Ian Sharp, Ron Sharp, Estelle Spargo, Pam Spencer, Desi Stevens, Bill and Beryl Waddell, Alan and Kath Washusen, Barry and Elaine Weston, Thelma Wilmot, Gertrude Wilson.

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’.1 Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s.2 Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia.3 Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’.4 Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street

The story covers mostly men of C Coy 38th Bn as well as others to give a broader pictutre. Edgar Stanbury MM as a C Coy Scout retrieved the maps from Capt G.A Dutton who was KIA. Stanbury then proceeded to keep reconnoitering towards Clery until they reached trenches near Clery Copse. The photos relate to the following, Jack Grinton, Bert Grinton, Edgar Stanbury, C.E. Newton, D.T.Hull, A.E.Pegler, Albert Gilhooley, C.E.A.Dunn, Hugh Pippin, G.A.Dutton, C.J.Holmes, Capt Selleck, Major Maudsley, last photo is labelled “Past Clery Copse”. Jack Grinton No 1043 C Coy, refer Cat No 1280. Bert Grinton No 5024 C Coy, awarded DCM 31.8.1918, refer Cat No 1320P. Edgar Stanbury No 997 C Coy, awarded MM 1917, WIA 2nd occasion 31.8.1918, refer Cat No 5032.3P. Charles Newton No 951 C Coy, awarded MM 26/31.8.1918. David Hull No 904 C Coy, Gassed 24.8.1918. Albert Gilhooley No 890 C Coy, KIA 31.8.1918, refer Cat No 5047. Augustus Pegler No 967 C Coy, awarded MM 31.8.1918. Cyril Dunn No 3058 7th Reo’s C Coy, KIA 31.8.1918. Hugh Pippin No 1895 2nd Reo’s C Coy, WIA 2nd occasion 11.8.1918, refer Cat No 1502. George Dutton Lieut No 532 C Coy, KIA 29.8.1918. (Photo of his name on Map & note to Jack Grinton) Charles Holmes No 910 C Coy, KIA 24.8.1918. (Photo of original grave) Horace Selleck Capt C Coy, KIA 19.7.1918, refer Cat No 1515. (Photo of address book) Arthur Fyfe No 1841 2nd Reo’s C Coy, KIA 30.8.1918. (Photo of original grave) Arthur Maudsley Major D Coy, KIA 31.8.1918. (Photo of original grave) Fyfe, Maudsley and Duttons graves are in the one photo. Last photo labelled “Past Clery Copse” This is the area where Bert Grinton is awarded the DCM on 31.8.1918, photo was taken by his brother Jack. .1) Map of France, trenches corrected to 15.4.1918, 1/20,000, Sheet 62D N.E, covers an area from Ribemont to Bray. .2) Map of France, trenches corrected to 6.3.1918, 1/20,000, sheet 62C N.W, covers area from Suzanne to Mt St Quentin. Both maps follow the Somme River. .3) Photo - story covers the events relating to the two maps from July 17th. - Sept 1st 1918 on the Somme . There are 14 photos with the story, 3 sections make up the story, Map 1, Map 2 and then details on the advance, the men, casualties and other.maps, 38th bn, c coy, the somme

Roy Phillips was born in 1907 in Yackandandah and moved with his family to Beechworth when he was five years old. His father was involved in dredging operations at Lake Sambell but his parents also had other family living in Beechworth, with whom they lived. Dr Phillips tells vivid stories about life in Beechworth in the first half of the Twentieth Century, from the daily lives of young children of the time to the town's relationship to the local Chinese community. He discusses features of the landscape such as 'The Rock' at which community concerts were held and 'The Echo' (an echo-sounding point over a nearby gully) which he states are no longer used in the same way. He also discusses changing community attitudes to various issues, for example, 'not being coddled' as a child but living in a town with very strict rules about people of different religions mingling. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Dr Roy Phillips' account of his life in Beechworth in the early part of the 20th Century is historically and socially significant to the cultural heritage of the region. He describes town life from a child's point of view during a time of transition to life after the Gold Rush era, including social tensions existing between cultural groups such as the Chinese community and European-heritage townspeople and between people of different religious groups in Beechworth. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Dr Roy Phillips /beechworth, yackandandah, wangaratta, mining, dredging, 1910s, 1920s, 1930s, chinese community, typhoid, lake kerferd, reminiscences, memories, childhood, lake sambell, alcoholism, new year celebrations, transport, horses, foresters lodge, oddfellows lodge, funeral practices, child-rearing practices, star hotel, the rock, racism, chinese dragon, benevolent society, star lane coach building factory, outdoor concerts, gold, jimmy ingram, kelly gang, kelly family, churches, catholic, methodist, protestant, anglican, confuscionist, buddhism, women's christian temperance association, hotels, twentieth century, coronation of king george iv, echo point, the echo, tippany cat, marbles, children's games, cornish, cornwall, listen to what they say, oral history

Victory Medal authorised 1919 to Commemorate Victory of Allied Forces over central powers in WW1. British War Medal authorised 1919 by King George to Army, Navy and Mercantile Marine. Items in the collection re "John Arthur Remington Alexander" No. 2237, AFC, AIF. Refer Cat No 7820 for his service details.Set of medals in split plastic pockets. 1. Victory Medal - Brass coloured medal with the Goddess Victoria on one side and inscription on the other. Round clasp on top with multi coloured ribbon attached. 2. British War Medal 1914-20. One side picture of man on a horse with 1914-1918 written on sides. Silver in colour with ribbon clasp on top. Ribbon colours are light blue, dark blue, white and orange. Other side picture of King George.1. Inscribed "The Great War for Civilisation 1914-1918".victory medal, british war medal, ww1, john arthur remington alexander

This four-postcard group is the ninth in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P 1. From left, lower: Ross, Angus John William 4584 Wilkinson, Albert James 4627 Wheaton, Stanley 4631 Shearer, Robert John Lesley 2896 Macken, Charles Anthony 2007 Howard, Ray Septimus 3556 Rogers, Ernest 1764 Harris, Alfred George 1959 Cockram, Louis 955 Short, Stanley 2684 Rex King (number not traced) 2. Unidentified group of sergeants, 57th Battalion 3. A Company sergeants, 57th Battalion 4. B company sergeants, 57th Battalion 1. Names on verso 2. "Yours sincerely, J.W. Brown Sgt, 57th Battalion, A.I.F pt address Etonia, Coorigil Road Murrumbeena Victoria" 3. "These are the sergeants of A company of our battalion" 4. "This is B company sergeants of our battalion. The three in front came over on the boat with me" postcards, 57th battalion, edgar dawson dcm

Letters of Sympathy for "M.C. Townsend", Dental Surgeon on HMAS SYDDNEY, KIA on 15/11/41. Refer Cat No. 2313P for Townsends service.Handwritten letters of Sympathy. 1. Letter of Sympathy from George Cole, Geelong on white note paper dated 2.12.41. 2. Letter of Sympathy from G & C Alexander on cream colour note paper dated 10/12/41.1. Headed "Ramleh, 66 Virginia St. Newtown, Geelong". 2. Headed "52 Burke Crescent, Geelong. 10/12/41".hmas sydney, kia, letters of sympathy, ww2, mervyn clive townsend

Willam John Turner. The recommendation details his awards of being made a Life Govenor twice, Fund raising for the POW efforts, RSL Relief fund, RSL Picnic Committee, Chairman & Organizer off, RSL Inter Units Social Club, President and Treasurer off and Committee. The originals of this submission are damaged and will be in later Cat No’s in the Turner collection. Cat No 8030 will detail his service history and more RSL involvement.Framed letter, frame is timber gold colour, frame backing is maroon colour with the letter I set. This is a copy of the letter for the reccomendation for a Life Membership of the RSL to William John Turner Bendigo Sub Branch. The letter is very specific as to the roles and fund raising undertaken by Turner over many years. The fund raising amounts in Pounds is quite large.Letter heading and signed, “Memorial Hall Pall Mall Bendigo 13th May 1954” “Yours faithfully" "Sir George Lansell” Funds raised in Pounds, “£3891 - £4,100 - £2,000 - £938 - £200” The last figure was an annual amount raised.brsl, smirsl, life membership

The certificate relates to William John Turner Bendigo RSL Sub Branch. On the day the award was given Sir George Lansell acted on behalf of the President of the Benevolent Home Jtn Smalley. Another Life Govenorship was also give to Mr D.T. Langlands at the same time for the same work with the RSL. Refer Cat No 8029 for details re this award and other RSL work and fund raising. Refer Cat No 8030 for details re his RSL Committee details and WW1 service history.Framed certificate, frame is timber gold colour, certificate backing is maroon, certificate is light fawn colour with ornate edging, at the top “Bendigo Benevolent Home - Life Govenor” followed by details of the award, all print in blue & black, signed and dated, a red seal is in the bottom RH corner.Main points: “We certify that Mr W.J. Turner was duly appointed Life Govenor of this Institution on 14th October 1953” “J. Smalley President” “H. Truscott Vice President” “ ................... Hon Treasurer” “ J.H. Perryman Secretary”brsl, smirsl, life govenor, certificate

From information book - "Reader's Gigest/ Gallipoli/ 25th Aril 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting. Depicts a "Hospital ward where several nurses attend a patient in bed", against a background of "beds being made ready in the ward" and "Stretcher bearers carrying in more wounded". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GEORGE COATES (1869 - 1930). First Australian wounded at Gallipoli arriving at Wandsworth Hospital, London". 1921. "Served with the Royal Army Medical Corps at 3rd London General Hospital at Wandsworth". 1919 Commissioned to do portrait work for the Australian War Records section. framed accessories, pprints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an original oil painting on canvas. Depicts a soldier leaning against a wall structure with a second soldier in more muted tones in the background within an earth trench. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GEORGE COURTNEY BENSON (1886-1960) Infantryman c 1919-1920". GEORGE BENSON " Enlisted in the Australian Imperial Force in September 1914 with the 3rd Field Artillery Brigade". "Commissioned as an official artist in April 1918".framed accessories, prints, ww1, gallipoli, centenary

From Information book; "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting with pencil on wood. Depicts a cove with sea, sand and hills. Ruined buildings and structures visible on the beach. Horse eating grass in the foreground. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; " GEORGE W LAMBERT (1873-1930) Anzac Cove, 1919" “GEORGE W LAMBERT, unable to enlist in the Australian Imperial Force in London, joined Voluntary Training Corps". Appointed an official Australia War Artist, Australian Imperial Force 1917. framed accessories, prints, ww1, gallipoli, centenary