The Victoria Government Gazette 1910 1 Vol 140flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1910 1 vol 140, the victoria government gazette 1910, the victoria government gazette

The Victoria Government Gazette 1910 2 Vol 141flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the victoria government gazette 1910 2 vol 141, the victoria government gazette 1910, the victoria government gazette

The Victoria Government Gazette 1910 3 Vol 142flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the victoria government gazette 1910 3 vol 142, book, the victoria government gazette

Linton State School No. 880 was established in 1867 although it is understood that the building was not completed until about 1873.Somewhat grainy black and white photograph which shows the original Linton State School building with timber additions, and a picket fence. The date c1910 is given in the index to mounted photos.On back of mounted photo: "c 1910".linton state school no. 880, buildings

Bound copies of the Ballarat School of Mines Students' Magazine from 1910-1912 1911 - Hydro-electric Scheme for Tasmania - Wayne Krause 1912 - Mt Lyell Disasterballarat school of mines, alumni, hydro-electric scheme, tasmania, ballarat, mount lyell, wayne krause, krause, ferdinand krause, pyke's creek reservoir, pyke's creek reservoir excursion, excursions, pananma coal, pig iron, mount morgan, mount morgan old boys, mine salting, radium, safety cages, rifle shooting, oliver jager, oliver jaeger, o.e. jaeger, a. galloway, henry sutton, a.d. gilchrist, william baragwanath, virgil tucker, b .whitington, lim khoon fah, herbert hawkesworth, surveying, tuneneling, america, clays, floatation process, frequency changer, grampians, mt buffalo, mt feathertop, port pirrie, repatriation, scotsburn, scotsburn excursion, kalgoorlie school of mines, former ballarat school of mines students in kalgoorlie, kalgoorlie ore treatment

The photograph was donated by Rosemary Vaughan-Smith, a member of the Society. It is believed to be a photograph of the donor's mother.Oval studio photograph, artfully mounted on a rectangular board, of a woman in a bridal gown, surrounded by flowers. The bride is dressed in a layered tulle gown with an white overjacket. c. 1910.wedding photographs, rosemary vaughan-smith

The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will come in to him, and will sup with him, and he with Me".Pre-RaphaeliteFramed colour reproduction of the Light of the World.jesus, william holman hunt (1827-1910), pre-raphaelite, allegory, reverend alfred gurney goldsmith

Two pages with printed Woah Hawp Canton Mines N.L. letterhead, and handwritten section. .1) Certification of 12 tons of quartz crushed for Mr G. Barnett (signed J.M. Kerby) on Woah Hawp Canton Mines letterhead and dated 29 August 1910 .2) Certification of crushing yeilded 13 ounces of amalgam. (signed L.E. Trethowan, mine manager) on Woah Hawp No. 1 Gold Mining Company and dated 21 September 1910l.e. trethowan, j.m. kerby, woah hawp, woah hawp no. one gold mining company, woah hawp canton mines, chinese

Presentation by Field-Marshal Viscount Lord Kitchener of Banners presented by Her Excellency the Countess of Dudley to the Senior Cadet Battalions of the Commonwealth at Government House, Melbourne on 12th February 1910 at 3 p.m.world war 1914-1918, patriotic concerts -- melbourne -- victoria

The students used the bamboo to make whistles.Photograph of Miss Margaret Irving standing in the garden near bamboo circa 1910

historic, peoplePhotographic portrait, half body, of Christina Hitchcock of Grenville c 1910, in Edwardian dress.christina hitchcock, grenville

Created for the memorial service that was held on friday 20th may 1910, held in front of the shire hall in Heathcote to honour king edward VII who died on the 6th may 1910 at 2.30 p.m. this was arranged by the local ministers of religion at the request of the president and councillers of the shire of McIvor.Believed to be the only one in exsistence, after intesive research have been unable to come up with any information, from the shire, local churches or senior members of the community,only mention was in the Bendigo Advertiser newspaper.research in to archives further afield have not produced another.Piece of cream silk printed on face and inside, screen printed in purple and black ink on front and inside the order of service. details of all ministers of religion and shire dignitries as well as hyms sung. "McIvor Times" Print, Heathcote on left hand side below main print. in black inkvictoria, silk memorial booklet, king edward vii, 1910, heathcote, ministers, of, local, churches, shire, president, mcivor, times

Coach leaving Considines Hotel with the Winchelsea football team bound for Mt Moriac. circa 1910Alice Jeffries, Ernie Richmond.winchelsea, tennnis team, netball team, considines hotel, alice jeffries, ernie richmond, mt moriac, 1910, sports group

Black and white photograph (2 copies). Typed below one copy: "Bamford Bros. sawmills 1910". Typed below other copy: "Bamford Bros. Timber Yard. Cnr.Main St.and Warrandyte Rd. 1910". (Later became Safeway site). Image shows timber yards with men and horse-drawn vehicles outside buildings. Warrandyte Road on right leading to Kennedy's orchard.

Jubilee History of Kew: its origin and progress by FGA Barnard / illustrated. Hardcover original version with lower section of spine damaged. Cover includes the dates 1803-1910 and has embossed Borough (or Town) of Kew coat of arms at upper left. non-fictionFirst major history of Kew, Victoria by FGA Barnardkew (vic.) -- history, christian-washfold collection, fga barnard -- jubilee history of kew

Large book, blue leather hardcover + bound. Title and author on front cover and sub-title on spine. VICTORIAN YEAR BOOK / 1910 - 1911 / A.M. LAUGHTON / GOVERNMENT STATIST.

A tramway bridge under construction, 1910 Mr Hansen & Andy Negative Black white. Scanned at 600 dpitramway bridge construction curved hand winch mr hanson andy 1910

Memento or Memento - white cardboard slip over a blue box with lid and padding containing a glass stand containing an image of the first tram leaving Malvern Depot when opened in 1910 and the words "Malvern Tram Depot, Celebrating 100 years' 1910-2010 and the Yarra Trams logo"trams, tramways, pmtt, 100 years of trams, malvern depot, yarra trams, souvenirs

Mounted black and white image. William (or Richard?) Ching and team with horses and drays, creating water dam at Linton, 1910battery dam, dam building, dam workers, dams, horses, working life

Card was possibly sent by Bert Finlay to Albert [Bert] West. HistoricalSepia photo of 4 canvas tents with trees in background. 4 men standing outside each tent. Also a bicycle and items inside tents.Telegraph camp. Phillip Is. 5/12/10 With best wishes for a bright & happy Xmas 1910. From Bert F. Addressed to Mr A. West.Cowes P. O. Phillip Islandbert west, sepia photograph, camping, bert finlay

Black and white photographWritten on back of photograph, "Ringwood Railway Station. Taken on Arbor Day. 1910?"

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers

Black and white photographWritten on back of photograph, "Quamby" Nth. Rwd. 1910. "R.F.M. Photo" handwritten on frontagriculture

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers