Black and White Photograph (2copies) and list of staff names. Catalogue card reads, '1960. Council Staff when Ringwood was declared a city, March 1960'. One copy has stamp of "Peter Payens of Ringwood Studios". Second copy has stamp of Brian Pump. On separate typed sheet: Typed below photograph, "Ringwood City Council Staff - 1960". Typed sheet in sleeve lists the staff in photograph and reads, "Photograph of Town Hall staff taken on the occasion of Ringwood being proclaimed a CITY 1960. Standing (back row left to right) Robert Moore (Rates Office), James Allen (Health Inspt), Robert Glassford (Eng. Asst.), James Rouse (Rates), Howard Tyrell (Dept. City Engr.), Jozsef Benzinger (Supt. Parks & Gdns.), David Wilson (Eng.) and Jeffrey Porter (Eng.). Second Row down, Wally Ross (Traffic Insp), Murray Jones (Eng.), Jim Clerk (Bldg. Insp.), Ernie Dall (Bld. Dept.), Jim Johnson (Rates), Les Steeth (Dog Ranger), Billy Duff (Hall Kpr). Clarrie Burns (Works Supt.), Keith Gore (Ch. Hall Kpr).Second row up from bottom - Marg McAdam (Health Ctre), Gwen Collocott (Rates - Accts. Machinist), Mabs Cleverly (Sec. D.T.C.), June Eyres (Steno), Nancy Gibson (H. Help), Judy Hubbard (Steno), Hazel Lyons (Sec. C/Eng.), Wilhelmina van Wijngaarden, (rates), Sr. Hildebard Weinroider (Health Care), Maureen Charlwood (Telephonist).Bottom row - Sr. Edna Ahlslton (Health Care), Lindsay Ewart (Rate Colltr), Jean Matthews (Sec. T/C.), Vic Faravoni (D.T.C.), Dr. Wm. Hewitt (Med.O.Health), Fred Dwerryhouse (Town Clerk), Alan Robertson (City Eng.), Ray Forde (Con.Eng.), Kit Gurling (typist/engrs.), Des Steele (Bldg.Suryor), Sr. Linda Turnley (Health Centre-H'mont).

This automotive circular saw was designed to allow trees to be sawn into planks at the site they were felled, rather than requiring them to be carted to a lumber mill first. It was invented by Robert John (Bob) Pyle in 1936 and patented in 1937 (serial number 101975). This picture depicts Clarrie Howell (left) and Bob Pyle (right), standing with the sawbench between them. What was special about Bob’s new invention was that it not only allowed a circular saw to be portable and set up at a logging site, but that it allowed the circular saw to be run using the car motor, and that the saw could be detached, allowing the car to be used for carting or other purposes. This photograph is significant because it shows an early instance of an emerging technology, portable sawmills, and is evidence to the innovations that the people of Beechworth have achieved throughout history, as well Black and White rectangular photograph printed on matte photographic paper. Incription on cream paper stapled to bottom left of photographObverse: On left Clarrie Howell / Right Bob Pyle / with sawbench built by Bob Pyle / Patent 1936 / Rosalie Pyle has the original / [redacted]bob pyle, robert pyle, r j pyle, clarrie howell, howell, pyle, invention, patent, sawmill, saw, sawbench, wood, timber, forestry, automobile, car, 1930s, 1930s beechworth, industry, wooden, convenience, innovation

Taken some time after 1864, these photographs depict the Star Hotel both directly (8674.1) and from the Hotel north west down Ford Street (8674.2). The images depict the building with its modern exterior, having settled for this brick form after several other building designs. The Star Hotel was the first hotel opened in Beechworth, and would go through a series of dramatic changes under its first three owners. The original timber structure was built by W.H. Neuber, though at the time it was only known as ‘The Beechworth Hotel’. The site was later purchased in 1855 by mining entrepreneur, and prolific business owner, John Alston “Six Stars” Wallace. He would go on to extend the established hotel, rebuilding much of it with weatherboard and a shingled roof, adding a two storey structure with a verandah and a theatre capable of supporting 400-500 people, which was often used for international performances. Renamed as the Star Hotel, it was the second in a chain franchise, eventually leading to the “Six Stars” moniker Wallace went by, with hotels at Rutherglen, Chiltern, Yackandandah, Bright, Snake Valley, and of course, Beechworth. Under his ownership, it developed into a popular location for merchants, wayfarers, and locals alike, with the help of his brother Peter as manager. Situated on a road once synonymous with Melbourne to Sydney roadtrips, and the allure of the gold mines, the popularity of the Star drew all manner of clientele from across the country. As such a central hub, the ‘Star Assembly Rooms’ were used as a meeting place for debates, discussions, festivities, and problem solving among the various working sects of the area. These meetings included shareholder discussions for prospecting companies, railway planning, council meetings, and discussions surrounding the interactions between European and Chinese miners, both good and bad. By late 1856, John had the Beechworth at auction through J.H. Grey & Co. It was most likely due to the high profile murder of the manager, Robert Murdoch, during an altercation in relation to a dine and dash event by a Swedish miner, Charles Jansen, who had been ‘excited by drink’ on November 17th. He had refused to pay for his meal and waiter James Mitchell failed to persuade him otherwise. Mitchell, or possibly Murdoch himself, forced him out as tempers and threats escalated. As the photos tell, there are a number of doors which may be entered through, and Jansen used an alternate entrance to access the building. Murdoch was investigating the noise when he encountered the furious man. He was subsequently stabbed with no warning by a small clasp knife, as he tried to stop the intrusion. His exclamations, "I’m stabbed, I’m stabbed!” alerting other occupants, and Jansen was restrained and arrested. Murdoch died the next day from his injuries, with the inquest carried out on the theatre stage. Some 3000 members of the town attended the funeral, and the Star hung black cloth in memory of Robert and his death. Afterwards, an auction caw the property pass to Messrs Robertson and Quirk, though would return shortly thereafter to Six Stars’ portfolio. Six Stars would later sell off his properties from 1862, with the Beechworth Star purchased by 1864 by John Sitch Clark. This allowed Clark to redevelop a significant portion of the Hotel, stripping a central section and constructing the brick structure that survives today, reopening the Star in July that year. It was after this time that our photographs were taken. Clark would later sell the property to Frank Mitchell, shortly before his own death. The next owner, Frederick Allen, lived on the property before the deed was sold to him in the 1880s. He would later sell the property to William Carroll in 1890, with proprietorship eventually moving to Mr. W.H. Porter, and transferring to a Mr. Marendaz by 1913 and Mr. Holly in 1915. Licensing disputes would arise 1917 between Margaret Carroll and a Mrs. McDonald, before it became delicenced some years prior to 1935. It was around this year that the property was bought by Mr. W.J. Pemberton at the meagre price of £500, down from the £13,000 Six Stars originally auctioned it for. It served as a Youth Hostel for a period of time around 1972, and currently the building serves as a private accommodation on the second floor, with shops taking up the ground floor level.These photographs of the Beechworth Star Hotel as they depict a form of Beechworth's first hotel, and also the site of a high profile murder. Two black and white rectangular photographs printed on matte photographic paper.8674.1 (reverse) Beechworth/ 734/ Tanswell’s Hotel [crossed out]/? Old Star/ Hotel,/[small pencil scratching]/ Saunders/ BMM 8674.1 8674.2 (reverse) Beechworth/ 60%[circled]/ Old Star Hotel/Building etc.,/ 12 ½ cm/ 3"[circled, arrows extending horizontally to edges]/[arrows extending top to bottom mid-right of reverse]/ Saunders/ 734[circled]/ BMM 867.2,/ [thin scribbled bordering around top, right, and bottom edges]star hotel, beechworth hotel, john alston wallace, ja wallace, john sitch clark, frederick allen, robert murdoch, meeting place, tragedy, theatre, mining town

The Orbost Coach Factory was in Wolseley Street OIrbsot, opposite the police station and was owned by Thomas John McCoy. Its business was coach-building, undertaking, blacksmithing and as a farrier. Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex.This item is an example of the early 20th century book-keeping of a business in Orbost. It is a useful research tool.A white paper account from T. McCoy to Mr R. Cameron. It has black print and handwritten details. In the top left-hand corner is a black drawing of a carriage and in the top right-hand corner is a black drawing of workers shoeing a horse. a green duty stamp is attached.account-book-keeping mccoy cameron

The Daily Mail printed this handkerchief to raise funds for the "Soldiers' Families Fund" after the outbreak of the Second Boer War (1899-1902. (The Daily Mail, devised by Alfred Harmsworth (later Lord Northcliffe) and his brother Harold (later Lord Rothermere), was first published on 4 May 1896 and was an immediate success.) Patriotic handkerchiefs were popular during the Victorian era and this one featuring a popular song and well-known people was probably the most popular.This handkerchief was produced to raise funds for the families of soldiers involved in the Second Boer War. This fund, The Soldiers' Families Fund was the first such charitable effort for a war. The handkerchief and other related items raised more than 250,000 pounds.A white linen man's handkerchief. It is printed in blue. It has a map of the South African Republic and the music and words of The Absent Minded Beggar - music by Arthur Sullivan, words by Rudyard Kipling. There is a picture of Lord Roberts, the British Commander in Chief, in the top left corner with the British flag and a picture of Queen Victoria in the bottom right corner.handkerchief souvenir boer-war

James Hossack and his wife, Penuel, arrived from Scotland to Geelong on Christmas Day 1852. James and Penuel had one daughter, Penuel who married Robert Pullar Cameron at Orbost. They had two sons, James(1858) and George(1860). James Hossack farmed "Brooklands" which he bought from John Cameron The Hossack family was a prominent Orbost family with strong ties to the Presbyterian Church in Orbost. This item is a part of the Hossack family history.A black / white photograph of a family group with the mother seated on the left and the father on the right and twin girls standing between them. Three smaller children are seated in front. It is mounted on a grey buff card with the names written at the bottom.on front - "Charlotte, Jessie, Lizzie, James, Alex, Penuel & Jim Hossack"hossak-family-orbost

This campaign medal (the Victory Medal) was issued to all those who received the 1914 or 1915 Star and to most of those who received the British war medal. Recipientss had to be mobilised in any service between 5 August 1914 and 11 November 1918. This one belonged to James Pullar Cameron 8 Light Horse Regiment AIF. He was killed in action at Lone pine.James Pullar Cameron was the son of Robert Cameron one of the earliest settlers on the Orbost flats. He was a trooper in the 8 Light Horse Regiment and died at Gallipoli on 7 August 1915.A circular bronze medal. One side shows the winged figure of Victory with her left arm extended and holding a palm branch in her right hand. On the other side are the words "THE GREAT WAR FOR CIVILISATION 1914-1919" surrounded by a laurel wreath. There is a circular attachment. There is no ribbon.THE GREAT WAR FOR CIVILISATION 1914-1919medal military cameron military victory-medal

Rectangular black and white rectangular photograph, on matte photographic paper.Obverse: O'Connor's-Post-Office Hotel/ O'Connors Stables/ Reverse: 6418.2/ Post Office Hotel-O'Connor's Camp Street/ copied from the collection of Robert O'Hara Burke Memorial Museum, Beechworth/ Digital Print- Copyright (the digital print is Copyright-the Burke Museum holds this right)/ printed on Epson Matte Heavyweight Photo Paper 167gms A4 Ink jet paper hotels album, beechworth, burke museum, post office hotel, o'connor's, camp street

This Photograph is one of a number of photographs of the Warrnambool Militia. The photograph entitled "Warrnambool First Volunteer Corps" is dated 24th May 1860. (The First Volunteer Corps began in 1855.) It was presented by James Astley Bromfield (former Mayor of Warrnambool) to Major Walter Helpmann, head of Warrnambool’s 1st Volunteer Corps in 1887. The photograph shows the Corps lined up for inspection in Timor Street, Warrnambool. The location is outside what is now the Archie Graham Centre and the camera is looking west towards Liebig Street. The town band is in the right rear corner and spectators surround the Corps. The names listed on the back of the photograph are "1. R.Bushe (Captain in command), 2. Basil Spence, 3. Thomas Mickle, 4. Alfred Davies (Sergeant), 5. Cawthray, 6. Andrew Kerr, 7. Charles Scoborio, 8. Lacy, 9. James Hider, 10. D. O’Mullane, 11. William Norman, 12. Crouthers (or Cowthers ?), 13. Francis Breckon, 14. Russ, 15. Benjamin Wycherley, 16. C. A. Cramer (Sergeant), 17. James Coulstock, 18. Robert Newton (Sergeant), 19. J.A. Bromfield, 20. Singleton (supernumery), 21. Mostyn (Drill Instructor)," On the left of the picture is Billy Adams, Barnes (road contractor) and James Mason (Bootmaker). On the right of the picture is The Band. This is one of a collection of photographs showing the development of the Warrnambool Militia from its inception as the First Volunteer Corps in 1855. The collection is of local significance as it parallels the development of the town and includes images of significant local people. A number of Warrnambool streets are named after members of the Militia. It is also historically significant because of its connection to the unrest that was taking place in Europe at this time. Photograph of Warrnambool First Volunteer Corps 1860, sepia coloured, mounted on cream card. The photograph shows the Corps lined up for inspection in Timor Street Warrnambool. The location is outside what is now the Archie Graham Centre and the camera is looking west towards Liebig Street. The town band is in the right rear corner and spectators surround the Corps. Photograph taken 24th May 1860. Has names listed on reverse side. The protograph was presented to Mayor Helpman, by Bromfield, May 1887. Title printed below base of photo on the mounting board "May. 24. WARRNAMBOOL First VOLUNTEER CORPS. 1860" On the back of the photograph is a numbered list of names, handwritten in ink. Also on the back are presentation details "Presented to Mayor Helpman, by Bromfield, May 1887". warrnambool, wolunteer corps, militia, helpmann, bromfield, flagstaff hill, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road

The barometer was either made or sold by T. Gaunt & Co. of Melbourne, a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. (See below for further details.) Admiral Fitzroy Pattern Barometer History: The stick mercury barometer was named after Admiral Robert Fitzroy of the Royal Navy (1805-1865) for his detailed instructions on how to interpret the weather, which were included with the instrument. Fitzroy was the captain of the HMS Beagle, also a weather forecaster to Charles Darwin and the second Governor of New Zealand. He developed many different types of barometers and was the first person to introduce the science of weather forecasting to the British Isles. A local manufacturer of scientific instruments, Thomas Gaunt, produced the barometer that was adapted for the southern hemisphere by Robert Ellery, the State Astronomer based at the Melbourne Observatory. In the original sale catalogue for Gaunt's, the item is described as "Gaunt's Fitzroy Barometers" and it was priced from 25/- to ₤9.9s. History of Thomas Gaunt: Thomas Gaunt established Melbourne's leading watchmaking, optical and jewellery business during the second half of the 19th century. Gaunt arrived in Melbourne in 1852, and by 1858 had established his own business at 14 Little Bourke Street. Around 1869 he moved to new premises in Bourke Street on the corner of Royal Arcade. Gaunt's shop quickly became a Melbourne institution. Gaunt proudly advertised that he was 'The only watch manufacturer in the Australian colonies'. While many watches and clocks may have had Gaunt's name on the dial, few would have been made locally. Gaunt did make some watches for exhibitions, and perhaps a few expensive watches for wealthy individuals. Gaunt's received a telegraph signal from Melbourne Observatory each day to correct his main clock and used this signal to rate and repair ship's chronometers and good quality watches. His main horological manufacturing was directed at turret clocks for town halls, churches and post offices. These tended to be specific commissions requiring individualised design and construction. He made the clock for the Melbourne Post Office lobby, to a design by Government Astronomer Robert Ellery, and won an award at the 1880-81 Melbourne International Exhibition for his turret clock for the Emerald Hill Town Hall. He became well known for his installation of a chronograph at Flemington Racecourse in 1876, which showed the time for the race, accurate to a quarter of a second. The firm also installed the clockwork and figures for Gog and Magog in the Royal Arcade. Thomas Gaunt also developed a department that focused on scientific instrumentation, making thermometers and barometers (from imported glass tubes), telescopes, surveying instruments and microscopes. Another department specialised in electroplating for trophies, awards and silverware, and the firm manufactured large amounts of ecclesiastical gold ware and silverware, for the church including St Patrick's Cathedral. There are no records that disclose the number of employees in the firm, but it was large enough for Gaunt to hold an annual picnic for the watchmakers and apprentices at Mordialloc from 1876; two years previously they had successfully lobbied Gaunt to win the eight hour day. Gaunt's workforce was reportedly very stable, with many workers remaining in the business for 15 to 30 years. Gaunt's wife Jane died on September 1894, aged 64. They had one son and six daughters, but only three daughters survived to adulthood. Two became nuns at the Abbotsford Convent and one daughter, Cecelia Mary Gaunt (died 28 July 1941), married William Stanislaus Spillane on 22 September 1886 and had a large family. Gaunt died at his home in Coburg, Victoria, leaving an estate valued at ₤41,453. The business continued as T. Gaunt & Co. after his death. The barometer is historically significant as an example of the work of Melbourne’s leading scientific instrument maker, Thomas Gaunt. The barometer has social significance as an example of the type of scientific equipment that Thomas Gaunt expanded his horology business into producing. Further social significance lies in the fact that Robert Ellery, the Government Astronomer who designed the local version of the barometer, had a direct connection with the Melbourne Athenaeum founded in 1839 as the Melbourne Mechanics' Institution. Its purpose was "the diffusion of literary, scientific and other useful information". There are also records of a T Gaunt as a subscription and committee member of this the Athenaeum organisation during the 1870s and 1880s which may be Thomas Gaunt, unfortunately still unverified.Stick mercury barometer known as the Admiral Fitzroy Barometer. It comprises an oblong wooden case with glass front panel, ornate pediment, barometer with bulb cistern (empty of fluid), cleaning brush with printed instructions for interpreting information given by the gauge affixed to left and right face of instrument. Includes a thermometer. The barometer appears to be intact. Adapted to the Southern Hemisphere. Special remarks by Admiral Fitzroy. Made by Thomas Gaunt, Melbourne. Manufacturer's details are on back of wooden casing. Rear has upper and lower brass screw plates for securing to vertical surface."Manufactured by Thomas Gaunt, 14 Little Bourke Street, Melbourne. "flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, barometer, admiral fitzroy, thomas gaunt, thomas gaunt of melbourne, clockmaker, admiral fitzroy barometer, barometer instructions, gaunt’s fitzroy barometer, gaunt’s of melbourne, gog and magog designer, horological manufacturer, meteorological instrument, melbourne athenaeum, melbourne mechanics' institution, melbourne observatory time signal, robert ellery government astronomer, scientific instrument, stick mercury barometer, thermometer, weather forecast, t gaunt & co

The box was presumably made in Australia to be used as a gift container for Christmas gifts or greetings by people associated with the Mission or their acquaintances or family members. The box is dated and has the Mission to Seamen logo and description as a promotional way to describe and inform people of the Mission's purpose. The gift was sent by Mariner Merrylees to sister Marjorie in Manitoulin Island, CanadaThis everyday practical object represents in its function an acknowledgement by the Mission to Seamen organisation of the need for sailors and seafarers to stay in touch with friends and family at Christmas time and this sample box of a wartime Christmas marks a particularly difficult time in history for seafarers to stay in touch and connected with loved ones.Cardboard beige rectangular box in a small size, with blue stamped inscriptions on it detailing promotional information about The Missions To Seamen. The object also has a blue hand written inscription on it on the top side and also another hand written inscription at the back side detailing the recipient’s name "Marjorie". This object was sent to recipient with a coin bracelet inside (Reference: 600.2). Top side of the box, Christmas Greetings/1943/FROM/MELBOURNE/PORT MELBOURNE/WILLIAMSTOWN/THREE OF OVER TWO HUNDRED/CLUBS SCATTERED ALL OVER/THE WORLD TO SERVE/THE MERCHANT NAVY. Top right side of the box a flag crown and attached cord logo image, THE MISSIONS TO SEAMEN/MN Hand written inscription top side of the box, Jivaros Hand written underlined inscription back side of the box, for Marjoriecardboard box, christmas gift, mission to seamen, bracelet, canada, manatoulin island, seamen's mission, mission to seafarers, 1943, ww2, christmas, siblings, melbourne, port melbourne, williamstown, coins, robert leighton, marjorie merrylees, mn, merchant navy

This bracelet was sent by a seafarer Mariner Merrilees while in Australia in the 1940s to his sister Marjorie, who lived on Manitoulin Island, Canada. The bracelet was received in a Mission to Seamen Christmas Greetings cardboard box in 1943.This bracelet was inherited by the donor, and kindly donated to the current collection of the Mission to Seafarers Victoria. This world war 2 era gift of a bracelet is significant in not only demonstrating the international significance to seafarers of the various Missions to seamen who facilitated contacts with family as illustrated by the gift box but in this instance the gift is also of historic numismatic interest. 19 Silver Peruvian ½ Dino coins made in 1902 linked to be used as a bracelet. The full piece contains 19 coins attached by metallic weld linked pieces and a silver spring clasp to hold ends together.Front side, FIRME Y FELIZ POR LA UNION / ½ DINO / LIBER / TAD Back side, REPUB : PERUANA LIMA 9 D : FINO J/F 1902 Coins Images: Front side, Woman sitting and holding a shield in her right hand and a paddle in her left hand. At the right side of the coin, there is a pedestal with a Laurel or olive leaf wreath on top and a ribbon with the word liberty in Spanish “LIBERTAD”. Back side, code of arms with a stamped inscription that said “REPUBLICA PERUANA LIMA 9D” dated from 1902.the mission to seamen, bracelet, christmas greeting, dino, numismatics, peru, lima, peruvian, coins, silver, jewellery, christmas, marjorie merrylees, manitoulin island, canada, robert leighton, gift, ww2

Probably a band competition held in Leongatha.Back row left to right-Ernie Booth [drum], Melvyn de La Haye, Jack Blair, ?, George Dunstan, Bob Dixon, Obscured, Obscured, Artie Murdoch, John Dixon, Robert Cleeland, Alf Towns. Front l-R - Peter Forrest, /, Jack Gliddon, Laurie Dixon, Bryant West, Harry De La Haye, Keith McIllwraith?, Bill McLardy, Ruic De La Haye.HistoricalColoured photographs of the Phillip Island Band in Leongatha 1957philip island band, cleeland, dixon, forrest, gliddon, de la haye, bryant west

The carronade was designed as a short-range naval weapon with a low muzzle velocity for merchant ships, but it also found a niche role on warships. It was produced by the Carron Iron Works and was at first sold as a complete system with the gun, mounting, and shot altogether. Carronades initially became popular on British merchant ships during the American Revolutionary War. A lightweight gun that needed only a small gun crew and was devastating at short range was well suited to defending merchant ships against French and American privateers. The invention of the cannon is variously attributed to Lieutenant General Robert Melville in 1759, or to Charles Gascoigne, manager of the Carron Company from 1769 to 1779. In its early years, the weapon was sometimes called a "mellvinade" or a "gasconade". The carronade can be seen as the culmination of a development of naval guns reducing the barrel length and thereby the gunpowder charge. The Carron Company was already selling a "new light-constructed" gun, two-thirds of the weight of the standard naval gun and charged with one-sixth of the weight of the ball in powder before it introduced the carronade, which further halved the gunpowder charge. The theory of its design was to use less powder and had other advantages that were advertised in the company's sales pamphlet of the time, state. The smaller gunpowder charge reduced the barrel heating in action, also reduced the recoil. The mounting, attached to the side of the ship on a pivot, took the recoil on a slider, without altering the alignment of the gun. The pamphlet advocated the use of woollen cartridges, which eliminated the need for wadding and worming, although they were more expensive. Carronades also simplified gunnery for comparatively untrained merchant seamen in both aiming and reloading that was part of the rationale for adopting the gun. Other advantages promoted by the company were. The replacement of trunnions by a bolt underneath, to connect the gun to the mounting, reduced the width of the carriage that enhanced the wide angle of fire. A merchant ship would almost always be running away from an enemy, so a wide-angle of fire was much more important than on a warship. A carronade weighed a quarter as much as a standard cannon and used a quarter to a third of the gunpowder charge. This reduced charge allowed Carronades to have a shorter length and much lighter weight than long guns. Increasing the size of the bore and ball reduces the required length of the barrel. The force acting on the ball is proportional to the square of the diameter, while the mass of the ball rises by the cube, so acceleration is slower; thus, the barrel can be shorter and therefore lighter. Long guns were also much heavier than Carronades because they were over-specified to be capable of being double-shotted, (to load cannons with twice the shot, for increased damage at the expense of range), whereas it was dangerous to do this in a carronade. A ship could carry more carronades, or carronades of a larger calibre, than long guns, and carronades could be mounted on the upper decks, where heavy long guns could cause the ship to be top-heavy and unstable. Carronades also required a smaller gun crew, which was very important for merchant ships, and they were faster to reload. The small bore carronade and carriage is part of a collection of nineteenth Century Flagstaff Hill Guns and Cannon, which is classified as being of significance and was made a few years after the beginning of Queen Victoria's reign in 1837 and fires a 6 lb pound cannon ball. This nineteenth century artillery piece is a rare and representative item of artillery of this era, used predominately on ships, both military and merchant. The artillery piece, individually and as part of the collection, is highly significant for its historical, scientific and aesthetic reasons at the state, national and world level. This carronade represents the methods of artillery technology, its advancement and its modifications to suit dangerous situations that sailors encountered from attacks from free booters (pirates, living from plunder) or others at the time. Carronade firing a 6 lb cast iron ball, with a smooth bore barrel 6.5 cm in dia the item is mounted on stepped wooden carriage with wooden wheels. Cannon barrel can have its elevation adjusted via a wooden wedge. Gun carriage has loops for locating and holding in position to a deck by ropes. Carriage is a replica made 1982Cast into the barrel is the royal emblem of Queen Victoria (VR "Victoria Regina") indicating the carronade was cast during Queen Victoria's reign / 1840 & 4-2-0 denoting the weight of the barrel. Right hand trunnion has a serial number “8708”. Also on top of the barrel is the British "Board of Ordinance" identifying mark a broad arrow indicating the carronade was in military use. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, colonial defences, victoria’s coastal defences, warrnambool fortification, warrnambool garrison battery, warrnambool volunteer corps, ordinance, armaments, garrison gun, smooth bore cannon, carronade, black powder, 12 pounder, 1840, artillery, lieutenant general robert melville, charles gascoigne, carron company, mellvinade, gasconade

Robert H. Baron featured on the left, soldier on the right is unknown. Part of the "Robert H. Baron" No. 3596 and Cooper Collections. See catalogue No. 1981P for details of R.H. Baron's service.Framed black and white photographs of two WW1 soldiers in uniform. Brown wooden frame. Photographs are set side by side in cloth covered card mat. Flags of Allied countries embroidered on mat above photographs. Australia's Red Ensign featured in the middle of the array of flags. "FOR UNITED PEACE" embroidered on a banner below flags. Red Ensign set in a white embroidered circle. Glass front. Wire attached to back for hanging on a wall.robert h. baron, cooper collections, photograph, ww1 flags

Robert H> Baron initially enlisted in the 57th Battalion before joining the 14th Training Battalion on arrival in England. Part of the Robert H. Baron, No. 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Rectangular enamelled two colour metal badge with pin fastener. The badge is positioned vertically with the black bar on the left and the red on the right.robert h. baron, cooper collection, badge, 57th battalion

1. Cap Badge of the Argyll and Sutherland Highlanders. 2. Cap Badge of The Border Regiment. 3. Cap badge of the Northamptonshire Regiment. Badges collected by Robert H. Baron during World War One. Part of the "Robert H. Baron" No. 3596, and Cooper Collections. See Catalogue No. 1981P for details of Baron's Service.1. Silver, coloured metal cap badge. Design is pressed into metal. Depicts a circlet with "ARGYLL AND SUTHERLAND" inscribed. Cypher with interlaced and reversed "L". On the left of the cypher is a boars head and on right is a wild cat. Above the cypher is a coronet. All within a wreath of thistles. 2. Silver coloured metal cap badge. Design features a Maltese Cross over a laurel wreath and Order of the Garter Star. Battle honours of the regiment inscribed on the four arms of the cross. Centre of the cross has "ARROYO DOS MOLINOS 1811" inscribed. THE BORDER REGIMENT inscribed on a scroll below cross. 3. Silver coloured metal cap badge, design features a castle within a laurel wreath. Above castle is a scroll inscribed "Gibralter". Below the castle is another scroll inscribed "Talavera". On the base of the wreath is a scroll inscribed "Northhamptonshire".robert h. baron, cooper collection, cap badge, argyll and sutherland, border regiment, northampton regiment

Series of postcards, featuring Australian Troops who participated in the Victory Parade through London after WW1 on 3rd May, 1919.1. Troops marching past Australia House in London. Spectators lining the route. 2. Column of mounted troops and horse drawn artillery. Large monument in right background. Spectators lining the route. 3. Troops in uniform with arms shouldered marching along road. Spectators lining the route. 4. Troops in uniform with arms shouldered, marching along the road. Man in uniform on right is taking the salute. Uniformed police officer on right. 5. Troops in uniform with arms shouldered marching along road. Man in uniform on bottom right hand side taking the salute. Battle honours of troops attached to building in background. robert h. baron, cooper collection, postcard, london, ww1, victory parade, australian troops

This is the sixth in the series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P These photographs show the eclectic nature of this collection 1. Lance Corporal Albert Ali, 2518 48th Btn, most likely man on right, 2. 2nd Lieutenant Ernest Potter, 68, 38th Battalion 3. Robert William Scott, 3617 and Walter James Browning 3683 57th Btn 4. Grave of Captain Herbert Spencer Dickinson, 600, 57th Btn. KIA 25th September 1917 5. Ralph Edward Cheeseman, 3074 , 57th Btn 6. Jack Bass, 5038, 53rd Btn (most likely man on left) 7. Chaplain C company, 57th Btnpostcards, 57th battalion, edgar dawson dcm

Full name: Robert Sinclair John Mackay, POB Caithness, Scotland. Training notes: "B" is about bearings - navigation. "G" is for guard duty, "H" is for human frame with drawing and notes - skull to toes - bones. "H" is for hemisphere - finding north in north and south hemispheres. "M" Map reading. "Q" Quarter master rules. "R" Road Railway river recon report. "R" .303 Cartridge design and Ballistics. "R" - duties of an R.S.M. "S" - Stretcher drill. Syphilis, Gonorrhea. "ST" is for stables routine. "W" is for words of command, Ambulance formations. At the very back of the book, is a list of numbers in 3 columns. Mackay enlisted on 8.9.1914 No 907 in the 3rd Light Horse Field Ambulance, embarked for Eygpt 2.2.1915, embark for Gallipoli 25.10.1915, Hospital 21.11.1915 (just said “Disc”) while in Eygpt he is hospitalised again with Bronchial Pneumonia rejoin unit 2.4.1916, hospital 6.11.1916 with Bruised Thigh, promoted Cpl 18.2.1918, hospital 4.8.1918 with Catarrhal Jaundice, rejoin unit 14.9.1918, promoted Sgt in the field 29.1.1919, hospital 26.4.1919 (unclear), hospital 20.6.1919 with Fractured right Disc, embark for England 23.7.1919, RTA 4.1.1920, Discharged from the AIF 22.2.1920. Pocket sized address book which has been used as a Training Exercise book. The cover is made of dark buckram. Inside are sections labelled A - Z, with lined pages or each section. First page has written in pencil: - “CPL ROBERT S. MACKAY, 907 3rd L.H.F.A. 3rd L.H. Brigade, A.M.D. MOASCAR 2 Jnay 1918”.ww1, lighthorse, training notes, 3rd field ambulance

This is a poster advertising an art exhibition by the Warrnambool artist, Robert Ulmann. The exhibition was held in the Naringal Hall in November/December 1982. Robert Ulmann (1927-1999) was born in Zurich, Switzerland where he studied sculpture and painting. After living in Canada for some time he came to Australia in 1969. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River west of Uluru. He exhibited extensively in city and regional galleries and won numerous awards for his artistic works. His love of wildlife extended to his interest in the Southern Right Whale and he was greatly responsible for publicizing the annual appearance of the whales at Logans Beach in Warrnambool and protecting their environment. His studio in Warrnambool is still visited by many tourists. This poster is of interest as it concerns an art exhibition of the work of Robert Ulmann, a well-known Warrnambool artist of the 20th century. This is a sheet of white paper with black edging. It is an advertisement for a Robert Ulmann Art Exhibition. The page has a sketch of three birds with Robert Ulmann’s signature underneath. robert ulmann, history of warrnambool

This videotape has material related to the annual arrival in Warrnambool’s coast (mainly at Logan’s Beach) of Southern Right Whales. These whales come annually to the Western District coastline about May and stay until about October. and some calve at Logan’s Beach – hence the name Logan’s Beach Whale Nursery. The whales have become an important tourist attraction in the area. Most of the whales return to the area regularly and have been named from their particular markings. Wilma the whale was a great favourite and was seen about every three years in Warrnambool but is now appearing in other parts of Australia. The tape is dedicated to Robert Ulmann who was a well-known artist and conservationist in the Warrnambool region. He did much to ensure the whales received protection and publicity in the Warrnambool environment. This tape is now in an outdated format and will be transferred to a more appropriate form as the material in it needs to be preserved. The whale migration to Warrnambool is a significant natural history event and material from the 1990s is important. This is a videotape in a black case with a white label with black printing pasted on. The outer box is white with a white label with blue and black printing. An image of a whale is on the outer label. ‘Warrnambool’s Winter Visitors’ ‘Update 98 Wilma Returns 7thJune 1999’ ‘This video dedicated to the memory of Robert Ulmann’ ‘Canya Dantz perform the song, Warrnambool Whale Wash’ whales in warrnambool, robert ulmann

Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.1 images; digital file only; created from scan undertaken by EDHS of a set of 26 colour 10 x 15 cm prints arthur street, eltham, houses, jelbart property, john graves, kinloch gardens, rob maclellan, robert marshall, woodridge estate

Launch of the Kinloch Gardens development, 12 new double and triple storey homes along a private road in the gardens of Kinloch, a mansion set on 2.4ha in Arthur St. The launch was attended by Planning Minister Rob Maclellan and Nillumbik Shire president Robert Marshall, Architects Graeme Gunn and Ian Jelbart and approximately 100 guests.3 images; digital file only; created from scan undertaken by EDHS of a set of 29 colour 10 x 15 cm prints arthur street, eltham, graeme gunn, houses, jelbart property, jenny graves, john graves, kinloch gardens, robert marshall, woodridge estate

Robert and Ada Zull built an Alistair Knox designed house at 2 (lot 8) Metery Road, Eltham, a one acre property for their family of five in the mid 1960s. The cleared block is an expanse of dirt with wheel tracks, with trees and bush in the background and piles of rocks on the right hand side. Susan Bennett, nee Zull's reminiscences are published in EDHS Newsletter, February and April 2020. ".. the block was big.. Building the house was slow going. The plans had to be discussed, then drawn up, finance found, council permits obtained and labourers engaged. " This series of photographs together with the account of personal remiscences provide a unique document of the construction of an Alistair Knox designed home. Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.zull family, clearing, eltham south, 2 metery road, alistair knox

"Best wishes on the eve of his departure for the war from your old tennis mate, Private Robert Harris, No. 2073, 8th Reinforcements, 24th Battalion" Private Robert Jubilee Harris, printer of Kangaroo Ground, on the far right, was the son of Robert Charles Harris, printer and former editor of the Evelyn Observer which preceded the Advertiser. He embarked at Melbourne 26 August 1915 bound for Gallipoli and was killed in France, 19 July 1916. https://www.awm.gov.au/collection/P10238019 In the middle is his Uncle, Shelley Harris who later in life was the Ranger at Kinglake National Park 1936 'LIFE OF SERVICE', Advertiser (Hurstbridge, Vic. : 1922 - 1939), 19 June, p. 3. , viewed 03 Oct 2018, http://nla.gov.au/nla.news-article56842659 His brother Charlie Harris is on the far left. Their sister was Mrs H. Thomson.Digital file only - scanned by EDHS from item on loan aif, charles (charlie) thomas harris, charles thomas harris, charlie harris, first world war, honour roll, kangaroo ground, letters, lew howard collection, robert jubilee harris, shelley harris, william shelley harris, ww1

Was Gordon Ball's Great Great Grand Father who fought in the Crimean War, including the the Battle of Alma in 1854. He served for 11 years and 39 days. In the picture he wears from left to right, the British Crimea Medal 1854-1856, The Turkish Crimea Medal 1854-1855 and the Distinguished Conduct MedalPhoto mounted on cardboardFront - Talma Studio, Onehunga Reverse - For Jane from Father; Grand Dad Patterson; Hilda Bilston's Mother's Father My Grandmother; Mum's Father; He fought 11 years & 39 days without getting a scratch. Crimean was The Heights of Alma etc.; Robert/Wayne Ball Great, Great Grandfather

Robert John SUGGETT No. 378 38th Battalion Refer Cat No, 1647.4 for his service records.Portrait Photograph in cardboard mount - no frame. Black and white copy of portrait photographs - man in uniform coat. Right - bottom of photograph shows writing. "Sincerely Yours/ R J Suggett". Surrounding mount - cardboard, cream coloured.Handwritten on photograph - "Sincerely Yours/ R J Suggett". photograph, portrait, ww1